After a brief hiccup, the crew aboard the Atlas have found hope once again.
Much of their survival relies on external factors including the safe landing of Pegasus, the rocket carrying all of the supplies they need to live on Mars along with a backup water system.
So, naturally, when Mission Control lost all contact with Pegasus, they assumed it exploded or went off course. This meant that if the Atlas crew landed on Mars, they would have to wait five months for the next rocket filled with supplies to arrive. And with their backup system already rationed, they wouldn’t have enough water to survive.
At this point, everyone was faced with an important decision: how important is this mission?
Emma refused to risk the lives of her crew members and while no one actually wanted to die, no one wanted to fail either. They were supposed to be the first people to ever land on Mars!
Despite orders from Ground to abort the mission and slingshot around Mars to meet Pegasus 2 in transit to get their water supply, they were determined to land on Mars and survive.
Misha’s lack of eyesight opened up a world of possibilities through sound. It’s crazy how much you can learn just by relying on sound.
Lu realized that while they might not have visual contact with Pegasus, they could use InSight, a rover, to determine whether Pegasus broke through the atmosphere.
Instead of going to Emma with the idea, Lu and the team asked Ram, who is second in command, to help them out. This undermined Emma’s leadership and strained an already tense partnership. However, you can’t really be surprised that the crew didn’t fully trust her to be open to the possibility of fulfilling their mission.
Emma has continuously wavered in her desire to make it to Mars saying time and time and again how much she wants to go home.
Lu was even right that the decision to slingshot and reroute home came from Matt because they’d both prioritized that over landing on Mars. This realization, however, meant that Emma questioned aborting the mission. Sure, she was saving her crew, but was she doing it for the right reason?
It was a subtle coup by the crew but a necessary one that finally shook Emma out of her trance. She wouldn’t have come this far if she didn’t really want to get to Mars and it was clear that her fears and insecurities of the unknown were stopping her from going the distance.
There’s no doubt about the risk factor — it’s a risky decision to continue on with the mission simply because they heard a “boom.” It broke the atmosphere, but it could still mean that Pegasus was still knocked off course. Still, the chances are higher that it landed and in-tact, plus, they lose more by turning back around instead of taking the plunge. After all, there was no guarantee that they’d successfully connect with Pegasus 2.
Lu’s speech about hope is what really solidified Emma’s decision. It underlined what I said in my review of Away Season 1 Episode 7, Emma wasn’t growing as a character, she was regressing into a worse version of herself. We started off with this badass woman who had managed to juggle being a mom and a brilliant astronaut, who risked it all to achieve her dreams, and now, she’s become a shell of a human who is all too eager to play by the rules.
History isn’t made by playing it safe.
Emma realized that she needed to channel the same courage that her daughter, Lex, was channeling by taking the CCM test. We don’t know the outcome of her test, but whatever it is, they’ll get through it together. If I were to write Lex’s story, I’d want her to become a doctor to pursue a cure for CCM but that’s neither her nor there at the moment.
The series has been criticized for feeding into stereotypes surrounding the crew members, particularly when it comes to Lu and her family. In one of the episodes early on, you’ll recall Lu’s husband yelling at their son because he got a 98% on a test instead of a 100%, which fuels the cliche belief that Asian parents are strict, only care about grades, and aren’t proud of their children unless they are getting A’s.
This continued into Lu’s backstory with her father expressing disappointment that his wife gave birth to a baby girl. From Lu we gauge that he was never proud of her, which feeds into the narrative that Chinese families have long favored boy children over girls. However, as she points out, she’s going to do something that no man has ever done before.
You’d think even getting close to Mars is a feat, but the Chinese representatives at NASA were less-than-impressed and would only accept her landing on Mars as a victory. The actual quote she says is: “I’d rather she did a hero on Mars than return home a coward.” This once again proves that failure is shameful and disappointing in the culture and thus, explains why Lu is so headstrong, disciplined, and determined.
I’m not a fan of propagating stereotypes, so it’s at least nice to see Lu break the mold by becoming the first woman to do the unthinkable, do it from a place of hope, encourage her child to draw comic books rather than study, and fall for a woman in a culture that shuns the very idea.
And lastly, does anyone think it’s ridiculous that Emma is now allowing Misha to handle taking care of the backup with his eyesight totally shot? If she’s entrusting him with it now, she should have just let him fix the prime, to begin with, and they wouldn’t have this whole water situation to worry about.
Clearly, nothing has changed for him and yet, he has her full faith and is proving that he wasn’t lying when he said he can fix this system in the dark.
What did you think of the episode? How are you enjoying the series so far?
Who Is Rhys Montrose on ‘YOU’ Season 4?
YOU Season 4 introduced a plethora of new characters as it revamped the series with a murder mystery format.
*Warning – stop reading if you haven’t finished YOU Season 4 – Spoilers Ahead *
The shakeup made sense considering Joe Goldberg (Penn Badgley) uprooted his life following the fiery events in Madre Linda that killed Love Quinn and started over in London, assuming the identity of Professor Jonathan Moore.
Rather quickly, he got pulled into an elite group thanks to his co-worker and neighbor, Malcolm Harding (Stephen Hagan), who was the season’s first victim. Joe/Jonathan naturally despised Malcolm’s group, though he did find Rhys Montrose (Ed Speleers), an author running for Mayor of London, to be a bit of a kindred spirit. They came from the same broken background and shared many of the same views.
As the first half of the season unraveled, Joe sought out advice from Rhys on a handful of occasions, engaging in plenty of long heart-to-hearts with him, so it was kind of shocking when it was revealed that Rhys, as audiences have come to know him, was never real.
Rhys Montrose existed, yes, but he was never friends with Joe, nor was he the Eat the Rich Killer. The version of Rhys that Joe bonded with was a hallucination conjured up by his subconscious to protect himself and eliminate his darker, more deranged thoughts.
For much of the season, we saw Joe desperately trying to set himself free from Rhys’ grasp. At first, he saw him as public enemy #1, who somehow figured out Joe’s real identity and roped him into a murder spree by threatening to frame him for the deaths if Joe refused to participate.
However, once Joe realized that Rhys was a figment of his imagination, he began to look for ways to silence the evil little voice forever, while also trying to figure out a plan to cover up the death of the real Rhys Montrose.
Joe was tasked with killing the mayoral candidate, who he assumed at the time was the Eat the Rich Killer, by Kate’s (Charlotte Ritchie) father, Tom Lockwood. When he arrived at Rhys’ secret countryside hideout and tied him up, he was infuriated that Rhys claimed not to know who he was, nor would he admit to kidnapping Marienne (Tati Gabrielle). Eventually, Joe’s rage and anger took over, and he “accidentally” killed Rhys, which is when fake Rhys showed up and revealed that Joe was having a semi-psychotic break.
In the end, Joe’s suicide attempt ensured that his hallucinations were forever gone, though he did embrace the darkness he was trying so hard to snuff out, making him more dangerous than ever.
As for the real Rhys Montrose’s killer, he pinned it all on poor Nadia (Amy-Leigh Hickman), a fan of Rhys’s from the beginning, who flew too close to the sun in her attempts to bring down Joe Goldberg. If only she just listened to Marienne’s advice.
A huge congrats to the YOU team for pulling off yet another jaw-dropping twist, and to both Badgley and Speleers for completely immersing themselves in their dual characters.
YOU Review – Best of Friends (406)
Just when you thought you figured out where the season was headed, YOU pulls out the rug from under you yet again.
I’m definitely starting to feel the whiplash that Joe/Jonathan must be feeling right about now.
Things have gone from crazy to crazier rather quickly, as Rhys unveiled his true plan—along with how Joe is involved—while Joe came out victorious in front of the elite group once again, and all while a new suspect started piecing things together and realizing that Joe knows way more than he’s led on.
While Joe spent numerous hours trying to figure out a plan to get close to Rhys, Rhys just appeared at Joe’s place one night without so much as lifting a finger. Joe may think he’s the invisible one in the city, but for a man who’s so well-known and loved, Rhys seems to get around without anyone noticing.
And he made the rules of the game very clear—either Joe finds someone to frame for all the deaths or he goes down as the Eat-the-Rich killer, which isn’t exactly ideal. A little incentive goes a long way, so while Joe tried to distance himself initially, he couldn’t shake the desire for self-preservation and took the bait. He took the task rather seriously as it was either kill or be killed; he knew someone had to go down for it, but it had to be the right person.
With time running out, he genuinely began to consider Connie, but despite being an irrelevant character, he couldn’t justify pinning it on someone who was struggling with addiction and trying to turn their life around. Connie wasn’t a threat to anyone, except for maybe himself, so Joe couldn’t justify destroying his life.
But Dawn, well, she fell right into his lap. The few times we saw her snapping photos of the elite, and focusing on Joe–including when she spotted him at Rhys’ mayoral rally—I was convinced that she recognized him from his previous life. And that seems to be what the series wanted me to think so that they could pull a fast one on us because when Dawn pulled Phoebe aside to a “safe room” to keep her protected from the killer, it was revealed that Dawn was just an obsessive stalker who was connived that she was friends with the elite, Phoebe in particular. Dawn was a threat to a lot of people, so Joe took advantage of it. He framed her by planting Simon’s ear in her belongings, and since no one would ever believe a word she said over Phoebe’s accounts of what happened, Dawn couldn’t prove her innocence. Plus, she made an ideal suspect since she was at nearly every single event where a murder occurred as she was stalking the group. I mean, it couldn’t have been any more perfect if Joe had tried to plan it himself.
However, his heroics did raise some questions from Nadia, his student and the lover of all murder mysteries. She noticed that Jonathan seemed to be at the center of every single scenario, oftentimes being championed as a hero, though he’s not actually connected to any of these people in any meaningful way. It’s a dangerous thing to play detective, especially when you’re setting your sights on Joe Goldberg. Jonathan seems to like Nadia, but if she threatened him, I don’t think Joe would hesitate to take her down. Self-preservation is his M.O., remember?
Once Joe thought he finally got Rhys off of his back by framing Dawn, he decided to give into his desires and pursue a relationship with Kate. Honestly, Kate makes some really poor decisions, starting with just accepting Jonathan for who he is now and promising never to ask questions about his past. She wants someone to see her for who she is in the moment so badly that she’s letting logic take a backseat. Why would someone want to deny their past so badly unless they did something truly unforgivable? Kate wants to shed her past because of her connection to her father and she thinks that makes her and Jonathan equal, but they are not the same.
By the time she realizes the truth about who Joe is, it might be too late.
As for Rhys, did Joe think he was really going to get rid of him that easily? Rhys has always wanted a friend to help him get to the finish line so to speak. He believes that they are the same, so he wasn’t going to just let Joe slip away.
And while his motive wasn’t evident at first, he seems hellbent on taking out those who don’t deserve their success and wealth. The three victims, Malcolm, Simon, and Gemma, all threatened his mayoral run in some way, so they were taken care of, and now, he’s setting his sights on the ultimate villain–Kate’s father. She may have a complicated relationship with her tycoon dad, but I don’t think Kate would ever want to see anything bad happen to him, let alone at the hands of the man she’s in love with.
However, Rhys doesn’t seem to give Joe much of a choice as he still holds all of the cards. One might think that Joe could just handle this in the same way he always does, but well, you can’t just try to kill a killer. He’d see that coming from miles away. Joe needs to be strategic and deliberate in his plan, so for now, he has to play along. I, for one, am curious to see what all the hubbub is about Kate’s father–is he really as terrible as she makes him out to be?
As for Rhys, what is the catch? Fans were disappointed with the first half of the season since his reveal as the killer was obvious—and his motives, including his desire to kill Kate’s father–are exactly shocking or game-changing. What are we missing?
What did you think of the episode?
What Time Does Netflix Release New Shows?
Netflix has become one of the most popular ways to consume new movies and TV shows.
The streaming giant has not only dominated the TV and movie landscape but it’s changed the way content is released.
While primetime TV still adheres to a weekly episodic release schedule, Netflix—and many of the streamers that followed—adopted the idea of dumping a full season on fans, creating a binge-watch model.
Most Netflix Originals are released in bulk, with the full episode order arriving at one time. A handful of shows, most recently Firefly Lane and YOU, has been split up into two parts—with the first half arriving a few months prior to the second half of the season, which definitely helps build up some anticipation and makes for more digestible viewing.
Of course, as you anticipate new seasons and episodes of your favorite shows, you naturally want to know what time they are going to premiere.
The good news is that Netflix’s release times are pretty standard for original TV shows and movies.
All titles are typically released globally at 12:00 a.m. Pacific Time, which is 2:00 a.m. Central Time and 3:00 a.m. Eastern Time.
Netflix noted that some titles are considered an original in one country but not in another, and in that case, if they are premiering in a country where it is a licensed title, it will premiere at 12:00 a.m. local time.
However, when it comes to those big-name shows like Outer Banks or Stranger Things, it’s safe to say that all episodes will be loaded in late in the evening, so you can either stay up and binge-watch or take the day off and squeeze them in bright and early!
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