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11 Best TV Shows to Stream With Your Tweens and Teens!

Credit: Netflix and Disney+



Finding the right show for pre-teens (tweens) and teens isn’t always easy. 

There’s a lot of content on network television and streaming services, but a lot of it doesn’t always fit the bill. Young adults also fall into this specific age range where they’re too mature for kid shows, but they aren’t ready to take on the more mature, adult shows being offered.

Instead, they’re wedged right into the middle craving shows that not only teach a lesson or send a positive message, but also explore the dynamics of relationships — both romantic and platonic — while remaining entertaining. 

It’s a tall order, but don’t worry, we’ve compiled a list of shows that fit the bill and give teens a good dip before taking the full plunge into adult content when the time is right.

Not only will the young adults in your family love these shows, but as an adult, you’ll like them too. Fun for the whole family is what it’s all about!


Baby-Sitters Club – Netflix (7+)

Netflix revived an oldie and a goodie — a book series you likely grew up reading and a movie you likely watched way too many times. You know and trust the series, which makes it the perfect starting point for our list. The series has kept up with the times by updating parts of the series that were outdated to young adults growing up in 2020. Throughout season 1, there’s great character development as each Baby-Sitter learns to find her voice, and the lessons on friendship and work ethic carry remain a welcoming constant. 


The Expanding Ashley Garcia – Netflix (12+)

The Netflix series is about a 15-year-old Latina robotics engineer with a Ph.D. who scores a job at NASA and moves into her uncle. Ashley Garcia can build a robot in her sleep, but she struggles with navigating the teenage experience and turns to a group of friends for help. The groundbreaking series embraces diversity and Paulina Chavez’s character is a prime role model for young women everywhere. 


Fuller House – Netflix (11+)

There’s a reason Netflix tapped into a Full House spinoff, and its because they don’t make wholesome family television the way they did back in the 90s. While Fuller House is a bit edgier than Full House ever was — a sign of keeping up with the times — but the series never strays from the cheesiness or the familial themes. This is a show that lays it on heavy when it comes to the life lessons, and we wouldn’t have it any other way. 


Locke & Key – Netflix (it depends but between 13+ or 15+)

With some horror-scenes, violence, and cursing, the supernatural series is definitely better suited for a more mature audience of 13+. The show is best for those looking for a thrill and an adventure, as the series is about three siblings who move into an abandoned house following their father’s murder and find a series of magic keys that unlock different possibilities and dimensions. There are themes of loss, fear, and bullying, plus, they’ve got to ward off the evil that lurks nearby.  



The Healing Powers of Dude – Netflix (7+)

The series, which focuses on an 11-year-old boy with an anxiety disorder, does a great job at tackling mental health from an early age. As Noah starts middle school, he gains strength and confidence with his best furry friend, Dude, who seems to be able to read his mind and knows exactly what his human needs at any given moment. It’s an uplifting show that touches upon empathy, kindness, and inclusion. 


Alexa and Katie – Netflix (8+)

Alexa deals with issues that many kids her age don’t — cancer. The story follows her adjustments to high school while undergoing cancer treatment. She’s able to have a positive outlook on life and remain enthusiastic thanks to her best friend, Katie, who is always by her side. If you’re looking for a show about true friendship and the power of being there for those you love, this is it. 


Raising Dion – Netflix (10+)

Dion is a second-grader who discovers he has superhero powers. His single mother tries to help him navigate the powers while shielding him from those who want to exploit them. As she learns about her husband’s death, she begins to investigate the origins of the powers. It’s a superhero show, so you’re in for some CGI fight scenes, but there’s no gore or blood! If you and your kid appreciate sci-fi, give this a whirl. 


Diary of a Future President – Disney+ (11+)

Female empowerment is at the core of this series as it teaches young girls they can be anything they want to be — even the future President — with a little perseverance and dedication. The focus is on 12-year-old Elena, a Cuban-American, who experiences the ups and downs of middle school, which is the start of her journey to presidency.


Carmen Sandiego – Netflix (5+)

Where in the world is Carmen Sandiego? If you remember playing this game back when you were in middle school then you already know it follows the global escapades of the superthief. In this version, she encompasses a more Robin Hood-esque, heroic persona as she steals and returns objects to their rightful owners. Her adventures are exhilarating and there’s a geography lesson packed into every episode! 


Family Reunion –Netflix (9+)

Moving to a new city is hard, and this series tackles that right from the getgo as the family moves from Seattle and settles into life in Georgia. From there it deals with themes of culture shock and Black experience in the past and present from the civil rights movement to Black Lives Matter. 


HSM The Musical Series – Disney+ (11+)

Yes, the series is loosely based on High School Musical, but it gives off Glee vibes as the series focuses on members of the drama club who are preparing for the school’s first production. There are definitely more mature themes including romantic drama and classmate rivalry, but that’s high school for you!  

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Lizzy Buczak is the founder of CraveYouTV. What started off as a silly blog in her sophomore year at Columbia College Chicago turned her passion for watching TV into an opportunity! She has been in charge of CraveYou since 2011, writing reviews and news content for a wide variety of shows. Lizzy is a Music Business and Journalism major who has written for RADIO.COM, TV Fanatic, Time Out Chicago, Innerview, Pop’stache and Family Time.

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Chicago Med

Did Dr. Zola Ahmad Leave ‘Chicago Med’ Already?



Did Dr. Zola Ahmad Leave 'Chicago Med' Already?

Chicago Med introduced a new third-year resident to the fold in season 9—Zola Ahmad played by The Wilds’ Sophia Ali.

Ahmad’s character was initially described as “impulsive” and a troublemaker who tends to cause “headaches” for her Gaffney Medical fellows, which we saw play out in real-time when her unconventional approaches rubbed Crockett Marcel (Dominic Rains) the wrong way.

Marcel tried to give Ahmad the benefit of the doubt on numerous occasions, and Sharon Goodwin (S. Epatha Merkerson) even acknowledged that she was taking a big chance by hiring her on a prohibitionary basis given her track record with previous hospitals—but ultimately, Ahmad’s behavior and decisions to overstep and not follow protocol got the best of her.

When Ahmad decided to declare a patient—letting the fact that he wasn’t a good man dictate her reasoning—dead prematurely (and then attempted to justify it), nearly killing him, Dr. Archer (Steven Weber) chose to suspend her. It was very obviously a fireable offense, so it’s a good thing that the series writers held her accountable. Plus, it seemed like the perfect chance for a teachable moment and a redemption arc, not to mention, there was definitely some chemistry with Ahmad and Crockett that could’ve been explored down the line. She had potential as a character at Med, if she just reeled it in a little bit—and that would’ve been interesting to explore on a more granular level.

However, by Chicago PD Season 9 Episode 9, it was over for Ahmad. 

Did Dr. Zola Ahmad Leave 'Chicago Med' Already?

CHICAGO MED — “A Penny for your Thoughts, Dollar for your Dreams” Episode 9008 — Pictured: (l-r) Sophia Ali as Dr. Zola Ahmad, Dominic Rains as Dr. Crockett Marcel — (Photo by: George Burns Jr/NBC)

The series seemingly listened to the Chi-Hards fanbase as Ahmad paid the ultimate price for her reckless decision; Goodwin very briefly (and in passing) informed Crockett that Ahmad was let go, something he called a “shame.”

And that was that. There was no further mention of it, nor is there any indication that she’ll return anytime in the future. Her final episode of the season was listed as Chicago Med Season 9 Episode 8—and it seems like she’ll just be a blip on the radar of the show’s long-running tenure. 

It’s a drastic decision for the series, especially after hyping up Ali’s character at the beginning of the season. Why wouldn’t they give her arc a proper conclusion? Many of the complaints from the fan base were that her character was written inconsistently—her intentions were good most of the time, it was the execution that suffered—and crammed into an already shortened season due to COVID, so they weren’t able to build her character up in a way that would’ve given her the necessary nuance; her portrayal was overly negative and it was hard to defend her actions or keep her around when each week, she was pushing buttons and creating unnecessary issues without having the tenure to excuse them or back her up, like her predecessors Will Will (Nick Gehlfuss) and Natalie (Torrey Devitto). When those two acted irrationally back in the day, they had a history with Med and Goodwin that allowed them to stir the pot. 

It seems that the writing was on the wall for Ahmad from the get-go—the lack of good character development in the writing sealed her fate prematurely and gave fans whiplash with her quick arrival and departure. 

Would you like to see her return to the series?

Vanessa Morgan Is Finally Getting the Recognition She Deserves With ‘Wild Cards’

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Walker Season 4 Premiere Review – The Quiet



Walker Season 4 Premiere Review - The Quiet

Walker returned to The CW for its 4th, and, likely final, season. 

Despite a 5-month time jump, the focus remained on serial killer Jackal, whom Walker and Trey were pursuing at the end of season 3, and the suspect that previously drove Cap. Larry James into a tailspin, effectively ending his marriage to Kelly before fate gave them another shot. 

Only this time around, Larry’s wife, Kelly, asks Cordell not to drag her husband down this road again—a promise he intends to upkeep, though, knowing Larry, he’ll figure out that his rangers are up to something and have no other choice but to get involved, especially since Trey’s tip for a detective reveals that Jackal, whose trail previously went cold for several months, is gearing up for “something big.”

This will be the overarching mystery of the season, while other weekly cases will also see our rangers getting into plenty of shenanigans, as they did with their pursuit of the Delmonico brothers. Also, props to all of them for taking part in a steak-eating competition and then jumping into a raid. It was bold of them, but it’s how Cordell wanted to spend his birthday, so I’m glad that despite the best-laid plans being uprooted, he was still able to feel the love from those around him.

A lot seems to have changed in the past five months, as evidenced by Walker and Geri’s steamy hook-up. Even when everything is going wrong, we can have faith in their love being a constant, which is what fans have been hoping for since season 1. 

There’s also Cassie, who blows back into town after taking a lengthy leave to go work for the FBI. She’s back with a newfound confidence about her abilities on the job, but she’s also struggling with a personal decision as she’s been offered a spot at Quantico, which means further uprooting her life and leaving behind her loved ones, er, Trey. 

Yeah, Trey and Cassie kind of addressed the elephant in the room—their feelings for each other—but neither of them was honest about it, so we’ll likely get something more truthful and heartfelt in the near future. 

Another lingering storyline is the break-in at Geri’s place that rattled Stella to her core. She hasn’t been the same since shooting and killing Witt, and it’s likely because she also lied to the police about having met him before. The officer who called her and Liam in over a “breakthrough in the case” said that the case was closed due to lack of resources, but the way he watched Stella sign the paperwork (and questioned if that’s “all she knew”) makes me uneasy—there’s definitely more to this storyline. What does he know that he’s not letting on?

As for change, I think that in the midst of all the “I’m Walker, Texas Ranger, you’re under arrest” in case you needed the reminder, we’re also continuing to see Cordell as a flawed human and a father coming to terms with the fact that he’s about to be an empty nester. It’s the next phase of his life—and one that brings about plenty of concern over the “quiet” that will allow his dark thoughts to flourish. Hopefully, Geri will be the light to cut through all of that. 

What did you think of the episode?

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Wild Cards

Vanessa Morgan Is Finally Getting the Recognition She Deserves With ‘Wild Cards’



Vanessa Morgan Is Finally Getting the Recognition She Deserves With ‘Wild Cards’

I meant to write this post when Wild Cards first premiered on The CW, but time got away from me, and before I knew it, the season finale of the series was upon us! 

I’m not a huge fan of The CW’s decision to axe some of our favorite shows in its rebrand, but what does ease the pain of losing the likes of Nancy Drew is the addition of promising shows like Wild Cards

To be quite frank, Riverdale never did Vanessa Morgan much justice. She amassed a huge number of fans, who were mostly hoping to see her character Toni reunite with on-screen love interest Cheryl (played by Madeleine Petsch) in the later seasons, and while she was seemingly considered one of the “core” characters, she rarely got the storylines she deserved.

We knew she could act—but Wild Cards shows us the depth of Morgan’s talents. It lets her shine, dominate, lead,  and even carry the series, opposite her on-screen partner and potential future love interest, Giacomo Gianniotti’s Ellis. 

Morgan delivers with the role of Max, a whip-smart and very charismatic con artist who utilizes her special skillset to help a “down in the dumps” maritime officer get his mojo back—and, spoiler alert if you’ve watched the season finale, his badge and desk back. 

Despite his initial hesitation with the idea of her joining the force as a consultant, even Ellis comes around, amazed by her abilities and the way she’s able to navigate every crime scene and follow the leads to produce results.&nbsp

The two grow very close over the course of the season’s 10 episodes, largely due to Morgan’s delightful on-screen persona and presence. Even when it’s not clear whose side she’s really on (is she fully on board with helping the cops or does she have a larger-than-life plan up her sleeve to pull off her greatest con yet and help her dad George—90210‘s Jason Priestley—snag a “get out of jail free” card), you find yourself drawn to her and rooting for her because of her likable personality. 

Vanessa Morgan Is Finally Getting the Recognition She Deserves With ‘Wild Cards’

Credit: The CW

The series not only gets us invested in Max’s character—learning about her past—and what it entails for her future, but we also find ourselves rooting for Max and Ellis to finally get together… or even test the boundaries of that electric chemistry that they share (a moment that is, sadly, ruined when her husband Olivier (Dewshane Williams) blows into town). 

And it’s the mystery of Max that has all of us begging The CW to renew the series for a second season. We need more Max. We need more Ellis. We need more Morgan and Gianniotti. And we need answers. The good news is that Morgan told TVLine that season 2 of the quirky crime procedural is “very likely,” and trust that we put all our faith in her. 

As for the answers I mentioned we need, well, we need to know who killed Ellis’ brother, a murder that was the catalyst for him to get knocked down from his detective responsibilities in the first place. When he met Max, he was in a hard place, still trying to pick up the pieces of his brother’s death. And though he’s come a long way, surely, the fact that he can crack this specific mystery is one that he won’t be able to pass up. 

At the end of the finale—spoiler alert, again—Max convinced the authorities to help her pull off a heist that was two years in the works, hoping to frame her estranged husband Olivier after he steals a $33 million egg (he’s the one who betrayed her dad and landed him in prison), lessen her father’s sentence, and restore Ellis’ badge. However, there was a piece of the plan she didn’t share with Ellis—she swapped the real egg for a fake egg, and hatched a plan to disappear forever alongside Ricky and her millions. 

She didn’t expect Ellis to figure it out, though, this was one of the weaker points in the episode because she should’ve known him better than that by now, but she figured she’d be halfway across the country and it wouldn’t matter. What she didn’t anticipate in her plan is that Ricky, who was transcribing incriminating recordings from the mob as part of their safety-net policy, would find something on the drive about Ellis’ brother, namely, who murdered him. 

It’s at this moment that we see the biggest change in Max. She’s not the same person she was when the series first started. Her skills have become more valuable to helping than stealing, and she’s grown to care about someone other than herself and her father. She can’t, in good faith, leave with this knowledge and leave Ellis hanging. 

And that’s where we leave off—a promising cliffhanger on a promising series with two very promising leads. 

Your move, The CW.

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