Firefly Lane Season 1 Episode 2 picks up with a high school-aged Tully heading to a party with her “boyfriend” Pat.
It’s clear that Tully will do anything to fit in and keep up her “cool” persona including drinking way too much. But when Pat comes on a little too strongly, she does her best to push him off.
We see Tully get raped as she desperately pleads for Pat to stop. After the act, as she lays in the forest broken, Pat tries to justify his vile actions by victim-blaming and saying she asked for this by leading him on.
It’s a heartbreaking scene but one that helps illuminate Tully’s decision to sign off on Marah’s birth control form for Planned Parenthood. As someone who had their choice taken away, Tully likely thinks that she’s doing a good thing for a young girl who wants to be protected and informed.
Obviously, that’s not the way Kate sees it. Instead, she flips out on Tully for going behind her back and crossing the line. Her reaction is valid too as she feels like once again, everyone is choosing Tully over her. Even her own daughter couldn’t confide in her. And at a time when her life is falling apart, this is yet another instance where she loses control.
Kate’s anger carries on for much of the episode, which drives Tully crazy; she’s very dependent on her best friend to be there for her.
On Firefly Lane Season 1 Episode 1, Johnny returned from New York and visited Tully first. He informs her that he got the job and will be going to Iraq soon, which she’s slightly upset about.
He reminds her of something she said during a coke-binge in the 80s that he believes still rings true today: “People like us can’t live regular lives. When we try, it kills us.”
Tully laughs it off, but there’s a hint of truth to the quote as both Johnny and Tully haven’t really found much success in the 9-to-5 lifestyle; they both feel suffocated.
We see Tully and Johnny’s relationship on a deeper level in both the past and the present. During the coke-infused party back in the day, Tully injures herself dancing on a table, which almost leads to the two sharing a kiss. In the present-day, they still banter like an old married couple. There’s certainly an enormous amount of chemistry here for a girl and her best friend’s ex-husband.
Johnny pays Kate a visit eventually and it seems like they’re pretty amicable exes. He mentions in passing that they divorced because she flirted and developed feelings for a PTA parent (maybe Travis?) but it’s unclear if that was the catalyst. Since divorce is such a big and serious decision, there likely had to be something else contributing to their fallout, especially since they’re on such good terms and seem to support each other in their new career endeavors.
Kate starts her new job as Kimber’s assistant and it offers the series a few moments of levity: think middle-aged woman consoling a bratty 29-year-old with a “major hangover” who asks her to express her pooches glands. All in a day’s work, right?
Kate, however, also proves that she can walk the walk by saving Kimber during a meeting with her boss and providing her with a good article pitch about modern dating. See, despite the gaps in her resume where she dedicated her whole life to raising Marah, she did stay “in the loop.” Once a good journalist, always a good journalist.
While dealing with the dog, Kate also has a run-in with a photographer, who later asks her to “test the lights” and calls her beautiful. It’s a special moment and quite possibly the first time that Kate has felt “seen.” She’s so used to being in Tully’s shadows that she doesn’t even realize her own beauty. But, she’s reminded of it when the photog sends over the headshot.
In the flashback scenes, Kate’s brother, Sean, comes back from the navy and it’s a happy moment for all. Everyone parties in the newsroom till the wee hours of the morning, and Tully gets the scoop about his older boyfriend, who he believes is the one. Sadly, at the time, coming clean about being gay could get him discharged, so Sean is forced to live in secret. He considers telling Kate the truth, which means Tully has kept his secret since seeing him and Robbie making out. However, he decides against it when Kate keeps asking about his “girlfriend.”
As a journalist myself who has spent quite some time working in newsrooms, I can’t help but notice that they don’t seem to work all that much. I guess back in the day, you didn’t have 24/7 news stations focusing on digital, but they really are going hard in the workplace.
It’s in this moment that Kate also realizes that Johnny can see through Tully’s allure; he sees a girl that’s deeply saddened. This moment leads me to believe that while he had feelings for Tully once upon a time, he also loved her because she was so broken. And it’s a different kind of love than the feelings he developed for Kate over time.
In the present, Tully once again hooks up with Max, the 29-year-old former one night stand, who we learn is an EMT. We don’t really know much about Max yet, but he seems good for Tully in the sense that he’s “normal.” Hopefully, she doesn’t push him away like she’s pushed away everyone else.
During their brief chat, Tully informs him that her mother died when she was 15. But something about that doesn’t strike me as true. Of course, her mother had plenty of vices and questionable boyfriends, so her death wouldn’t be surprising, but the way Tully said it made me think that she meant “death” metaphorically as in “she’s dead to me.” Regardless, I can’t wait to find out more because Tully’s troubled childhood informs her current person.
By the end of the episode, Tully and Kate make up after Tully throws rocks at Kate’s window just like she did when they were young girls on Firefly Lane.
And then, the series introduces yet another timeline two years into the future.
Kate is looking out at the horizon when Marah approaches her and they think back fondly on “Aunt Tully.” It’s a cryptic scene, but the somber tone of their conversation and the black outfits suggest that Tully passed away.
There are many avenues that can be explored here, but thinking back on what we’ve seen and how Tully briefly considered jumping off her building balcony in the pilot episode, I’m inclined to think it was suicide.
And it all brings me back to the quote from the 80s that Johnny mentioned upon his return: “People like us can’t live regular lives. When we try, it kills us.”
Was the series teasing Tully’s death throughout the episode with her reckless and destructive behavior? She avoided a regular life because she was running away from her demons and was too afraid of commitment. Did it finally catch up to her?
There’s also the very real possibility that the series is trying to fool us with comments of Tully, but it isn’t actually her funeral. Weigh in with your thoughts.
When Is Season 3 of ‘Ginny and Georgia’ Coming Out?
Ginny and Georgia centers on the heartwarming yet extremely complicated bond between a mother and her daughter after they put down roots in a New England town.
With so many compelling storylines and incredible characters of all ages, it’s no wonder that the coming-of-age drama has become a fan favorite among Netflix audiences.
The second season of Ginny and Georgia premiered on Jan. 5, 2023, which means that a third season is likely far off, especially considering Brianne Howey, who plays Georgia, just announced her first pregnancy, which will possibly delay filming.
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Of course, Netflix has to renew the series for a third season. As of March 28, 2023, it has not given the show a green light for additional episodes.
Fans shouldn’t be too worried, however, as a renewal is very likely considering the show’s performance, the rabid fan base, and the fact that season 3 ended on such a cliffhanger—Netflix knows that fans will be clamoring for another season to see how the situation resolves itself.
As for a premiere date, well, there isn’t one just yet. Until the series is renewed and production begins, it’s a bit too difficult to come up with a date for new episodes. The season could likely arrive in February 2024 if we’re looking at the previous premieres for both seasons 1 and 2, which both debuted at the start of 2021 and 2023, respectively.
But with Howey’s pregnancy thrown into the mix, that could delay things a bit, and it wouldn’t be the worst thing if the series returned during the summer when there’s a lull in content and fans are seeking out something to binge-watch and get invested in.
Either way, when Netflix makes an official decision, you’ll be the first to know as we’ll update this article accordingly!
Until then, you can gear up for the final season of The Marvelous Mrs. Maisel, Riverdale, and Firefly Lane!
Who Is Rhys Montrose on ‘YOU’ Season 4?
YOU Season 4 introduced a plethora of new characters as it revamped the series with a murder mystery format.
*Warning – stop reading if you haven’t finished YOU Season 4 – Spoilers Ahead *
The shakeup made sense considering Joe Goldberg (Penn Badgley) uprooted his life following the fiery events in Madre Linda that killed Love Quinn and started over in London, assuming the identity of Professor Jonathan Moore.
Rather quickly, he got pulled into an elite group thanks to his co-worker and neighbor, Malcolm Harding (Stephen Hagan), who was the season’s first victim. Joe/Jonathan naturally despised Malcolm’s group, though he did find Rhys Montrose (Ed Speleers), an author running for Mayor of London, to be a bit of a kindred spirit. They came from the same broken background and shared many of the same views.
As the first half of the season unraveled, Joe sought out advice from Rhys on a handful of occasions, engaging in plenty of long heart-to-hearts with him, so it was kind of shocking when it was revealed that Rhys, as audiences have come to know him, was never real.
Rhys Montrose existed, yes, but he was never friends with Joe, nor was he the Eat the Rich Killer. The version of Rhys that Joe bonded with was a hallucination conjured up by his subconscious to protect himself and eliminate his darker, more deranged thoughts.
For much of the season, we saw Joe desperately trying to set himself free from Rhys’ grasp. At first, he saw him as public enemy #1, who somehow figured out Joe’s real identity and roped him into a murder spree by threatening to frame him for the deaths if Joe refused to participate.
However, once Joe realized that Rhys was a figment of his imagination, he began to look for ways to silence the evil little voice forever, while also trying to figure out a plan to cover up the death of the real Rhys Montrose.
Joe was tasked with killing the mayoral candidate, who he assumed at the time was the Eat the Rich Killer, by Kate’s (Charlotte Ritchie) father, Tom Lockwood. When he arrived at Rhys’ secret countryside hideout and tied him up, he was infuriated that Rhys claimed not to know who he was, nor would he admit to kidnapping Marienne (Tati Gabrielle). Eventually, Joe’s rage and anger took over, and he “accidentally” killed Rhys, which is when fake Rhys showed up and revealed that Joe was having a semi-psychotic break.
In the end, Joe’s suicide attempt ensured that his hallucinations were forever gone, though he did embrace the darkness he was trying so hard to snuff out, making him more dangerous than ever.
As for the real Rhys Montrose’s killer, he pinned it all on poor Nadia (Amy-Leigh Hickman), a fan of Rhys’s from the beginning, who flew too close to the sun in her attempts to bring down Joe Goldberg. If only she just listened to Marienne’s advice.
A huge congrats to the YOU team for pulling off yet another jaw-dropping twist, and to both Badgley and Speleers for completely immersing themselves in their dual characters.
YOU Review – Best of Friends (406)
Just when you thought you figured out where the season was headed, YOU pulls out the rug from under you yet again.
I’m definitely starting to feel the whiplash that Joe/Jonathan must be feeling right about now.
Things have gone from crazy to crazier rather quickly, as Rhys unveiled his true plan—along with how Joe is involved—while Joe came out victorious in front of the elite group once again, and all while a new suspect started piecing things together and realizing that Joe knows way more than he’s led on.
While Joe spent numerous hours trying to figure out a plan to get close to Rhys, Rhys just appeared at Joe’s place one night without so much as lifting a finger. Joe may think he’s the invisible one in the city, but for a man who’s so well-known and loved, Rhys seems to get around without anyone noticing.
And he made the rules of the game very clear—either Joe finds someone to frame for all the deaths or he goes down as the Eat-the-Rich killer, which isn’t exactly ideal. A little incentive goes a long way, so while Joe tried to distance himself initially, he couldn’t shake the desire for self-preservation and took the bait. He took the task rather seriously as it was either kill or be killed; he knew someone had to go down for it, but it had to be the right person.
With time running out, he genuinely began to consider Connie, but despite being an irrelevant character, he couldn’t justify pinning it on someone who was struggling with addiction and trying to turn their life around. Connie wasn’t a threat to anyone, except for maybe himself, so Joe couldn’t justify destroying his life.
But Dawn, well, she fell right into his lap. The few times we saw her snapping photos of the elite, and focusing on Joe–including when she spotted him at Rhys’ mayoral rally—I was convinced that she recognized him from his previous life. And that seems to be what the series wanted me to think so that they could pull a fast one on us because when Dawn pulled Phoebe aside to a “safe room” to keep her protected from the killer, it was revealed that Dawn was just an obsessive stalker who was connived that she was friends with the elite, Phoebe in particular. Dawn was a threat to a lot of people, so Joe took advantage of it. He framed her by planting Simon’s ear in her belongings, and since no one would ever believe a word she said over Phoebe’s accounts of what happened, Dawn couldn’t prove her innocence. Plus, she made an ideal suspect since she was at nearly every single event where a murder occurred as she was stalking the group. I mean, it couldn’t have been any more perfect if Joe had tried to plan it himself.
However, his heroics did raise some questions from Nadia, his student and the lover of all murder mysteries. She noticed that Jonathan seemed to be at the center of every single scenario, oftentimes being championed as a hero, though he’s not actually connected to any of these people in any meaningful way. It’s a dangerous thing to play detective, especially when you’re setting your sights on Joe Goldberg. Jonathan seems to like Nadia, but if she threatened him, I don’t think Joe would hesitate to take her down. Self-preservation is his M.O., remember?
Once Joe thought he finally got Rhys off of his back by framing Dawn, he decided to give into his desires and pursue a relationship with Kate. Honestly, Kate makes some really poor decisions, starting with just accepting Jonathan for who he is now and promising never to ask questions about his past. She wants someone to see her for who she is in the moment so badly that she’s letting logic take a backseat. Why would someone want to deny their past so badly unless they did something truly unforgivable? Kate wants to shed her past because of her connection to her father and she thinks that makes her and Jonathan equal, but they are not the same.
By the time she realizes the truth about who Joe is, it might be too late.
As for Rhys, did Joe think he was really going to get rid of him that easily? Rhys has always wanted a friend to help him get to the finish line so to speak. He believes that they are the same, so he wasn’t going to just let Joe slip away.
And while his motive wasn’t evident at first, he seems hellbent on taking out those who don’t deserve their success and wealth. The three victims, Malcolm, Simon, and Gemma, all threatened his mayoral run in some way, so they were taken care of, and now, he’s setting his sights on the ultimate villain–Kate’s father. She may have a complicated relationship with her tycoon dad, but I don’t think Kate would ever want to see anything bad happen to him, let alone at the hands of the man she’s in love with.
However, Rhys doesn’t seem to give Joe much of a choice as he still holds all of the cards. One might think that Joe could just handle this in the same way he always does, but well, you can’t just try to kill a killer. He’d see that coming from miles away. Joe needs to be strategic and deliberate in his plan, so for now, he has to play along. I, for one, am curious to see what all the hubbub is about Kate’s father–is he really as terrible as she makes him out to be?
As for Rhys, what is the catch? Fans were disappointed with the first half of the season since his reveal as the killer was obvious—and his motives, including his desire to kill Kate’s father–are exactly shocking or game-changing. What are we missing?
What did you think of the episode?
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