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Riverdale Premiere Review – Prom Night (5×01)

Riverdale -- "Chapter Seventy-Seven: Climax" -- Image Number: RVD501b_0217r -- Pictured (L-R): Camila Mendes as Veronica Lodge, KJ Apa as Archie Andrews, Casey Cott as Kevin Keller, Cole Sprouse as Jughead Jones and Lili Reinhart as Betty Cooper -- Photo: Diyah Pera/The CW -- © 2021 The CW Network, LLC. All Rights Reserved.

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Riverdale’s finest learned what everyone who has graduated college already knew: prom night isn’t all its cracked up to be. 

The senior event tends to be overhyped, which was also the case with this episode. Sadly, prom night didn’t live up to the expectations set forth by the series and almost seemed like an afterthought in the episode that could only be summarized as chaotic, even by Riverdale standards. It was plagued by bad decisions, breakups, and a possibly-real snuff film that played on the big screen as the mystery of the VHS tapes continues to haunt the small town’s residents. 

Half the time I find myself wondering “what is going on” as it feels like everyone lives in their own bubble and is disconnected from what’s happening with their peers and family members. Are we all watching the same show? Are we all living in the same reality?

As I mentioned prior, prom seemed like an afterthought to everything else happening in the episode and the seniors barely got to enjoy the dance before being boggled down with real-life issues (well, at least what’s considered real-life in the bizarre world of Riverdale). 

Who Is Behind Riverdale’s Disturbing and Mysterious VHS Tapes?

Betty and Jughead continued to channel their inner-Nancy Drew to figure out who is behind the VHS tapes instead of just letting the police/ FBI handle it like normal people. Don’t you think dragging them down the rabbit hole is what the auteur wants? Clearly, whoever this is is thoroughly enjoying messing with them. 

They had a few failed attempts to pinpoint the auteur who has been sending them disturbing video tapes reenacting some of the most brutal (and private) moments in town. I’ve had several theories about the identity of the auteur, but I think it boils down to Charles, who is constantly in the know but has the ability to play in the background. It was especially telling when the latest snuff film “killed” the video store owner, David, who Charles knew Betty and Jughead were investigating. 

But again, what’s the purpose of the tapes to begin with? Is it just a mind game? Is it revenge? And if it is Charles and Chic’s way of getting back at the Cooper/Jones’, why is it extending past Betty and Jughead? We know there was a video of Jason’s killing and now, Archie received one of the Black Hood shooting his father, which reminded him of his moment of cowardice. 

Who has it out for the whole town?

Also, what was the point of having Betty and Jughead film a fake snuff film with Reggie killing Cheryl when they knew David wouldn’t fall for it and planned to use the origin of the Black Hood video instead? Sometimes, it seems like Riverdale just wants to see how far it can push its boundaries and it’s not necessary. 

And how is no one else but Betty and Jughead concerned about the video that played at prom and put half the school in a trance?

How do the parents just go back home and drink a glass of wine in a relaxing manner? I mean, wine is a way of coping, but where’s the concern? Are they just used to this nowadays? Is this just another day in Riverdale?

Archie’s came to blows with Katy Keene’s K.O. Kelly as he attempted to figure out his future, while Veronica was all about making their relationship her number one priority, which is enough to stress out any man. 

Riverdale Premiere Review Season 5 Episode 1 Climax

Riverdale — “Chapter Seventy-Seven: Climax” — Image Number: RVD501fg_0019r — Pictured (L-R): Camila Mendes as Veronica Lodge and KJ Apa as Archie Andrews — Photo: The CW — © 2021 The CW Network, LLC. All Rights Reserved.

The tension between the couple was building throughout the hour, though Ronnie was quite oblivious to it. It was actually quite heartbreaking to see Ronnie put her plans on hold and decide to defer at Barnard so that they could work side-by-side with Hiram, who offered Archie the gig of deputy Mayor. 

Look, all Im saying is I hope that Archie doesn’t take the job. By now, he should’ve learned not to make deals with the devil. 

Throughout the episode, Archie questioned his relationship with Veronica and kept insisting that he’s holding her back. Usually, I’m not a fan of a man thinking he has that much power over a woman, but in this case, it seemed to ring true as Veronica was making all her decisions with Archie in mind all while he was second-guessing his feelings for her and their future together. 

And you know what they say, “if you love two people at the same time, choose the second one. Because if you really loved the first one, you wouldn’t have fallen for the second one.” 

Archie decided, like an idiot, that the best time to tell Veronica that the song – which she awkwardly sang as a dedication to him at La Bonne Nuit even after he threw it in the garbage – was written for Betty was at prom. Can you say poor timing? Archie, you really couldn’t wait until after prom? What makes you think that leaving the girl heartbroken on the dance floor is a good idea?

Though, I guess we should just be happy that Archie was finally honest about his feelings even if it meant losing the best thing that’s ever happened to him. 

Veronica was taken aback, understandably, but I’m really impressed with the fact that she didn’t slut-shame Betty or blame her for what happened. It’s so common to see women turning on other women instead of holding men/both parties accountable for their actions. 

It was big of Ronnie to suggest keeping this on the hush in order to protect Bughead. Yes, Jughead deserves to know the truth, but it’s not her place to spill the beans; Betty needs to be the one to come clean about it. 

Riverdale Premiere Review Season 5 Episode 1 Climax

Riverdale — “Chapter Seventy-Seven: Climax” — Image Number: RVD501fg_0022r — Pictured (L-R): Cole Sprouse as Jughead Jones and Lili Reinhart as Betty Cooper — Photo: The CW — © 2021 The CW Network, LLC. All Rights Reserved.

I’m not really sure what the plan is for everyone moving into the seven-year jump. We know Veronica is going to be married to a “controlling and jealous alpha male” named Chad, which means that her breakup with Archie is long-term. 

Will Jughead call it quits with Betty upon finding out the truth about her brief tryst with Archie? Will Betty and Archie explore their feelings for each other and become a couple? While I definitely felt the sparks between them when Archie played her that song and when they kissed, Bughead has been pretty solid lately. 

No one was having luck in the romance department at prom. While Cheryl and Toni were crowned the first “queens” of Riverdale High, their happiness was also short-lived due to a Romeo and Juliet situation involving their families. I guess this is Roberto Aguirre Sacasa’s way of diving deeper into Toni’s storyline, but it’s unfortunate that he decided the only way to give her more to do was to destroy the perfect relationship that is #Choni.

‘Riverdale’ Season 5: What Every Character Is Up to After the Seven-Year Time Jump

Toni was keeping her relationship with Cheryl from her family because she was afraid they wouldn’t accept it — not because she’s a lesbian but because she’s with a Blossom. I guess that’s sort of a relief!

Sadly, this proves that no matter what Cheryl does, she’ll never be able to escape her family’s reputation. Will Toni’s nana come between them for good? Or is this temporary. Again, we know that at some point, Vanessa Morgan’s real-life pregnancy will be written into the show, but the question is — who is her partner?

Other Musings

  • Seriously, what is the deal with Hiram Lodge beating up criminals in the dead of the night? It was verrrry briefly mentioned, but he’s leaning into this vigilante of the neighborhood vibe in a similar way Archie did previously.
  • Mr. Honey is alive, so, it turns out, these “snuff films” are faux snuff films. I guess that’s a silver lining. 
  • The identity of the auteur needs to be someone that actually matters… not a random video store owner! Stop messing with us!
  • Mr. Weatherbee is back after the whole “Farm” situation, but I don’t think he’s doing all that great.
  • Did anyone else feel like Cheryl should’ve also invited Kevin and Fangs to join her and the other couples during the victory dance? She was celebrating a big moment for the LGBTQ community, and she was the reason why Fangs and Kevin couldn’t run for “kings.” They deserved some recognition! It seemed like such a miss by the writers!
  • Why is Jelly Bean at a rave that doubles as some kinky, weird underground immersive screening? She’s like 14. Go home!

What did you think of the Riverdale Season 5 premiere episode? Are you looking forward to the flash-forward? I think the series needs a good shake-up because at this point, the VHS mystery has been dragged out for almost a year (COVID interruption contributed to that!). 


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Lizzy Buczak is the founder of CraveYouTV. What started off as a silly blog in her sophomore year at Columbia College Chicago turned her passion for watching TV into an opportunity! She has been in charge of CraveYou since 2011, writing reviews and news content for a wide variety of shows. Lizzy is a Music Business and Journalism major who has written for RADIO.COM, TV Fanatic, Time Out Chicago, Innerview, Pop’stache and Family Time.

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WATCH: ‘Manifest’ Season 3 Trailer Teases the Tail Fin Mystery and a New Character with Callings

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Manifest Ben Stone reveals he knows what happened to Flight 828

“What are you willing to do to get to the truth?”

Vance asks Ben and Saanvi that question in the first 60-second trailer for season 3 of Manifest

Based on what they’ve been through thus far, I’d say they’re willing to sacrifice a lot. 

In the trailer, Ben is informed of the tail fin allegedly (I say allegedly because it doesn’t look like the same fin from Flight 828 that blew up five years later) from the original flight and forms some “connection” to it, a new character named Angelina is introduced and she’s also experiencing Callings, the Major is investigated (is she really dead?), and Vance unveils that he’s been piecing together part of Flight 828 and calls it “eureka.”

Manifest: Ben Stone Reveals He “Knows” What Happened to Flight 828 in New Trailer

Of course, there’s also something wrong with Mic, as Ben surmises that he thinks they all died on the original flight. 

So. Many. More. Questions… but hopefully, this is also the season of answers. 

“I think that the audience is going to feel satisfied in that this is a very eventful season,” showrunner Jeff Rake recently told TVLine. “I know that at times in Season 1 or Season 2 was the show was accused, with love, of not moving the ball forward enough, that the burn was too slow. Well, my strong suspicion is that Season 3 will not be accused of that. There is a lot of forward momentum, a lot of card turns, and a lot of big surprises. It will be a very satisfying experience for people who are anxious for stuff to happen.”

Check out the trailer below:

Season 3 premieres on April 1 (nope, not a joke!)

‘Manifest’ Season 3 Poster Teases the Tailfin Mystery: “The Truth Will Surface”


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2021 Critics Choice Awards: See the Full List of Winners

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2021 Critics Choice Awards: See the Full List of Winners

The 26th annual Critics Choice Awards are underway just a week after the Golden Globes took center stage and kicked off award season. Yes, it’s still a thing amid the COVID pandemic. 

Taye Diggs returns as host for a show that’s blended with both virtual and on-site appearance.

Amongst the shows and movies receiving the most nominations are Mank, Minari, Ozark, and The Crown. 

Zendaya, who has had quite an impressive few years, will take home the SeeHer Award. 

You can watch live on The CW at 7pm/6pm CT. 

We’ll be updating the full winner’s list below – Winners will be listed in BOLD:

 

BEST PICTURE
Da 5 Bloods (Netflix)
Ma Rainey’s Black Bottom (Netflix)
Mank (Netflix)
Minari (A24)
News of the World (Universal Pictures)
Nomadland (Searchlight Pictures)
One Night in Miami (Amazon Studios)
Promising Young Woman (Focus Features)
Sound of Metal (Amazon Studios)
The Trial of the Chicago 7 (Netflix)

BEST ACTOR
Ben Affleck – The Way Back (Warner Bros.)
Riz Ahmed – Sound of Metal (Amazon Studios)
Chadwick Boseman – Ma Rainey’s Black Bottom (Netflix)
Tom Hanks – News of the World (Universal Pictures)
Anthony Hopkins – The Father (Sony Pictures Classics)
Delroy Lindo – Da 5 Bloods (Netflix)
Gary Oldman – Mank (Netflix)
Steven Yeun – Minari (A24)

BEST ACTRESS
Viola Davis – Ma Rainey’s Black Bottom (Netflix)
Andra Day – The United States vs. Billie Holiday (Hulu)
Sidney Flanigan – Never Rarely Sometimes Always (Focus Features)
Vanessa Kirby – Pieces of a Woman (Netflix)
Frances McDormand – Nomadland (Searchlight Pictures)
Carey Mulligan – Promising Young Woman (Focus Features)
Zendaya – Malcolm & Marie (Netflix)

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods (Netflix)
Sacha Baron Cohen – The Trial of the Chicago 7 (Netflix)
Daniel Kaluuya – Judas and the Black Messiah (Warner Bros.)
Bill Murray – On the Rocks (A24/Apple TV+)
Leslie Odom, Jr. – One Night in Miami (Amazon Studios)
Paul Raci – Sound of Metal (Amazon Studios)

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm (Amazon Studios)
Ellen Burstyn – Pieces of a Woman (Netflix)
Glenn Close – Hillbilly Elegy (Netflix)
Olivia Colman – The Father (Sony Pictures Classics)
Amanda Seyfried – Mank (Netflix)
Yuh-Jung Youn – Minari (A24)

BEST YOUNG ACTOR/ACTRESS
Ryder Allen – Palmer (Apple TV+)
Ibrahima Gueye – The Life Ahead (Netflix)
Alan Kim – Minari (A24)
Talia Ryder – Never Rarely Sometimes Always (Focus Features)
Caoilinn Springall – The Midnight Sky (Netflix)
Helena Zengel – News of the World (Universal Pictures)

BEST ACTING ENSEMBLE
Da 5 Bloods (Netflix)
Judas and the Black Messiah (Warner Bros.)
Ma Rainey’s Black Bottom (Netflix)
Minari (A24)
One Night in Miami (Amazon Studios)
The Trial of the Chicago 7 (Netflix)

BEST DIRECTOR
Lee Isaac Chung – Minari (A24)
Emerald Fennell – Promising Young Woman (Focus Features)
David Fincher – Mank (Netflix)
Spike Lee – Da 5 Bloods (Netflix)
Regina King – One Night in Miami (Amazon Studios)
Aaron Sorkin – The Trial of the Chicago 7 (Netflix)
Chloé Zhao – Nomadland (Searchlight Pictures)

BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari (A24)
Emerald Fennell – Promising Young Woman (Focus Features)
Jack Fincher – Mank (Netflix)
Eliza Hittman – Never Rarely Sometimes Always (Focus Features)
Darius Marder & Abraham Marder – Sound of Metal (Amazon Studios)
Aaron Sorkin – The Trial of the Chicago 7 (Netflix)

BEST ADAPTED SCREENPLAY
Paul Greengrass & Luke Davies – News of the World (Universal Pictures)
Christopher Hampton and Florian Zeller – The Father (Sony Pictures Classics)
Kemp Powers – One Night in Miami (Amazon Studios)
Jon Raymond & Kelly Reichardt – First Cow (A24)
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom (Netflix)
Chloé Zhao – Nomadland (Searchlight Pictures)

BEST CINEMATOGRAPHY
Christopher Blauvelt – First Cow (A24)
Erik Messerschmidt – Mank (Netflix)
Lachlan Milne – Minari (A24)
Joshua James Richards – Nomadland (Searchlight Pictures)
Newton Thomas Sigel – Da 5 Bloods (Netflix)
Hoyte Van Hoytema – Tenet (Warner Bros.)
Dariusz Wolski – News of the World (Universal Pictures)

BEST PRODUCTION DESIGN
Cristina Casali, Charlotte Dirickx – The Personal History of David Copperfield (Searchlight Pictures)
David Crank, Elizabeth Keenan – News of the World (Universal Pictures)
Nathan Crowley, Kathy Lucas – Tenet (Warner Bros.)
Donald Graham Burt, Jan Pascale – Mank (Netflix)
Kave Quinn, Stella Fox – Emma (Focus Features)
Mark Ricker, Karen O’Hara & Diana Stoughton – Ma Rainey’s Black Bottom (Netflix)

BEST EDITING
Alan Baumgarten – The Trial of the Chicago 7 (Netflix)
Kirk Baxter – Mank (Netflix)
Jennifer Lame – Tenet (Warner Bros.)
Yorgos Lamprinos – The Father (Sony Pictures Classics)
Mikkel E. G. Nielsen – Sound of Metal (Amazon Studios)
Chloé Zhao – Nomadland (Searchlight Pictures)

BEST COSTUME DESIGN
Alexandra Byrne – Emma (Focus Features)
Bina Daigeler – Mulan (Disney)
Suzie Harman & Robert Worley – The Personal History of David Copperfield (Searchlight Pictures)
Ann Roth – Ma Rainey’s Black Bottom (Netflix)
Nancy Steiner – Promising Young Woman (Focus Features)
Trish Summerville – Mank (Netflix)

BEST HAIR AND MAKEUP
Emma (Focus Features)
Hillbilly Elegy (Netflix)
Ma Rainey’s Black Bottom (Netflix)
Mank (Netflix)
Promising Young Woman (Focus Features)
The United States vs. Billie Holiday (Hulu)

BEST VISUAL EFFECTS
Greyhound (Apple TV+)
The Invisible Man (Universal Pictures)
Mank (Netflix)
The Midnight Sky (Netflix)
Mulan (Disney)
Tenet (Warner Bros.)
Wonder Woman 1984 (Warner Bros.)

BEST COMEDY
Borat Subsequent Moviefilm (Amazon Studios)
The Forty-Year-Old Version (Netflix)
The King of Staten Island (Universal Pictures)
On the Rocks (A24/Apple TV+)
Palm Springs (Hulu and NEON)
The Prom (Netflix)

BEST FOREIGN LANGUAGE FILM
Another Round (Samuel Goldwyn Films)
Collective (Magnolia Pictures)
La Llorona (Shudder)
The Life Ahead (Netflix)
Minari (A24)
Two of Us (Magnolia Pictures)

BEST SONG
“Everybody Cries” – The Outpost (Screen Media Films)
“Fight for You” – Judas and the Black Messiah (Warner Bros.)
“Husavik (My Home Town)” – Eurovision Song Contest: The Story of Fire Saga (Netflix)
“Io sì (Seen)” – The Life Ahead (Netflix)
“Speak Now” – One Night in Miami (Amazon Studios)
“Tigress & Tweed” – The United States vs. Billie Holiday (Hulu)

BEST SCORE
Alexandre Desplat – The Midnight Sky (Netflix)
Ludwig Göransson – Tenet (Warner Bros.)
James Newton Howard – News of the World (Universal Pictures)
Emile Mosseri – Minari (A24)
Trent Reznor & Atticus Ross – Mank (Netflix)
Trent Reznor, Atticus Ross, and Jon Batiste – Soul (Disney)

BEST DRAMA SERIES
Better Call Saul (AMC)
The Crown (Netflix)
The Good Fight (CBS All Access)
Lovecraft Country (HBO)
The Mandalorian (Disney+)
Ozark (Netflix)
Perry Mason (HBO)
This Is Us (NBC)

BEST ACTOR IN A DRAMA SERIES
Jason Bateman – Ozark (Netflix)
Sterling K. Brown – This Is Us (NBC)
Jonathan Majors – Lovecraft Country (HBO)
Josh O’Connor – The Crown (Netflix)
Bob Odenkirk – Better Call Saul (AMC)
Matthew Rhys – Perry Mason (HBO)

BEST ACTRESS IN A DRAMA SERIES
Christine Baranski – The Good Fight (CBS All Access)
Olivia Colman – The Crown (Netflix)
Emma Corrin – The Crown (Netflix)
Claire Danes – Homeland (Showtime)
Laura Linney – Ozark (Netflix)
Jurnee Smollett – Lovecraft Country (HBO)

BEST SUPPORTING ACTOR IN A DRAMA SERIES
Jonathan Banks – Better Call Saul (AMC)
Justin Hartley – This Is Us (NBC)
John Lithgow – Perry Mason (HBO)
Tobias Menzies – The Crown (Netflix)
Tom Pelphrey – Ozark (Netflix)
Michael K. Williams – Lovecraft Country (HBO)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Gillian Anderson – The Crown (Netflix)
Cynthia Erivo – The Outsider (HBO)
Julia Garner – Ozark (Netflix)
Janet McTeer – Ozark (Netflix)
Wunmi Mosaku – Lovecraft Country (HBO)
Rhea Seehorn – Better Call Saul (AMC)

BEST COMEDY SERIES
Better Things (FX)
The Flight Attendant (HBO Max)
Mom (CBS)
PEN15 (Hulu)
Ramy (Hulu)
Schitt’s Creek (Pop)
Ted Lasso (Apple TV+)
What We Do in the Shadows (FX)

BEST ACTOR IN A COMEDY SERIES
Hank Azaria – Brockmire (IFC)
Matt Berry – What We Do in the Shadows (FX)
Nicholas Hoult – The Great (Hulu)
Eugene Levy – Schitt’s Creek (Pop)
Jason Sudeikis – Ted Lasso (Apple TV+)
Ramy Youssef – Ramy (Hulu)

BEST ACTRESS IN A COMEDY SERIES
Pamela Adlon – Better Things (FX)
Christina Applegate – Dead to Me (Netflix)
Kaley Cuoco – The Flight Attendant (HBO Max)
Natasia Demetriou – What We Do in the Shadows (FX)
Catherine O’Hara – Schitt’s Creek (Pop)
Issa Rae – Insecure (HBO)

BEST SUPPORTING ACTOR IN A COMEDY SERIES
William Fichtner – Mom (CBS)
Harvey Guillén – What We Do in the Shadows (FX)
Daniel Levy – Schitt’s Creek (Pop)
Alex Newell – Zoey’s Extraordinary Playlist (NBC)
Mark Proksch – What We Do in the Shadows (FX)
Andrew Rannells – Black Monday (Showtime)

BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Lecy Goranson – The Conners (ABC)
Rita Moreno – One Day at a Time (Pop)
Annie Murphy – Schitt’s Creek (Pop)
Ashley Park – Emily in Paris (Netflix)
Jaime Pressly – Mom (CBS)
Hannah Waddingham – Ted Lasso (Apple TV+)

BEST LIMITED SERIES
I May Destroy You (HBO)
Mrs. America (FX)
Normal People (Hulu)
The Plot Against America (HBO)
The Queen’s Gambit (Netflix)
Small Axe (Amazon Studios)
The Undoing (HBO)
Unorthodox (Netflix)

BEST MOVIE MADE FOR TELEVISION
Bad Education (HBO)
Between the World and Me (HBO)
The Clark Sisters: First Ladies of Gospel (Lifetime)
Hamilton (Disney+)
Sylvie’s Love (Amazon Studios)
What the Constitution Means to Me (Amazon Studios)

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
John Boyega – Small Axe (Amazon Studios)
Hugh Grant – The Undoing (HBO)
Paul Mescal – Normal People (Hulu)
Chris Rock – Fargo (FX)
Mark Ruffalo – I Know This Much is True (HBO)
Morgan Spector – The Plot Against America (HBO)

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Cate Blanchett – Mrs. America (FX)
Michaela Coel – I May Destroy You (HBO)
Daisy Edgar-Jones – Normal People (Hulu)
Shira Haas – Unorthodox (Netflix)
Anya Taylor-Joy – The Queen’s Gambit (Netflix)
Tessa Thompson – Sylvie’s Love (Amazon Studios)

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Daveed Diggs – The Good Lord Bird (Showtime)
Joshua Caleb Johnson – The Good Lord Bird (Showtime)
Dylan McDermott – Hollywood (Netflix)
Donald Sutherland – The Undoing (HBO)
Glynn Turman – Fargo (FX)
John Turturro – The Plot Against America (HBO)

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION
Uzo Aduba – Mrs. America (FX)
Betsy Brandt – Soulmates (AMC)
Marielle Heller – The Queen’s Gambit (Netflix)
Margo Martindale – Mrs. America (FX)
Winona Ryder – The Plot Against America (HBO)
Tracey Ullman – Mrs. America (FX)

BEST TALK SHOW
Desus & Mero (Showtime)
Full Frontal with Samantha Bee (TBS)
The Kelly Clarkson Show (NBC/Syndicated)
Late Night with Seth Meyers (NBC)
The Late Show with Stephen Colbert (CBS)
Red Table Talk (Facebook Watch)

BEST COMEDY SPECIAL
Fortune Feimster: Sweet & Salty (Netflix)
Hannah Gadsby: Douglas (Netflix)
Jerry Seinfeld: 23 Hours to Kill (Netflix)
Marc Maron: End Times Fun (Netflix)
Michelle Buteau: Welcome to Buteaupia (Netflix)
Patton Oswalt: I Love Everything (Netflix)

BEST SHORT FORM SERIES
The Andy Cohen Diaries (Quibi)
Better Call Saul: Ethics Training with Kim Wexler (AMC/Youtube)
Mapleworth Murders (Quibi)
Nikki Fre$h (Quibi)
Reno 911! (Quibi)
Tooning Out the News (CBS All Access) 


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Many People Prefer to Watch TV with their Dogs Instead of their Family, a New Study Finds

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Many People Prefer to Watch TV with their Dogs Instead of their Family, a New Study Finds

Watching a show without your dog can be “ruff.”

A new report by Rover.com found that as Americans increased their TV and streaming habits amid the pandemic, they have done so with a furry friend by their side. 

Per the report, 57% of dog parents admitted to waiting for their dog to get into the room before watching a show. 

Now, that isn’t entirely surprising because if you are a dog owner, you know dogs are great watching buddies… unless you have a dog like mine who barks at any animal on the screen. That makes things a bit more difficult, but still proves that he’s attentive! 

The report found that 78% of Americans said they watch TV with their dogs very often or always. 

Surprisingly, dogs were ranked #1 when asked who people prefer to chill out and watch TV with, with 40% of parents saying they’d choose their dog over a partner, friends, or even kids. And that’s because a majority of pet parents believe their pups are actively watching or reacting to what’s happening on the screen. (See my point above about my dog barking at animals on the screen!) 

To make the binge-watching experience that much better for their pets, 70% have admitted to accommodating their pup by allowing them on the couch, giving them blankets, and even moving over so the dog is comfortable. 

60% of pet parents even believe their dog has a favorite TV show, which would explain why 80% of dog parents admit to leaving their TV on for dogs when they’re not home. 

The most popular genres? Comedy and action, which makes sense – after a long day of lounging and taking walks, Fido needs a good laugh or to get invested in a dramatic car chase! 

During such uncertain times, there’s definitely comfort in knowing that you always have a TV buddy by your side! 

And let’s be honest… is there anything your dog isn’t doing with you these days?


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