Firefly Lane Season 1 Episode 2 picks up with a high school-aged Tully heading to a party with her “boyfriend” Pat.
It’s clear that Tully will do anything to fit in and keep up her “cool” persona including drinking way too much. But when Pat comes on a little too strongly, she does her best to push him off.
We see Tully get raped as she desperately pleads for Pat to stop. After the act, as she lays in the forest broken, Pat tries to justify his vile actions by victim-blaming and saying she asked for this by leading him on.
It’s a heartbreaking scene but one that helps illuminate Tully’s decision to sign off on Marah’s birth control form for Planned Parenthood. As someone who had their choice taken away, Tully likely thinks that she’s doing a good thing for a young girl who wants to be protected and informed.
Obviously, that’s not the way Kate sees it. Instead, she flips out on Tully for going behind her back and crossing the line. Her reaction is valid too as she feels like once again, everyone is choosing Tully over her. Even her own daughter couldn’t confide in her. And at a time when her life is falling apart, this is yet another instance where she loses control.
Kate’s anger carries on for much of the episode, which drives Tully crazy; she’s very dependent on her best friend to be there for her.
On Firefly Lane Season 1 Episode 1, Johnny returned from New York and visited Tully first. He informs her that he got the job and will be going to Iraq soon, which she’s slightly upset about.
He reminds her of something she said during a coke-binge in the 80s that he believes still rings true today: “People like us can’t live regular lives. When we try, it kills us.”
Tully laughs it off, but there’s a hint of truth to the quote as both Johnny and Tully haven’t really found much success in the 9-to-5 lifestyle; they both feel suffocated.
We see Tully and Johnny’s relationship on a deeper level in both the past and the present. During the coke-infused party back in the day, Tully injures herself dancing on a table, which almost leads to the two sharing a kiss. In the present-day, they still banter like an old married couple. There’s certainly an enormous amount of chemistry here for a girl and her best friend’s ex-husband.
Johnny pays Kate a visit eventually and it seems like they’re pretty amicable exes. He mentions in passing that they divorced because she flirted and developed feelings for a PTA parent (maybe Travis?) but it’s unclear if that was the catalyst. Since divorce is such a big and serious decision, there likely had to be something else contributing to their fallout, especially since they’re on such good terms and seem to support each other in their new career endeavors.
Kate starts her new job as Kimber’s assistant and it offers the series a few moments of levity: think middle-aged woman consoling a bratty 29-year-old with a “major hangover” who asks her to express her pooches glands. All in a day’s work, right?
Kate, however, also proves that she can walk the walk by saving Kimber during a meeting with her boss and providing her with a good article pitch about modern dating. See, despite the gaps in her resume where she dedicated her whole life to raising Marah, she did stay “in the loop.” Once a good journalist, always a good journalist.
While dealing with the dog, Kate also has a run-in with a photographer, who later asks her to “test the lights” and calls her beautiful. It’s a special moment and quite possibly the first time that Kate has felt “seen.” She’s so used to being in Tully’s shadows that she doesn’t even realize her own beauty. But, she’s reminded of it when the photog sends over the headshot.
In the flashback scenes, Kate’s brother, Sean, comes back from the navy and it’s a happy moment for all. Everyone parties in the newsroom till the wee hours of the morning, and Tully gets the scoop about his older boyfriend, who he believes is the one. Sadly, at the time, coming clean about being gay could get him discharged, so Sean is forced to live in secret. He considers telling Kate the truth, which means Tully has kept his secret since seeing him and Robbie making out. However, he decides against it when Kate keeps asking about his “girlfriend.”
As a journalist myself who has spent quite some time working in newsrooms, I can’t help but notice that they don’t seem to work all that much. I guess back in the day, you didn’t have 24/7 news stations focusing on digital, but they really are going hard in the workplace.
It’s in this moment that Kate also realizes that Johnny can see through Tully’s allure; he sees a girl that’s deeply saddened. This moment leads me to believe that while he had feelings for Tully once upon a time, he also loved her because she was so broken. And it’s a different kind of love than the feelings he developed for Kate over time.
In the present, Tully once again hooks up with Max, the 29-year-old former one night stand, who we learn is an EMT. We don’t really know much about Max yet, but he seems good for Tully in the sense that he’s “normal.” Hopefully, she doesn’t push him away like she’s pushed away everyone else.
During their brief chat, Tully informs him that her mother died when she was 15. But something about that doesn’t strike me as true. Of course, her mother had plenty of vices and questionable boyfriends, so her death wouldn’t be surprising, but the way Tully said it made me think that she meant “death” metaphorically as in “she’s dead to me.” Regardless, I can’t wait to find out more because Tully’s troubled childhood informs her current person.
By the end of the episode, Tully and Kate make up after Tully throws rocks at Kate’s window just like she did when they were young girls on Firefly Lane.
And then, the series introduces yet another timeline two years into the future.
Kate is looking out at the horizon when Marah approaches her and they think back fondly on “Aunt Tully.” It’s a cryptic scene, but the somber tone of their conversation and the black outfits suggest that Tully passed away.
There are many avenues that can be explored here, but thinking back on what we’ve seen and how Tully briefly considered jumping off her building balcony in the pilot episode, I’m inclined to think it was suicide.
And it all brings me back to the quote from the 80s that Johnny mentioned upon his return: “People like us can’t live regular lives. When we try, it kills us.”
Was the series teasing Tully’s death throughout the episode with her reckless and destructive behavior? She avoided a regular life because she was running away from her demons and was too afraid of commitment. Did it finally catch up to her?
There’s also the very real possibility that the series is trying to fool us with comments of Tully, but it isn’t actually her funeral. Weigh in with your thoughts.
Inventing Anna Series Premiere Review – Who the Hell Is Anna Delvey? (1×01)
From the creative mind of Shonda Rhimes comes Inventing Anna.
It’s the story of Anna Delvey that you’ve likely heard before, but with Shondaland’s exclusive twist on it.
Delvey, real name Anna Sorokin, was a faux socialite who scammed New York’s high society, including hotels, banks, Wall Street, and elite friends.
The Russian immigrant posed as a German heiress in an attempt to steal millions of dollars from the wealthy.
But despite having Sorokin’s name in the title, the first episode of the Netflix limited series hinges heavily on Vivian Kent, the ambitious journalist who landed the tell-all interview with Delvey.
Anna Chlumsky (who you might remember from the ’90s My Girl fame) is a powerhouse in the role as she sets her sights on Delvey/Sorokin (played by Ozark’s Julia Garner) in order to revive her career.
Kent has been banished to “Scriberia,” a corner of the office where she’s convinced journalists go to die. After coming upon Delvey’s upcoming trial, she sniffs out a case and tries to convince her bosses — Paul and Landon — to cover the story.
Unfortunately, neither of them seemed particularly moved by her spiel as they insist she covers the women of Wall Street’s #MeToo plight.
Kent, however, doesn’t feel compelled to bully these women into telling their stories for clickbait and pursues the Delvey story instead.
The more she digs, the less she knows.
Delvey is an enigma who seemingly crafted many personas while schmoozing with New York’s upper echelon.
Eventually, Kent is able to convince the editor of The Manhattan (the show’s New York magazine) to let her roll with the story.
It’s unclear why her editor, Paul, has it out for her, but the series seems to purposefully leave Kent’s background vague throughout the episode.
All we know is that something went wrong, a little boy was involved, Google will remember it forever (the internet never forgets), and that’s she’s desperate to revive her career, a feat she hopes to accomplish before she has her baby girl. When she realizes that it might not be possible, she has an entire breakdown at the gynecologist’s office during the ultrasound, which, as a woman trying to juggle a career and motherhood, is all too relatable.
And then — she gets the absolute motivation to convince Delvey to reject the plea deal being offered and fight for her reputation as well.
In an intense meeting where Kent levels with Delvey, she convinces her that she deserves to have her story told.
But that’s not what ultimately persuades Delvey. As a journalist, you want something from your subject, but in order to get it, you also have to know what your subject wants. So, in exchange for her story, Kent promises Delvey the one thing she wants more than anything: fame.
After all, Delvey herself claims that the persona she made up is a “masterpiece, bitches,” while the friends she conned note that she was a “legend” and “icon.”
In that pivotal scene, it seems as though Kent has fully tapped into why Delvey concocted her scheme in the first place. While she claims to be a businesswoman who wanted to secure a loan for an exclusive club she wanted to open up, Delvey was obsessed with the high life; the exclusivity of being an “it” girl.
Kent tapped into the vein fueling Delvey’s motivations this whole time — even from the depths of Rikers.
While the series is based on a true story, it’s definitely not an accurate depiction of what really happened, but that’s neither here nor there because the episode is wildly entertaining and keeps you hanging on to every single delusion Delvey divulges.
Much of Kent’s background — even if vague at times — is presented, while there’s just enough of Garner’s Delvey, with her intense accent, to hook you into coming back for more.
Though neither would admit it, Delvey and Kent have one thing in common — the need to prove themselves, which makes this profile something that’s in both of their best interests.
And it’s even in the interest of Delvey’s lawyer, Todd, who also wants to prove himself as an ADA.
Todd, played by Arian Moayed, is definitely battling some insecurity issues. He even tells his wife, a powerful attorney working at her father’s firm, that he feels inferior to many of their friends. He may be defending the world’s biggest con artist, but somehow, he’s the one feeling like a fraud while Delvey remains adamant she’s not the criminal they are painting her out to be.
At times, you almost feel for Delvey and start to believe her story, only to realize that her act is one big manipulation tactic. It also becomes harder to empathize with her when she calls Kent out for looking “very poor” and “very, very fat.” However, those moments paint a vivid photo of the kind of things Delvey prioritized, even while spending time in one of the most dangerous prisons.
All of this likely proves that Garner has nailed the role of the woman who was able to manipulate some of the smartest people in the city.
Of course, while much of the back-and-forth dance happens between Kent and Delvey, there’s an incredible supporting cast.
Todd faces off assistant DA Catherine McCaw played by Westworld’s Rebecca Henderson.
Rhimes takes care of her own as Scandal’s Katie Lowes and Jeff Perry; Lowes plays ex-Vanity Fair picture researcher and Delvey’s bestie Rachel DeLoache Williams, while Perry is Kent’s fellow journalist.
The Bold Type’s Alexis Floyd as Neff, an employee at the hotel Delvey stayed at who assists Kent with her story, while Orange Is the New Black’s Laverne Cox will appear as celebrity fitness trainer Kacy Duke.
Inventing Anna has all the makings of a Rhimes hit series, so strap in for the ride because from the looks of it, Delvey is just getting started as we take a peak behind the curtain to figure out what exactly led up to this very prison meeting.
And we can’t wait to see where Garner takes this role as the trial ramps up, which leaves all of NYC’s finest quaking in their boots.
After all, did you ever imagine that Ruth would become the moral heartbeat of Ozark?!
‘The Woman In the House’ – Everything You Need to Know About Kristen Bell’s New Thriller
Kristen Bell is known for her comedic chops, but she’s dabbling a new genre come 2022.
“The Good Place” actress will star as Anna in a dark comedy thriller on Netflix.
Here’s everything we know about the upcoming series “The Woman in the House Across the Street from the Girl in the Window.”
What’s It About?
The series focuses on the heartbroken lead who lives everyday the same way — staring out her window and watching life pass her by while she sips her wine.
All of that is flipped upside down when her handsome neighbor moves in across the street and she witnesses a murder… or does she? Does someone want her to forget? Did she imagine it? Are they the hallucinations?
We’re already totally invested.
Is there a Trailer?
YES! Glad you asked. The teaser is intoxicating and shows exactly why Bell was the right choice for the role!
Check it out below:
Who Else Is in the Series?
Well, there’s Bell. Other cast members include: Michael Ealy, Tom Riley, Mary Holland, Cameron Britton, Samsara Yett, Christina Anthony, and Benjamin Levy Aguilar.
When Does It Premiere?
The show hits Netflix on Friday, Jan. 28, 2022!
Is There Going to be a Second Season?
While it’s crafted as a limited-series that doesn’t necessarily mean that a second season is out of the question. After all, Big Little Lies was also a limited-series. Never say never!
WATCH: Christmas is Here Early With a Trailer for ‘The Princess Switch 3’
Oops… she’s doing it again!
The holiday season isn’t complete without Vanessa Hudgens, who is back once again for The Princess Switch 3.
Netflix has released the official trailer and from the looks of it, it’s going to be filled with comedy, romance, and yes, three different accents and voices all performed by the talented actress.
Check out the trailer below.
Hudgens is once again reprising her roles as Queen Margaret and Princess Stacy, with a new addition Fiona, the cousin.
After the special guest, the Vatican’s Star of Peace is stolen, the two royal lookalikes need to team up together to steal it back. In order to do so, they enlist the help of their cousin Fiona who is also identical to them. The three completely different personalities work together to safely bring back the missing treasure.
Alongside Hudgens, the cast includes Sam Palladio, Remy Hii, Nick Sagar, and Will Kemp.
Netflix will release The Princess Switch 3 on November 18th, so set your calendars!
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