In Season 2, the final adaptation of comedian Mae Martin’s (they/them) semi-autobiographical comedy, Feel Good takes on much more content in its short six episodes, packing quite the punch.
We’re guided deeper through the traumas of the primary character Mae and left wondering how they’re able to stand on their own two feet after years of childhood grooming, drug addiction, and parental toxicity.
The light answer to this is humor. As it’s joked often throughout the episodes, “comics are supposed to be sacks of shit.” Through light-hearted comedy and the power of laughter, Mae’s story is dissected. However, at times, big topics are rushed and viewers are left grasping at strings, wishing there were more episodes in the season.
Following an unfortunate relapse in Season 1, we’re immediately thrown into Mae’s life in Canada, as they’re about to reenter rehab. They’ve only been away from England for a couple of months, but with the fresh wounds of the breakup, both George (Charlotte Ritchie) and Mae aren’t healed and are still stuck in their desire for each other. I mean, Mae still has George’s photo on their nightstand!
While in rehab, Mae reconnects with an old “friend,” Scott. When he’s first introduced we’re left wondering who he is and what his role is in Mae’s life. As an addict and queer comedian, there’s much more behind Mae’s curtain of trauma than initially presented in Season 1. Much more trauma that’s led to rash behavior, and Mae’s conversation with Audrey, easily foreshadows this.
Intertwined with the main storyline, Mae’s also navigating their non-binary identity. Mirroring Martin’s own coming-out as non-binary, Mae’s figuring it out, explaining that they see themselves as more of a Ryan Goslin or Adam Driver.
Again, with only six episodes to squeeze so much storyline into, Mae’s rehab stint only lasts 15 minutes into the first episode before they’re running out the door back into the arms of Scott.
As Mae’s stumbling through life in Canada, George is also trying to keep her mind focused on things like saving the bees. At an event at her school, she meets Elliot, a bisexual, polyamorous man with whom she bonds. He’s the nice guy, maybe too nice for George. He’s one of those men who are self-proclaimed progressive and ultra-feminist, trying to mansplain the harm in porn’s presentation of women and how sex needs to be a safe space for connection.
And as Mae knows, that’s definitely not how George likes to be treated during sex. Thankfully, George and Mae reconnect, and Elliot is quickly out of the picture with Mae and George recreating their first meet-cute, hoping to restart from a fully healed wound.
As Feel Good is written by a queer person, the portrayal of queer sex is finally construed in a realistic and non-hypersexualized manner. Mae and George run through various role-playing scenarios as they are falling into what seems to be a healthy relationship.
Realistically, their timeline is rushed, but Mae needed some stability before they faced the bigger demons hiding under the bed.
The show cleverly depicts Mae’s moments of withdrawal and trauma responses through a high-pitched ringing sound. As if we’re inside Mae’s head. Originally, Mae experienced the ringing sound when they were with George, as George was a replacement drug. But, in this season, the ringing sound appeared whenever the past tried to resurface.
Mae told Audrey that they had a hard time remembering the past, that it was all like a jumbly tumbly mess of Tupperware containers. But, as the episodes progress, each Tupperware slowly found its way to its matching lid.
It becomes clear that Scott isn’t just an old friend, but a man who used to abuse and take advantage of Mae. After Mae’s kicked out of the house at a young age for drug addiction, they move in with Scott who presents himself as a safe haven and gateway to Mae’s comedic success. When, in reality, he’s a pedophile who’s grooming them.
When a woman calls Mae to talk about Scott, presumably about the things he did to both of them in the past, Mae’s reminded of the trauma they had compartmentalized. A doctor suggests Mae might have PTSD, and with George’s help, they begin the journey of confronting the harmful past.
Meanwhile, through all of the personal traumas, Mae’s working through their professional success after being signed with an agent and fulfilling their dream of TV comedy. However, Mae finds it challenging to reinvent their success from the original standup virality that got them the agent in the first place. As mentioned earlier, with comics, the butt of their jokes is their own trauma.
Unfortunately, as Mae hasn’t healed from their trauma, there’s no way they can make light of it yet. As their career goes for a bit of a downhill turn, and they have a hard time performing for an audience, they begin to seclude themselves and withdraw from the world.
In a much-needed getaway, Mae, George, and Phil take a trip to Canada in order for Mae to confront Scott.
The scene in which Mae directly tells Scott they never want to speak to them again, although a bit anticlimactic, was retrospectively a strong scene that finalized Mae’s character arc in the perfect ending to a witty, raw, and endearing show.
The final episode leaves Mae leaps and bounds beyond where they had been before on their road to recovery. And just as Mae’s love for George grew healthily from a need to a want, our need for a Season 3 resolved itself, and we feel good saying our final goodbyes to Mae and George, knowing fully well they are on their way to a fresh start.
When Is Season 3 of ‘Ginny and Georgia’ Coming Out?
Ginny & Georgia centers on the heartwarming yet extremely complicated bond between a mother and her daughter after they put down roots in a New England town.
With so many compelling storylines and incredible characters of all ages, it’s no wonder that the coming-of-age drama has become a fan favorite among Netflix audiences.
And that’s why fans can get excited as the streaming giant renewed the series for two additional seasons—yes, that’s right, season 3 and 4 are officially happening.
The cast of the series took to Instagram to announce the good news:
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The second season of Ginny & Georgia premiered on Jan. 5, 2023, which means that a third season is likely far off, especially considering Brianne Howey, who plays Georgia, just announced her first pregnancy, which will possibly delay filming.
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As for a premiere date, well, there isn’t one just yet. With the writers’ strike ongoing, it may be a bit before production begins so it’s difficult to come up with a date for new episodes. The season could likely arrive in February 2024 if we’re looking at the previous premieres for both seasons 1 and 2, which both debuted at the start of 2021 and 2023, respectively.
But with Howey’s pregnancy thrown into the mix and the writers’ strike, that could delay things a bit, and it wouldn’t be the worst thing if the series returned during the summer when there’s a lull in content and fans are seeking out something to binge-watch and get invested in.
You can also see more of our content about the final seasons of The Marvelous Mrs. Maisel, Riverdale, and Firefly Lane!
Who Is Rhys Montrose on ‘YOU’ Season 4?
YOU Season 4 introduced a plethora of new characters as it revamped the series with a murder mystery format.
*Warning – stop reading if you haven’t finished YOU Season 4 – Spoilers Ahead *
The shakeup made sense considering Joe Goldberg (Penn Badgley) uprooted his life following the fiery events in Madre Linda that killed Love Quinn and started over in London, assuming the identity of Professor Jonathan Moore.
Rather quickly, he got pulled into an elite group thanks to his co-worker and neighbor, Malcolm Harding (Stephen Hagan), who was the season’s first victim. Joe/Jonathan naturally despised Malcolm’s group, though he did find Rhys Montrose (Ed Speleers), an author running for Mayor of London, to be a bit of a kindred spirit. They came from the same broken background and shared many of the same views.
As the first half of the season unraveled, Joe sought out advice from Rhys on a handful of occasions, engaging in plenty of long heart-to-hearts with him, so it was kind of shocking when it was revealed that Rhys, as audiences have come to know him, was never real.
Rhys Montrose existed, yes, but he was never friends with Joe, nor was he the Eat the Rich Killer. The version of Rhys that Joe bonded with was a hallucination conjured up by his subconscious to protect himself and eliminate his darker, more deranged thoughts.
For much of the season, we saw Joe desperately trying to set himself free from Rhys’ grasp. At first, he saw him as public enemy #1, who somehow figured out Joe’s real identity and roped him into a murder spree by threatening to frame him for the deaths if Joe refused to participate.
However, once Joe realized that Rhys was a figment of his imagination, he began to look for ways to silence the evil little voice forever, while also trying to figure out a plan to cover up the death of the real Rhys Montrose.
Joe was tasked with killing the mayoral candidate, who he assumed at the time was the Eat the Rich Killer, by Kate’s (Charlotte Ritchie) father, Tom Lockwood. When he arrived at Rhys’ secret countryside hideout and tied him up, he was infuriated that Rhys claimed not to know who he was, nor would he admit to kidnapping Marienne (Tati Gabrielle). Eventually, Joe’s rage and anger took over, and he “accidentally” killed Rhys, which is when fake Rhys showed up and revealed that Joe was having a semi-psychotic break.
In the end, Joe’s suicide attempt ensured that his hallucinations were forever gone, though he did embrace the darkness he was trying so hard to snuff out, making him more dangerous than ever.
As for the real Rhys Montrose’s killer, he pinned it all on poor Nadia (Amy-Leigh Hickman), a fan of Rhys’s from the beginning, who flew too close to the sun in her attempts to bring down Joe Goldberg. If only she just listened to Marienne’s advice.
A huge congrats to the YOU team for pulling off yet another jaw-dropping twist, and to both Badgley and Speleers for completely immersing themselves in their dual characters.
YOU Review – Best of Friends (406)
Just when you thought you figured out where the season was headed, YOU pulls out the rug from under you yet again.
I’m definitely starting to feel the whiplash that Joe/Jonathan must be feeling right about now.
Things have gone from crazy to crazier rather quickly, as Rhys unveiled his true plan—along with how Joe is involved—while Joe came out victorious in front of the elite group once again, and all while a new suspect started piecing things together and realizing that Joe knows way more than he’s led on.
While Joe spent numerous hours trying to figure out a plan to get close to Rhys, Rhys just appeared at Joe’s place one night without so much as lifting a finger. Joe may think he’s the invisible one in the city, but for a man who’s so well-known and loved, Rhys seems to get around without anyone noticing.
And he made the rules of the game very clear—either Joe finds someone to frame for all the deaths or he goes down as the Eat-the-Rich killer, which isn’t exactly ideal. A little incentive goes a long way, so while Joe tried to distance himself initially, he couldn’t shake the desire for self-preservation and took the bait. He took the task rather seriously as it was either kill or be killed; he knew someone had to go down for it, but it had to be the right person.
With time running out, he genuinely began to consider Connie, but despite being an irrelevant character, he couldn’t justify pinning it on someone who was struggling with addiction and trying to turn their life around. Connie wasn’t a threat to anyone, except for maybe himself, so Joe couldn’t justify destroying his life.
But Dawn, well, she fell right into his lap. The few times we saw her snapping photos of the elite, and focusing on Joe–including when she spotted him at Rhys’ mayoral rally—I was convinced that she recognized him from his previous life. And that seems to be what the series wanted me to think so that they could pull a fast one on us because when Dawn pulled Phoebe aside to a “safe room” to keep her protected from the killer, it was revealed that Dawn was just an obsessive stalker who was connived that she was friends with the elite, Phoebe in particular. Dawn was a threat to a lot of people, so Joe took advantage of it. He framed her by planting Simon’s ear in her belongings, and since no one would ever believe a word she said over Phoebe’s accounts of what happened, Dawn couldn’t prove her innocence. Plus, she made an ideal suspect since she was at nearly every single event where a murder occurred as she was stalking the group. I mean, it couldn’t have been any more perfect if Joe had tried to plan it himself.
However, his heroics did raise some questions from Nadia, his student and the lover of all murder mysteries. She noticed that Jonathan seemed to be at the center of every single scenario, oftentimes being championed as a hero, though he’s not actually connected to any of these people in any meaningful way. It’s a dangerous thing to play detective, especially when you’re setting your sights on Joe Goldberg. Jonathan seems to like Nadia, but if she threatened him, I don’t think Joe would hesitate to take her down. Self-preservation is his M.O., remember?
Once Joe thought he finally got Rhys off of his back by framing Dawn, he decided to give into his desires and pursue a relationship with Kate. Honestly, Kate makes some really poor decisions, starting with just accepting Jonathan for who he is now and promising never to ask questions about his past. She wants someone to see her for who she is in the moment so badly that she’s letting logic take a backseat. Why would someone want to deny their past so badly unless they did something truly unforgivable? Kate wants to shed her past because of her connection to her father and she thinks that makes her and Jonathan equal, but they are not the same.
By the time she realizes the truth about who Joe is, it might be too late.
As for Rhys, did Joe think he was really going to get rid of him that easily? Rhys has always wanted a friend to help him get to the finish line so to speak. He believes that they are the same, so he wasn’t going to just let Joe slip away.
And while his motive wasn’t evident at first, he seems hellbent on taking out those who don’t deserve their success and wealth. The three victims, Malcolm, Simon, and Gemma, all threatened his mayoral run in some way, so they were taken care of, and now, he’s setting his sights on the ultimate villain–Kate’s father. She may have a complicated relationship with her tycoon dad, but I don’t think Kate would ever want to see anything bad happen to him, let alone at the hands of the man she’s in love with.
However, Rhys doesn’t seem to give Joe much of a choice as he still holds all of the cards. One might think that Joe could just handle this in the same way he always does, but well, you can’t just try to kill a killer. He’d see that coming from miles away. Joe needs to be strategic and deliberate in his plan, so for now, he has to play along. I, for one, am curious to see what all the hubbub is about Kate’s father–is he really as terrible as she makes him out to be?
As for Rhys, what is the catch? Fans were disappointed with the first half of the season since his reveal as the killer was obvious—and his motives, including his desire to kill Kate’s father–are exactly shocking or game-changing. What are we missing?
What did you think of the episode?
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