Hallmark
Paris Is Always a Good Idea Season 1 Finale Episode 6 Finale Review – Happy Enough
Paris Is Always a Good Idea Season 1 Episode 6 wrapped everything up in a neat, tiny bow—almost.
But the answers that were left open-ended may not be enough to justify a second season, so the series will likely remain a limited series that wraps up Chelsea Martin’s journey to finding her great love with her voicenote declaration of love that audiences don’t even get to see Knightly listen to.
The final episode mostly takes place at the vineyard, where Chelsea’s father, Glenn, is getting ready to walk down the aisle with Sherry.
There’s no question about who Chelsea picks at the end, because it’s established that this whole narration has been her professing her love to Knightly, a romance she botched when she decided to resign from her job at the ACC and take up her ex-lover Marcos on a gig running his foundation.
Of course, she made those choices out of love, to protect Knightly, because he needed his job at the ACC so he could continue to provide for his sister.
Unfortunately, the decision caused both of them a great deal of pain, heartache and pining.
The year that they went without interacting was brutal for both of them, as they were unable to move on. The break only deepened their love for each other, though both of them assumed the other one had moved on.
Eventually, it was Marcos who told Chelsea that staying miserable simply wasn’t the solution, and in reality, she’d made up all these rules about why she couldn’t talk to Knightly and tell him the truth, none of which were rooted in reality.
Unfortunately, it just seemed like she was still running away from happiness.
I personally loved the line where Marcos told Chelsea to call Knightly, returning the favor after Knightly urged her to reconnect with him in the first place.
However, Chelsea chickened out and decided to hide behind her work—again—sending an email that was the “work equivalent” of texting your ex. And just when she thought she’d set up a meeting and he was coming to Spain to visit her so she could explain everything, he didn’t show up, sending her former boss instead.
A simple phone call would’ve sufficed to just get it all out in the open, but it took Chelsea singing a mediocre rendition of Kelly Clarkson’s “Since You Been Gone” (props to her, it’s a hard song to sing) to realize that she messed everything up. And it might be too late to get it all back.
Instead, Chelsea spent the whole morning of Sherry’s wedding recording a voicenote to give Knightly the extended version of events.
In the final episode, we got to see a bit more of Chelsea’s final moments with her mother, which included the realization that her mom was sick for months before she told her daughter the truth. Chelsea admits feeling angry and upset that her mother made the decision not to tell her, forcing her to go to Europe, as it stole so much time she could’ve had with her.
“I would’ve picked you. It was not your decision to make,” Chelsea told her mother. And I’m sure Knightly would’ve said the same thing to her had he known.
That experience alone should’ve been the reason why Chelsea told Knightly the truth rather than making a huge life decision for him, but she just ended up justifying it by saying that she understands why her mom did what she did now and that it came from a place of love.
And even in her death, Chelsea’s late mother was the one who helped her realize that you should never keep secrets from your person—so she decided to lay it all out there for Knightly.
I suppose he’ll eventually listen to the voicenote (or her pitch) and learn why she did what she did, which will bring them closer together, but unfortunately, audiences weren’t privy to that scene—or his reaction. This was one of those happy endings that sadly ends when the couple gets together, and the audience, who has become so invested in the romance, doesn’t see where life takes them next, which is a little bit of a letdown. I want to stay on the journey with them—I guess maybe that’s enough to convince the powers that be for a second season.
Either way, it also seemed kind of silly that Knightly just so happened to show up at the same time as the wedding celebration, without an invitation. After all this time, I’m supposed to believe his timing is that perfect? And he came dressed for the occasion?
I would’ve rather they explained that her father or Annabelle extended an invite so that his attendance made a bit more sense.
But once they were finally back in each other’s lives, they promised never to let go again, declaring their love. They didn’t reveal what that meant for their future—or if long distance was in the picture—which is also an unanswered question for viewers.
The episode had a beautiful moment where Sherry thanked their late mother for allowing her to be part of the family—with a man who knows how to love and be a good partner and two amazing daughters, and honestly, that made me cry more than anything because it was such a necessary conclusion to Christine’s storyline. She can rest easy knowing they are in good hands.
Change is in the air as Chelsea looks back on all of her loves and losses, now finally ready to face the future and anything it may hold for her. Photo: Alejandro Albarracín, Rebecca Hanssen Credit: ©2026 Hallmark Media/Photographer: Unai Mateo
Sadly, the viewers who got invested in Annabelle’s story were totally cheated out of any closure, which was just cruel. It was left up to one’s own interpretation, which is fine, because they dropped all the breadcrumbs to get us there, but I would’ve loved to see it actually pan out.
Annabelle was still pining over her ex, Ryland, who now plays for Real Madrid, eventually reaching out to see if she’d hear back from him while she was in the same country.
She waited and waited by the phone, but in the meantime, couldn’t resist Marcos’ charms. And not that Marcos and Annabelle make any sense on paper, but their flirting was fun to watch. They had more chemistry than Marcos and Chelsea, that’s for sure.
He asked her to dance, forcing her to finally put her phone away, which is naturally the moment she got a call back from Ryland. The missed call, as she walked away to go have fun. It was seemingly the moment where she was finally ready to let go and put the past behind her. It’s almost as if guys just know the exact moment that we’re about to move on to swoop right back in.
Annabelle deserved more! She got Chelsea’s permission to explore a romance with Marcos, but truly, Annabelle deserves more than her sister’s leftovers. And if Marcos was the one that was going to finally help her find her next great love, I’d wish we’d seen more of it. I want to see her get swept off her feet, too!
As for the finale, I was happy enough with it, but as we learned from Chelsea, that’s not always satisfying enough. Maybe that simply means that we need to continue this journey into season 2?
I didn’t have high expectations going into A Knight to Remember, and honestly, a big part of that came down to the promotional poster. It didn’t capture the charm you expect from a Hallmark movie, and it certainly didn’t do Julie Gonzalo and James Trevena any favors with those blank stares.
A statue of an English knight arrives in Chicago for an art exhibit. While cleaning the statue, museum conservator Emily impulsively kisses the statue, bringing him to life. Photo: James Trevena, Julie Gonzalo Credit: ©2026 Hallmark Media/Photographer: Allister Foster
Still, I gave it a shot. It’s set in my hometown, Chicago, so I felt like I had to support it; plus, I’m a sucker for a predictable, cheesy love story. Much to my surprise, I ended up genuinely enjoying it and liking it way more than I thought I would. It’s easy to be critical of these movies because, yes, they’re into all the Hallmark staples—with plenty of pumpkin spice latte references to emphasize that this is a fall film—but there’s also real heart and some solid comedic moments.
I wasn’t fully convinced by the premise of a medieval knight who’s turned to stone and accidentally comes back to life to find true love. But as I started my watch, my mind raced to remember where I saw a knight-turned-real-boy storyline before, eventually landing on one of the more enjoyable Christmas films of years prior— Vanessa Hudgens The Knight Before Christmas. Turns out, there is something captivating and heartwarming about time-traveling knights (with great manners and a big flirting game) finding their place in the modern world.
As for the plot, there was plenty to work with, starting in 1428, when marrying for love wasn’t the norm; Sir Griffin already knew he didn’t want the life laid out for him. Maybe he was more of a modern man than he ever even knew.
In fact, he’d rather be turned to stone than marry Princess Beatrice, which, frankly, says a lot. I do wish we got more of his past, or even a glimpse of Beatrice, but alas, the story fully focused on Griffin’s present-day adventures, navigating a world that was so deeply unfamiliar to his time.
As Griffin’s wish was granted centuries later, he woke up after Emily planted a kiss on his stone lips. And yes, I did spend a few minutes wondering why she committed to fully kissing a stone figure with such passion, but I guess we’re just rolling with it. Love (or loneliness) makes you do crazy things!
As the stone pieces keeping him trapped break away, Griffin is freed. And he’s been preserved in all his glory, apparently, without any bad breath! (I know, these are the things you just accept when diving into these rom-coms, but I couldn’t shake it.)
He navigates this big, new world with wide-eyed wonder.
The biggest thing to throw him off? Cars… or rather, rideshares.
From here on out, I will be referring to my shower as “indoor rain” because that’s much more logical. Thanks, Griffin.
Memory foam beds (“sleeping on clouds”) and bagels—all become part of his journey, as does a pumpkin spice latte, and it’s charming to see him enjoy one for the first time ever.
Meanwhile, Emily is dealing—very casually, I might add—with the whole “a statue went missing” fiasco at the museum.
“What, did it just get legs and walk away?” my mother would ask… And, well…
Personally, I would not be that calm, but she clearly doesn’t have the same debilitating anxiety that I do anytime my boss pings me asking if I have a minute to chat.
And she’s far more focused on helping Griffin complete his quest before he turns back to stone again, a fate he’d, understandably, like to avoid if at all possible.
Part of that mission involves Emily convincing herself and everyone around her that she’s not into him, despite being totally into him.
And there’s the aptly-timed Medieval Fayre hosted by her good friend Marcus, who was totally crushing on her work BFF, Ivy. Griffin picked up on it in mere seconds, but sadly, we never got to see anything pan out between them, which is a missed opportunity. There was no payoff to all those moments teasing the connection between Ivy and Marcus. Couldn’t we get a little kiss on the cheek during one of the fair moments?
There’s also Emily’s ex, Tom, who complicates everything.
He’s leading the investigation into the missing statue, clearly motivated by career ambition (which tells us all we need to know about what kind of husband he was), along with a smidge of little jealousy that Emily has a hunky new dude around.
A statue of an English knight arrives in Chicago for an art exhibit. While cleaning the statue, museum conservator Emily impulsively kisses the statue, bringing him to life. Photo: James Trevena, Julie Gonzalo Credit: ©2026 Hallmark Media/Photographer: Luka Cyprian
To be fair, his suspicion that Griffin could be a con artist isn’t entirely unreasonable given the armour with the residue matching the one found at the museum. But it’s the way he undermines Emily in the process, suggesting she’s so gullible, that makes it so extremely easy to root against him. When he tries to rekindle their relationship, playing the “I miss you” and “you were the best thing to happen to me” card, she shuts it down quickly—and rightfully so.
In the end, Tom gets what’s coming to him when his conflict of interest is exposed, as well as the fact that he broke into an apartment to obtain evidence.
He really thought he did something…
It’s a satisfying moment, just as it was to see Emily tell Tom the entire truth about Griffin, only for him to dismiss it as a joke. I wouldn’t have minded seeing Tom fully realize just how wrong he was about Griffin, and that he just lost the love of his life to a piece of stone!
The core of the story revolves around Griffin’s fate, as Emily has just three days to fall in love with him or he’ll turn to stone forever.
The catch is that her feelings have to be real, as Griffin refuses to tell Emily what’s at stake so that she doesn’t feel manipulated or forced into loving him.
No pressure or anything!
The deadline looms, but Emily continues to struggle to admit how she feels, her past with Tom clearly leaving its mark.
Even as Griffin’s fingers begin to turn gray, Emily can’t get the words out, which is frustrating.
Of course, this is Hallmark, so things work out. Emily realizes her life has been split into “before Griffin” and “after Griffin,” and she can’t imagine a life without him. The clarity helps her finally embrace her feelings, and it’s sealed with a kiss.
Griffin stays in the modern world to permanently enjoy the perks of indoor plumbing, and the two move forward together, bringing their story to life as part of the museum’s exhibit, which is such a hit that they’re embarking on a world tour.
It’s a happy ending, as expected—even if Emily had us in the first half.
As for the standout quote from the film, the award goes to Griffin, as he reflects on the world that no longer exists: “I do not ache for lost love, I ache for lost life.”
Slightly cheesy? Sure! But also surprisingly meaningful.
Did you enjoy A Knight to Remember as much as I did? What stood out most to you? Share your thoughts!
Hallmark
Julie Gonzalo Stars in Hallmark’s ‘A Knight to Remember’ — Everything We Know About the New Fall Fantasy Romance Movie
Hallmark is leaning into fantasy romance this fall with A Knight to Remember, a new original movie part of the “Fall Into Love” programming, starring fan-favorite Julie Gonzalo, and it’s already shaping up to be one viewers won’t want to miss.
Here’s everything to know about the upcoming film, from its cast to its story and when it premieres.
When Does A Knight to Remember Premiere?
A Knight to Remember is set to debut Oct. 3 as part of Hallmark’s seasonal lineup at 8/7c.
The movie arrives at the perfect time, slotted in during the network’s popular fall programming block, blending romance, cozy settings and light escapism ahead of the holiday season.
It will be available to stream on-demand on Hallmark+ the day after its television premiere.
Who Stars in A Knight to Remember?
The film stars Julie Gonzalo, a Hallmark regular known for her warm, relatable performances, along with James Trevena as the knight. Chris McNally, who also happens to be her real-life partner, also appears. The duo met in 2017 while filming the Hallmark movie The Sweetest Heart, beginning a romantic relationship shortly after.
Where Have We Seen Julie Gonzalo Before?
Gonzalo has been a familiar face to audiences for years, with roles in major films like A Cinderella Story (opposite Chad Michael Murray and Hilary Duff) and TV series including Dallas, Veronica Mars and Supergirl, in addition to her Hallmark work!
Does Julia Gonzalo Have Children?
Off-screen, she shares two children (daughters born in 2022 and 2026) with McNally, adding an extra layer of real-life chemistry to their on-screen pairing.
What Is A Knight to Remember About?
Per the description, A Knight to Remember centers on “a museum conservator named Emily,” who “cleans an imported English knight statue and impulsively kisses it, which magically brings the knight to life in modern-day Chicago.” The synopsis continues: “As Emily helps the chivalrous time-traveler navigate modern Chicago, pumpkin spice lattes, a Halloween Medieval Fayre, and an FBI investigation led by her ex-husband, she begins to rediscover the wonder and romance she thought she had left behind.”
Is A Knight to Remember Based on a Book?
Yes, the film is adapted from Bryn Donovan’s novel, Her Knight at the Museum, so if you enjoy the movie, you can dive into the book shortly after to keep the good times rolling.
A Knight to Remember Preview
Hallmark
Hallmark Unveils 2026 Countdown to Christmas Schedule—Including the Premiere Date for ‘Mistletoe Murders’ Season 3
So what that we haven’t even properly welcomed the fall season, and Christmas is 99 days away?
Hallmark is ready to kick off the holidays, revealing the highly anticipated 17th annual Countdown to Christmas schedule for 2026.
And it’s jam-packed with cozy and cuddly titles — 34 original premieres to be exact, which is 10 more than last year. What a holiday gift!
Yes, it includes Holiday Touchdown, bringing a touch of Hallmark magic to Chicago Bears fans, and a new season of Mistletoe Murders, arriving on Nov. 5, just in time to help us get our holiday sleuthing on.
Emily and Sam work to prove the wreathmaker’s innocence. Emily tries to remain unattached in the present while reflecting on the mistakes of her past and the obligations of her future. Photo: Peter Mooney, Sarah Drew Credit: ©2026 Hallmark Media/Photographer: Peter Stranks
The programming kicks off in exactly a month, on Oct. 16, and runs through Dec 20!
There will also be in-person experiences that bring the on-screen magic to a city near you as part of the three-city Jingle Stop Tour in Chicago, the location for Holiday Touchdown: A Bears Love Story; Orlando, where Holiday Ever After: A Disney World Wish Come True was filmed; and Asheville, NC, home of the famed Biltmore Estate and the set of A Grand Biltmore Christmas.
As for the new films, they star all of the familiar faces you’ve come to love at Hallmark, including Lori Loughlin’s comeback, Nikki DeLoach, Tamera Mowry-Housley, Andrew Walker, Italia Ricci, Jessy Schram and, of course, Lacey Chabert!
Be there for every mistletoe moment—for grand romance and fairytale endings!
Here’s the entire 2026 Hallmark Countdown to Christmas Schedule
- Friday, October 16 — ‘Tis the Season for Setups (Amanda Schull, Victor Webster, Barbara Niven)
- Saturday, October 17 — Holiday Touchdown: A Bears Love Story (Lyndsy Fonseca, Robert Buckley, Marsha Mason, Barbara Alyn Woods, Khary Payton)
- Sunday, October 18 — Mr. & Mrs. Christmas (Brendan Penny, Pascale Hutton)
- Friday, October 23 — Winter Wonderlanes (Ashley Newbrough, Franco Lo Presti)
- Saturday, October 24 — Forgotten Holiday (Janel Parrish, Daniel Lissing)
- Sunday, October 25 — What If Christmas (Lori Loughlin, Tom Cavanagh)
- Friday, October 30 — Who’s Coming for Christmas? (Rhiannon Fish, Jake Foy, Mila Morgan)
- Saturday, October 31 — Adopting St. Nick (Amy Groening, Michael Rady)
- Sunday, November 1 — A Danish Christmas (Emilie Ullerup, Corey Sevier)
- Thursday, November 5 — Mistletoe Murders Season 3 (Sarah Drew, Peter Mooney, Sierra Marilyn Riley)
- Friday, November 6 — Merry Memories (Lindura, Brendan Morgan)
- Saturday, November 7 — Holiday Unplugged (Nikki DeLoach, Juan Pablo Di Pace)
- Sunday, November 8 — A Season of Promises (Brooke D’Orsay, Ali Liebert, James Denton)
- Friday, November 13 — My Christmas Cowboy (Amy Acker, Luke Macfarlane, Sara Canning)
- Saturday, November 14 — The Nights Before Christmas (Tyler Hynes, Laci J Mailey)
- Sunday, November 15 — Mistletoe and Mimosas (Tamera Mowry-Housley, Kristoffer Polaha, Jennifer Robertson)
- Friday, November 20 — Our Holiday Playbook (Taylor Cole, Charles Michael Davis)
- Saturday, November 21 — Christmas in Blue Dog Valley (Erin Cahill, Andrew Walker)
- Sunday, November 22 — Double Booked for the Holidays (Rachael Leigh Cook, Owain Yeoman, Stephen Hagan)
- Thursday, November 26 — Christmas Delivered (Autumn Reeser, Wes Brown, Linda Darlow)
- Friday, November 27, 6 p.m. — The Christmas Eve Feast (Daniella Monet, Kevin McGarry, executive produced by Giada De Laurentiis)
- Friday, November 27, 8 p.m. — Return to Santa (Paul Campbell, Rachel Boston)
- Saturday, November 28, 6 p.m. — The Most Wonderful Secret (Tammin Sursok, Peter Porte)
- Saturday, November 28, 8 p.m. — Holiday Ever After: A Disney World Wish Come True (Lacey Chabert, Travis Van Winkle, Richard Kind, Christy Carlson Romano, Bryce Durfee, Asher Alexander, Taegen Burns)
- Sunday, November 29, 6 p.m. — Eight Nights for Love (Hunter King, Dan Jeannotte)
- Sunday, November 29, 8 p.m. — Miles to Christmas (Ashley Williams, Steve Lund, Alison Sweeney)
- Friday, December 4 — The Snowflake Effect (Heather Hemmens, Mark Ghanimé)
- Saturday, December 5 — A Grand Biltmore Christmas (Holland Roden, Niall Matter, Andie MacDowell, James Trevena, Jonathan Frakes, Rachel Boston, Wes Brown)
- Saturday, December 5, 10 p.m. — The Hallmark Christmas Experience: A Hometown Holiday, a special hosted by Jonathan Bennett and Melissa Peterman
- Sunday, December 6 — An Angel in My Stocking (Fiona Gubelmann, Marco Grazzini, Nancy Robertson)
- Friday, December 11 — Christmas in Canterbury (Jessy Schram, Will Kemp)
- Saturday, December 12 — Snow Globe Town (Kimberley Sustad, Scott Michael Foster)
- Sunday, December 13 — Noelle Nomads (Benjamin Ayres, Torrey DeVitto)
- Friday, December 18 — Hearts All Aglow (Mishael Morgan, B.J. Britt, Holly Robinson Peete)
- Saturday, December 19 — Barking All the Way (Ian Harding, Tori Anderson)
- Sunday, December 20 — Save the Date for Christmas (Jonathan Bennett, Italia Ricci)
What movie are you most excited for?
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