How many gangs does Riverdale have? And how much demand could there be for drugs?
Hiram is on the mend after being shot, but that hasn’t stopped him from trying to pick up where he left off. The only problem is that his valuable product seems to have gone missing.
Judging by Hiram’s exchanged with Veronica, I’m going to say that he knew what she did with his drugs and his tools, and never suspected that it was Hermione’s fault.
But Hiram wasn’t Ronnie’s only problem. She became indebted to Gladys Jones, the buyer of said product whom she now owed because she destroyed it.
Hiram figured that Gladys’ return to town wasn’t a mere coincidence, and though they are technically “enemies,” I think that they’re actually in cahoots.
Veronica, bless her heart, does not have it in her to shakedown and manipulate two adults who have been pushing product for a long time.
Hiram caved rather quickly when Veronica joined his meeting with Gladys and propositioned that Gladys deals candy while he focuses on the prison.
You know nothing is ever as it seems with Hiram Lodges, and this seems to be a sneaky way to get Veronica tangled up in the family business.
Hiram and Gladys have more in common than we initially believed.
Much like Hiram, Gladys has no qualms about using her children to further her agenda and subsequent takeover of the town.
She and Jellybean have been coy about the motives for their return to Riverdale, but we know she’s trying to win the town back by stealing Hiram’s business and Jughead’s gang.
Gladys wasn’t just suggesting Jughead team up with the Ghoulies out of the kindness of her own heart. She benefitted from it because it took what Hiram wanted.
And when Jughead failed to convince the Ghoulies, now the Gargoyle Gang, to join the declining Serpent population, she went ahead and convinced them. And you bet she rubbed it in Jughead’s face that she “did what he couldn’t.”
Gladys is going to steal the reigns right from under Jughead, which, if you think about it, is terribly sad. These parents continue to prove that they are worse than their children.
Speaking of parents who make really terrible decisions, can we talk about Alice Cooper?
Homegirl has gone off the deep end. Like, waaaay, waaaaay deep.
Betty is in over her head trying to help her mother or illuminate the cultish ways of The Farm.
Alice has been brainwashed into seeing exactly what they want her to see. If it hadn’t been for Betty, Alice surely would have drowned to death.
And Polly, who would have been responsible for her mother’s death, would have accepted some carefree and bullshit excuse provided by The Farm and that she-devil Evelyn Evernever.
Betty saved her mother as the rest of the members stood by and watched hoping for some kind of miracle. What is wrong with them?
And the worst part is that Alice wasn’t even grateful. She said she saw “the other side,” and gained a newfound purpose for her life which apparently meant selling the house — to The Farm I’m sure — and moving in with her family.
She’s delusional and dangerous, but how do you stop someone like that? How do you snap them into reality?
The Farm is obviously preying on the weak minded who need a sense of purpose in life. They even got to Kevin who has been feeling low and hurt by Mooses’ departure.
Maybe Betty can turn to FP to save her mother? If anyone is able to, he’d be able to talk some sense into her. That is if The Farm even allows Alice to see him anymore.
Will Betty’s motivation to take down The Farm be what finally brings Edgar Evernever out of hiding? I sure hope so. I can’t wait to see former heartthrob Chad Michael Murray as the elusive cult leader.
Sometimes, I really miss the teen kinship between Betty, Jughead, Veronica and Archie. The previous seasons had twisted storylines, but they always worked together and teamed up for a common goal.
Now, it seems like everyone is doing their own thing and dealing with their own piece of crazy pie.
While Betty was singlehandedly trying to stop the Farm, Jughead attempted to boost the Serpent’s number, and Veronica tried to detonate both Gladys and Hiram, Archie was fighting his own battles in the ring.
The one thing that hasn’t changed from season to season is Archie’s hardheadedness and know-it-all qualities.
The moment Tom told him he “wasn’t ready” for a professional fight and that “boxing wasn’t something you want to half-ass,” you knew deep down in your core that Archie was going to ignore his trainer and sign up for a fight.
And sure enough, he overheard Elio looking for boxers to fight his man Randy.
Archie was so desperate to cut corners and make a name for himself, he agreed to fight Randy for $5 thousand buckaroos and even throw the fight in his favor.
Seriously, Archie. This, precisely this, is how you keep getting into trouble.
When Archie realized he was the architect of his own messes, mainly because Josie, his new squeeze, pointed it out in a very logical way, it was too late.
Elio threatened Archie’s life if he pulled out of the fight or tried to change the outcome of the fight.
We know Elio likes to rig games in his favor as witnessed at Ronnie’s poker night, however, rigging a fight in favor or himself and his boxer to make a lot of money? That’s a new form of low.
Thankfully, Archie didn’t just give it, he decided to fight back.
And though he didn’t officially win, he stood his ground and proved that he is worthy of being in the ring with the big dogs.
That’s definitely a huge feat.
His after-party celebration wasn’t too shabby either, though I will say I think his relationship with Josie moved too quickly.
They went from friends to full-on partners in the matter of an episode.
Josie has always given me the sense that she’s untouched by the darkness of Riverdale so maybe she’s the only person who can save Archie from himself.
Just her comment about Archie thinking he’s only worth five-thousand-dollars put things into perspective for him. Though he’s a strong fighter who holds his own, Archie’s self-esteem has been pretty shot this season.
This was a good reminder that he doesn’t have to sell himself short simply to prove a point.
In addition to the Serpents, the Ghoulies, and the Gargoyle King, there’s a new girl gang in town marking their territory: The Pretty Poisons.
I’m conflicted on my feelings towards Cheryl and Toni’s gang because part of me truly believes that Cheryl is doing this more for herself than she is for Toni.
She didn’t even get Toni’s permission to deploy the Pretty Poison’s to beat up Fangs and Sweet Pea, which was hilarious in its own right because they got their butts handed to them by a group of ladies!
Toni was furious for a few reasons: she wasn’t informed about Cheryl’s call, she was pissed that Cheryl decided to take the lead, and she was mad because her friends were attacked.
The Serpents may not be family right now because of how dysfunctional things are in Riverdale, but they were always there for her when she needed them.
And as she mentioned, the gang isn’t there to assert dominance, they are there for support and unity.
But overall, I’m not pleased with this storyline because Toni is a Serpent by blood; she belongs there.
The new gang has also caused a bit of tension between Toni and Cheryl which is truly upsetting.
Cheryl always needs to rethink her actions because putting others first doesn’t come naturally to her and Toni has always been supportive and understanding, but I’m afraid Cheryl trying to assert dominance over something that has been Toni’s whole life and family will lead to some issues.
What did you think of the episode?
Is there hope for Alice? Did Polly get baptized and survived?
Will Veronica continue to be forced to pay off large amounts of debt to Hiram and Gladys?
Will Jughead and FP realize Gladys’ true motives?
Will Archie and Josie last? Does he really have a career in boxing?
Share your thoughts in the comment section below!
‘Schitt’s Creek’ Launching in National Syndication Following Emmys Sweep
The small town of Schitt’s Creek is going nationwide!
After sweeping the Emmys on Sunday, September 20, the half-hour sitcom is coming to a TV near you.
You’ll be able to watch the fan-favorite comedy anywhere as it’s being launched into national syndication across U.S broadcast markets starting on September 28, per the press release from Lionsgate’s Debmar-Mercury, who owns the domestic broadcast rights.
Prior to Sunday’s show, the Pop TV original had zero Emmy’s, but now, it’s being referred to as a nine-time Emmy Award-winning comedy. Talk about bragging rights.
During the 2020 virtual show, it won all seven of the major comedy categories and became the first to win all four comedy-acting categories in one year.
The cast includes Emmy Award winners Eugene Levy, Catherine O’Hara, Daniel Levy, Annie Murphy and Chris Elliott. Rounding out the cast are Emily Hampshire, Jennifer Robertson, Noah Reid, Sarah Levy, Karen Robinson, Dustin Milligan, John Hemphill, Rizwan Manji, and Tim Rozon.
Schitt’s Creek centers on an outrageously wealthy video store magnate, Johnny Rose (Eugene Levy); his former soap-star wife Moira (Catherine O’Hara); and their two adult children – the self-described black sheep of the family David (Daniel Levy) and career socialite Alexis (Annie Murphy). When the family suddenly find themselves broke, they have no choice but to move to Schitt’s Creek, a small-town Johnny once bought as a joke. Forced to live out of a motel, with their pampered lives a memory, they struggle to find jobs and relationships and, most importantly, figure out what it means to be a family in the loveable town they’ve reluctantly come to call home.
Debmar-Mercury Co-Presidents Ira Bernstein and Mort Marcus, commented, “What begins as a fish-out-of-water story quickly develops into a nuanced love letter to family, delivered with warmth, humanity and perfect comedic timing. With a gifted cast and whip-smart writing, it’s easy to see why ‘Schitt’s Creek’ appeals to Emmy voters, critics and viewers, and has built a loyal and passionate fan base. We are excited to bring the Emmy Award-winning series to broadcast television stations and introduce the iconic Rose family to a new audience.”
Previously, Schitt’s Creek was available for streaming on Netflix.
The sixth and final season will be available on the platform starting Wednesday, October 7.
The history-making final season of Schitt’s Creek will (finally) hit Netflix in the US and Canada on October 7. pic.twitter.com/VV3cdDCi4H
— Netflix (@netflix) September 21, 2020
The Best Halloween Episodes From the 90s and Early 00s to Watch Right Now
Halloween is a time for shrieks, thrills, and Halloween-themed episodes.
But what’s better (and spookier) than 90s Halloween fun? Absolutely nothing.
So, we’ve put together a list of spooktacular throwback episodes to kick off your fall celebrations!
Get your witches brew, candy corn, and pumpkin pie ready and get to viewing. And maybe don’t look under the bed… BOO!
Boy Meets World
“He said what all killers say. He wants to come here. He wants to kill us. He wants us to wait right here.”– Eric Matthews.
Boy Meets World basically defines our childhood. When the gang finds themselves all alone during detention, weird things begin happening.
Sabrina the Teenage Witch
Sabrina the Teenage Witch had plenty of Halloween episodes that were SO good, we had trouble picking just one favorite so we opted for season 3’s “Good Will Haunting” in which Hilda and Zelda attend their Aunt Beulah’s Halloween party at an asylum. Back at home, Sabrina’s party is terrorized by a talking doll from the Other Realm.
Streaming Friends episodes is a favorite past time. No episode is as classic as “The One With the Halloween Party” when Monica throws a Halloween party!
Buffy the Vampire Slayer
Buffy was one of the most iconic shows of the 90s, but the best Halloween episode featured all of the characters turning into real-life versions of their costumes was terrifyingly fantastic. Dust off those DVD collections and sink your teeth into this episode… pun intended.
How I Met Your Mother
One word- slutty pumpkin. Yes, this How I Met Your Mother Halloween installment has everything you’d watch from a classic Halloween episode including a Halloween costume party and Ted longing for his lost love.
Jonathan Taylor Thomas was everyone’s first crush. This Home Improvement episode “The Haunting of Taylor House” found Tim and Jill building a haunted house for Brad’s party.
“Diary of a Mad Schoolgirl” isn’t technically a Halloween episode, but it sure has the elements as TJ explains Lizzie Borden to his classmate and Mo reads a girl’s diary to find out she’s super obsessed with him and wants to take him to the cemetery to meet her dead grandmother. Yikes.
That 70s Show
Poor Kate believes that a prop for a horror movie has turned her friends into zombies!
It's been 17 YEARS since the 'Night of the Day of the Dead' episode of Lizzie McGuire aired on October 5, 2001 pic.twitter.com/rOwWXyQYNz
— Lizzie McGuire (@ImLizzieM) October 5, 2018
HAPPY HALLOWEEN FROM ALL OF US AT CRAVEYOUTV!
We Don’t Need a ‘Pretty Little Liars’ Reboot
Pretty Little Liars, which premiered in 2010 on ABC Family (now Freeform), took fans on a rollercoaster ride. The twists and turns were so dramatic and exaggerated, halfway through the show’s 7 season run, many fans began to taper off.
Dedicated fans, however, stuck it out despite the fact that the show was rapidly going off the rails. Why? Because they desperately needed to know the identity of “A,” and later, “AD,” once and for all.
And the glorious day came on June 27, 2017. As we sat huddled up in front of our TV screens, we were filled with a mix of emotions ranging from confused, misled, and finally, relieved.
“Relief” is a strange emotion to feel when a show ends. Most fans tend to feel a sadness wash over them when the curtain falls, but with PLL, the finale was a sign that the madness was officially over.
The journey with the liars is one we’ll never forget, but let’s face it – most fans are not clamoring for more, especially not a mere three years after the finale. Heck, some of us are still trying to piece that ending together in a way that makes any rational sense.
We’re living in a time where reboots are hailed by TV executives as a sound and sure-fire idea. There’s plenty of examples of success: Dynasty, Chilling Adventures of Sabrina, Charmed, and Roswell, New Mexico. Even revivals that have honed a place in society with shows like The Conners and Fuller House both leading the pack.
But the one thing that these reboots have in common is that the original shows aired a decade or more ago. The key to a successful reboot is nostalgia; they aim to hook the original fans while also appealing to a brand new generation.
Reboots may either reimagine a familiar story with a modern spin and new characters or reunite fans with characters years later a la catching up with friends years after college.
It’s obvious that PLL does not fall into the category of a show that warrants a reboot. Not yet, at least. There’s no sound argument when one could argue that enough time has passed to try to take a stab at this overly complex teen mystery drama once again.
One of my biggest gripes with the PLL reboot, which was officially announced as an HBO Max original, is that it doesn’t center around the original liars.
I’m firm in my belief that had it not been for the popularity, relatability, and dynamic of Lucy Hale, Ashley Benson, Troian Belissario, Sasha Pieterse and Shay Mitchell, the show wouldn’t have found a cult-like following or lasted as long as it did. The ladies made the show worth watching and managed to sell us on every single outrageous storyline.
Many of us stuck with the series because of our love for the liars. But the reboot, billed as “set miles away from Rosewood” in a new town, with a new set of characters, strips the very identity of PLL.
How can you have a show without any involvement from Aria, Emily, Hannah, Spencer, and Alison? They are the pretty little liars. There is no show without them. No one is interested in watching a new generations of teens get tormented by threatening cyber-stalker who knows too much about their life, which was fun to watch partially because it paralleled the rise of technology and the fears surrounding privacy that came along with the emergence of social media.
Even if the ladies considered (and I use that term loosely — they are over here working on their careers and expanding their families, after all) returning for a reboot, not enough time has passed for a proper reunion.
There’s been talk of a potential movie sequel involving the original liars, and truthfully, that’s an idea fans of the original could get behind. It would be a one-time thing, it wouldn’t overstay its welcome or feel forced, and it would hopefully gives fans the follow-up they’ve been dying for.
Earlier this year, Hale said she wouldn’t “rule anything out” but ultimately, they’d “need a little more time to pass.”
“I feel like we would get more out of it if we were, like, 10 years down the road,” she explained to Entertainment Tonight, adding that she’s protective of the show. Hale worked with Roberto Roberto Aguierre-Sacasa on the short-lived Katy Keene, so I’m truly curious to see what she thinks about this upcoming reboot. Note: none of those involved with the original have weighed in or commented yet.
Honestly, much of the pushback that I’ve seen about this rumored reboot is for that very reason — fans, even the ones who thought the finale came out of left-field and was a total dumpster fire — are also super protective of it. We don’t want anything or anyone to taint the show’s legacy.
We also cannot ignore there’s the fact that PLL’s Marlene King attempted her own reboot of sorts shortly after the series concluded and even centered the storyline around two familiar faces, Alison DiLaurentis (Pieterse) and Mona Vaderwaal (Janel Parish), to drum up support and interest from the core fandom. That didn’t work.
PLL: Perfectionists lasted a whole ten episodes before Freeform pulled the plug leaving any fans that submitted themselves to yet another A-like mystery in the dark. It’s a shame the series wasn’t give a real chance because it had potential if it stayed true to the books and veered away from trying to make it so much like it’s predecessor. In this case, a complete overhaul could’ve worked if done right.
And it’s probably better if I don’t mention Ravesnwood, the second PLL spinoff that centered around Caleb Rivers (Tyler Blackburn), which saw a lot of people seeing dead people in the neighboring town. It’s not that I didn’t enjoy the show’s ten-episode run, but it’s yet another example of the franchise trying to reinvent the wheel and failing miserably.
If King couldn’t make these shows work while PLL was at its height, maybe it’s because the audience needed to take a break from the world of A?
Which brings me to my next point… Roberto Aguierre-Sacasa. You may not know the name, but if you love teen dramas, you’re familiar with his work. He’s the brains behind The CW’s successful and oftentimes disturbing teen thriller Riverdale.
One fan on Reddit noted that “PLL walked so Riverdale could run,” and let’s be honest, plenty of fans (and critics) have called the show a hot mess. However, that’s what we’ve come to love about Riverdale; it’s wacky, weird, and only tolerable when you suspend all disbelief.
He’s also proven himself in the reboot-realm with Chilling Adventures of Sabrina. CAOS is an entirely different ballgame; it’s a dark twist on the 90s sitcom Sabrina the Teenage Witch that pulls much of its inspiration from the Archie comics. It offers up an entirely new world featuring new takes on some beloved characters. Not to mention Sabrina wrapped its run in 1996 meaning enough time has passed; the world was ready for the Spellman’s once again.
As I mentioned, CAOS is ending with its upcoming season while Aguierre-Sacasa’s other series, Katy Keene, was cancelled after just a season at The CW.
I’m not questioning Aguierre-Sacasa’s qualifications — I’m a fan of his shows — but I don’t think jumping into and revamping a still-fresh franchise is necessary right now.
Apparently, neither does Twitter. One person commented that he should “stick to one show and make that good.” I’d prefer HBO Max gave Katy Keene another try rather than investing into this PLL reboot.
The reboot seems to be hoping to capitalize on the the original fandom (the brief teaser features the same imagery as the original right down to the logo), but the fandom has opposed a reboot from the start. And they’ll be further alienated with the reboot’s description of a “horror-tinged, coming-of-rage” version.
Aguierre-Sacasa’s strength lies within creating shows permeated with twisted mysteries that have a campy, horror vibe, which is tonally different than the psychological mind games we’ve come to expect from PLL.
There’s room for another teen thriller, obviously, but maybe it would be best to leave the franchise alone and call the show, which is shaping up to be its own entity anyway, something else entirely? “Original Sin” minus the “Pretty Little Liars” would have given the series a fresh-slate without any comparisons.
Here’s the show’s description so you can decide for yourself: “Twenty years ago, a series of tragic events almost ripped the blue-collar town of Millwood apart. Now, in the present day, a group of disparate teen girls — a brand-new set of Little Liars — find themselves tormented by an unknown Assailant and made to pay for the secret sin their parents committed two decades ago. as well as their own.”
I’ll watch merely out of curiosity and because I’ve made television my job, but man, I haven’t even had time to miss PLL yet.
If you really need to feel the PLL-void in your life, the best thing to do is just stream the original episodes, because I think we can all agree that some things are better off left alone… at least until enough time has passed to revisit them through a new lens.
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