The 2020 Emmys are upon us, but as with everything this year, they’re looking a bit different as they go virtual.
That doesn’t mean it’s going to be less prestigious or eventful — it’s the Emmys after all; it’s the biggest night in television.
Each actor is going to come to your living room from their living room meaning that there’s plenty for producers to work with and the night will surely keep you on your toes.
We decided it would be fun to throw in our predictions into the ring as ever category is highly competitive.
Check out our Emmy predictions below and let us know who you think will win this Sunday evening:
Outstanding Drama Series
Better Call Saul (AMC)
The Crown (Netflix)
The Handmaid’s Tale (Hulu)
Killing Eve (BBC America)
The Mandalorian (Disney+)
Stranger Things (Netflix)
Succession (HBO) – Predicted Winner
Outstanding Comedy Series
Curb Your Enthusiasm (HBO)
Dead to Me (Netflix)
The Good Place (NBC)
The Marvelous Mrs. Maisel (Amazon)
The Kominsky Method (Netflix)
Schitt’s Creek (Pop TV) – Predicted Winner
What We Do in the Shadows (FX)
Outstanding Limited Series
Little Fires Everywhere (Hulu)
Mrs. America (Hulu)
Watchmen (HBO) – Predicted Winner
Outstanding Variety Talk Series
The Daily Show With Trevor Noah (Comedy Central)
Full Frontal With Samantha Bee (TBS)
Jimmy Kimmel Live! (ABC)
Last Week Tonight With John Oliver (HBO)
Late Night With Stephen Colbert (CBS) – Predicted Winner
Outstanding Competition Program
The Masked Singer (Fox)
Nailed It! (Netflix)
RuPaul’s Drag Race (VH1) – Predicted Winner
Top Chef (Bravo)
The Voice (NBC)
Outstanding Lead Actor in a Comedy
Anthony Anderson, Black-ish (ABC)
Don Cheadle, Black Monday (Showtime)
Ted Danson, The Good Place (NBC)
Michael Douglas, The Kominsky Method (Netflix)
Eugene Levy, Schitt’s Creek (Pop TV) – Predicted Winner
Ramy Youssef, Ramy (Hulu)
Outstanding Lead Actress in a Comedy
Christina Applegate, Dead to Me (Netflix)
Rachel Brosnahan, The Marvelous Mrs. Maisel (Amazon)
Linda Cardellini, Dead to Me (Netflix)
Catherine O’Hara, Schitt’s Creek (Pop TV) – Predicted Winner
Issa Rae, Insecure (HBO)
Tracee Ellis Ross, Black-ish (ABC)
Outstanding Lead Actor in a Drama
Jason Bateman, Ozark (Netflix) – Predicted Winner
Sterling K. Brown, This Is Us (NBC)
Steve Carell, The Morning Show (Apple TV+)
Brian Cox, Succession (HBO)
Billy Porter, Pose (FX)
Jeremy Strong, Succession (HBO)
Outstanding Lead Actress in a Drama
Jennifer Aniston, The Morning Show (Apple TV+)
Olivia Colman, The Crown (Netflix)
Jodie Comer, Killing Eve (BBC America)
Laura Linney, Ozark (Netflix) – Predicted Winner
Sandra Oh, Killing Eve (BBC America)
Zendaya, Euphoria (HBO)
Outstanding Lead Actor in a Limited Series or Movie
Jeremy Irons, Watchmen (HBO)
Hugh Jackman, Bad Education (HBO) – Predicted Winner
Paul Mescal, Normal People (Hulu)
Jeremy Pope, Hollywood (Netflix)
Mark Ruffalo, I Know This Much Is True (HBO)
Outstanding Lead Actress in a Limited Series or Movie
Cate Blanchett, Mrs. America (Hulu)
Kaitlyn Dever, Unbelievable (Netflix)
Shira Haas, Unorthodox (Netflix)
Regina King, Watchmen (HBO) – Predicted Winner
Kerry Washington, Little Fires Everywhere (Hulu)
Outstanding Supporting Actor in a Comedy
Mahershala Ali, Ramy (Hulu)
Alan Arkin, The Kominsky Method (Netflix)
Andre Braugher, Brooklyn Nine-Nine (Hulu)
Sterling K. Brown, The Marvelous Mrs. Maisel (Amazon)
William Jackson Harper, The Good Place (NBC)
Daniel Levy, Schitt’s Creek (Pop TV) – Predicted Winner
Tony Shalhoub, The Marvelous Mrs. Maisel (Amazon)
Kenan Thompson, Saturday Night Live (NBC)
Outstanding Supporting Actress in a Comedy
Alex Borstein, The Marvelous Mrs. Maisel (Amazon) – Predicted Winner
D’Arcy Cardin, The Good Place (NBC)
Betty Gilpin, GLOW (Netflix)
Marin Hinkle, The Marvelous Mrs. Maisel (Amazon)
Kate McKinnon, Saturday Night Live (NBC)
Annie Murphy, Schitt’s Creek (Pop TV)
Cecily Strong, Saturday Night Live (NBC)
Outstanding Supporting Actor in a Drama
Nicholas Braun, Succession (HBO) – Predicted Winner
Billy Crudup, The Morning Show (Apple TV+)
Kieran Culkin, Succession (HBO)
Mark Duplass, The Morning Show (Apple TV+)
Giancarlo Esposito, Better Call Saul (AMC)
Matthew Macfadyen, Succession (HBO)
Bradley Whitford, The Handmaid’s Tale (Hulu)
Jeffrey Wright, Westworld (HBO)
Outstanding Supporting Actress in a Drama
Helena Bonham Carter, The Crown (Netflix)
Laura Dern, Big Little Lies (HBO)
Julia Garner, Ozark (Netflix) – Predicted Winner
Thandie Newton, Westworld (HBO)
Fiona Shaw, Killing Eve (BBC America)
Sarah Snook, Succession (HBO)
Meryl Streep, Big Little Lies (HBO)
Samira Wiley, The Handmaid’s Tale (Hulu)
Outstanding Supporting Actor in a Limited Series or Movie
Yahya Abdul-Mateen II, Watchmen (HBO) – Predicted Winner
Jovan Adepo, Watchmen (HBO)
Tituss Burgess, Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend (Netflix)
Louis Gossett Jr., Watchmen (HBO)
Dylan McDermott, Hollywood (Netflix)
Jim Parsons, Hollywood (Netflix)
Outstanding Supporting Actress in a Limited Series or Movie
Uzo Aduba, Mrs. America (Hulu) – Predicted Winner
Toni Collette, Unbelievable (Netflix)
Margo Martindale, Mrs. America (Hulu)
Jean Smart, Watchmen (HBO)
Holland Taylor, Hollywood (Netflix)
Tracey Ullman, Mrs. America (Hulu)
Outstanding Directing for a Comedy Series
The Great, “The Great” (Pilot), Matt Shakman
The Marvelous Mrs. Maisel, “Marvelous Radio,” Daniel Palladino
The Marvelous Mrs. Maisel, “It’s Comedy or Cabbage,” Amy Sherman-Palladino – Predicted Winner
Modern Family, “Finale Part II,” Gail Mancuso
Ramy, “Miakhalifa.mov,” Ramy Youssef
Schitt’s Creek, “Happy Ending,” Andrew Cividino and Daniel Levy
Will & Grace, “We Love Lucy,” James Burrows
Outstanding Directing for a Drama Series
The Crown, “Aberfan,” Benjamin Caron
The Crown, “Cri de Coeur,” Jessica Hobbs
Homeland, “Prisoners of War,” Leslie Linka Glatter
The Morning Show, “The Interview,” Mimi Leder
Ozark, “Fire Pink,” Alik Sakharov – Predicted Winner
Ozark, “Su Casa Es Mi Casa,” Ben Semanoff
Succession, “Hunting,” Andrij Parekh
Succession, “This Is Not for Tears,” Mark Mylod
Outstanding Directing for a Limited Series, Movie, or Dramatic Special
Little Fires Everywhere, “Find a Way,” Lynn Shelton
Normal People, Episode 5, Lenny Abrahamson
Unorthodox, “Prisoners of War,” Maria Schrader
Watchmen, “It’s Summer and We’re Running Out of Ice,” Nicole Kassell
Watchmen, “Little Fear of Lightning,” Steph Green
Watchmen, “This Extraordinary Being,” Stephen Williams – Predicted Winner
Outstanding Writing for a Comedy Series
The Good Place, “Whenever You’re Ready,” Michael Schur – Predicted Winner
The Great, “The Great” (Pilot), Tony McNamara
Schitt’s Creek, “Happy Ending,” Daniel Levy
Schitt’s Creek, “The Presidential Suite,” David West Read
What We Do in the Shadows, “Collaboration,” Sam Johnson and Chris Marcil
What We Do in the Shadows, “Ghosts,” Paul Simms
What We Do in the Shadows, “On the Run,” Stefani Robinson
Outstanding Writing for a Drama Series
Better Call Saul, “Bad Choice Road,” Thomas Schnauz
Better Call Saul, “Bagman,” Gordon Smith
The Crown, “Aberfan,” Peter Morgan
The Crown, “Cri de Coeur,” Jessica Hobbs
Ozark, “All In,” Chris Mundy
Ozark, “Boss Fight,” John Shiban
Ozark, “Fire Pink,” Miki Johnson
Succession, “This Is Not for Tears,” Jesse Armstrong – Predicted Winner
Outstanding Writing for a Limited Series, Movie, or Dramatic Special
Mrs. America, “Shirley,” Tanya Barfield
Normal People, Episode 3, Sally Rooney and Alice Birch
Unbelievable, Episode 1, Susannah Grant, Michael Chabon, and Ayelet Waldman
Unorthodox, “Part 1,” Anna Winger
Watchmen, “This Extraordinary Being,” Damon Lindelof and Cord – Predicted Winner
The 2021 Golden Globes: Complete Winners List
Awards Season kicked into high gear tonight with the 2021 Golden Globes!
Honoring the best in film and television, Tina Fey and Amy Poehler co-hosted the event.
Below is the complete list of nominees, with winners being updated live! Let us know what you think of the winners in the comments.
(Winners are listed in bold)
Best Motion Picture-Drama
Promising Young Woman
The Trial of the Chicago 7
Best Motion Picture-Musical or Comedy
Borat Subsequent Moviefilm
Best Performance by an Actor in a Motion Picture-Drama
Riz Ahmed, Sound of Metal
Chadwick Boseman, Ma Rainey’s Black Bottom
Anthony Hopkins, The Father
Gary Oldman, Mank
Tahar Rahim, The Mauritanian
Best Performance by an Actress in a Motion Picture-Drama
Viola Davis, Ma Rainey’s Black Bottom
Andra Day, The United States vs. Billie Holiday
Vanessa Kirby, Pieces of a Woman
Frances McDormand, Nomadland
Carey Mulligan, Promising Young Woman
Best Performance by an Actor in a Motion Picture-Musical or Comedy
Sacha Baron Cohen, Borat Subsequent Moviefilm
James Corden, The Prom
Lin-Manuel Miranda, Hamilton
Dev Patel, The Personal History of David Copperfield
Andy Samberg, Palm Springs
Best Performance by an Actress in a Motion Picture-Musical or Comedy
Maria Bakalova, Borat Subsequent Moviefilm
Kate Hudson, Music
Michelle Pfeiffer, French Exit
Rosamund Pike, I Care a Lot
Anya Taylor-Joy, Emma.
Best Supporting Actor in a Motion Picture
Sacha Baron Cohen, The Trial of the Chicago 7
Daniel Kaluuya, Judas and the Black Messiah
Jared Leto, The Little Things
Bill Murray, On the Rocks
Leslie Odom, Jr., One Night in Miami…
Best Supporting Actress in a Motion Picture
Glenn Close, Hillbilly Elegy
Olivia Colman, The Father
Jodie Foster, The Mauritanian
Amanda Seyfried, Mank
Helena Zengel, News of the World
Emerald Fennell, Promising Young Woman
David Fincher, Mank
Regina King, One Night in Miami…
Aaron Sorkin, The Trial of the Chicago 7
Chloé Zhao, Nomadland
Emerald Fennell, Promising Young Woman
Jack Fincher, Mank
Aaron Sorkin, The Trial of the Chicago 7
Florian Zeller and Christopher Hampton, The Father
Chloé Zhao, Nomadland
Best Original Score
Trent Reznor, Atticus Ross, and Jon Batiste, Soul
Trent Reznor and Atticus Ross, Mank
James Newton Howard, News of the World
Alexandre Desplat, The Midnight Sky
Ludwig Göransson, Tenet
Best Original Song
“Fight for You,” Judas and the Black Messiah
“Hear My Voice,” The Trial of the Chicago 7
“Io sì (Seen),” The Life Ahead
“Speak Now,” One Night in Miami…
“Tigress and Tweed,” The United States vs. Billie Holiday
Best Animated Film
The Croods: A New Age
Over the Moon
Best Foreign Language Film
Another Round (Denmark)
La Llorana (Guatemala/France)
The Life Ahead (Italy)
Two of Us (France/USA)
Best Television Series-Drama
Best Television Series-Musical or Comedy
Emily in Paris
The Flight Attendant
Best Miniseries or Television Film
The Queen’s Gambit
Best Performance by an Actor in a Television Series-Drama
Jason Bateman, Ozark
Josh O’Connor, The Crown
Bob Odenkirk, Better Call Saul
Al Pacino, Hunters
Matthew Rhys, Perry Mason
Best Performance by an Actress in a Television Series-Drama
Olivia Colman, The Crown
Jodie Comer, Killing Eve
Emma Corrin, The Crown
Laura Linney, Ozark
Sarah Paulson, Ratched
Best Performance by an Actor in a Television Series-Musical or Comedy
Don Cheadle, Black Monday
Nicholas Hoult, The Great
Eugene Levy, Schitt’s Creek
Jason Sudeikis, Ted Lasso
Ramy Youssef, Ramy
Best Performance by an Actress in a Television Series-Musical or Comedy
Lily Collins, Emily in Paris
Kaley Cuoco, The Flight Attendant
Elle Fanning, The Great
Jane Levy, Zoey’s Extraordinary Playlist
Catherine O’Hara, Schitt’s Creek
Best Performance by an Actor in a Miniseries or Television Film
Bryan Cranston, Your Honor
Jeff Daniels, The Comey Rule
Hugh Grant, The Undoing
Ethan Hawke, The Good Lord Bird
Mark Ruffalo, I Know This Much Is True
Best Performance by an Actress in a Miniseries or Television Film
Cate Blanchett, Mrs. America
Daisy Edgar-Jones, Normal People
Shira Haas, Unorthodox
Nicole Kidman, The Undoing
Anya Taylor-Joy, The Queen’s Gambit
Best Supporting Performance by an Actor in a Series, Miniseries, or Television Film
John Boyega, Small Axe
Brendan Gleeson, The Comey Rule
Dan Levy, Schitt’s Creek
Jim Parson, Hollywood
Donald Sutherland, The Undoing
Best Supporting Performance by an Actress in a Series, Miniseries, or Television Film
Gillian Anderson, The Crown
Helena Bonham Carter, The Crown
Julia Garner, Ozark
Annie Murphy, Schitt’s Creek
Cynthia Nixon, Ratched
Let’s Talk About What #Barchie’s Steamy Shower Scene on ‘Riverdale’ Means for the Ship
It finally happened, #Barchie fans!
If you’re a #Bughead fan, you might want to stop reading at this point because this is a full post dedicated to the Betty and Archie hook-up!
After several seasons, Riverdale finally gave fans the Betty and Archie moment they’ve been waiting for.
This moment has been a long time coming.
There were some close calls through the years, though mainly, fans were left disappointed and wondering if the pairing would ever see the light of day.
At the end of season 4, the duo shared a romantic kiss but ultimately decided to bury their feelings out of respect for their significant others.
But you don’t just write a love ballad for someone and forget about them!
The long-awaited and highly-anticipated moment finally came via a steamy shower sex scene following a seven-year time-jump. It was so hot, I found myself wondering if this is even allowed on The CW. That steam wasn’t from the hot shower, that’s all I’m going to say!
Archie, who survived a war, and Betty, who has been catching serial killers while training to be an FBI agent at Quantico, reunited and fell right back into their old feelings without even realizing it.
Post hook-up, when Archie questioned what just happened between them, Betty informed him that it’s something “we’ve been wanting to do since high school but never got around to it.” And you have to appreciate her honesty here.
Since they’re both mature and single adults — Archie’s ex Veronica is “happily” married, while Betty hasn’t been with Jughead for years — they decided to keep the moment of passion under wraps.
Riverdale can be a bit ridiculous at times, but this was the smartest decision these two ever made. They don’t owe anyone, including Veronica and Jughead, anything.
This moment singlehandedly changed the Betty and Archie relationship forever.
And when I tell you fans were thrilled, I mean they were straight geeking out on Twitter.
“Something we’ve been wanting to do since high school but never got around too.”
— Barchiedaily (@Barchiedaily) February 18, 2021
— Barchiedaily (@Barchiedaily) February 18, 2021
But what does this mean for #Barchie moving forward? Was it a one-time thing that they needed to get out of their system?
Based on the glowing aftermath, methinks not. The chemistry and sexual tension is there, and they’re clearly into each other. And for the first time, they’re both in a place where they can pursue a relationship.
Well, there is the small issue of Betty’s boyfriend, Glen, back in Virginia, but I doubt that will pose much of a problem since she seemed to forget all about him. She didn’t even call him to inform him she decided to stick around for a while and teach at her old high school, which tells you everything you need to know!
And while Archie and Jughead’s new roomie situation may make things a bit more complicated and awkward, I think Archie and Betty owe it to each other to explore these longtime feelings.
They’ve never been given the opportunity to figure what these feelings truly mean — is it love or is it just lust? — because they’ve always repressed them out of respect for others.
There’s no better time like the present to put them to the test.
Though, if I’m being completely honest, I don’t see it lasting long. I’d love the idea of #Barchie babies, but with the core four back in each other’s orbits, they’re bound to fall into old habits.
Jughead and Betty don’t seem like they’re going to get back together anytime soon, but based on their conversation, they never got closure following their abrupt breakup. With a new mystery in tow, I see their paths merging again, though, I am really digging that Betty and Archie have been working together on the “Polly mystery.”
As for Ronnie, she may be married, but it’s not going to last long. She and Chadwick are already having marital issues that stem mainly from his insecurities and jealousy. I wouldn’t rule out a post-divorce reunion for Archie and Veronica.
She’s always wanted someone who can handle her Lodge independence, and Archie has always been that man.
So, while Betty and Archie might not be able to keep their hands to themselves in the short-term, I don’t think that there’s potential for them in the long run. And that’s okay too.
Sometimes the best thing before settling down is the fling you’ve always fantasized about!
At the end of the day, I’m rooting for the ships that will bring each other happiness — whoever that may be!
Don’t forget to check out our full review of Riverdale Season 5 Episode 5 now!
Why We Should All Want More (And Better) Episodic Television Shows
I started watching Cowboy Bebop in the last few months. I’m not yet through the series, and I’ve enjoyed it so far, but something that has caught my attention since I began watching it has been the conversations I’ve had surrounding it.
“I started Cowboy Bebop last night.”
“Oh, nice! I like that show. It doesn’t really have an overarching story but it’s still pretty good.”
“I can’t hang today, I’m watching Cowboy Bebop right now.”
“Oh, I watched that but it’s pretty episodic.”
Why does the quality of this show seem to come with a disclaimer that it’s episodic?
Serialization has taken over television in the past two decades and is fairly synonymous with the rise of the Golden Age of TV. With this rise in serialization, episodic television started to crumble; specifically the dissolution of how episodic television is perceived.
The word “episodic,” in many cases, is currently seen as an automatic con. The word “procedural” makes some TV fans run away in disgust, rushing to their favorite show to cleanse their minds with some sweet serialization. What is it about serialization that is so great? And what about episodic that is so wrong?
Episodic television provides singular stories within each episode that often don’t connect to each other in any significant way. Whether that’s solving a new mystery each week or getting into a new crazy situation with the gang, each episode stands alone. Due to their bite-sized nature and adherence to a status quo, major plot lines don’t move forward very quickly, if there are even any at all. Common complaints towards episodic television are its repetitiveness and lack of build to any major climax – two issues that serialization can solve quite nicely.
Serialization provides an opportunity for consistent character development, multiple intriguing plots, and major changes in the status quo – all ingredients to create an engrossing story from start to finish. It’s easier to get sucked into the story because each episode plays as a chapter within a larger plot, begging you to hit play on the next episode to find out what happens next. Cliff hangers and plot twists galore! Now THAT’s entertainment. They also provide something that episodic television shows don’t get to benefit from – a crutch.
Serialized television means that the story doesn’t end at the conclusion of an episode. This promise of a continued story lures viewers into watching the next episode based on what might happen, instead of being solely dependent on the quality of previous episodes. Serialized shows can lean on this crutch to help carry their stories and audiences with them throughout the series. You have to watch them all because each episode matters by its relation to what’s come before and what will happen next.
Episodic television doesn’t have this crutch. Instead, they have to go through the difficult process of making each episode matter on its own terms. Creating meaning for singular episodes is not easy, but when done correctly episodic television shows can provide a wider (and in some ways deeper) exploration of character and themes.
To highlight the power of episodic television, let’s once again turn to my favorite beautiful mess of a series: Lost. Viewers got hooked on Lost due to its intriguing characters and tantalizing mysteries, and many fans stuck with the series until the end just to see how it all ended, despite falling out of love with the show long before. Each season ended with a massive cliffhanger that kept viewers checking their calendars for the return of the show, and even today encourages binge-watching with its serialized “find out what happens next” format.
And yet the series’ most acclaimed episode, “The Constant,” is one of the most stand-alone episodes of the series. It uses characters and plot threads from previously established episodes, sure, but the story of a man hopping back and forth through time and reconnecting with his long lost love is very self-contained. The logistics of the plot-line are all explained and concluded within the episode, and the love story is told in a way that first-time viewers can immediately identify with. The contained story also helps keep this potentially convoluted time-hopping plot clean and centered, forcing the story to be as lean as possible and not giving it a chance to overstay its welcome.
When episodic television is taken full advantage of, wild and risky story-telling techniques can be attempted without threatening to derail the series. As episode counts for seasons get shorter, I fear that these riskier episodes will be tossed aside in favor of consistent storytelling for a long-form narrative. An episode like Buffy the Vampire Slayer’s brilliant “Hush” doesn’t seem as likely to be green-lit if that means 10% of the season is going to be dialogue-less. Episodes like Breaking Bad’s “Fly” will become less and less acceptable the further we get from episodic storytelling, and you don’t have to go much further than the split reaction to that episode to understand why.
“Fly” is the most unique episode of Breaking Bad for many reasons. Its plot-line is razor-thin, its cinematography is much more experimental, and it doesn’t move the main plot along at all. But this experiment allows us an in-depth look at Walt’s mental state and the thematic resonance the fly represents to his world. The changes to the usual structure of Breaking Bad proved to be too much of a departure for many fans, though. This wasn’t the Breaking Bad they had signed up for.
This is ironic because, as I stated before, one of the biggest criticisms of episodic television is its repetitive nature and adherence to a status quo. Tune in, solve a mystery with your favorite characters, and see you next week, folks! It’s almost like comfort food (which in some circles is somehow seen as a bad thing).
I’d argue that serialized formatting encourages the “comfort food” idea even more, despite its ability to change its characters and status quos, because serialization requires consistency – consistency in writing, direction, character choices, musical score, etc. The world and characters may change each episode, but the structure normally does not.
Episodic television doesn’t have this limit. It allows for structural changes. Characters can be explored not just through varying situations, but through varying storytelling techniques. You can look at an apple with the naked eye, but you’ll see it differently under the lens of a microscope, or through a window, or in a mirror. This is what episodic television can provide when taken advantage of – completely different approaches to the story and characters, or perhaps even completely different characters!
Yet today the format is ignored by many outside of comedies. For some reason, singular episodes are just fine for providing us laughs, but not for drama. Perhaps this is a result of too many episodic shows resting on their laurels and just repeating what works, or maybe it’s the result of some of the greatest dramas ever created pushing serialization to its finest peaks.
However, I hope the conversation around episodic television changes, and instead of dismissing the format audiences instead begin pushing for series that actually take full advantage of what an episode structure can provide in terms of storytelling. Some of the most inspirational series ever created were episodic (The Twilight Zone, Columbo, The X-Files), and I hope the format lives on, both on its own and within serialized stories, and receives the respect it deserves.
What do you all think of episodic television versus serialized? Am I totally out of touch and all of your friends love episodic TV and hate serialization? Let us know in the comments below!
(As I was editing this article, I came about this quote from an interview on IO9 about Netflix’s live-action Cowboy Bebop remake: “Another reason for making tweaks to Bebop’s story is that the team behind the show wanted to broaden out Spike’s story into a longer narrative in and of itself…”
So it seems as though even the episodic show that inspired this article will be remade to be more serialized. Take that as you will!)
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