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‘Feel Good’ Season 2 Packs Quite the Punch

Season 2 Feel Good. Credit: Netflix

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In Season 2, the final adaptation of comedian Mae Martin’s (they/them) semi-autobiographical comedy, Feel Good takes on much more content in its short six episodes, packing quite the punch.

We’re guided deeper through the traumas of the primary character Mae and left wondering how they’re able to stand on their own two feet after years of childhood grooming, drug addiction, and parental toxicity.

The light answer to this is humor. As it’s joked often throughout the episodes, “comics are supposed to be sacks of shit.” Through light-hearted comedy and the power of laughter, Mae’s story is dissected. However, at times, big topics are rushed and viewers are left grasping at strings, wishing there were more episodes in the season.

Mae on Feel Good Season 2

Mae on the phone in rehab on Feel Good Season 2. Credit: Netflix

Following an unfortunate relapse in Season 1, we’re immediately thrown into Mae’s life in Canada, as they’re about to reenter rehab. They’ve only been away from England for a couple of months, but with the fresh wounds of the breakup, both George (Charlotte Ritchie) and Mae aren’t healed and are still stuck in their desire for each other. I mean, Mae still has George’s photo on their nightstand!

While in rehab, Mae reconnects with an old “friend,” Scott. When he’s first introduced we’re left wondering who he is and what his role is in Mae’s life. As an addict and queer comedian, there’s much more behind Mae’s curtain of trauma than initially presented in Season 1. Much more trauma that’s led to rash behavior, and Mae’s conversation with Audrey, easily foreshadows this.

Intertwined with the main storyline, Mae’s also navigating their non-binary identity. Mirroring Martin’s own coming-out as non-binary, Mae’s figuring it out, explaining that they see themselves as more of a Ryan Goslin or Adam Driver.

Again, with only six episodes to squeeze so much storyline into, Mae’s rehab stint only lasts 15 minutes into the first episode before they’re running out the door back into the arms of Scott.

As Mae’s stumbling through life in Canada, George is also trying to keep her mind focused on things like saving the bees. At an event at her school, she meets Elliot, a bisexual, polyamorous man with whom she bonds. He’s the nice guy, maybe too nice for George. He’s one of those men who are self-proclaimed progressive and ultra-feminist, trying to mansplain the harm in porn’s presentation of women and how sex needs to be a safe space for connection.

George, Elliot, Jack, and Mae on Feel Good Season 2.

George, Elliot, Jack, and Mae on a double date on Feel Good Season 2. Credit: Netflix

And as Mae knows, that’s definitely not how George likes to be treated during sex. Thankfully, George and Mae reconnect, and Elliot is quickly out of the picture with Mae and George recreating their first meet-cute, hoping to restart from a fully healed wound.

As Feel Good is written by a queer person, the portrayal of queer sex is finally construed in a realistic and non-hypersexualized manner. Mae and George run through various role-playing scenarios as they are falling into what seems to be a healthy relationship.

Realistically, their timeline is rushed, but Mae needed some stability before they faced the bigger demons hiding under the bed.

The show cleverly depicts Mae’s moments of withdrawal and trauma responses through a high-pitched ringing sound. As if we’re inside Mae’s head. Originally, Mae experienced the ringing sound when they were with George, as George was a replacement drug. But, in this season, the ringing sound appeared whenever the past tried to resurface.

Mae and George in bed on Feel Good Season 2

Mae and George on Feel Good Season 2. Credit: Netflix

Mae told Audrey that they had a hard time remembering the past, that it was all like a jumbly tumbly mess of Tupperware containers. But, as the episodes progress, each Tupperware slowly found its way to its matching lid.

It becomes clear that Scott isn’t just an old friend, but a man who used to abuse and take advantage of Mae. After Mae’s kicked out of the house at a young age for drug addiction, they move in with Scott who presents himself as a safe haven and gateway to Mae’s comedic success. When, in reality, he’s a pedophile who’s grooming them.

When a woman calls Mae to talk about Scott, presumably about the things he did to both of them in the past, Mae’s reminded of the trauma they had compartmentalized. A doctor suggests Mae might have PTSD, and with George’s help, they begin the journey of confronting the harmful past.

Meanwhile, through all of the personal traumas, Mae’s working through their professional success after being signed with an agent and fulfilling their dream of TV comedy. However, Mae finds it challenging to reinvent their success from the original standup virality that got them the agent in the first place. As mentioned earlier, with comics, the butt of their jokes is their own trauma.

Feel Good Season 2

Mae bringing George flowers on Feel Good Season 2. Credit: Netflix

Unfortunately, as Mae hasn’t healed from their trauma, there’s no way they can make light of it yet. As their career goes for a bit of a downhill turn, and they have a hard time performing for an audience, they begin to seclude themselves and withdraw from the world.

In a much-needed getaway, Mae, George, and Phil take a trip to Canada in order for Mae to confront Scott.

The scene in which Mae directly tells Scott they never want to speak to them again, although a bit anticlimactic, was retrospectively a strong scene that finalized Mae’s character arc in the perfect ending to a witty, raw, and endearing show.

The final episode leaves Mae leaps and bounds beyond where they had been before on their road to recovery. And just as Mae’s love for George grew healthily from a need to a want, our need for a Season 3 resolved itself, and we feel good saying our final goodbyes to Mae and George, knowing fully well they are on their way to a fresh start.

 

 

 

 

 

 

 


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Inventing Anna Series Premiere Review – Who the Hell Is Anna Delvey? (1×01)

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Inventing Anna Series Premiere Review Episode 1 Life of a VIP

From the creative mind of Shonda Rhimes comes Inventing Anna.

It’s the story of Anna Delvey that you’ve likely heard before, but with Shondaland’s exclusive twist on it.

Delvey, real name Anna Sorokin, was a faux socialite who scammed New York’s high society, including hotels, banks, Wall Street, and elite friends.

The Russian immigrant posed as a German heiress in an attempt to steal millions of dollars from the wealthy. 

But despite having Sorokin’s name in the title, the first episode of the Netflix limited series hinges heavily on Vivian Kent, the ambitious journalist who landed the tell-all interview with Delvey. 

Anna Chlumsky (who you might remember from the ’90s My Girl fame) is a powerhouse in the role as she sets her sights on Delvey/Sorokin (played by Ozark’s Julia Garner) in order to revive her career. 

Inventing Anna Series Premiere Review Episode 1 Life of a VIP

Inventing Anna. Anna Chlumsky as Vivian Kent in episode 103 of Inventing Anna. Cr. David Giesbrecht/Netflix © 2021

Kent has been banished to “Scriberia,” a corner of the office where she’s convinced journalists go to die. After coming upon Delvey’s upcoming trial, she sniffs out a case and tries to convince her bosses — Paul and Landon — to cover the story. 

Unfortunately, neither of them seemed particularly moved by her spiel as they insist she covers the women of Wall Street’s #MeToo plight. 

Kent, however, doesn’t feel compelled to bully these women into telling their stories for clickbait and pursues the Delvey story instead. 

The more she digs, the less she knows. 

Delvey is an enigma who seemingly crafted many personas while schmoozing with New York’s upper echelon. 

Eventually, Kent is able to convince the editor of The Manhattan (the show’s New York magazine) to let her roll with the story. 

It’s unclear why her editor, Paul, has it out for her, but the series seems to purposefully leave Kent’s background vague throughout the episode. 

All we know is that something went wrong, a little boy was involved, Google will remember it forever (the internet never forgets), and that’s she’s desperate to revive her career, a feat she hopes to accomplish before she has her baby girl. When she realizes that it might not be possible, she has an entire breakdown at the gynecologist’s office during the ultrasound, which, as a woman trying to juggle a career and motherhood, is all too relatable. 

And then — she gets the absolute motivation to convince Delvey to reject the plea deal being offered and fight for her reputation as well. 

In an intense meeting where Kent levels with Delvey, she convinces her that she deserves to have her story told. 

But that’s not what ultimately persuades Delvey. As a journalist, you want something from your subject, but in order to get it, you also have to know what your subject wants. So, in exchange for her story, Kent promises Delvey the one thing she wants more than anything: fame.

After all, Delvey herself claims that the persona she made up is a “masterpiece, bitches,” while the friends she conned note that she was a “legend” and “icon.”

In that pivotal scene, it seems as though Kent has fully tapped into why Delvey concocted her scheme in the first place. While she claims to be a businesswoman who wanted to secure a loan for an exclusive club she wanted to open up, Delvey was obsessed with the high life; the exclusivity of being an “it” girl.

Kent tapped into the vein fueling Delvey’s motivations this whole time — even from the depths of Rikers. 

While the series is based on a true story, it’s definitely not an accurate depiction of what really happened, but that’s neither here nor there because the episode is wildly entertaining and keeps you hanging on to every single delusion Delvey divulges. 

Much of Kent’s background — even if vague at times — is presented, while there’s just enough of Garner’s Delvey, with her intense accent, to hook you into coming back for more. 

Though neither would admit it, Delvey and Kent have one thing in common — the need to prove themselves, which makes this profile something that’s in both of their best interests.

Inventing Anna Series Premiere Review Episode 1 Life of a VIP

Inventing Anna. Julia Garner as Anna Delvery in episode 104 of Inventing Anna. Cr. Nicole Rivelli/Netflix © 2021

And it’s even in the interest of Delvey’s lawyer, Todd, who also wants to prove himself as an ADA. 

Todd, played by Arian Moayed, is definitely battling some insecurity issues. He even tells his wife, a powerful attorney working at her father’s firm, that he feels inferior to many of their friends. He may be defending the world’s biggest con artist, but somehow, he’s the one feeling like a fraud while Delvey remains adamant she’s not the criminal they are painting her out to be. 

At times, you almost feel for Delvey and start to believe her story, only to realize that her act is one big manipulation tactic. It also becomes harder to empathize with her when she calls Kent out for looking “very poor” and “very, very fat.” However, those moments paint a vivid photo of the kind of things Delvey prioritized, even while spending time in one of the most dangerous prisons. 

All of this likely proves that Garner has nailed the role of the woman who was able to manipulate some of the smartest people in the city. 

Of course, while much of the back-and-forth dance happens between Kent and Delvey, there’s an incredible supporting cast. 

Todd faces off assistant DA Catherine McCaw played by Westworld’s Rebecca Henderson. 

Rhimes takes care of her own as Scandal’s Katie Lowes and Jeff Perry; Lowes plays ex-Vanity Fair picture researcher and Delvey’s bestie Rachel DeLoache Williams, while Perry is Kent’s fellow journalist.

The Bold Type’s Alexis Floyd as Neff, an employee at the hotel Delvey stayed at who assists Kent with her story, while Orange Is the New Black’s Laverne Cox will appear as celebrity fitness trainer Kacy Duke.

Inventing Anna has all the makings of a Rhimes hit series, so strap in for the ride because from the looks of it, Delvey is just getting started as we take a peak behind the curtain to figure out what exactly led up to this very prison meeting. 

And we can’t wait to see where Garner takes this role as the trial ramps up, which leaves all of NYC’s finest quaking in their boots.

After all, did you ever imagine that Ruth would become the moral heartbeat of Ozark?!


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‘The Woman In the House’ – Everything You Need to Know About Kristen Bell’s New Thriller

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Everything we know About Kristen Bell's upcoming comedy thriller The Woman in the House Across the Street from the Girl in the Window

Kristen Bell is known for her comedic chops, but she’s dabbling a new genre come 2022.

“The Good Place” actress will star as Anna in a dark comedy thriller on Netflix. 

Here’s everything we know about the upcoming series “The Woman in the House Across the Street from the Girl in the Window.”

 

What’s It About?

The series focuses on the heartbroken lead who lives everyday the same way — staring out her window and watching life pass her by while she sips her wine. 

All of that is flipped upside down when her handsome neighbor moves in across the street and she witnesses a murder… or does she? Does someone want her to forget? Did she imagine it? Are they the hallucinations?

We’re already totally invested. 

 

Is there a Trailer?

YES! Glad you asked. The teaser is intoxicating and shows exactly why Bell was the right choice for the role!

Check it out below: 

 

Who Else Is in the Series?

Well, there’s Bell. Other cast members include: Michael Ealy, Tom Riley, Mary Holland, Cameron Britton, Samsara Yett, Christina Anthony, and Benjamin Levy Aguilar. 

 
How Long is the Series?
 
The season consists of eight, 30-minute episodes. You know what that means? They’re easily binge-able with your glass of wine! 
 
 
Why Does It Sound So Familiar?
 
It parodies Amy Adams’ thriller “The Woman in the Window” and the 2016 film “The Girl on the Train.”
 
 

When Does It Premiere?

The show hits Netflix on Friday, Jan. 28, 2022!

 

Is There Going to be a Second Season?

While it’s crafted as a limited-series that doesn’t necessarily mean that a second season is out of the question. After all, Big Little Lies was also a limited-series. Never say never!

 


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WATCH: Christmas is Here Early With a Trailer for ‘The Princess Switch 3’

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Princess Switch 3 Trailer Released

Oops… she’s doing it again!

The holiday season isn’t complete without Vanessa Hudgens, who is back once again for The Princess Switch 3.

Netflix has released the official trailer and from the looks of it, it’s going to be filled with comedy, romance, and yes, three different accents and voices all performed by the talented actress.

Check out the trailer below.

Hudgens is once again reprising her roles as Queen Margaret and Princess Stacy, with a new addition Fiona, the cousin.

After the special guest, the Vatican’s Star of Peace is stolen, the two royal lookalikes need to team up together to steal it back. In order to do so, they enlist the help of their cousin Fiona who is also identical to them. The three completely different personalities work together to safely bring back the missing treasure.

Alongside Hudgens, the cast includes Sam Palladio, Remy Hii, Nick Sagar, and Will Kemp.

Netflix will release The Princess Switch 3 on November 18th, so set your calendars!

Recap the The Princess Switch: Switched Again right here

Yes, That Is Queen Amber from ‘A Christmas Prince’ in ‘The Princess Switch: Switched Again’


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