Netflix
Firefly Lane Review – Birth Day (1×09)
Firefly Lane Season 1 Episode 9, the penultimate episode of the season, picks up with the aftermath of Tully’s miscarriage.
Tully puts on her bravest face and decides to go do her show since it’s the “gifting” episode, which brings in the biggest ratings ever despite not being physically or emotionally recovered.
But that’s Tully — she just keeps trudging on.
It doesn’t seem as though she truly understood how impacted she was by the loss until she stood in front of a studio audience and was triggered by a digital photo frame with photos of a child.
Thankfully, that led to one of the talk show’s most vulnerable moments as she opened up about her experience, an experience so many women can relate to.
The series has done a great job of normalizing so many situations that are considered taboo and shameful for women: periods, having children older in life, and now miscarriage.
It’s estimated that about 1 in 8 women have miscarriages, but though the possibility is very real, women are taught to deal with it in silence and experience feelings of guilt and shame.
By encouraging this conversation on public television, Tully ensured that every woman who has ever gone through it felt heard and seen.
Yes, giving out the latest flip phone that takes photos is great for ratings, but it’s these moments that show Tully just how much power she has to influence the conversation. She can change the narrative; she can make a difference.
Sadly, Tully wasn’t coping so well personally. She may have seemed like she had it all together on television, but behind-the-scenes, she was a mess and regressing to her anti-commitment, anti-attachment mindset.
In my review of Firefly Lane Season 1 Episode 8, I noted that my fear was that Tully romanticized the idea of marrying Max simply because of the baby.
And sadly, their fight at the end proves that to be true.
Tully is coming from a place of hurt, and she’s damn good at knowing just the right thing to push people away.
But she really needs to be careful who she pushes away at this point because it’s not like her circle is getting larger. Max was a good guy who was always there for Tully through the good times and the bad. And the whole time, she treated him like a rag doll. She never considered his feelings when she toyed with his emotions. She was hot, she was cold, and he went along for the ride, but only she thought she had the power to dictate where their relationship went.
At this point, Tully is toxic and adding more pain and trauma to her life on top of what was already there.
Seeing as how she blames Cloud for most of her issues, it seemed inauthentic and unrealistic for her to turn to her mother in that final scene. Sober Cloud seems to be doing much better and may want to make up for lost times, but considering the amount of hatred Tully had for her, it’s unlikely that she would just let her mom in with open arms.
Firefly Lane has also done Kate a huge disservice. Each episode is the “Tully Show.” Maybe that’s done purposefully to see how Tully just sucks up all the air in everyone’s life, but it’s quite frustrating to see Kate jump circles around her for her birthday in every single timeline.
That’s why it was truly nice to see Kate just have a moment to herself and let loose with Travis. Blowing off some steam is exactly what the doctor ordered, and while I’m still holding out hope for a Johnny and Kate reconciliation, Travis and Kate make a cute couple. He’s good for her.
The scene between the three of them was funny. For the first time, Johnny and Travis seemed to get along, but it felt like Johnny was handing over ownership of Kate. I guess that was his way of accepting that there is a new man in her life and he’s no longer “it.”
It was also nice to see them all band together to defend their daughters. You never want to encourage bad behavior like destroying a biology lab, but there is some part of you that’s proud that they are standing up for what they believe in. Sometimes, children have a point, they just don’t go about making their statement the right way.
In this case, having them clean up and sit through class splattered with paint definitely seemed like more of a teachable punishment than suspension or expulsion. Good on the parents for fighting back!
In flashbacks, we saw Tully’s high-school birthday turn into a complete dumpster fire thanks to Cloud. I was surprised she actually remembered about the fancy dinner she suggested, but of course, it wasn’t without a catch. From the moment they sat down, Cloud embarrassed her daughter by singing and then refusing to pay and causing a scene. I actually found myself cringing throughout the whole scene.
Tully found herself back at the same fancy restaurant for a meeting with Wilson King, a big wig at a local news station in Seattle. While it seemed promising and like he was interested in poaching her for his network and making her a star, it also didn’t come without a catch. And this time, it was much worse than being embarrassed by your mom.
I hate how predictable the predator storyline is. The show was doing so well without inserting the “I’ll make you rich and famous if you sleep with me” plotline. When it was revealed that a new distributor bought the show, it was obvious that this would circle back to King, whose advances Tully denied.
I kept thinking that there’s no way King would still have any power over Tully because of the #MeToo movement, but then I remembered the show is set in 2003/2004 before we were exposing all the monsters in Hollywood and the media.
And based on the way King greeted Tully, it seems like he’s still butthurt over his sexual advances being rejected. How typical of men to feel scorned by a woman who doesn’t want to sleep her way to the top but would rather build her career on say, I don’t know, pure talent?!
Will King try to destroy Tully’s career? She’s already in a vulnerable situation with her ratings down and the expose that painted her like a terrible daughter who neglected her mother, which was surprisingly overlooked and not mentioned since. You’d think there would be more fallout from something like that. She didn’t even address it on air or anything.
With King in the ring, do you think Johnny will reconsider taking the job in Iraq?
The series is really trying to hold off on showing us the moment Kate and Johnny got together during the 80s flashback. They had the perfect opportunity as the duo stayed overnight in the editing bay working on a piece, and yet, nothing happened once again. Johnny simply told Kate he wasn’t good enough for her and they decided to remain friends.
Seriously, Johnny, make your move already!
What did you think of the episode? There’s still so much to be wrapped up in the upcoming season finale episode. Does Johnny leave? Whose funeral are they attending? Why did Kate and Tully have a falling out?
Ginny & Georgia centers on the heartwarming yet extremely complicated bond between a mother and her daughter after they put down roots in a New England town.
With so many compelling storylines and incredible characters of all ages, it’s no wonder that the coming-of-age drama has become a fan favorite among Netflix audiences.
And that’s why fans can get excited as the streaming giant renewed the series for two additional seasons—yes, that’s right, season 3 and 4 are officially happening.
The cast of the series took to Instagram to announce the good news:
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The second season of Ginny & Georgia premiered on Jan. 5, 2023, which means that a third season is likely far off, especially considering Brianne Howey, who plays Georgia, just announced her first pregnancy, which will possibly delay filming.
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As for a premiere date, well, there isn’t one just yet. With the writers’ strike ongoing, it may be a bit before production begins so it’s difficult to come up with a date for new episodes. The season could likely arrive in February 2024 if we’re looking at the previous premieres for both seasons 1 and 2, which both debuted at the start of 2021 and 2023, respectively.
But with Howey’s pregnancy thrown into the mix and the writers’ strike, that could delay things a bit, and it wouldn’t be the worst thing if the series returned during the summer when there’s a lull in content and fans are seeking out something to binge-watch and get invested in.
You can also see more of our content about the final seasons of The Marvelous Mrs. Maisel, Riverdale, and Firefly Lane!
YOU Season 4 introduced a plethora of new characters as it revamped the series with a murder mystery format.
*Warning – stop reading if you haven’t finished YOU Season 4 – Spoilers Ahead *
The shakeup made sense considering Joe Goldberg (Penn Badgley) uprooted his life following the fiery events in Madre Linda that killed Love Quinn and started over in London, assuming the identity of Professor Jonathan Moore.
Rather quickly, he got pulled into an elite group thanks to his co-worker and neighbor, Malcolm Harding (Stephen Hagan), who was the season’s first victim. Joe/Jonathan naturally despised Malcolm’s group, though he did find Rhys Montrose (Ed Speleers), an author running for Mayor of London, to be a bit of a kindred spirit. They came from the same broken background and shared many of the same views.
As the first half of the season unraveled, Joe sought out advice from Rhys on a handful of occasions, engaging in plenty of long heart-to-hearts with him, so it was kind of shocking when it was revealed that Rhys, as audiences have come to know him, was never real.
Rhys Montrose existed, yes, but he was never friends with Joe, nor was he the Eat the Rich Killer. The version of Rhys that Joe bonded with was a hallucination conjured up by his subconscious to protect himself and eliminate his darker, more deranged thoughts.
You. (L-R) Ed Speleers as Rhys, Penn Badgley as Joe Goldberg in episode 410 of You. Cr. Courtesy of Netflix © 2023
For much of the season, we saw Joe desperately trying to set himself free from Rhys’ grasp. At first, he saw him as public enemy #1, who somehow figured out Joe’s real identity and roped him into a murder spree by threatening to frame him for the deaths if Joe refused to participate.
However, once Joe realized that Rhys was a figment of his imagination, he began to look for ways to silence the evil little voice forever, while also trying to figure out a plan to cover up the death of the real Rhys Montrose.
Joe was tasked with killing the mayoral candidate, who he assumed at the time was the Eat the Rich Killer, by Kate’s (Charlotte Ritchie) father, Tom Lockwood. When he arrived at Rhys’ secret countryside hideout and tied him up, he was infuriated that Rhys claimed not to know who he was, nor would he admit to kidnapping Marienne (Tati Gabrielle). Eventually, Joe’s rage and anger took over, and he “accidentally” killed Rhys, which is when fake Rhys showed up and revealed that Joe was having a semi-psychotic break.
In the end, Joe’s suicide attempt ensured that his hallucinations were forever gone, though he did embrace the darkness he was trying so hard to snuff out, making him more dangerous than ever.
As for the real Rhys Montrose’s killer, he pinned it all on poor Nadia (Amy-Leigh Hickman), a fan of Rhys’s from the beginning, who flew too close to the sun in her attempts to bring down Joe Goldberg. If only she just listened to Marienne’s advice.
A huge congrats to the YOU team for pulling off yet another jaw-dropping twist, and to both Badgley and Speleers for completely immersing themselves in their dual characters.
Just when you thought you figured out where the season was headed, YOU pulls out the rug from under you yet again.
I’m definitely starting to feel the whiplash that Joe/Jonathan must be feeling right about now.
Things have gone from crazy to crazier rather quickly, as Rhys unveiled his true plan—along with how Joe is involved—while Joe came out victorious in front of the elite group once again, and all while a new suspect started piecing things together and realizing that Joe knows way more than he’s led on.
While Joe spent numerous hours trying to figure out a plan to get close to Rhys, Rhys just appeared at Joe’s place one night without so much as lifting a finger. Joe may think he’s the invisible one in the city, but for a man who’s so well-known and loved, Rhys seems to get around without anyone noticing.
And he made the rules of the game very clear—either Joe finds someone to frame for all the deaths or he goes down as the Eat-the-Rich killer, which isn’t exactly ideal. A little incentive goes a long way, so while Joe tried to distance himself initially, he couldn’t shake the desire for self-preservation and took the bait. He took the task rather seriously as it was either kill or be killed; he knew someone had to go down for it, but it had to be the right person.
With time running out, he genuinely began to consider Connie, but despite being an irrelevant character, he couldn’t justify pinning it on someone who was struggling with addiction and trying to turn their life around. Connie wasn’t a threat to anyone, except for maybe himself, so Joe couldn’t justify destroying his life.
But Dawn, well, she fell right into his lap. The few times we saw her snapping photos of the elite, and focusing on Joe–including when she spotted him at Rhys’ mayoral rally—I was convinced that she recognized him from his previous life. And that seems to be what the series wanted me to think so that they could pull a fast one on us because when Dawn pulled Phoebe aside to a “safe room” to keep her protected from the killer, it was revealed that Dawn was just an obsessive stalker who was connived that she was friends with the elite, Phoebe in particular. Dawn was a threat to a lot of people, so Joe took advantage of it. He framed her by planting Simon’s ear in her belongings, and since no one would ever believe a word she said over Phoebe’s accounts of what happened, Dawn couldn’t prove her innocence. Plus, she made an ideal suspect since she was at nearly every single event where a murder occurred as she was stalking the group. I mean, it couldn’t have been any more perfect if Joe had tried to plan it himself.
You. Ed Speleers as Rhys in episode 406 of You. Cr. Courtesy of Netflix © 2023
However, his heroics did raise some questions from Nadia, his student and the lover of all murder mysteries. She noticed that Jonathan seemed to be at the center of every single scenario, oftentimes being championed as a hero, though he’s not actually connected to any of these people in any meaningful way. It’s a dangerous thing to play detective, especially when you’re setting your sights on Joe Goldberg. Jonathan seems to like Nadia, but if she threatened him, I don’t think Joe would hesitate to take her down. Self-preservation is his M.O., remember?
Once Joe thought he finally got Rhys off of his back by framing Dawn, he decided to give into his desires and pursue a relationship with Kate. Honestly, Kate makes some really poor decisions, starting with just accepting Jonathan for who he is now and promising never to ask questions about his past. She wants someone to see her for who she is in the moment so badly that she’s letting logic take a backseat. Why would someone want to deny their past so badly unless they did something truly unforgivable? Kate wants to shed her past because of her connection to her father and she thinks that makes her and Jonathan equal, but they are not the same.
By the time she realizes the truth about who Joe is, it might be too late.
As for Rhys, did Joe think he was really going to get rid of him that easily? Rhys has always wanted a friend to help him get to the finish line so to speak. He believes that they are the same, so he wasn’t going to just let Joe slip away.
And while his motive wasn’t evident at first, he seems hellbent on taking out those who don’t deserve their success and wealth. The three victims, Malcolm, Simon, and Gemma, all threatened his mayoral run in some way, so they were taken care of, and now, he’s setting his sights on the ultimate villain–Kate’s father. She may have a complicated relationship with her tycoon dad, but I don’t think Kate would ever want to see anything bad happen to him, let alone at the hands of the man she’s in love with.
However, Rhys doesn’t seem to give Joe much of a choice as he still holds all of the cards. One might think that Joe could just handle this in the same way he always does, but well, you can’t just try to kill a killer. He’d see that coming from miles away. Joe needs to be strategic and deliberate in his plan, so for now, he has to play along. I, for one, am curious to see what all the hubbub is about Kate’s father–is he really as terrible as she makes him out to be?
As for Rhys, what is the catch? Fans were disappointed with the first half of the season since his reveal as the killer was obvious—and his motives, including his desire to kill Kate’s father–are exactly shocking or game-changing. What are we missing?
What did you think of the episode?
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