No matter who you are and who you love, you certainly know the iconic LGBTQ+ TV characters like Grey’s Anatomy’s Callie and Arizona or Schitt’s Creek’s David and Patrick.
But since Pride month is finally here, we figured why not list off some of the lesser-known LGBTQ+ characters that are equally as powerful.
And maybe you’ll find some new queer TV shows to watch along the way.
1. Fran- Shrill
Simply put, Fran’s a Sagittarius queen on Shrill. Although not always that way, Fran successfully depicts the internal challenges of coming out in an immigrant family. Raised in a traditional Nigerian family, she’s had to suppress herself during her early years, but once she felt ready to come out, her entire personality blossomed into the Fran we know and love.
2. Levi Schmitt- Grey’s Anatomy
When Callie and Arizona left the show, there was a gay-ping hole that needed to be filled. Thus, Levi Schmitt was born. His storyline might not be as prominent as his predecessors, but his characterization has since grown, and he’s made his own place in the Grey’s Anatomy family.
3. Edie Palmer- Almost Family
Sadly, Almost Family was cut short. But Edie Palmer’s character showed the struggles of coming out later in life in the midst of a marriage with a man. We’re sad we didn’t get to see the evolvement of her story, but if you haven’t seen the first season, make sure to add it to your list.
4. Gael Martinez- Good Trouble
It’s a rarity for a show to portray a bisexual man, but it’s so important. Gael on Good Trouble is suave, sexy, and totally comfortable in his sexuality. Coming from a traditional Latino family didn’t make his coming out particularly easy, but with the support of his sister and friends, he’s able to find his way.
5. Maggie Amato- Younger
Maggie on Younger is the OWL (old wise lesbian) that every queer woman aspires to be. An artist and a true OG of Brooklyn before it was totally gentrified, she’s not tied down to anyone and prefers to play the dating field of NYC. Because who wouldn’t when they’re surrounded by the largest pool of datable women?
6. Titus Andromedon- The Unbreakable Kimmy Schmidt
The diva that steals the show, Titus on Unbreakable Kimmy Schmidt is the stereotypical flamboyant gay man. Somehow managing to survive in NYC as an aspiring Broadway performer. He may not give off the “straight” vibe Broadway wants from him, but his wardrobe is certainly better.
7. Abbi Abrams- Broad City
In Broad City, the show explores the fluidity of sexuality effortlessly without putting a huge emphasis on labels. Both leads date men and women, but Abbi’s understated coming-out moment mirrors the actress’s own personal experience.
8. Darryl Whitefeather- Crazy Ex-Girlfriend
In this fun and musically driven show, Crazy Ex-Girlfriend does an outstanding job including multiple queer characters into its small cast. Darryl Whitefeather is an older man, who discovers he’s bisexual early on in the first season after he divorces his wife and finds he has feelings for White Josh.
9. Rhonda Johnson- Blackish
Rhonda’s not a series regular, but she does show up on the occasional episode of Blackish. She’s able to keep her sexuality a secret from her family for so long, that Dre, her brother, doesn’t totally believe she’s gay. Until he realizes that her–roommate– is actually her partner.
10. Victor Salazaar- Love, Victor
Love, Victor is a coming-of-age show set in the same universe as the movie Love, Simon. This time centering around, Victor, a Latino boy whose traditional parents aren’t as accepting of homosexuality. With its Season 2 coming out in a few days, the emphasis will on the family dynamic after Victor comes out.
11. Dani Clayton- The Haunting of Bly Manor
In a beautifully written show about love and loss, set against the backdrop of a mild thriller, The Haunting of Bly Manor stories Dani as she grapples with her sexuality after an incident that leaves her haunted by her past.
12. Lionel Higgins- Dear White People
Lionel from Dear White People is an important representation for Black gay men. Homophobia’s not something he often faces, instead his own flaws inhibit his dating life. However, he doesn’t need a relationship to distract from his three-dimensional characterization.
13. Frankie Coyne- Workin’ Moms
Workin’ Moms is a comedy that depicts the realities of motherhood. One of the series regulars, Frankie, struggles with postpartum depression, ultimately leading to a split with her wife. She navigates singledom, dating women here and there, while also trying to build her real estate career.
14. Toni Shalifoe- The Wilds
When The Wild’s dropped on Amazon Prime, the characters were easily lovable. Especially Toni, with her spitfire and confident personality she won over many gay hearts. She’s out and proud, and doesn’t let Shelby’s homophobic tendencies take her down.
15. Mae- Feel Good
In this comedic series that draws on the comedian Mae Martin’s real life, Mae is a drug addict who is having a hard time with sobriety as she’s too focused on her new relationship with her closeted girlfriend.
16. Elena- One Day at a Time
Elena’s the social justice warrior of the family in One Day at a Time, and figures out she likes girls early on. She comes out to her family and the different generations seem to handle it differently, but it doesn’t stop her from being herself.
17. Eric Effiong- Sex Education
With his impeccable fashion that is sometimes gender-bending, Eric on Sex Education shows that you can be gay and actively religious. And despite the teasing he endures at school, he doesn’t stop being proud of his identity because he’s already been in the closet and it was dark and lonely.
Please comment below with any characters that you think should be on this list!
Who Is Rhys Montrose on ‘YOU’ Season 4?
YOU Season 4 introduced a plethora of new characters as it revamped the series with a murder mystery format.
*Warning – stop reading if you haven’t finished YOU Season 4 – Spoilers Ahead *
The shakeup made sense considering Joe Goldberg (Penn Badgley) uprooted his life following the fiery events in Madre Linda that killed Love Quinn and started over in London, assuming the identity of Professor Jonathan Moore.
Rather quickly, he got pulled into an elite group thanks to his co-worker and neighbor, Malcolm Harding (Stephen Hagan), who was the season’s first victim. Joe/Jonathan naturally despised Malcolm’s group, though he did find Rhys Montrose (Ed Speleers), an author running for Mayor of London, to be a bit of a kindred spirit. They came from the same broken background and shared many of the same views.
As the first half of the season unraveled, Joe sought out advice from Rhys on a handful of occasions, engaging in plenty of long heart-to-hearts with him, so it was kind of shocking when it was revealed that Rhys, as audiences have come to know him, was never real.
Rhys Montrose existed, yes, but he was never friends with Joe, nor was he the Eat the Rich Killer. The version of Rhys that Joe bonded with was a hallucination conjured up by his subconscious to protect himself and eliminate his darker, more deranged thoughts.
For much of the season, we saw Joe desperately trying to set himself free from Rhys’ grasp. At first, he saw him as public enemy #1, who somehow figured out Joe’s real identity and roped him into a murder spree by threatening to frame him for the deaths if Joe refused to participate.
However, once Joe realized that Rhys was a figment of his imagination, he began to look for ways to silence the evil little voice forever, while also trying to figure out a plan to cover up the death of the real Rhys Montrose.
Joe was tasked with killing the mayoral candidate, who he assumed at the time was the Eat the Rich Killer, by Kate’s (Charlotte Ritchie) father, Tom Lockwood. When he arrived at Rhys’ secret countryside hideout and tied him up, he was infuriated that Rhys claimed not to know who he was, nor would he admit to kidnapping Marienne (Tati Gabrielle). Eventually, Joe’s rage and anger took over, and he “accidentally” killed Rhys, which is when fake Rhys showed up and revealed that Joe was having a semi-psychotic break.
In the end, Joe’s suicide attempt ensured that his hallucinations were forever gone, though he did embrace the darkness he was trying so hard to snuff out, making him more dangerous than ever.
As for the real Rhys Montrose’s killer, he pinned it all on poor Nadia (Amy-Leigh Hickman), a fan of Rhys’s from the beginning, who flew too close to the sun in her attempts to bring down Joe Goldberg. If only she just listened to Marienne’s advice.
A huge congrats to the YOU team for pulling off yet another jaw-dropping twist, and to both Badgley and Speleers for completely immersing themselves in their dual characters.
YOU Review – Best of Friends (406)
Just when you thought you figured out where the season was headed, YOU pulls out the rug from under you yet again.
I’m definitely starting to feel the whiplash that Joe/Jonathan must be feeling right about now.
Things have gone from crazy to crazier rather quickly, as Rhys unveiled his true plan—along with how Joe is involved—while Joe came out victorious in front of the elite group once again, and all while a new suspect started piecing things together and realizing that Joe knows way more than he’s led on.
While Joe spent numerous hours trying to figure out a plan to get close to Rhys, Rhys just appeared at Joe’s place one night without so much as lifting a finger. Joe may think he’s the invisible one in the city, but for a man who’s so well-known and loved, Rhys seems to get around without anyone noticing.
And he made the rules of the game very clear—either Joe finds someone to frame for all the deaths or he goes down as the Eat-the-Rich killer, which isn’t exactly ideal. A little incentive goes a long way, so while Joe tried to distance himself initially, he couldn’t shake the desire for self-preservation and took the bait. He took the task rather seriously as it was either kill or be killed; he knew someone had to go down for it, but it had to be the right person.
With time running out, he genuinely began to consider Connie, but despite being an irrelevant character, he couldn’t justify pinning it on someone who was struggling with addiction and trying to turn their life around. Connie wasn’t a threat to anyone, except for maybe himself, so Joe couldn’t justify destroying his life.
But Dawn, well, she fell right into his lap. The few times we saw her snapping photos of the elite, and focusing on Joe–including when she spotted him at Rhys’ mayoral rally—I was convinced that she recognized him from his previous life. And that seems to be what the series wanted me to think so that they could pull a fast one on us because when Dawn pulled Phoebe aside to a “safe room” to keep her protected from the killer, it was revealed that Dawn was just an obsessive stalker who was connived that she was friends with the elite, Phoebe in particular. Dawn was a threat to a lot of people, so Joe took advantage of it. He framed her by planting Simon’s ear in her belongings, and since no one would ever believe a word she said over Phoebe’s accounts of what happened, Dawn couldn’t prove her innocence. Plus, she made an ideal suspect since she was at nearly every single event where a murder occurred as she was stalking the group. I mean, it couldn’t have been any more perfect if Joe had tried to plan it himself.
However, his heroics did raise some questions from Nadia, his student and the lover of all murder mysteries. She noticed that Jonathan seemed to be at the center of every single scenario, oftentimes being championed as a hero, though he’s not actually connected to any of these people in any meaningful way. It’s a dangerous thing to play detective, especially when you’re setting your sights on Joe Goldberg. Jonathan seems to like Nadia, but if she threatened him, I don’t think Joe would hesitate to take her down. Self-preservation is his M.O., remember?
Once Joe thought he finally got Rhys off of his back by framing Dawn, he decided to give into his desires and pursue a relationship with Kate. Honestly, Kate makes some really poor decisions, starting with just accepting Jonathan for who he is now and promising never to ask questions about his past. She wants someone to see her for who she is in the moment so badly that she’s letting logic take a backseat. Why would someone want to deny their past so badly unless they did something truly unforgivable? Kate wants to shed her past because of her connection to her father and she thinks that makes her and Jonathan equal, but they are not the same.
By the time she realizes the truth about who Joe is, it might be too late.
As for Rhys, did Joe think he was really going to get rid of him that easily? Rhys has always wanted a friend to help him get to the finish line so to speak. He believes that they are the same, so he wasn’t going to just let Joe slip away.
And while his motive wasn’t evident at first, he seems hellbent on taking out those who don’t deserve their success and wealth. The three victims, Malcolm, Simon, and Gemma, all threatened his mayoral run in some way, so they were taken care of, and now, he’s setting his sights on the ultimate villain–Kate’s father. She may have a complicated relationship with her tycoon dad, but I don’t think Kate would ever want to see anything bad happen to him, let alone at the hands of the man she’s in love with.
However, Rhys doesn’t seem to give Joe much of a choice as he still holds all of the cards. One might think that Joe could just handle this in the same way he always does, but well, you can’t just try to kill a killer. He’d see that coming from miles away. Joe needs to be strategic and deliberate in his plan, so for now, he has to play along. I, for one, am curious to see what all the hubbub is about Kate’s father–is he really as terrible as she makes him out to be?
As for Rhys, what is the catch? Fans were disappointed with the first half of the season since his reveal as the killer was obvious—and his motives, including his desire to kill Kate’s father–are exactly shocking or game-changing. What are we missing?
What did you think of the episode?
What Time Does Netflix Release New Shows?
Netflix has become one of the most popular ways to consume new movies and TV shows.
The streaming giant has not only dominated the TV and movie landscape but it’s changed the way content is released.
While primetime TV still adheres to a weekly episodic release schedule, Netflix—and many of the streamers that followed—adopted the idea of dumping a full season on fans, creating a binge-watch model.
Most Netflix Originals are released in bulk, with the full episode order arriving at one time. A handful of shows, most recently Firefly Lane and YOU, has been split up into two parts—with the first half arriving a few months prior to the second half of the season, which definitely helps build up some anticipation and makes for more digestible viewing.
Of course, as you anticipate new seasons and episodes of your favorite shows, you naturally want to know what time they are going to premiere.
The good news is that Netflix’s release times are pretty standard for original TV shows and movies.
All titles are typically released globally at 12:00 a.m. Pacific Time, which is 2:00 a.m. Central Time and 3:00 a.m. Eastern Time.
Netflix noted that some titles are considered an original in one country but not in another, and in that case, if they are premiering in a country where it is a licensed title, it will premiere at 12:00 a.m. local time.
However, when it comes to those big-name shows like Outer Banks or Stranger Things, it’s safe to say that all episodes will be loaded in late in the evening, so you can either stay up and binge-watch or take the day off and squeeze them in bright and early!
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