Love triangles are the most popular trope on television.

It’s the “go-to” storyline for nearly every series looking to cause friction between a group of characters.

And it’s usually done regardless of whether or not it makes sense for a character’s arc.

Love triangles have become such a staple on show’s that my passive-TV-watching husband has asked me if it’s a requirement to be in love with two people at once.

My answer? When it comes to television, absolutely yes.

Julie Plec is known as a repeat offender; she loves nothing more than to include love triangles for every character in her series.

Just take a look at her track record: On The Vampire Diaries, the love triangle centered around Elena Gilbert, a high school student torn between two elder vampires, the Salvatore Brothers. They were drawn to her because of her uncanny resemblance to their former lover, Katherine.

TVD’s Caroline, step-mother of Lizzie and Josie Saltzman on the current Legacies, was also torn between a few men, including Stefan Salvatore and baddie, Klaus Mikealson.

And now, her daughter and Klaus’s daughter are embroiled in their very own love triangle with brooding Pheonix Landon, but the circumstances surrounding their situation are vastly different than those of their parents.

Plec stepped her game up and revamped her approach to the love triangle . . . Pun-totally-intended.

The supernatural nature of these shows has long allowed writers and characters to explore different realities, but Legacies managed to do something unique with the often familiar trope that its predecessors, The Vampire Diaries and The Originals, never could.

This new approach doesn’t necessarily better the storyline if you hate love triangles, to begin with, but it terms of how it unfolds, it’s less predictable and gives characters more to play with.

Follow

Spoilers for the entirety of “Angel the Series” below

Angel the Series Season 5

Everybody wants to be a part of something; a team, a club, a gang, a family. It’s human nature to want to connect to others, and yet rarely in life does a person happen upon that perfect blend of acceptance and love that they seek.

But we can find it on television!

There is a long history of television shows that feature “found families,” better known as groups of people that aren’t related by blood but through experiences. These groups bond over time and create close-knit units that resemble a family.

There are many examples: Cheers, Friends, The Office, Buffy the Vampire Slayer, crime procedurals like Law and Order, even Scooby-Doo! All of these are series about a group of people who find each other and create that perfect unit that understands and accepts you in a way that you can’t find elsewhere; a place where everybody knows your name.

Cheers NBC Universal

I find, however, that as ironic as it may seem, found family shows rarely reflect the nature of what actually being a family means. I suppose this is only natural considering the escapist nature of many of these shows, but still, sometimes I find shows touting the values of family without diving into what it really means to be one.

These series show internal conflicts and arguments within each group to test the limits of their bonds. Sometimes characters disagree with each other, lie to each other, or say hurtful things, but an overwhelming amount of these conflicts get resolved with an apology and a hug.

Buffy exemplifies this idea several times throughout its run, most notably at the end of its fourth season. The core group of friends, Buffy, Willow, and Xander have a huge argument, but soon after come together and hug it out. A few scenes later they, quite literally, become one greater being to defeat the big bad of the season heavily symbolizing the nature of their relationship. They are stronger as one unit, and they will always be there for each other.

Our real families don’t always get along this well or reconcile so easily. These series provide ideal units that always stay together when their limits are tested, but real-life families don’t just test the limits of their bond, they break them. Therefore, the harsher a show attempts to break a family apart, the further a show can dive into what it actually means to be one. No show breaks limits like Angel the Series.

Angel, like so many other found family series, takes a group of outcasts and brings them closer to each other through their adventures and experiences until they consider each other family.

Angel, a vampire with a murderous past who is attempting to redeem himself after gaining a soul, is at the center of the group. He hires Cordelia, an aspiring actress, Wesley, an expert on all things mystical, and Gunn, a vampire hunter from the streets, to help him fight monsters and save lives in the city of Los Angeles. As their adventures progress, they create the standard television “found family” (which will eventually also include Fred, a brilliant scientist, Lorne, a demon who can read your aura when you sing, Angel’s son, Connor, and Spike, basically Angel’s vampiric brother).

Angel goes so far as to make this overt by having Angel claim he is Cordelia’s family at the end of season one, with her returning the sentiment in the closing moments when she urges Angel not to be embarrassed for drinking some blood in front of her; she doesn’t judge his vampiric needs because they are family. They’ve had their ups and downs, sure, but in the end, they are there for each other.

Angel Season 1 “The Ring”

That is until Angel fractures the family by kicking everyone out of his house. Angel is separated from the group for half of the second season, and when he does finally apologize and return, he is only allowed back into the group if he agrees to take a secondary role to Wesley.

While Angel is forgiven, the way he broke their trust isn’t forgotten and several comments are thrown at Angel regarding his lack of familiarity with the current unit. From this point onwards, Angel never fully regains Gunn’s trust as a friend, and due to Wesley’s position as the new leader, he and Angel have a building conflict that erupts when Wesley, trying to avoid a terrible prophecy, kidnaps Angel’s newborn son, Connor.

The series continues to push these people into situations where the absolute worst parts of them aren’t just exposed but personified. After the kidnapping, Angel doesn’t just threaten to kill Wesley, he attempts to. Gunn commits murder against Fred’s wishes, breaking her illusion as to who he is and what he is capable of. Connor, after growing up in a hell dimension and developing many personal demons, drops his own father into the ocean in a metal crate.

The team willingly releases Angelus (Angel’s murderous past self) to help them defeat an all-powerful beast. This series has a much less overt “we are family” message, and instead develops a subtle allusion to the fact that these people consistently use their demons to solve problems.

Angel Season 5 “Power Play”

And who better to let your demons loose on than your family? There are moments that happen between families that are so ugly we’d only ever let them be seen by our families. Sometimes these actions lead to apologies, often they don’t, and even more often those apologies lead to the cycle repeating. Angel may be a show about literal demons but the parallels we can draw to our own lives make it a series that anyone can relate to, especially those audience members who have wished their families were a bit more perfect.

Angel himself wishes his family was more perfect. While at the bottom of the ocean (he’s unable to die due to his vampire superpowers), he passes the agonizing time by fantasizing about the perfect family dinner, which includes him and Cordelia happy, Gunn and Fred together, and Wesley back at the table – he’s sharing a meal with the people he loves. It is a scene directly out of any other found family show. But here, like in reality, this family is a fantasy.

Angel Season 4 “Deep Down”

When Wesley pulls Angel out of the ocean, there is no reconciliation. He drops Angel off with the rest of the group and immediately retreats. When Angel comes face to face with Connor, they argue and fight, and the scene ends with Angel saying, “I love you, Connor. Now get out of my house.”

None of these scenes feel good to watch. Unlike so many other found family shows, Angel doesn’t provide its audience with the comfort of family, but the reality of it. It doesn’t always feel good to be part of your family or the one you’ve chosen. Families get angry and livid. After all these events, the characters in Angel harbor feelings towards each other that bend quite a ways away from love. Some of them not only dislike each other, they actively can’t stand one another. Trust isn’t a given, and they hit each other much more than they ever hug each other.

Angel Season 4 “Soulless”

Yet the love and commitment within this group prevails. Despite Angel threatening to kill Wesley if he returned, Wesley still spends months searching the ocean for Angel. Angel still loves Connor while knowing that Connor wanted him to suffer for eternity. In the final season, the team still accepts Gunn after he makes a decision that results in Fred’s death. The acceptance of these crushing low points and the choice to love in spite of them is what separates Angel’s family from the rest. The past is never forgotten, and in many cases not even forgiven, but this only proves their strength as a unit. Despite the disastrous team they have made and despite the wedges that have driven them apart, they still stand together. If none of those horrible conflicts could tear these people apart, well, nothing can.

Audiences, myself included, watch these found family shows for escapism. We enter a blissful place where everyone is loved and conflict pushes people closer together instead of pulling them apart. Angel reminds us that’s not how real life works. Sometimes we make each other suffer.

By not pandering to our fantasy, Angel creates a refreshingly realistic portrayal of family and proves how powerful your own family unit can be even with all its imperfections, providing a better perspective on the families we have in real life. This is why Angel is the king of found family shows.

The final scene of the series shows four people, most of whom at some point have tried to kill each other, standing side by side in the rain. They aren’t a perfect unit and they aren’t about to become one being, proving how strong their bonds are. Instead, they are four flawed individuals with their own goals, own beliefs, own morals, and own reasons for being there, who still choose to stand side by side in the rain, ready to fight and die together.

Angel Season Five “Not Fade Away”

If that’s not a family, I don’t know what it is.

Follow

Unfortunately, this week was a lackluster episode for Grey’s. This isn’t surprising considering the season premiere was such a huge event for us all.

Mer’s still on trash pick-up duty, Alex and Richard are still trying to maintain a semblance of normalcy at their new hospital, and Bailey’s back to teaching after Katherine demoted her.

Oh, but hey Jo’s back and better than ever, and she’s a hot commodity! She’s already looking better, and back to her chipper-self with the help of Alex. Already throwing out ultimatums to Bailey and making herself a general surgeon. Good on you Jo! Show them what you’re worth.

While Jo’s rising the ranks, the other interns are fighting to be the next Alex and Meredith. Meredith is now pulling an Izzie and Heather Brooks, helping desperate patients in the parking lot of the hospital.

We love a woman who puts her career at risk to help the less fortunate, and apparently, Andrew does too, “You’re just very very sexy when you’re about to burn your whole life down.”

She successfully pulls the assistance of Schmidt and Avery to diagnose her parole officer’s lymph node cancer. And, she’s working on publishing her findings of the lack of health insurance for the lower class. No matter what, you can’t stop Meredith Grey from working!

Addressing current nationwide issues is Grey’s forte. With the future election on the horizon, the question of healthcare is a huge cause for concern for many of the middle and lower classes. It’ll be interesting to see how the show lays out the foundation of this issue while the democratic debates continue doing the same. Maybe Shonda is a fortune teller and knows the fate of our nation, that would be no surprise.

Meanwhile, Amelia’s struggling with the decision of whether to terminate the pregnancy. She tells Link about the pregnancy and he’s stunned. They both have challenges with their past and fear bringing a child into the world. Link’s fears are too wholesome, and thankfully Jo helped him realize that he would make a great father. The child better have his hair!

It may appear the show enjoys throwing around pregnancy announcements like they do unsuspecting deaths, but this one is different. Though, they better not throw in a plot twist and tell us it’s Owen’s because then we’ll be having a hissy fit. Amelia’s tragedy with Christopher left her with a lot of grief, so we hope this is an easy pregnancy, drama free.

Link’s stable for her, and she deserves stability.

Teddy’s lack of visibility must be attributed to an underlying reason from her portraying actress Kim Raver. Any news? All I can say is I miss Teddy.

The conflict between Tom and Owen is elementary, but Tom has every right to be angry with Owen. Owen just comes in after breaking Teddy’s heart time after time. There can’t be more drama for Owen and Teddy, otherwise, that would just be mean.

Poor Tom trying to assert his dominance as Owen’s boss, and by the end, he’s the one on his knees. Certainly, Owen had the help of the defibrillator to accidentally shock Tom to his knees, ouch.

Tom’s restraining order against Owen is extremely excessive but again warranted. At least he’s not taking his anger out on Teddy.

Richard’s mini sentimental monologue to Alex about why Grey Sloan Memorial is his home is worthy of a final scene voiceover. I felt that one close to my heart.

The separation in hospitals is like a spoof of earlier seasons with the battle against Mercy West. How long is this going to last? I’m not a huge fan of the split storylines.

What do you think is next for the doctors? Will Meredith’s license be taken away? How will Alex and Richard eventually return to the hospital? And is Link really the father of Amelia’s child?

Please leave your thoughts below!

Additional Sidenotes:

• Damn Maggie, tell us how you really feel. Maggie’s really going downhill since her relationship with Jackson, but it looks like Jackson’s really on the uprise with Vic.
• #Freedom, iconic and classic.
• Ranked number one in mortality rate, patient dissatisfaction, and facilities. What a sad result for Alex and Richard.
• Pretty sure texting a guy to drop a pregnancy announcement is already a thing.
• “We’d make an amazing kid and I kinda want to meet that kid.”
• Helm’s old crush on Meredith has manifested into wanting to now become Meredith! “I’m so Meredith Grey.”
• When did that room become a plant room? Wasn’t it originally just a blank room for relaxation? Either way, I want one!
• “I’m really sorry to bother you but I think that guy’s dead.”
• Grey’s Happy Patient Tally continues with a total of 3!

Follow