Forever took us back to the days of Hitler on this weeks episode and our favorite stalker Adam made an emotional comeback.
It started off with a nurse questioning Abe about his parents medical history. He doesn’t have the answers because he doesn’t know who his parents are. All he has is a number tattooed from Aushwitz.
Henry is called to the scene of the murder, but instead of being intrigued by the dead man on the ground, he’s fascinated by a sculpture, which turns out to be the murder weapon. The victim Karl Haas is an art dealer, who owns all original paintings that were stolen by the Nazi’s in Germany. His father was part of the Hitler’s task force–an SS officer– who fled to the US after the end of the war and smuggled in all the stolen pieces. Their identifiable by a Nazi stamp on the back, which is also the imprint left of Haas’s head.
They bring in Haas’s son for questioning, but he admits he didn’t know anything about his family’s past. Henry finds another lead– one of Haas’s watches, which could only be repaired by a certain watch maker in Brighton Beach. The store owner admits that he gave Haas the watch as a present 2 days ago after he brought him an original painting belonging to his family. Turns out, Haas worked to fix his father’s mistakes, by returning all the stolen art to its rightful owners.
Blood from Haas window connects them to a man named Max Brenner, who’s ben dead for more than 20 years. How could the victim be murdered by a dead man? Turns out the string of DNA belongs to a man related to Max… Sam Brennner, also an artist who indulged himself in skinning animals to use their blood for art. Pretty gross if you ask me. Jo finds a painting inside his “studio” which belonged to Haas and he admits he’s been trying to get his family’s painting back for years, but Haas wouldn’t give it to him. So one day, he broke in and decided to steal it, but didn’t actually kill him. He did however hear him arguing with someone over the phone about a Rembrandt painting.
Phone records reveal the man on the phone with Haas the night of his death was Julian, a man working with the international action house. He shows Jo and Henry a safe filled with valuable pieces that did not have owners…. Henry realizes the Remberandt painting used a poison oak canvas which would leave skin irritated and Julian kept scratching when they were speaking to him. This pinpoints him as the main suspect. But when they return to the museum, Julian’s cleared out the whole room.
Jo figures the only way to steal that many antiques is to ship it the way the Nazi’s did… by boat. They stop all the shipments from the ports and it doesn’t take long to find the stolen one as it bleeds right onto Jo’s cheek. Inside, they find a tortured and dead Julian. The scene is pretty gruesome, but it reveals that whoever killed Julian is not the same person that killed Haas.
Much of the storyline this week connected with Henry’s past and his personal experiences with his father. Like Haas’s son, Henry also didn’t know his father– a good and honorable man was working with the slave trade. Money makes people do crazy things. But despite his disappointment with his father, he was there for him when he fell ill and passed away. That’s when it clicked that whoever killed Haas did it out of anger, but with love. He must have died with his eyes open, but he was found with them closed. Fingerprints from his eyelids point to his son. He admits it as an accident. He was upset with his father after getting a call from Julian and finding out the truth about the Nazi painting. His father had all these paintings that were worth millions of dollars, but never helped him out financially, even when he was struggling. Like I said, money is the root of all evil. But, he didn’t kill Julian.
So who did? Julian fought back and a piece of skin under his fingernail revealed the killer’s antibodies had diseases that don’t exist anymore. The realization finally hits Henry…. Julian’s killer is Adam, his stalker. Henry closed the case much to Jo’s disappointment. He knew there was no way he could reveal the killer was a 2000 year old immortal.
Adam was a central part of this weeks episode, making an appearance at Abe’s antique shop. Since Abe’s never seen Adam, he obviously didn’t know who he was an agreed to assist him with an antique he left behind. This was Adam’s goal all along, as the antique belonged to Henry’s family… better yet, his father. The two met up and Adam revealed, he didn’t want to harm Abraham. In fact, he was trying to help him, which first led me to the believe maybe he was his father. But that couldn’t be since he’s way to old for that. He slipped Abraham a book of records from Auschwitz so that he could finally identify his family. Despite being a psychopathic killer, the gesture was nice and gave us a very powerful scene that brought tears to my eyes. Everyone deserves to know where they came from. Maybe his gesture was to make amends? Why he would apologize, I’m not sure, but Abe makes a valid point– all of this means that once upon a time, Adam was also a victim. There has to be a lot more to his story. We know he was also in Aushwitz and was tortured for being immortal. Clearly, Hitler had an obsession with immortality. Is that why he became this evil person? And why is he sparing Abraham? Does he really just want a family? I can’t figure it out, but it definitely has me intrigued.
What I love most about this show is that all the cases connect to Henry’s history and a historical periods. It makes them that much more complex and interesting. And finding out everyones stories is also key to being able to understand them and their actions.. Case and point, Adam. Nothing makes what he does right, but it might allow us to understand why he does the things he does. I just can’t wait till Henry finally comes clean to Jo!
Photo Credit: ABC/Forever