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Angel the Series: Why The Series is The King of Found Family Shows

Angel the Series/ The WB

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Spoilers for the entirety of “Angel the Series” below

Angel the Series

Angel the Series Season 5

Everybody wants to be a part of something; a team, a club, a gang, a family. It’s human nature to want to connect to others, and yet rarely in life does a person happen upon that perfect blend of acceptance and love that they seek.

But we can find it on television!

There is a long history of television shows that feature “found families,” better known as groups of people that aren’t related by blood but through experiences. These groups bond over time and create close-knit units that resemble a family.

There are many examples: Cheers, Friends, The Office, Buffy the Vampire Slayer, crime procedurals like Law and Order, even Scooby-Doo! All of these are series about a group of people who find each other and create that perfect unit that understands and accepts you in a way that you can’t find elsewhere; a place where everybody knows your name.

Cheers/NBC Universal

Cheers NBC Universal

I find, however, that as ironic as it may seem, found family shows rarely reflect the nature of what actually being a family means. I suppose this is only natural considering the escapist nature of many of these shows, but still, sometimes I find shows touting the values of family without diving into what it really means to be one.

These series show internal conflicts and arguments within each group to test the limits of their bonds. Sometimes characters disagree with each other, lie to each other, or say hurtful things, but an overwhelming amount of these conflicts get resolved with an apology and a hug.

Buffy exemplifies this idea several times throughout its run, most notably at the end of its fourth season. The core group of friends, Buffy, Willow, and Xander have a huge argument, but soon after come together and hug it out. A few scenes later they, quite literally, become one greater being to defeat the big bad of the season heavily symbolizing the nature of their relationship. They are stronger as one unit, and they will always be there for each other.

Our real families don’t always get along this well or reconcile so easily. These series provide ideal units that always stay together when their limits are tested, but real-life families don’t just test the limits of their bond, they break them. Therefore, the harsher a show attempts to break a family apart, the further a show can dive into what it actually means to be one. No show breaks limits like Angel the Series.

Angel, like so many other found family series, takes a group of outcasts and brings them closer to each other through their adventures and experiences until they consider each other family.

Angel, a vampire with a murderous past who is attempting to redeem himself after gaining a soul, is at the center of the group. He hires Cordelia, an aspiring actress, Wesley, an expert on all things mystical, and Gunn, a vampire hunter from the streets, to help him fight monsters and save lives in the city of Los Angeles. As their adventures progress, they create the standard television “found family” (which will eventually also include Fred, a brilliant scientist, Lorne, a demon who can read your aura when you sing, Angel’s son, Connor, and Spike, basically Angel’s vampiric brother).

Angel goes so far as to make this overt by having Angel claim he is Cordelia’s family at the end of season one, with her returning the sentiment in the closing moments when she urges Angel not to be embarrassed for drinking some blood in front of her; she doesn’t judge his vampiric needs because they are family. They’ve had their ups and downs, sure, but in the end, they are there for each other.

Angel

Angel Season 1 “The Ring”

That is until Angel fractures the family by kicking everyone out of his house. Angel is separated from the group for half of the second season, and when he does finally apologize and return, he is only allowed back into the group if he agrees to take a secondary role to Wesley.

While Angel is forgiven, the way he broke their trust isn’t forgotten and several comments are thrown at Angel regarding his lack of familiarity with the current unit. From this point onwards, Angel never fully regains Gunn’s trust as a friend, and due to Wesley’s position as the new leader, he and Angel have a building conflict that erupts when Wesley, trying to avoid a terrible prophecy, kidnaps Angel’s newborn son, Connor.

The series continues to push these people into situations where the absolute worst parts of them aren’t just exposed but personified. After the kidnapping, Angel doesn’t just threaten to kill Wesley, he attempts to. Gunn commits murder against Fred’s wishes, breaking her illusion as to who he is and what he is capable of. Connor, after growing up in a hell dimension and developing many personal demons, drops his own father into the ocean in a metal crate.

The team willingly releases Angelus (Angel’s murderous past self) to help them defeat an all-powerful beast. This series has a much less overt “we are family” message, and instead develops a subtle allusion to the fact that these people consistently use their demons to solve problems.

Angel

Angel Season 5 “Power Play”

And who better to let your demons loose on than your family? There are moments that happen between families that are so ugly we’d only ever let them be seen by our families. Sometimes these actions lead to apologies, often they don’t, and even more often those apologies lead to the cycle repeating. Angel may be a show about literal demons but the parallels we can draw to our own lives make it a series that anyone can relate to, especially those audience members who have wished their families were a bit more perfect.

Angel himself wishes his family was more perfect. While at the bottom of the ocean (he’s unable to die due to his vampire superpowers), he passes the agonizing time by fantasizing about the perfect family dinner, which includes him and Cordelia happy, Gunn and Fred together, and Wesley back at the table – he’s sharing a meal with the people he loves. It is a scene directly out of any other found family show. But here, like in reality, this family is a fantasy.

Angel

Angel Season 4 “Deep Down”

When Wesley pulls Angel out of the ocean, there is no reconciliation. He drops Angel off with the rest of the group and immediately retreats. When Angel comes face to face with Connor, they argue and fight, and the scene ends with Angel saying, “I love you, Connor. Now get out of my house.”

None of these scenes feel good to watch. Unlike so many other found family shows, Angel doesn’t provide its audience with the comfort of family, but the reality of it. It doesn’t always feel good to be part of your family or the one you’ve chosen. Families get angry and livid. After all these events, the characters in Angel harbor feelings towards each other that bend quite a ways away from love. Some of them not only dislike each other, they actively can’t stand one another. Trust isn’t a given, and they hit each other much more than they ever hug each other.

Angel

Angel Season 4 “Soulless”

Yet the love and commitment within this group prevails. Despite Angel threatening to kill Wesley if he returned, Wesley still spends months searching the ocean for Angel. Angel still loves Connor while knowing that Connor wanted him to suffer for eternity. In the final season, the team still accepts Gunn after he makes a decision that results in Fred’s death. The acceptance of these crushing low points and the choice to love in spite of them is what separates Angel’s family from the rest. The past is never forgotten, and in many cases not even forgiven, but this only proves their strength as a unit. Despite the disastrous team they have made and despite the wedges that have driven them apart, they still stand together. If none of those horrible conflicts could tear these people apart, well, nothing can.

Audiences, myself included, watch these found family shows for escapism. We enter a blissful place where everyone is loved and conflict pushes people closer together instead of pulling them apart. Angel reminds us that’s not how real life works. Sometimes we make each other suffer.

By not pandering to our fantasy, Angel creates a refreshingly realistic portrayal of family and proves how powerful your own family unit can be even with all its imperfections, providing a better perspective on the families we have in real life. This is why Angel is the king of found family shows.

The final scene of the series shows four people, most of whom at some point have tried to kill each other, standing side by side in the rain. They aren’t a perfect unit and they aren’t about to become one being, proving how strong their bonds are. Instead, they are four flawed individuals with their own goals, own beliefs, own morals, and own reasons for being there, who still choose to stand side by side in the rain, ready to fight and die together.

Angel

Angel Season Five “Not Fade Away”

If that’s not a family, I don’t know what it is.

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Editorials

Found Season 1 Episode 10 – Missing While Indoctrinated

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Found Season 1 Episode 10 Review Missing While Indoctrinated

M&A suffered minor setbacks on Found Season 1 Episode 10 when the team’s license was revoked following Melissa’s death, with Mallory egging on the narrative in the media. 

That, however, didn’t stop Gabi in the slightest—it fueled her to do what was right by Tony despite everyone trying to push her away from the case, including his father, who didn’t trust her after Tony was shot while trying to save Matthew from being turned over to sex traffickers. 

Tony’s father’s reaction was understandable considering he was just trying to do the right thing for his son—and the right thing wasn’t exactly clear in this situation—but when the cops showed up mere moments after Tony opened his eyes from a monthlong coma and placed handcuffs on him, it was clear that he didn’t have much of a choice. If he wanted to help his son, he needed to place his trust in Gabi’s hands. 

Gabi naturally went above and beyond to ensure a good outcome for Tony, yet he was also reluctant to help her out. Tony didn’t trust anyone, especially Gabi as he, too, blamed her for accidentally getting shot, so it wasn’t exactly a surprise when he used the bathroom excuse to give them the slip. 

The investigation hit much closer to home than Gabi initially anticipated, but being forced to confront her past so head-on is ever so slightly helping her work through the trauma she endured. And most importantly, she can put herself in the shoes of the victims, knowing exactly what needs to be said or done to assure them that she’s on their side. 

In an attempt to find Tony, they brought in his estranged mother, who admitted to being scared of her son and wanting nothing to do with him in order to protect her two other children. It was actually heartbreaking to witness her stance toward Tony, however, Matthew’s mom managed to persuade her to stand by her boy and not give up on him. Despite Tony’s involvement in Matthew’s kidnapping, she was able to forgive him when he stopped by with an apology, realizing that he was just a good boy who was being taken advantage of, and who was also lost and scared. 

M&A figured that it was possible that Tony was trying to get back into the game and recruit other students when he returned to school, yet that didn’t track with his apology tour. And it turns out, he was at the school to get revenge on those who ruined his life, namely Finn, the one who recruited him and straight up lied to Gabi’s face, along with the principal, Chloe, who prided herself on lowering the truancy rate. It wasn’t overly obvious that she was involved, but there was something off about her from the start. Not to mention they always say that kidnappers tend to be someone you know and trust, and aside from parents, kids trust their teachers and friends the most, so it tracks. 

Gabi got very emotional when she figured that one of the teachers at school might be responsible, even before pinpointing Chloe as the one leading the trafficking ring (who, after her arrest, sang like a canary, according to Trent), and it led to one of the biggest revelations about Sir to date—he was her English teacher. 

I’ve always suspected that he knew Gabi in some shape, way, or form prior to her kidnapping as it couldn’t have been random, and this makes so much sense now, especially all of their forced literature discussions. The clues were always there. 

Gabi was having additional flashbacks throughout the episode that involved a girl who tried to help her. The girl first knocked on the door having claimed that her car broke down, however, she later returned to promise Gabi that she would get help. In a follow-up flashback, Sir informed Gabi that he took care of the girl who was threatening their future, and Gabi pieced two-and-two together and realized it was Sir’s previous victim, Annie, who was also one of his former students. Annie risked her life to come back and offer her help, but she was never seen again. And since then, Gabi has been looking for Annie, promising Sir that it’s the last piece of the sick saga before she ends it all. Sir insists she won’t find Annie because he didn’t kill her, but Gabi isn’t listening to a word he says. Of course, this sparks curiosity as to what actually happened to Annie as there’s a chance that Sir is telling the truth. 

As Gabi tries to heal, she’s also caught in the constant cat-and-mouse game, holding Sir prisoner and trying to make sense of the trauma he inflicted on her, all while doing the exact same thing that the monsters she despises are doing. She may be ridding the world of an evil man, but he also brought up a fair point when questioning why Gabi didn’t feel like he was worthy of redemption as some of the other people she’s dealt with. 

Obviously, this case is the most personal to Gabi, and she views him as the worst man in the world, so she doesn’t consider there to be any good in him, but we know that monsters aren’t just born, they are made. His cruel mother, who was abusive to him during his childhood, made him this way, and while that’s no excuse, it’s something I do hope the writers dive into deeper. 

As for Gabi, there’s no getting rid of this pressure, which means she can’t open herself up to love from Trent, who is there, patiently waiting and willing to be with her at the drop of a hat. He loves her, even when she’s being exceptionally cold and rude to him, because he cares about her—and he made sure that she knew he wasn’t going to apologize for that. Thankfully, she apologized to him for the way she’s been treating him before suggesting that he get his job back at the DCPD because they need him as “he’s one of the good guys.” Being a cop, a good cop, is his purpose and all that he’s ever wanted, plus it will help them in the long run. 

Gabi may have landed a win with Tony’s safe return in the loving arms of both his parents (yes, his mother came around finally), all the people she saved rallying behind her on public television to change the narrative about M&A, and finally, in getting her license back, but she’s constantly losing because she can’t get out of that basement or be honest with the people she loves. 

The rest of M&A is doing the work to make sure they can heal and become the best versions of themselves, including Margaret who, with her therapist’s help, moved back the time of her train station arrival an hour. They may be baby steps to her in the grand scheme of things, but they are massive to her. 

Elsewhere, Zeke called in a request to his estranged father to get the license reinstated, informing him that he never asks for anything, while making it clear how much he relied on the purpose that M&A gave him. His father stopped by later, having successfully done what Zeke asked, and it was a small breakthrough in their frought relationship, one that happened after Zeke was taken. Lacey was on hand to support Zeke during the moment, and let’s just say, I’m excited to see them take their relationship to the next level.

What did you think about the episode? Are you surprised about what we learned about Sir?

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Virgin River

Who Is Lark on ‘Virgin River’?

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Who Is Lark on 'Virgin River'?

Lark (Elise Gatien) made her debut on Virgin River Season 5, specifically, during the episodes that tackled the wildfires that ravaged parts of the picturesque town. 

Warning – this post has spoilers from the Virgin River holiday episodes. 

After Jack and Brady risked their lives to save Lark’s daughter, Hazel, who went missing from the campsite during the fire evacuation, the single mom began to bond with the latter, extending her gratitude to him for going out of his way to prioritize her daughter’s safety. 

When Brady found out that Lark and Hazel were squatting, he offered them up a place in one of the lumber yard trailers, a selfless gesture that speaks to his big heart. 

Lark definitely set her sights on Brady, especially on the heels of his generosity, and a connection sparked around the time that Brady’s relationship with Brie crumbled and he was looking for some companionship. Lark also helped Brady see the better parts of himself, as Brie held his lies (even though he couldn’t tell her anything about being an informant) against him and made him feel guilty. 

One thing led to another and eventually, Lark and Brady began a relationship after his romance with Brie ended. It was also helpful that Hazel really took to Brady, and thus, he became a bit of a stepfather figure in her life.

Fast forward a few months to the timeline of the holiday episodes, Brady and Lark are going strong, fully embracing their romance and sweet little family together. Lark even invited Brady to meet her mother, though he claims that’s a little too fast-paced for him, which is understandable considering he still harbors strong feelings for Brie, who has currently moved on with Mike. 

However, Brady seems to be in a good place in life, particularly as everything with Melissa Montgomery’s money laundering/drug smuggling at Emerald Lumber has finally settled down. He’s finally able to move past the nightmare that started when he was roped in by Calvin when he was young and reckless, or so fans thought. In retrospect, I guess we should’ve been more suspicious of Lark’s attempts at inserting herself into Brady’s life, though she definitely made it seem so natural. 

In the final moments of Virgin River Season 6 Episode 12, Lark sneaks off to pick up a call from Hazel’s father, who turns out to be Jimmy, who is serving time in prison. Lark informs him that “Brady doesn’t suspect a thing,” which shows that this is Jimmy’s form of getting close enough to Brady to get revenge. 

It’s an awful and disappointing twist considering all the progress Brady has made to turn over a new leaf and hit refresh. He can’t seem to shake this whole Emerald Lumber fiasco, no matter how hard he tries. Bad luck just seems to follow him based on one bad decision he made way back when—and it’s cost him so much, including his friendships and his romance with Brie. 

I’m hoping that Lark realizes just how good of a guy Brady is and how much he’s sacrificed for her and Hazel and decides not to go through with whatever she and Jimmy have planned.

Lord knows that Brady deserves some sliver of good news and positivity in his life, along with a storyline far removed from the lumber yard. 

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Editorials

ExMas Movie Review – Robbie Amell and Leighton Meester Make a Holiday Bet

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ExMas Review A Bet During the Holidays Turns Enemies Into Lovers

While most holiday movies this time of year are centered around one’s Christmas wish, ExMas takes a different approach.

Beware—spoilers from the movie ahead!

Imagine the worst possible situation that can occur when you come home on Christmas…. is it your parents inviting your ex-fiancée, who broke your heart into a million pieces, over for Christmas dinner after you told them you weren’t coming into town due to previous work commitments but then decided at the last minute on a change of plans as part of a surprise? If so, that’s the exact plot of Robbie Amell (a treat for all of us Upload fans) and Leighton Meester’s (Gossip Girl) new Freevee movie.

And let me tell you, it brings plenty of comedic moments and jokes, sprinkled into what turns out to be a heartfelt plot about owning up to your mistakes and apologizing for shortcomings in a failed relationship, all while expertly capturing the chaos that is going home for the holidays. You know the former couple will find their way back to each other in the end—this is a Christmas movie after all—but it’s less about the destination and more about the journey that gets them to the “aha” moment. 

It’s a fa-la-la-oh-my-god-is-this-really-happening situation that Amell’s Graham and Meester’s Ali turn into a competitive bet to see which one will win over the family’s love and which one will be kicked out before Christmas day.

Along the way, Graham and Ali realize that they aren’t over each other one bit, while also admitting their own faults led to the demise of their relationship. Graham explains that he was doing what he thought Ali wanted—working more so he could work his way up the corporate food chain to make enough money to provide them with the perfect life. However, all Ali ever needed was for him to be there for her, present and willing, though she didn’t voice it either because she was scared he was going to walk away, so, she walked away first. 

It all comes down to a lack of necessary communication in a relationship—which happens far too often to couples these days that are caught up in the hustle and bustle of life—but there’s no shortage of time to talk it out when you’re forced to spend the holidays under the same roof. 

ExMas Review A Bet During the Holidays Turns Enemies Into Lovers

Robbie Amell and Leighton Meester star in EXmas. Photo Credit: Paulina Stevens/Exmas Film Inc.

Graham’s reaction upon walking into his childhood home and seeing the woman who broke his heart standing at the top of the stairs was to freak out, naturally. And who wouldn’t? This is a huge betrayal of trust from the people who are supposed to love you unconditionally and side with you, no matter what. As he tries to make them see the issue, their argument is that she’s been part of the “family for a very long time.”

When he realizes that Ali has ingrained herself into the family by playing Wordle with his sister and helping his brother study for his exams, he realizes that he can’t just up and leave, he has to show the family how “evil she is” by making them dislike her to “save his family” and “save Christmas.”

Admittedly, it’s a pretty extreme retaliation, but one that delivers plenty of good fun, especially since Graham knows her faults and weaknesses—like her competitive streak—and can easily exploit them. And that’s a two-way street as Ali is also able to sabotage Graham, making her the perfect and worthy opponent. Graham leverages Ali’s irrational fear of goats to ruin the dealership’s Christmas party, while she deliberately moves a sign in the bathroom to ensure that he floods it when flushing, allowing her to be the toilet bowl plunger hero. Of course, these are just two adults acting silly so that they don’t have to confront the harsh reality of their former relationship, but it’s all in good fun. 

They both try to make the other jealous with new crushes—and she tries to sabotage his relationship with Jess by telling her that he has problems in the bedroom (though that short-lived romance tanks all on its own when Jess suggests a threesome with her roommate/special friend), while he allows her to invest in Brady knowing that it will eventually end with him trying to sell her a car during the date. 

But it also emphasizes that the dating scene is a scary, scary place, and once you’ve found your person, you have to hold on to them tight and never let go.

It also becomes evident why the family gravitated toward Ali instead of Graham in the first place—and why the duo inevitably broke up—as Graham isn’t present most of the time; he doesn’t care to ask about his family members’ personal lives or keep up a relationship as he’s too busy with work. His sister, Heather, assures him that Ali was always there at every event when he wasn’t. 

The Christmas season, which starts off to be the stuff of nightmares, helps Graham reprioritize what’s important as he begins to see that he took everything that mattered for granted, his family and Ali included. 

When Graham’s father suffers a sudden cardiac arrest following a competitive, yet friendly, game of hockey during the holidays, that’s when he really starts to understand just how much time he’d invested into the wrong thing. Of course, a career is just as important as anything else, but it shouldn’t take precedence over the things that truly matter–and he was working for a boss who expected him to meet a Christmas Day deadline and had no qualms about calling and demanding more from him even when he was in the hospital following a family member’s health scare. At that moment, Graham takes a leap of faith and quits—the start of his new life on the horizon. (This may or may not be a Horizen pun, I’ll let you decide.) 

There were several other factors that brought him to the finish line, where he realized he screwed up and couldn’t live without Ali, including a heart-to-heart with his mom, a night of amazing drunk sex with Ali, and saying goodbye to her after they both forgave each other for the pain they inflicted. 

Once she was out the door, Graham and his family couldn’t shake the feeling that something was missing—and in true Christmas movie fashion, they all ran to get the girl, trying to fit into a vehicle that wasn’t up to par for the journey. As they made their way to the other car, Graham found Ali standing at the front door and immediately poured his heart out to her, only for her to explain that she only came back because she forgot her phone. 

Obviously, that was the last cruel joke she played on him as the two made up and sealed the deal with a kiss. Admittedly, there wasn’t undeniable chemistry between Amell and Meester as actors—they sold the friendship more—but the plot was believable enough that you found yourself rooting for them regardless. It’s actually quite nice for the chemistry to feel more grounded and realistic rather than the kind always portrayed in holiday movies that can sometimes feel unattainable for the average couple.

Fast forward to the next holiday, at their home in Los Angeles, Graham came through on his promise to help her start up her bakery truck, proving that his priorities are finally in order, as yet another time jump two years later, revealing that they welcomed a baby together.

And just because so much time had passed, doesn’t mean Graham didn’t have revenge on his mind as he invited his sister’s ex, Heather, for the holidays because they remained such good friends after the breakup.

As they say, payback’s a bitch, but if Graham’s situation is any consolation, maybe Mindy (Veronika Slowikowska) and Heather’s story will have a happy ending. After all, isn’t that the magic of the holidays?

The film also stars Michael Hitchcock, Kathryn Greenwood, Steven Huy, Thomas Cadrot, and Donna Benedicto. It’s available to stream now on Freevee. 

9 Holiday Movies You Need to Watch to Make the 2023 Christmas Season Bright

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