The writers of Good Girls are fed up.
Rio’s latest kill on “Au Jus” proves just how sick they’ve gotten of the constant Rio shipping that’s become all too common for the series.
Regardless of what Rio does or whom he hurts or betrays, the fandom is there rooting for him every step of the way because he’s attractive.
Rio has shot Dean, tortured Beth (part of that is her own fault but still) to no end, and killed Turner, and yet we all justified his actions as “necessary” and “part of the lifestyle.” We’ve excused his toxic and deadly behavior to fit our wants and needs so that we can continue being #TeamRio.
And it’s not surprising that the character has soared to new heights on the NBC series and become a fan favorite — he’s intoxicating.
Manny Montana is a godsend. His portrayal of Rio is nuanced and electric, his husky voice puts audiences in a trance, and he’s the bad boy we all collectively want a piece of.
He also has intense chemistry with Beth, and their sexual tension is delicious as it unravels on the small screen.
And maybe that’s the problem. Maybe Montana has done “too good” of a job with Rio.
Ask yourself this… if Rio wasn’t cute, sexy, and hard to get, would you still root for him? Chances are you wouldn’t. Rio’s attractiveness is masking who he truly is and we’re all falling for it.
But it stops now.
After “Au Jus,” the writers needed him to cross a line that he couldn’t bounce back from. They effectively reminded audiences that there is no reason to root and champion for this specific bad guy.
After he gave the “okay” to pull the trigger on Lucy (granted he actually killed her since the camera panned away from the scene), he proved that he has absolutely no soul and no redeeming qualities. There’s no coming back from that kill.
He gave Lucy false hope, promised he wouldn’t kill her, and used the fact that she was trustworthy against her, but she never stood a chance.
Lucy, with her childlike innocence, was simply collateral in a toxic pull-and-tug between Rio and Beth. And she was disposed of when she served her purpose.
He didn’t shoot Lucy because he was scared she’d rat him out — he knew she wouldn’t — he shot her to prove that he’s in charge; he was sick of Beth constantly undermining him.
Rio’s act was a stark reminder of just how dangerous and unpredictable he is. He doesn’t follow any rules, he doesn’t have any regard for human life, and he enjoys playing the game. He’s a cold-blooded killer who kills because he can.
He’s not the kind of man who can or should be redeemed. He’s not the man that should be championed or shipped. He’s not the guy that Beth should want to pursue, and he’s definitely not a man we should all be thirsting for regardless of how cute his smile is.
Whenever we root for bad guys on television, there’s usually an ounce of humanity that we can hold onto, but not with Rio.
Those minor moments when he shows emotion towards his kid or family used to make us think he had something redeemable quality, but that shouldn’t be mistaken for kindness anymore. Beth has fallen into that mindset and now, she’s deeper with him then she’s ever been.
He doesn’t care about the lives of others and he doesn’t care about Beth — the only person Rio cares about is Rio. He’ll do whatever to get what he wants, and if you thought otherwise, let this serve as a reminder.
When Rio killed Lucy, the writers of Good Girls killed Rio… and it seems like that was their intent all along.
The 2021 Emmy’s: A Night Dominated by the same Rotating Nominees: ‘The Crown,’ ‘Mare of Easttown,’ and ‘Ted Lasso’
The 2021 Emmy’s returned in a limited capacity with an attendee count of around 500 compared to its typical several thousand, while also managing to keep its winners capped to the same rotating titles: The Crown, Mare of Easttown, and Ted Lasso.
It was a successfully smooth event with predictable winners, among some important victories for people of color.
Opening the award show paying homage to Biz Markie, Cedric the Entertainer sang and rapped a remix of “Just A Friend” with cameras panning to guests in the audience who contributed their own lines and melodies.
The comedy category was easily dominated by Ted Lasso while dramas were split between The Crown and Mare of Easttown, with the former edging out the latter with nearly double the wins.
Regardless of Cedric the Entertainer’s initial praise about the number of Black nominees, it felt like a shout into the void as many of the categories were still dominated by white actors, writers, and directors.
But, Michaela Coel’s win for her brave and empowering drama, I May Destroy You, was a win that needed to happen, not only for the Black community but also for sexual assault survivors.
“Write the tales that scare you, that make you feel uncertain that isn’t comfortable. I dare you. In a world that entices us to browse through the lives of others to help us better determine how we feel about ourselves and to in turn feel the need to be constantly visible, for visibility these days seems to somehow equate to success. Do not be afraid to disappear from it, from us, for a while and see what comes to you in the silence,” Coel said.
In another triumph of the night, Debbie Allen (Fame and Grey’s Anatomy) took home the Governor’s Award. Celebrated for her perseverance during her early career as a Black dancer discriminated against due to the color of her skin, it was a deliberate step forward made by The Academy.
Interspersed throughout the evening was a handful of references and jokes about COVID and its impact on television. And in a seamless split, many of the British show nominees including Gillian Anderson and Olivia Colman accepted their awards in London in a separate Emmy’s party.
Later on, Leon Bridges performed a special tribute to those in the industry that passed away during the last year. Some of which include Larry King, Alex Trebek, and Michael K. Williams.
In a highly anticipated award for the final victor of the night for a limited series, it was awarded to Netflix’s The Queen’s Gambit, in a surprising win over Mare of Easttown.
In a year where TV continued to shine, despite COVID’s impact on the world of entertainment, the 2021 Emmy Awards didn’t realistically honor the amount of amazing content that was put out. Instead, it relied on the crutches of the four or five repeated nominees: The Queen’s Gambit, The Crown, Mare of Easttown, Ted Lasso, and Wandavision.
How Will ‘The Resident’ Write Off Nic?
The halls of Chastain will see quite a shift when The Resident returns for its fifth season.
Emily Van Camp, who plays the beloved nurse practitioner Nic Nevins, is scrubbing out after four seasons on the FOX medical drama.
While it isn’t unheard of for an actress to leave a show, the timing is unfortunate from a storytelling perspective considering Nic and Conrad Hawkins (Matt Czuchry) recently got married and welcomed a baby girl.
In real life, Van Camp also welcomed a baby girl with husband Josh Bowman, so she obviously has to do what’s best for her and her family. We also have to assume that the struggles of working during a pandemic impacted her decision, as did her potentially expanded role in the Marvel universe.
But there’s absolutely no denying that it’s a huge bummer for fans of the series, many of whom only tune in because of their attachment to the couple affectionately dubbed #CoNic.
We’ve seen the couple go through their fair share of ups and downs, but the fact that the writers chose to introduce a baby means they likely thought she was coming back for the upcoming season and had more a happier storyline in the works.
While I have ultimate faith in the writers, it’s understandable that fans are worried about how her departure will be addressed.
Nic is a crucial part of the show; some might argue that she’s the glue that holds everything together.
Her exit must be handled with the utmost care and respect in order to preserve the integrity of the character.
Since her character is a dedicated wife and mother, it’s unproductive to mess with the relationship by introducing a cheating storyline or a new job since it isn’t believable.
We know Nic would never prioritize anything over her new family, not even a new gig. Even suggesting that as an alternative dishonors the kindhearted character Van Camp has built.
So, this is where it gets concerning.
All signs and breadcrumbs point to Nic not surviving the premiere.
There are a few indications that the writers are going to kill her off and pursue the “Conrad is a heartbroken and widowed single father to baby Gigi” storyline.
The official season 5 poster pointed to tragedy as Conrad was seen alone in a defeated stance. His back was turned to the camera and the words “healing stars within” were written on top.
We think this will hurt us more than heal us, but we're always in.
— The Resident (@ResidentFOX) August 5, 2021
A follow-up trailer titled “Everything Will Change” opens with an ominous montage of CoNic’s happiest moments. It then shows Conrad standing alone in his daughter’s nursery before cops come to his door to deliver some news. Since it’s never a good sign when cops show up at your house in the middle of the night, many fans to theorized that Nic was involved in a tragic accident.
The gossip Instagram account, Deuxmoi, seemingly confirmed that theory via an anonymous tip.
“I can 10,000 percent confirm she’s leaving The Resident early in the upcoming season, but her character will die in a car accident,” a source told the account, though, these can be hit or miss so take it with a grain of salt!
It’s a frustrating approach considering Nic just survived a stabbing along with pregnancy complications last season, but it’s really the only way to handle it while keeping the character intact.
It also presents plenty growth opportunities for Conrad’s character.
Much like the fans (and probably, the writers), he never anticipated that he’d be a single father, but life threw him a curveball and now he has to step up to raise his daughter, likely with the help of his friends at Chastain.
And while we typically see the plight of working mothers, this would offer the series a chance to dig into the hardships of balancing a thriving career in the medical field while also being a present father.
The only other option on the table is that the accident causes Nic to go into a lengthy coma, which would also leave the door open for any potential guest appearances from Van Camp should she so choose to be involved.
The latter would allow for the character to come back, while also allowing the writers to explain her off-screen existence with a storyline about how she gave up her career to stay at home with Gigi in the aftermath of the accident.
However, Elkoff seemingly confirmed that Conrad will be a single father to TV Line, noting: “He’s really good at it. He’s just going to be the best dad you can imagine.”
He also explained that the season will pick up with a nine-month time jump, which explains why Gigi is so big in the promos already.
FOX entertainment president Michael Thorn told Deadline that it will be an emotional departure.
“The audience is going to be surprised and emotionally engaged with how we handle Emily’s departure and the way that it affects all of the other characters,” he said. “And yes, we will be introducing some new characters as we go along, but I think it’s going to be another excellent season. Amy Holden Jones does an incredible job,” he added.
While everyone involved with the series is staying mum on how Van Camp will be written off, they are convinced that fans won’t be disappointed by what they are calling a “potentially game-changing, development.”
In the wake of her exit (along with the exit of Shaunette Renee as Mina last season and Morris Chestnut as Barrett Cain), the series is also adding new cast members to fill the void and ensure the upcoming season has a robust ensemble.
Miles Fowler will join the medical drama as Billie Sutton’s (Jessica Lucas) estranged son, Trevor. If you’ll recall, Billie opened up to bestie Nic about being raped at 13-years-old and giving up the baby for adoption. While she didn’t want to meet her son, he’s been reaching out hoping to get to know his birth mom.
Regardless of how the series tackles this unexpected cast shake-up, be prepared for an emotional journey ahead.
The fifth season returns on Tuesday, September 21st at 8 pm ET/PT on Fox.
You can catch up on all of our The Resident reviews HERE!
‘The Chair’ Review: A Humorous Commentary on the World of Academia
An entire show focused on a dilapidating university English department had the very real potential of being extremely boring and niche with its heavy ode to literature. However, Netflix’s original series The Chair, starring the fabulous Sandra Oh, is a humorous commentary on the world of academia, cancel culture, ageism, sexism, and transracial adoption.
The bulk of the humor rests on the shoulders of Ji-Yoon (Oh) and Joan (Holland Taylor) the only women in the department alongside Yaz (Nana Mensah). Ji-Yoon is the first woman department head to take the position just as enrollment is crumbling by 30%.
What’s meant to be a momentous moment in her career turns into a shit show when she’s tasked with putting out daily dumpster fires.
In the short six episodes, we’re quickly introduced to the complicated lives of Ji-Yoon and her colleague/lover Bill Dobson, one of the younger professors who’s under intense scrutiny for making an insensitive and ignorant reference to nazis.
There’s a strong balance between personal and professional lives as the underlying tension displayed immediately between Bill and Ji-Yoon ignites a budding romance, amid the dean’s increasing pressure for Ji-Yoon to let Bill go.
Ji-Yoon’s a powerful woman who isn’t afraid to stand up against university systems that oppress women and women of color. And despite her ability to properly handle her work life, her home life seems to be teetering.
Her daughter Juju is a spitfire who is ready to speak her mind at any moment. Whether to diss her halbi, cross personal boundaries scaring off babysitters, and telling Ji-Yoon how she feels about her transracial adoption.
The real dynamic duo is Juju and Bill. As Bill’s healing from the loss of his wife and empty-nesting after sending his daughter off to college, he finds comfort in taking care of Juju while he’s on suspension.
Juju’s lack of connection with Ji-Yoon is saddening, as it stems from Ji-Yoon’s absence due to her tireless job. However, by the end of the season, the growth between mom and daughter is emotionally beautiful.
Yes, I shed a few tears.
The decision to use an English department as a commentary vessel is ingenious. Historically, academia is full of jaded tenured professors who are generationally out of touch. But, an English department is stereotypically overrun with crotchety old pretentious men.
Some of whom are definitely ready for retirement.
Yaz is a Black professor whose class has quickly become the most popular in the English department. With her classes yielding the most students, this causes jealousy among the other educators, putting her tenure track in harm’s way.
When she’s denied the distinguished lectureship and begins to feel helpless as a woman of color at Pembroke, she considers taking an offer from Yale. However, Ji-Yoon’s desperation to rebuild the department full of diverse women convinces Yaz to stay.
Yaz’s character doesn’t receive as much screentime as she deserves. Most of the attention is placed on Dobs and the rest of the professors fighting desperately to hold onto their power.
Furthering the theme of sexism, Joan’s office is displaced in the basement underneath the gym. As a professor who’s been with the university just as long as her male counterparts, she finds her situation outrageous and greatly sexist.
Yet, by the season finale, after Ji-Yoon’s been ousted as the head of the department, she strategically chooses Joan to replace her. This feels like a win for the women and especially Ji-Yoon, as her vision of change continues.
While there hasn’t been any official word about a second season, Season 1 paved the path for deeper topics to be pursued. Especially the romance between Ji-Yoon and Bill. So I can’t imagine the show won’t receive another green light.
If you’re someone who shutters at the idea of being immersed in the academic sphere even fictionally, don’t worry. The Chair is a show you can enjoy on the pure basis of humor and emotional family drama. And of course Sandra Oh!
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