Lucifer only gets better with each subsequent season.
Starting off as the little Devil that could, Lucifer began with a strict procedural setting, and while Lucifer sticks to the mold for the most part, with its growth and network change, it has more room to stretch the mold. Moving to Netflix was an obvious blessing for the series, allowing each episode to reach new heights as it can play with mature content with episode length that works for the series and not for ads and scheduling necessities.
Thank the Devil for the streaming model.
Sidebar: If you haven’t noticed, I’m going for Devil puns whenever I find the opportunity.
Following the trend of growth, Lucifer’s first half of season five is the most impressive run of episodes the fantasy procedural has aired yet. With intriguing enough ‘case of the episodes’ that directly push character growth and spiritual revelations, Lucifer does what many other shows that share an audience cannot do: it stays true to its characters and knows what its fans want.
Lucifer luckily was saved due to the passion of its fans and the potential the series showed from the beginning, and the creators don’t take that lightly. Lucifer hits the sweet spot of avoiding a premature cancellation and respecting its fans to the point where characterization and dynamic relationships remain at the forefront of the series and aren’t sacrificed due to plot or boredom.
Lucifer is what fantasy television should be. When watching this show, I, like many others probably wondered, asked, “How is this so good?” But the question remains: Is Lucifer great or is everything else kinda bad?
We hypothesize: a little bit of both.
One of Lucifer’s mightiest strengths is its talented cast and the immaculate chemistry each cast member has with each other. The first part of season five is no exception.
While Tom Ellis always has an acting challenge in front of him with the complexities of playing the Devil, season five presents even more of a challenge as he plays both Lucifer and his brother, Michael, and Michale pretending to be Lucifer.
Tom Ellis rises to the challenge. He plays the two characters with ease, reminding the audience of his acting chops. Michael is significantly different from Lucifer, and that’s not taking the accent into account (which felt surprisingly wrong after watching Lucifer for four seasons).
Michael only plays his charade for a short amount of time, thanks to the knowledge of Lucifer’s friends and family around him. It doesn’t take Chloe long to figure out that Lucifer isn’t Lucifer, which is impressive. Many creative teams would have let the act play out for longer, opting for dramatics instead of consistent characterization, but Lucifer knows better than this. It puts character above all else, a nice change of pace for the genre, respecting not only the Lucifer, Chloe, and their relationship, but the relationship that fans have for these characters as well.
However, Chloe did not escape Michael’s initial manipulations unscathed. As a final curtain call, he informs her of the truth of her existence, which sends Chloe into a spiral, to say the least. It’s impossible to blame her, however, that’s a bomb if there ever was one.
Thankfully, Lucifer’s return helps Chloe process this information and move forward. That’s not to say their eight-episode journey is a smooth sailing one — Chloe struggles with how to deal with Lucifer with this newfound information and Lucifer wants to make sure Chloe is okay before he returns to Hell.
Until Amenadiel returns from watching over Hell and informs Lucifer that Hell no longer needs a caretaker — which is highly suspicious, quite frankly.
However, some of Lucifer’s best character work is done through Lucifer and Chloe’s relationship, and the repercussions their newfound honesty and self-awareness have. Both characters have different insecurities that have rung through the course of the series, but never before have they bounced off in such a rapid-fire way as they do in the first half of season five.
After Chloe is able to accept her newly-realized role in the world, which is now celestial in a way even deeper than it was before, and is able to resume her relationship thanks to Amenadiel, it begins to affect Lucifer’s powers — namely his “mojo” and his vulnerability around Chloe, which sends both of them into bouts of analyzation.
This is a lot to begin with without adding Chloe’s very human insecurity about not hearing Lucifer tell her he loves her in exact words.
However, Lucifer handles their issues with both humor and grace, using very physical manifestations to represent the headspace each resides in as they tackle these newfound bumps in their relationship.
Maze’s arc stands out as season five’s most emotional arc so far, as she embarks on a journey of facing the root of her abandonment issues. After being abandoned in one way or another by the major players in her life, Maze truly begins to feel alone, and the weight of existing soulless weighs heavily on her. She even perceives abandonment from Linda in a way, due to Charlie, but Linda acts as her rock this season and her shoulder to cry on.
Maze’s story is heartbreaking, from the moment when she showed up to find her mother has died, to the very end when she makes a desperate choice for an option that Lucifer never presented to her (probably because Michael is playing her and she can’t have a soul).
But Maze’s story and journey are the most soulful of them all.
Lesley Ann-Brandy is perhaps the MVP of season five so far, bringing life to Maze’s story while also excelling in the heavily genre-ed episode, “It Never Ends Well for the Chicken” where she plays the root of it all, Lilith.
The rest of the cast play smaller roles in the first half of season five, but with eight episodes still to air, there’s no doubt that season five will give them all their due, as Lucifer is a show that knows how to give all of its players interesting arcs and respects its character and fans to provide proper closure, as this season was written as a final season before later finding out about its season six renewal.
Linda spends most of the season supporting Maze and being an obsessive new mon in between, but she is explored a bit further as she reveals her past with abandoning her baby which complicates things temporarily with Maze. This also indicates why Linda before has expressed her belief that she is going to Hell. And with God in the mix… she may very soon find an answer to this question.
Amenadiel also serves as a supporting player the first half of the season, but his best episode, “Detective Amenadiel” more than makes up for it with both an emotional and heartfelt story, with his interactions with the nuns also providing Chloe with more insight on her situation and on Lucifer himself.
Amenadiel’s biggest moment of the episodes aired doesn’t occur until the final moments of the show when his stress about his son allows him to stop times once again, leading to the revelation that his son is mortal. This, combined with the appearance of his Father are sure to launch Amenadiel into a larger role in the second half of season five, giving Amenadiel much more to come to terms with.
Dan, who seems to have a less important role most of the time, especially since his unawareness regarding celestial matters, finally gets his celestial cherry popped. His reaction is probably the most relatable one of all. Another victim of Michael, he attempts to kill Lucifer to protect Chloe and Trixie, which would be easy to sympathize with even if Michael had nothing to do with the train of events.
Kevin Alejandro, who also directs the final episodes of 5A, does a fantastic job showing the confusion, heartbreak, and fear that Dan experiences throughout the revelation and aftermath, leaving a usually lackluster character much more intriguing.
Lucifer’s first half of season five is sold all around, but perhaps the weakest link of the run would be Ella’s plot with Pete aka The Whisper Killer. That’s not to say her arc is bad! It’s not. The struggle of being drawn to people who aren’t right for us is something that many people can understand. And Aimee Garcia plays Ella fantastically — from the crime scene to looking at herself shamefully in the mirror after hooking up with another no-good man.
And while her the heartbreak of finding out that the first good person she found was actually bad could lead to dramatic development moving forward, the plot still feels a bit far-fetched and contrived, even for a show about angels and demons.
Still, the reveal is well executed and besides the slight forcefulness of this arc choice, Ella is still such a loveable character, and with Lucifer centering itself in hope and change, Ella can be expected to overcome this hurdle in her personal life (and finally be inducted into the Celestial club).
Lucifer’s first part of season five is an unarguable success. Even beyond characters, dynamics, and lore, Lucifer succeeds in the procedural aspect as well, providing intriguing mystery-of-the-weeks at a mock Mars base, a convent, a writers’ room, and not to mention its flashback noir episode.
Lucifer is unique because in a climate with differentiating opinions on what shows should provide and how much weight creators should give their fans, Lucifer transcends all of this. It provides interesting and fangirl-worthy relationships, dynamic character development, interesting supernatural lore, and fun episodic mysteries which are interestingly symbolic to the characters’ personal struggles.
And with a cliffhanger culminating with an angelic fight and an appearance from Dennis Haysbert’s God, there’s hardly any qualms to be had with Lucifer’s new installment.
What to Watch April 2021 Guide: Manifest, Younger, The Handmaids Tale, and MORE!
Spring showers bring plenty of new content your way this April.
So, who is ready to do some serious binge-watching? We didn’t practice for this all of 2020 to give up now! Especially because there are some really great TV shows premiering and a handful of highly-anticipated shows returning!
Here’s what’s on tap!
Law & Order: Organized Crime – NBC (April 1)
Has there been a more anticipated TV return? Detective Elliot Stabler (Christopher Meloni) returns to the NYPD and joins a new task force while reuniting with ex-partner Olivia Benson (Mariska Hargitay).
Manifest – NBC (April 1)
What happened to Flight 828? TV’s biggest mystery continues into season 3. Ben pursues a tail fin that may have belonged to the plane he was on while the rest of the passengers continue to follow Callings.
Home Economics – ABC (April 7)
The new comedy series looks at the uncomfortable and frustrating relationship between three adult siblings from the Hayworth family.
Kung Fu – The CW (April 7)
The reboot of the 1970s drama of the same name stars Legacies actress Olivia Liang as Nicky Shen, a young Chinese-American woman who drops out of college and travels to a monastery in China only to return home to San Francisco and find it overrun by crime. As she doles out justice, she finds herself the target of an assassin.
Rebel – ABC (April 8)
Katey Sagal stars as Annie “Rebel” Bello, a blue-collar legal attorney who ruthlessly fights for the cases she believes in. The series is inspired by the life of Erin Brockovich.
Them – Amazon Prime (April 9)
The limited horror anthology hails from Lena Waithe and finds a black family in the 1950s moving into a white neighborhood in L.A. where they not only have to deal with terrible neighbors but also supernatural forces that mean to do them harm.
Fear the Walking Dead – AMC (April 11)
Season 6B picks up with John Dorie reuniting with an old friend who helps him through a dark moment.
The Circle – Netflix (April 14)
The highly-addictive reality series, described as Big Brother meets Catfish, returns for a second season. Contestants move into the same apartment building but never meet face-to-face as they’re only allowed to communicate through a special social media app.
Dad Stop Embarrassing Me – Netflix (April 14)
The sitcom, inspired by Jamie Foxx’s relationship with his daughter, Corinne, finds him playing the role of a single dad and cosmetics brand owner who must navigate raising a teen daughter.
Younger – Paramount+ (April 15)
The seventh and final season of Younger wraps up Liza’s journey at Empirical/Millennial and hopefully reveals if she ends up with #TeamJosh or #TeamCharles once and for all.
Big Shot – Disney+ (April 16)
John Stamos moves on from Uncle Jesse in a new role former men’s basketball coach who gets fired and is forced to become a coach at an elite all-girls school. If you’re looking for a new sports drama with heart, look no further.
Cruel Summer – Freefrom (April 21)
Hailing from executive producer Jessica Biel, Freeform’s newest thriller takes the spot left behind by Pretty Little Liars. Set in the 90s, it follows the disappearance of a popular and charming girl and the nerdy wannabe who is blamed for the crime.
Shadow & Bone – Netflix (April 23)
In the fantasy series, based on a book of the same name, sinister forces plot against a young woman who has the powers to unite her world.
93rd Oscars – ABC (April 25)
As they say in show biz, the award show must go on. The 93rd Oscars, which originally mandated an in-person attendance amid the coronavirus pandemic, have reversed course and are allowing remote participation.
The Handmaid’s Tale – Hulu (April 28)
June and her fellow Handmaids go beyond the walls of Gilead following an uprising as they seek freedom in the dystopian series.
Concrete Cowboy – Netflix (April 2)
Stranger Things‘ Caleb McLaughlin stars as a teen who befriends a community of Black cowboys in Philadelphia when he stays with his estranged dad (played by Idris Elba) for the summer.
Thunder Force – Netflix (April 9)
Dynamic duo Melissa McCarthy and Octavia Spencer are former childhood best friends who invent a formula that gives them superhero powers.
Stowaway – Netflix (April 22)
A stowaway crashes a mission to Mars and risks the lives of the whole crew on-board. The sci-fi thriller stars Anna Kendrick and Daniel Dae Kim.
Without Remorse – Amazon Prime (April 30)
Michael B. Jordan stars as John Clark, an elite NAVY Seal who uncovers a covert plot while investigating the death of his pregnant wife.
Netflix Renews Spanish Drama ‘Elite’ for Fifth Season Ahead of Season 4 Premiere, Adds News Cast Members
We’ve got some elite news!
Spanish drama Elite has been renewed for a fifth season at Netflix!
The news isn’t all that shocking considering the drama, set in the ritzy private school of Las Encinas in Spain, is one of the streamer’s best performing Spanish originals.
Not only is the cast incredible, the first few seasons were hinged around an intoxicating murder mystery and plenty of steamy love scenes.
The renewal comes ahead of the fourth season, which currently doesn’t have a premiere date. In 2020, filming was delayed due to the coronavirus pandemic and an outbreak on set.
It’s possible the series will return in the spring/summer of 2021.
The upcoming season will see a handful of familiar faces including Samu (Itzan Escamilla), Guzman (Miguel Bernardeau), Omar (Omar Ayuso), Rebeca (Claudia Salas), and Ander (Aron Piper) as they were held back due to their shenanigans. The drama will also welcome new students Manu Ríos , Carla Díaz , Martina Cariddi and Pol Granch to shake things up.
Deadline also reports that the fifth season has added Argentinan actress Valentina Zenere (Soy Luna) and Brazilan actor André Lamoglia (Juacas) to its cast.
What to Watch in March 2021 Guide: Good Girls, Coming 2 America, The Irregulars, and MORE!
Can you believe it’s almost March?
2021 is flying by, and I have to credit the fact that there has been so much good television available!
Despite COVID-19 still holding a grasp on the world, plenty of our favorite TV shows were able to return to production and deliver outstanding seasons that are keeping us entertained every single day of the week.
March sees a return of some favorites on primetime along with some new additions to streaming.
Here’s everything to watch on March 2021:
Debris – NBC (March 1)
Calling all sci-fi fans! Two international agents are tasked with investigating mysterious wreckage that falls from the sky. As British agent Finola Jones and American agent Bryan Beneventi lead the charge to track down all the debris scattered across the Western Hemisphere, they realize it’s a race against time!
The Voice – NBC (March 1)
The singing competition returns for season 20 with Blake Shelton, Nick Jonas, John Legend, and Kelly Clarkson at the helm!
Biggie: I Got a Story to Tell – Netflix (March 1)
The documentary on famed rapper The Notorious B.I.G. celebrates his life and tracks his journey to rap king alongside rare footage and in-depth interviews.
New Amsterdam – NBC (March 2)
With the pandemic still in full-swing, season 3 kicks off with a plane crash in the East River.
Good Girls – NBC (March 7)
Your favorite suburban criminals are back for season 4! Beth, Ruby, and Annie continue their life of crime by pouring themselves into Boland Bubbles to wash money for “homeboy.” With the FBI hot on their trail, will they find a way to stay above water?
Station 19 and Grey’s Anatomy – ABC (March 11)
After going on hiatus in December, the Shondaland shows return with a crossover that tackles the issue of human trafficking.
A Million Little Things – ABC (March 11)
After a nearly three-month wait, A Million Little Things is finally getting new episodes and it’s going to tackle the COVID-19 pandemic. Per the synopsis: “As [the virus] becomes more widespread across the U.S., Boston goes into lockdown putting Rome’s movie in jeopardy and forcing Maggie to return home from Oxford. Because the hospitals are overwhelmed with patients, Eddie’s back surgery is cancelled, leading him to take desperate measures to cope with the severe pain.
Love Alarm – Netflix (March 12)
The popular K-drama about an app that alerts people if someone in the area likes them returns for its second season on Netflix!
Operation Varsity Blues: The College Admissions Scandal – Netflix (March 17)
You’re familiar with the college bribery scandal that brought down Aunt Becky and other wealthy parents who stopped at nothing to get their children into top-tier universities. The documentary synopsis reads: “Using an innovative combination of interviews and narrative recreations of the FBI’s wiretapped conversations between Singer and his clients, Operation Varsity Blues offers a rare glimpse into the enigmatic figure behind a scheme that exposed the lengths wealthy families would go to for admission into elite colleges, and angered a nation already grappling with the effects of widespread inequality.”
Everything you’ve heard is true. But you haven’t heard everything. Using real conversations recreated from FBI wiretaps the filmmaker behind Fyre brings you Operation Varsity Blues: The College Admissions Scandal pic.twitter.com/kwsqTCSkqq
— NetflixFilm (@NetflixFilm) February 22, 2021
The highly-anticipated Marvel action series brings together Falcon and the Winter Soldier, who “team up for a global adventure that will test their survival skills — as well as their patience.” Starring Anthony Mackie and Sebastian Stan, the action picks up after the events of “Avengers: Endgame” with the first two episodes airing on the streamer on March 19 and March 26, respectively.
The Irregulars – Netflix (March 26)
The Sherlock Holmes spin-off series follows a group of “troubled street teens” who are wrapped into solving crimes and saving London from supernatural elements by the “sinister Doctor Watson.”
Pooch Perfect – ABC (March 30)
Pitch Perfect star Rebel Wilson is set to host this dog grooming reality competition that’s based on a UK competition of the same name (also hosted by Wilson). The episodes will spotlight 10 dog groomers around the country competing in challenges.
— Jorge Bendersky (@JorgeBendersky) February 19, 2021
Coming 2 America – Amazon Prime (March 5)
Comedic geniuses Eddie Murphy and Arsenio Hall reunite as Akeem and Semmi to take audiences back to Zamunda, the royal country made popular in the 80s. It’s worth the watch if only for nostalgia’s sake.
Raya and the Last Dragon – Disney Plus (March 5)
After being delayed the coronavirus pandemic, the film will finally debut months later. It’ll premiere simultaneously on Disney+ Premier Access and in theaters on the same day! Per the synopsis: ” Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. However, when sinister monsters known as the Druun threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, those same monsters have returned, and it’s up to a lone warrior to track down the last dragon and stop the Druun for good.”
Moxie – Netflix (March 3)
Amy Poehler lends her talents to a second Netflix original about a shy 16-year-old who is inspired by her mom’s rebellious past and publishes an anonymous zine to tackle sexism inside the high school hallways.
Yes Day – Netflix (March 12)
Saying “no” to your kids can be difficult, so parents Allison (played by Jennifer Garner) and Carlos give their kids one day where they say “yes” to all their requests.
Paper Lives (Kağıttan Hayatlar) – Netflix (March 15)
The Turkish drama finds warehouse worker Mehmet (starring Çağatay Ulusoy) working in an impoverished neighborhood where he becomes responsible for a small boy.
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