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Firefly Lane Review – Dancing Queens (1×03)

FIREFLY LANE (L to R) KATHERINE HEIGL as TULLY and SARAH CHALKE as KATE in episode 103 of FIREFLY LANE. Cr. COURTESY OF NETFLIX © 2020

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There was a lot of hooking up happening on Firefly Lane Season 1 Episode 3. 

In the present-day, Tully and Max were enjoying each other all over the apartment, while Kate had a hot makeout session with Gideon, the photographer who noticed her beauty on Firefly Lane Season 1 Episode 2

As she and Johnny were trying to establish boundaries in their “co-parenting” of Marah, she was able to enjoy a much-needed night on the town while Johnny took care of their sick daughter. 

It’s interesting to see the duo attempt to co-parent in light of a divorce, and I’m glad the series is showing what a positive divorce can look like. Johnny noticed Kate’s hickey, which, admittedly, is a bit embarrassing for an adult, but considering Kate never lived out her wild years, she deserves to let loose and have a bit of fun. 

Johnny and Kate have a solid foundation between them, so while a divorce is still a divorce and comes with a learning curve for the whole family, at least they’re able to navigate it in a civil way with respect for each other. Things may not have worked out between them, but you can tell there’s plenty of love there.

Tully faced her fear of commitment head-on when Max established that he wanted to be more than just a one-night stand. His request wasn’t unreasonable since Tully has been giving him plenty of attention, which would warrant venturing into the “relationship” territory at this point. 

The poor guy didn’t expect that wanting to connect and be more intimate with a woman would unleash such hell, but he also doesn’t know about Tully’s past. Being raped in the eighth grade is something that she’s carried with her whole life, and though she bottled it up inside and used it as motivation to become a successful news personality, it’s prevented her from truly forming connections with men. She’s run from commitment her whole life. 

Obviously, her damaged relationship with her mother also plays a role. Every time Tully got her hopes up that maybe this time around, her mom would be different, she was disappointed. It’s not surprising that she’s closed herself off from every possibility of getting hurt. 

And yet, despite it all, she’s still human and can’t control who she falls for. Pushing Max away did hurt her, and it caused her to turn towards some bad vices.

Thankfully, Kate arrived at the apartment in time and found her, but what does this mean for the future? Does this have something to do with her possible death that was teased at the end of the second episode? Is it the beginning of how downward spiral?

In the past, we saw Kate and Tully growing closer as friends in the high school-era and plotting to take down Pat for what he did to her. 

The plan to put hair remover on his head was golden, and I would’ve loved to see it happen, but in the end, Tully was right: nothing she did would change what happened. 

The high school dance scenes were heartbreaking as Kate had a crush on Robbie, but Tully knew the truth about Robbie and Sean. And the two had to pretend to be just friends. 

She’s kept a lot of secrets from her best friend, and while the ones she kept were understandable, it’s still a breach of trust with someone who seemingly never kept a secret from her at all. 

After Kate’s mom learned that Cloud didn’t have cancer, she told her to come clean to Kate. Sadly, every time she tried, she couldn’t bring herself to confess out of the fear that she might lose the only person that ever mattered to her. 

Admittedly, I really enjoyed the scene where Cloud taught Kate to loosen up and just dance. In no world is Cloud a good role model, but there is something to be said for how free-spirited she is. If people had an ounce of that mentality, it would them a world of wonders. 

Unfortunately, the scene quickly took a turn showing just how unstable Cloud is. She went from a high to a low in a matter of minutes, so while she may not be sick with cancer, she is ill. 

In the 80s flashback, we also saw Tully and Kate working together to pursue their very first story for the new station when the on-air reporter, Carol, suffered a cold. 

The way they went about getting an exclusive with the Mayor and eventually landing it was impressive, but unfortunately, Carol got wind of it and “miraculously” recovered. 

The cool thing about Tully is that even though someone took her moment away, she knew they didn’t take away her skills or dedication. She proved that she was capable of delivering hard-hitting journalism and getting the “scoop,” which Carol always lacked as she focused on “fluff pieces.” Instead of being de-motivated, Tully found herself one step closer to her dream because she proved she had it in her. 

At this point, we also meet Tully’s main squeeze during her early 20s, and likely the only man she ever had real feelings for, Chad Wiley. But the way Kate talks about him in the present, it seems like Chad was bad news. 

When Johnny exclaimed that Tully is like a “storm and everyone is floating in her wake,” it was the most accurate description of her character both then and now, especially in light of that final scene where she fills the void and numbs the pain with drugs and alcohol. She’s destructive, but in the best way possible — it’s a destruction that has allowed her to achieve so much while also missing out on so much. 

Overall, this was one of the stronger episodes and the transitions from scene-to-scene and timeline-to-timeline were so seamless and well-thought-out. 

Where do you think it goes from here? In such a short time, Tully and Kate’s journey has been one hell of a ride! 


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Lizzy Buczak is the founder of CraveYouTV. What started off as a silly blog in her sophomore year at Columbia College Chicago turned her passion for watching TV into an opportunity! She has been in charge of CraveYou since 2011, writing reviews and news content for a wide variety of shows. Lizzy is a Music Business and Journalism major who has written for RADIO.COM, TV Fanatic, Time Out Chicago, Innerview, Pop’stache and Family Time.

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What to Watch April 2021 Guide: Manifest, Younger, The Handmaids Tale, and MORE!

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What to Watch April 2021 Guide: Manifest, Younger, The Handmaids Tale, and MORE!

Spring showers bring plenty of new content your way this April. 

So, who is ready to do some serious binge-watching? We didn’t practice for this all of 2020 to give up now! Especially because there are some really great TV shows premiering and a handful of highly-anticipated shows returning! 

Here’s what’s on tap!

 

TV

Law & Order: Organized Crime – NBC (April 1)

Has there been a more anticipated TV return? Detective Elliot Stabler (Christopher Meloni) returns to the NYPD and joins a new task force while reuniting with ex-partner Olivia Benson (Mariska Hargitay). 

 

 

Manifest – NBC (April 1)

What happened to Flight 828? TV’s biggest mystery continues into season 3. Ben pursues a tail fin that may have belonged to the plane he was on while the rest of the passengers continue to follow Callings.

 

Home Economics – ABC (April 7)

The new comedy series looks at the uncomfortable and frustrating relationship between three adult siblings from the Hayworth family. 

 

Kung Fu – The CW (April 7)

The reboot of the 1970s drama of the same name stars Legacies actress Olivia Liang as Nicky Shen, a young Chinese-American woman who drops out of college and travels to a monastery in China only to return home to San Francisco and find it overrun by crime. As she doles out justice, she finds herself the target of an assassin.

 

Rebel – ABC (April 8)

Katey Sagal stars as Annie “Rebel” Bello, a blue-collar legal attorney who ruthlessly fights for the cases she believes in. The series is inspired by the life of Erin Brockovich.

 

Them – Amazon Prime (April 9)

The limited horror anthology hails from Lena Waithe and finds a black family in the 1950s moving into a white neighborhood in L.A. where they not only have to deal with terrible neighbors but also supernatural forces that mean to do them harm. 

 

Fear the Walking Dead – AMC (April 11)

Season 6B picks up with John Dorie reuniting with an old friend who helps him through a dark moment. 

 

The Circle – Netflix (April 14)

The highly-addictive reality series, described as Big Brother meets Catfish, returns for a second season. Contestants move into the same apartment building but never meet face-to-face as they’re only allowed to communicate through a special social media app. 

 
 

Dad Stop Embarrassing Me – Netflix (April 14)

The sitcom, inspired by Jamie Foxx’s relationship with his daughter, Corinne, finds him playing the role of a single dad and cosmetics brand owner who must navigate raising a teen daughter. 

 

Younger – Paramount+ (April 15)

The seventh and final season of Younger wraps up Liza’s journey at Empirical/Millennial and hopefully reveals if she ends up with #TeamJosh or #TeamCharles once and for all. 

 

Big Shot – Disney+ (April 16)

John Stamos moves on from Uncle Jesse in a new role former men’s basketball coach who gets fired and is forced to become a coach at an elite all-girls school. If you’re looking for a new sports drama with heart, look no further.

 

Cruel Summer – Freefrom (April 21)

Hailing from executive producer Jessica Biel, Freeform’s newest thriller takes the spot left behind by Pretty Little Liars. Set in the 90s, it follows the disappearance of a popular and charming girl and the nerdy wannabe who is blamed for the crime. 

 

Shadow & Bone – Netflix (April 23)

In the fantasy series, based on a book of the same name, sinister forces plot against a young woman who has the powers to unite her world. 

 

93rd Oscars – ABC (April 25)

As they say in show biz, the award show must go on. The 93rd Oscars, which originally mandated an in-person attendance amid the coronavirus pandemic, have reversed course and are allowing remote participation. 

 

The Handmaid’s Tale – Hulu (April 28)

June and her fellow Handmaids go beyond the walls of Gilead following an uprising as they seek freedom in the dystopian series.

 

MOVIES

Concrete Cowboy – Netflix (April 2)

Stranger Things‘ Caleb McLaughlin stars as a teen who befriends a community of Black cowboys in Philadelphia when he stays with his estranged dad (played by Idris Elba) for the summer.

 

Thunder Force – Netflix (April 9)

Dynamic duo Melissa McCarthy and Octavia Spencer are former childhood best friends who invent a formula that gives them superhero powers. 

 

Stowaway – Netflix (April 22)

A stowaway crashes a mission to Mars and risks the lives of the whole crew on-board. The sci-fi thriller stars Anna Kendrick and Daniel Dae Kim.

 

Without Remorse – Amazon Prime (April 30)

Michael B. Jordan stars as John Clark, an elite NAVY Seal who uncovers a covert plot while investigating the death of his pregnant wife.


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Netflix Renews Spanish Drama ‘Elite’ for Fifth Season Ahead of Season 4 Premiere, Adds News Cast Members

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Netflix Renews Spanish Drama 'Elite' for Fifth Season Ahead of Season 4 Premiere, Adds News Cast Members

We’ve got some elite news!

Spanish drama Elite has been renewed for a fifth season at Netflix!

The news isn’t all that shocking considering the drama, set in the ritzy private school of Las Encinas in Spain, is one of the streamer’s best performing Spanish originals. 

Not only is the cast incredible, the first few seasons were hinged around an intoxicating murder mystery and plenty of steamy love scenes. 

The renewal comes ahead of the fourth season, which currently doesn’t have a premiere date. In 2020, filming was delayed due to the coronavirus pandemic and an outbreak on set.

It’s possible the series will return in the spring/summer of 2021. 

The upcoming season will see a handful of familiar faces including Samu (Itzan Escamilla), Guzman (Miguel Bernardeau), Omar (Omar Ayuso), Rebeca (Claudia Salas), and Ander (Aron Piper) as they were held back due to their shenanigans. The drama will also welcome new students Manu Ríos , Carla Díaz , Martina Cariddi and Pol Granch to shake things up. 

Deadline also reports that the fifth season has added Argentinan actress Valentina Zenere (Soy Luna) and Brazilan actor André Lamoglia (Juacas) to its cast.

Netflix TV Shows to Watch Now During Your Quarantine & Chill

 


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What to Watch in March 2021 Guide: Good Girls, Coming 2 America, The Irregulars, and MORE!

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What to Watch in March 2021: Good Girls, Coming 2 America, The Irregulars, and MORE!

Can you believe it’s almost March?

2021 is flying by, and I have to credit the fact that there has been so much good television available!

Despite COVID-19 still holding a grasp on the world, plenty of our favorite TV shows were able to return to production and deliver outstanding seasons that are keeping us entertained every single day of the week. 

March sees a return of some favorites on primetime along with some new additions to streaming. 

Here’s everything to watch on March 2021: 

 

TV

Debris – NBC (March 1)

Calling all sci-fi fans! Two international agents are tasked with investigating mysterious wreckage that falls from the sky. As British agent Finola Jones and American agent Bryan Beneventi lead the charge to track down all the debris scattered across the Western Hemisphere, they realize it’s a race against time!  

 

The Voice – NBC (March 1)

The singing competition returns for season 20 with Blake Shelton, Nick Jonas, John Legend, and Kelly Clarkson at the helm! 

 

Biggie: I Got a Story to Tell – Netflix (March 1)

The documentary on famed rapper The Notorious B.I.G. celebrates his life and tracks his journey to rap king alongside rare footage and in-depth interviews. 

 

New Amsterdam – NBC (March 2)

With the pandemic still in full-swing, season 3 kicks off with a plane crash in the East River.

 
 
Wandavision – Disney Plus (March 5)
 
One of the longest episodes of the season marks the season finale of the series as it embarks into full MCU territory. 
 

 
 

Good Girls – NBC (March 7)

Your favorite suburban criminals are back for season 4! Beth, Ruby, and Annie continue their life of crime by pouring themselves into Boland Bubbles to wash money for “homeboy.” With the FBI hot on their trail, will they find a way to stay above water?

 

Station 19 and Grey’s Anatomy – ABC (March 11) 

After going on hiatus in December, the Shondaland shows return with a crossover that tackles the issue of human trafficking.

 

A Million Little Things – ABC (March 11)

After a nearly three-month wait, A Million Little Things is finally getting new episodes and it’s going to tackle the COVID-19 pandemic. Per the synopsis: “As [the virus] becomes more widespread across the U.S., Boston goes into lockdown putting Rome’s movie in jeopardy and forcing Maggie to return home from Oxford. Because the hospitals are overwhelmed with patients, Eddie’s back surgery is cancelled, leading him to take desperate measures to cope with the severe pain.

 

Love Alarm – Netflix (March 12)

The popular K-drama about an app that alerts people if someone in the area likes them returns for its second season on Netflix!

 

Operation Varsity Blues: The College Admissions Scandal – Netflix (March 17)

You’re familiar with the college bribery scandal that brought down Aunt Becky and other wealthy parents who stopped at nothing to get their children into top-tier universities. The documentary synopsis reads: “Using an innovative combination of interviews and narrative recreations of the FBI’s wiretapped conversations between Singer and his clients, Operation Varsity Blues offers a rare glimpse into the enigmatic figure behind a scheme that exposed the lengths wealthy families would go to for admission into elite colleges, and angered a nation already grappling with the effects of widespread inequality.”

 

The Falcon and the Winter Soldier: Episode 1 and 2 – Disney Plus (March 19)
 

The highly-anticipated Marvel action series brings together Falcon and the Winter Soldier, who “team up for a global adventure that will test their survival skills — as well as their patience.” Starring Anthony Mackie and Sebastian Stan, the action picks up after the events of “Avengers: Endgame” with the first two episodes airing on the streamer on March 19 and March 26, respectively.

 

 

The Irregulars – Netflix (March 26)

The Sherlock Holmes spin-off series follows a group of “troubled street teens” who are wrapped into solving crimes and saving London from supernatural elements by the “sinister Doctor Watson.”

 

Pooch Perfect – ABC (March 30)

Pitch Perfect star Rebel Wilson is set to host this dog grooming reality competition that’s based on a UK competition of the same name (also hosted by Wilson). The episodes will spotlight 10 dog groomers around the country competing in challenges. 

 

Movies

Coming 2 America – Amazon Prime (March 5)

Comedic geniuses Eddie Murphy and Arsenio Hall reunite as Akeem and Semmi to take audiences back to Zamunda, the royal country made popular in the 80s. It’s worth the watch if only for nostalgia’s sake. 

 

Raya and the Last Dragon – Disney Plus (March 5)

After being delayed the coronavirus pandemic, the film will finally debut months later. It’ll premiere simultaneously on Disney+ Premier Access and in theaters on the same day! Per the synopsis: ” Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. However, when sinister monsters known as the Druun threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, those same monsters have returned, and it’s up to a lone warrior to track down the last dragon and stop the Druun for good.”

 

Moxie – Netflix (March 3)

Amy Poehler lends her talents to a second Netflix original about a shy 16-year-old who is inspired by her mom’s rebellious past and publishes an anonymous zine to tackle sexism inside the high school hallways. 

 

Yes Day – Netflix (March 12) 

Saying “no” to your kids can be difficult, so parents Allison (played by Jennifer Garner) and Carlos give their kids one day where they say “yes” to all their requests.

 

Paper Lives (Kağıttan Hayatlar) – Netflix (March 15)

The Turkish drama finds warehouse worker Mehmet (starring Çağatay Ulusoy) working in an impoverished neighborhood where he becomes responsible for a small boy.

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