In Season 2, the final adaptation of comedian Mae Martin’s (they/them) semi-autobiographical comedy, Feel Good takes on much more content in its short six episodes, packing quite the punch.
We’re guided deeper through the traumas of the primary character Mae and left wondering how they’re able to stand on their own two feet after years of childhood grooming, drug addiction, and parental toxicity.
The light answer to this is humor. As it’s joked often throughout the episodes, “comics are supposed to be sacks of shit.” Through light-hearted comedy and the power of laughter, Mae’s story is dissected. However, at times, big topics are rushed and viewers are left grasping at strings, wishing there were more episodes in the season.
Following an unfortunate relapse in Season 1, we’re immediately thrown into Mae’s life in Canada, as they’re about to reenter rehab. They’ve only been away from England for a couple of months, but with the fresh wounds of the breakup, both George (Charlotte Ritchie) and Mae aren’t healed and are still stuck in their desire for each other. I mean, Mae still has George’s photo on their nightstand!
While in rehab, Mae reconnects with an old “friend,” Scott. When he’s first introduced we’re left wondering who he is and what his role is in Mae’s life. As an addict and queer comedian, there’s much more behind Mae’s curtain of trauma than initially presented in Season 1. Much more trauma that’s led to rash behavior, and Mae’s conversation with Audrey, easily foreshadows this.
Intertwined with the main storyline, Mae’s also navigating their non-binary identity. Mirroring Martin’s own coming-out as non-binary, Mae’s figuring it out, explaining that they see themselves as more of a Ryan Goslin or Adam Driver.
Again, with only six episodes to squeeze so much storyline into, Mae’s rehab stint only lasts 15 minutes into the first episode before they’re running out the door back into the arms of Scott.
As Mae’s stumbling through life in Canada, George is also trying to keep her mind focused on things like saving the bees. At an event at her school, she meets Elliot, a bisexual, polyamorous man with whom she bonds. He’s the nice guy, maybe too nice for George. He’s one of those men who are self-proclaimed progressive and ultra-feminist, trying to mansplain the harm in porn’s presentation of women and how sex needs to be a safe space for connection.
And as Mae knows, that’s definitely not how George likes to be treated during sex. Thankfully, George and Mae reconnect, and Elliot is quickly out of the picture with Mae and George recreating their first meet-cute, hoping to restart from a fully healed wound.
As Feel Good is written by a queer person, the portrayal of queer sex is finally construed in a realistic and non-hypersexualized manner. Mae and George run through various role-playing scenarios as they are falling into what seems to be a healthy relationship.
Realistically, their timeline is rushed, but Mae needed some stability before they faced the bigger demons hiding under the bed.
The show cleverly depicts Mae’s moments of withdrawal and trauma responses through a high-pitched ringing sound. As if we’re inside Mae’s head. Originally, Mae experienced the ringing sound when they were with George, as George was a replacement drug. But, in this season, the ringing sound appeared whenever the past tried to resurface.
Mae told Audrey that they had a hard time remembering the past, that it was all like a jumbly tumbly mess of Tupperware containers. But, as the episodes progress, each Tupperware slowly found its way to its matching lid.
It becomes clear that Scott isn’t just an old friend, but a man who used to abuse and take advantage of Mae. After Mae’s kicked out of the house at a young age for drug addiction, they move in with Scott who presents himself as a safe haven and gateway to Mae’s comedic success. When, in reality, he’s a pedophile who’s grooming them.
When a woman calls Mae to talk about Scott, presumably about the things he did to both of them in the past, Mae’s reminded of the trauma they had compartmentalized. A doctor suggests Mae might have PTSD, and with George’s help, they begin the journey of confronting the harmful past.
Meanwhile, through all of the personal traumas, Mae’s working through their professional success after being signed with an agent and fulfilling their dream of TV comedy. However, Mae finds it challenging to reinvent their success from the original standup virality that got them the agent in the first place. As mentioned earlier, with comics, the butt of their jokes is their own trauma.
Unfortunately, as Mae hasn’t healed from their trauma, there’s no way they can make light of it yet. As their career goes for a bit of a downhill turn, and they have a hard time performing for an audience, they begin to seclude themselves and withdraw from the world.
In a much-needed getaway, Mae, George, and Phil take a trip to Canada in order for Mae to confront Scott.
The scene in which Mae directly tells Scott they never want to speak to them again, although a bit anticlimactic, was retrospectively a strong scene that finalized Mae’s character arc in the perfect ending to a witty, raw, and endearing show.
The final episode leaves Mae leaps and bounds beyond where they had been before on their road to recovery. And just as Mae’s love for George grew healthily from a need to a want, our need for a Season 3 resolved itself, and we feel good saying our final goodbyes to Mae and George, knowing fully well they are on their way to a fresh start.
‘Glass Onion: A Knives Out Mystery’ Review – A Murder Mystery Within a Murder Mystery
If you’re a murder mystery fanatic who enjoyed the original Knives Out, you’re likely looking forward to what Rian Johnson has in store for you this time around.
And you’re probably wondering—can the second installment capture, bottle up, and sell the essence of the first film once again? Unfortunately, it cannot.
Glass Onion: A Knives Out Mystery takes a stab at it—yet misses the mark, though not entirely. If you ordered a margarita, this would be a watered-down margarita–slightly less potent but still enjoyable enough.
The first film was a smashing success mainly because it delivered the eerie vibe of an old-school whodunit. However, the classic elements that made the first one so great are no longer present in the sequel. It’s glitz, glamor, and gadgets, first and foremost. With a heavy tech focus and set amid a backdrop of a luxury private island, it doesn’t necessarily align with what fans may be expecting, nor does it benefit from falling under the Knives Out umbrella. In fact, I think labeling it as a Knives Out mystery may have led to the confusion since tonally, it feels more adjacent to Death on the Nile.
That being said, I thoroughly enjoyed Death on the Nile, so once I came in with an open mind, Glass Onion turned out to be a thrilling journey from beginning to end. The pristine locations, top-notch action, and eccentric characters all lent themselves to the wonder.
We’re not playing your mom’s version of Clue as the film bypasses the typical murder mystery aesthetic, which becomes evident almost immediately, however, it’s crafted with just as much, if not more, love from Johnson, who knows he has to live up to some pretty high expectations.
The second film is ambitious, serving up multiple murder mysteries in one. The murder mystery within a murder mystery makes it difficult to have any plausible theories until about halfway through when the film starts walking the storyline back and peeling the layers of the very complex onion.
And while I personally thought the murderer’s identity was far too obvious—isn’t that always the case? Isn’t the killer always starting your right in the face?—it was still a satisfying resolution. The clues are all there from the beginning if you dare pay close attention…and it’s that attention to detail and intricacies that make the Knives Out franchise such a hit.
The writers managed to trip audiences up with an added plot twist so well crafted, it could shock even the sleuthiest of sleuths, including Benoit Blanc.
Daniel Craig’s gentleman detective is the only familiar thread between the two films, and it’s comforting to hear his Southern drawl once again, because this time, you know exactly what to expect from him. You’ve seen him in action and you know how his mind works, so even if it doesn’t seem like he has a handle on the situation, he knows more than he’s letting on.
He has a pulse on the new mystery, coming in knowing more than anyone on the island—or the audience—knows, but at times, it sure does seem like he’s lost his edge. And that’s the point… the minute you let your guard down, and when you think the game has gotten away from him, he cracks the case most brilliantly.
I didn’t think we’d see Craig headline another franchise after Bond, but here we are, and having a damn good time at that, especially as the film takes on a more comedic tone. The laid-back nature of the film allows Benoit to have some fun and not take himself so seriously– he doesn’t need to prove himself this time around—and fans can let loose and get lost in the plot without feeling too bogged down by the murderous twists, of which there are plenty.
The new group of suspects—because let’s be honest, that’s what they are—is a group of old friends who refer to themselves as the “disruptors.” However, the only thing being truly disrupted is their fun murder mystery party on the island when a real-life murder occurs and sends their little getaway into disarray. Through this real-life murder, we begin to unearth a little more about each character, learning their motivation and relationship with the victim(s) play a crucial role in solving this mystery. And though I found it slightly difficult to connect with any specific character on a deeper level, or even feel any empathy for them, the variety of personalities, backgrounds, and social statuses, makes them all worthy suspects.
Knives Out capitalized on a star-studded cast the first time around, and Johnson somehow managed to once again pull off bringing so much talent into one room, nabbing a cast that holds a candle to the original, including Edward Norton as tech guru Miles Bron (the owner of the Glass Onion), Kathryn Hahn as governor Claire Debella, and Kate Hudson as a carefree socialite named Birdie Jay, to name a few. There might not be a Chris Evans sweater moment, but they’re a good bunch that fit the tone of the film.
My biggest complaint isn’t even a complaint, but rather, an observation of how easily I was distracted by the name Andi, which should never be used for another character in a movie starring Hudson. True fans of How to Lose a Guy in 10 Days will understand the sheer confusion of a movie referencing Andi but not actually referring to Hudson. That was a mystery in itself.
And just when you thought there couldn’t be more star power, there are plenty of Easter eggs and unexpected guest appearances—we’re looking at you, Hugh Grant.
The bottom line is that if you go in with zero expectations stemming from the first film, you won’t be disappointed. The films are distinctly different, but they’ll both make you put your detective skills to use.
It’s a worthy sequel that allows Johnson to flex his funny bone while doing what he does best—crafting a mystery that will keep you on your toes from beginning to end. He proves that there isn’t one way, or a right way, to do a murder mystery, and what makes them so enjoyable and enticing every single time is that they are one giant game for everyone involved.
Where Can I Stream Knives Out?
The first Knives Out film is currently not streaming on Netflix, and there’s no word if the streaming giant will be able to acquire rights before the second film premieres.
Knives Out 2 Cast?
Here’s a breakdown of the Glass Onion: A Knives Out Mystery cast:
- Daniel Craig As Detective Benoit Blanc
- Edward Norton As Miles Bron
- Janelle Monáe As Cassandra “Andi” Brand
- Kathryn Hahn As Claire Debella
- Leslie Odom Jr. As Lionel Toussaint
- Kate Hudson As Birdie Jay
- Jessica Henwick As Peg
- Dave Bautista As Duke Cody
- Madelyn Cline As Whiskey
Glass Onion: A Knives Out Mystery Release Date
The second installment in the Knives Out franchise was released on November 23 for a limited theatrical run for about a week. It will now debut on Netflix on December 23, 2023, which is perfect for your Christmas Eve and Christmas Day viewing.
Freddie Prinze Jr. Is Back! Everything We Know About the ‘Christmas With You’ Heartthrob
Freddie Prinze Jr., the ’90s heartthrob, is back on our TV screens in Netflix’s newest holiday rom-com, Christmas With You.
In the film, Prinze Jr. stars as a Latino single father, Miguel Torres, who teaches music class at his daughter Cristina’s (Deja Monique Cruz) school when his path unexpectedly crosses with Angelina (Aimee Garcia), a burnt out popstar looking for her next Christmas hit.
The actor, who starred in hits like She’s All That and I Know What You Did Last Summer, admitted he felt pretty nervous getting back into the swing of things, but thankfully, it seems to be paying off as the film is being well-received by audiences for it’s heartwarming and important message.
And now, we’re answering some of your burning questions about the leading man!
What Ethnicity is Freddie Prinze Jr.?
Since Prinze Jr. stars as a Hispanic father, the question of his ethnicity has come up quite frequently. The star reportedly embraces his Latin ancestry as his paternal grandmother was Puerto Rican, from Boquerón, so he is fluent in Spanish. His mom is of Italian descent, along with German, English, and Irish.
Does Freddie Prinze Jr. Have Kids?
Prinze Jr. shares two children with his wife, Sarah Michelle Gellar—13-year-old Charlotte Grace Prinze and 10-year-old Rocky James Prinze.
In fact, the actor told TODAY that his return to acting has a lot to do with his daughter, stating, “My daughter has taken an interest in acting and performing, dance and things like that. So both my wife and I wanted to take a more active role to show her the way, so to speak, because we have very different processes (with) the way we deal with success and failure, rejection and acceptance and all those things.
“We wanted to give her an opportunity to see that it’s not just being famous, limousines and millions of dollars and all that. It requires a lot of sacrifice and a lot of hard work, time away from the people you love,” he added.
Freddie Prinze Jr. Age
Since many of us grew up watching Prinze Jr. in the ’90s and early ’00s, we still think of him as this teen actor, but the truth is that he is 46 years old.
Freddie Prinze Jr. Wife
As mentioned before, Prinze Jr. wed his Scooby-Doo co-star, Sarah Michelle Gellar, in 2002. In fact, the couple met on the set of 1997’s I Know What You Did Last Summer, but didn’t start dating until a few years later in 2000.
They recently celebrated their 20th anniversary together, with Gellar sharing a sweet photo from the nuptials in Puerto Vallarta, Mexico, on Instagram.
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Who Plays Freddie Prinze Jr.’s Love Interest on Christmas With You?
Aimee Garcia, best known for her role as Jamie Batista in Showtime’s Dexter, takes on the role of Prinze Jr.’s love interest and pop sensation Angelina Chavez Torres, who visits the small town where Prinze Jr’s character, Miguel, lives with his daughter, who is preparing for her quinceanera. Her big holiday wish? To meet the pop star who remains the only connection to her late mom.
Christmas With You is currently airing on Netflix.
Virgin River Season 4 Episode 1 Premiere Review – All Is Not Calm In This Scenic Town
All is not calm in this scenic town, but you already knew that?
However, if you didn’t know what to expect when Virgin River Season 4 returned to your screens, you probably didn’t anticipate the first episode to kick off with a very pregnant Mel walking with Jack. You assume you’re getting a glimpse of what’s to come, but suddenly, Mark, very much alive, comes their way as a debate erupts over who the father of the child actually is.
Thankfully, it’s just a nightmare (though, Mel might see it as a dream), and a peek into Jack’s current mental state when it comes to how he’s coping with the pregnancy news.
It doesn’t take long before the series dives right in where we left off dishing out the expected dose of drama, feel-good moments, and that gorgeous, picturesque scenery.
Mel and Jack arrive at the doctor’s office where she’s classified as a high-risk pregnancy because of her previous stillbirth. Jack continues to worry about Mel throughout the episode, which isn’t helping her since she doesn’t want to make a fuss about it. She informs him that when she was expecting with Mark, they did everything by the book and still lost a child, so her plan is just to live her life this time around and hope for the best. It’s not an easy thing to accept, but who can blame Mel for not wanting to worry when anything can go wrong regardless?
A new doctor blows into town, and since he’s a young, good-looking man, it stirs up a lot of gossip! Not only is Dr. Cameron Hayek a looker, but he’s also a great guy! But he’s no competition for Jack, even if the town’s people are hoping for some kind of love triangle strictly for their own entertainment.
Jack asks Mel not to tell her sister, Jo, about the baby as he wants to keep it a secret for a little longer, but Joey knows something is up when she calls Mel. When breaks the news to her, she informs her that she’s not sure who the father is. Either way, Joey is thrilled and knows this is what Mel has always wanted.
Jack continues to worry about Mel throughout the episode, which isn
Anette O’Toole is back as Hope, but this isn’t the snappy and spunky woman we’ve come to know. Hope is recovering from a traumatic accident that led to a brain injury, so she’s not feeling like herself. Everyone is kind of tip-toeing around her as she deals with her new reality, particularly when it comes to Lily. Hope asks Doc if Lily is mad at her because she’s not returning her calls. Her brain blocked out the information that Lily passed away, and Doc does his best to avoid the topic at all costs because he doesn’t want to inhibit her recovery in any way. When Lizzie volunteers to take care of Hope, she accidentally reveals that Lily is dead. Once she realizes Hope doesn’t know, she panics and calls Doc who comes to inform Hope that she knew about Lily’s death and was actually on her way to the funeral when she got into the accident.
As Doc deals mostly with Hope’s memory loss and recovery, he’s shocked to hear that there has been a young man looking for him claiming that he’s his grandfather. Obviously, since he had no children, he doesn’t really believe it. But at the end of the episode, Denny arrives on his doorstep and informs him that Rose Miller gave him Doc’s information. Doc recognizes Rose’s name immediately, but he also thought she died 49 years ago. The fact that he remembers how many years have passed means that she meant a great deal to him. Will Rose somehow be involved in the series?
Her appearance is brief, thankfully, but she does divulge that she’s expecting boys, a secret she’s conveniently keeping from Jack. I just feel bad for the kids because she clearly doesn’t value Jack as their father and is going to make being in their lives as hard for him as possible.
Preacher doesn’t have much action in the first episode, but considering the nature of his storyline, I’m sure it will change soon enough. He’s worried that he hasn’t heard back from the PI about Vince after he kidnapped Christopher. He considers taking the whole thing public but decides against it because he doesn’t want to spook Vince into hiding. Eventually, he’ll slip up and they’ll be able to find Christopher safe and sound. Hopefully.
Brady is in jail, which is quite a scary place to be when you’ve betrayed a whole gang and are responsible for the raid that landed them all in prison, including Jimmy. He keeps trying to reach out to Brie and even requested a bail hearing, but things are moving pretty slowly. Jack suggests that maybe Brady was framed. He notes that Brady is a lot of things, but dumb isn’t one of them, so the chances of him driving around with the gun in his Jeep are slim.
Brie goes on a job interview as she hopes to stay in Virgin River and make a life for herself here. After everything that transpired between Brady and Jack with the arrest, she chooses to ignore her former lover’s calls from prison. Will she eventually hear him out and let him explain his side of the story?
Hope is still in such a fragile place — how will she react to the news that Doc had a son and is a grandfather? Gossip travels fast in town, so it’s best if Doc tells her before she hears in the same way she found out about Lily.
Who do you think the father of Mel’s child is? It’s such a unique situation, and she’d likely be happy with either outcome. How will her pregnancy affect the storyline moving forward? Is the new doctor hitting on her or is he just super friendly?
Is Charmaine out of line? Will Brady survive in prison?
Share your thoughts in the comments below!
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