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The 100

The 100 Review- The Return of Princess Mechanic (7×06)

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The sixth episode of The 100‘s final season takes us on a journey through three different worlds: Sanctum, Bardo, and Nakara.

As expected, there was sadly no sign of Bellamy on any of the planets. But besides that, “Nakara” was one of the stronger episodes this season.

We get to learn what Diyoza’s been up to, Raven and Clarke have an important conversation, and Indra finally gets her time to shine.

Bardo

First, let’s talk about what happened on Bardo. The beginning sequence showing Diyoza’s time in captivity was really well-done. The pacing was great, the music perfectly built up the tension, and Ivana Milicevic was as talented as ever.

Diyoza’s always been a fighter, so it’s no surprise she escaped. But, what she wasn’t expecting was that the person she was running back to was already there for her. Diyoza reunited with a now 25-year-old Hope right after throwing a knife at her face. The sweet moment is undercut by Echo’s refusal to be happy for anyone else, even if she had just spent five years bonding with them.

First, she compromised the mission by killing someone who could’ve helped them save Diyoza last episode, and now that they were lucky enough to find her anyway, Echo shows no sign of relief or happiness for Hope. And we’re supposed to believe Bellamy would love someone who treats people like that? Come on.

The first time Echo formed a “family” off-screen, she became very attached to them. So, why would this be any different? Why is her so-called “loyalty” selective?

If you’re going to focus the last season of the show on characters who aren’t the leads your audience has grown to care for over the years, at least keep them consistent.

Octavia reunites with Levitt, who’s now a janitor, and helps them find a way to escape. There’s definitely chemistry between the two of them, but I’m not sure if anything will ever come of it. The 100 has a pattern of throwing in love interests for Octavia who end up only lasting for a few episodes (a.k.a. Ilian, Atom). There’s not much time to build something substantial in the final season anyway.

The group ends up not escaping upon hearing that the atmosphere outside the compound isn’t survivable. We’ve heard that one before.

But, Gabriel intervenes, and everyone gets captured. I don’t think he’s doing it just so he can get more answers like Echo said, I think he genuinely thought he was doing what’s best. If not, he could’ve let them go and stayed behind himself. But it’s very telling how quickly Echo’s opinion of him changed as soon as he stood in her way.

I think Gabriel spoke for all of us when he asked what the hell is wrong with her after killing another innocent person without blinking an eye. It’s becoming more and more apparent that Echo never really changed on the Ring.

Sanctum

The Sanctum storyline has been dragging throughout the beginning of the season, but if it was all to get Indra to this moment, it was worth it.

Indra’s always been one of the best characters on the show, but she’s never been in a real position of power before. There was always someone higher up than her. But, everyone’s gone now. She’s the only one who can lead Wonkru and protect Sanctum from itself.

She’s constantly one step ahead of everyone, knows the most about Wonkru of anyone currently in Sanctum, and can beat just about anybody in a fight. When Murphy suggested Indra step up to the plate, the only thing I could think of was why hadn’t it happened sooner?

And now, that responsibility is off Madi’s shoulders. She can just be a kid. She can play soccer and have friends without worrying about how to keep everyone alive all the time. When Clarke gets back, she’ll be thrilled. That’s all she ever wanted for her.

Sidenote: why is Murphy now suddenly the protector of all children? It’s two episodes in a row that he’s actively tried to save kids from harm, which is great, but a bit odd coming from the guy who chased Charlotte off a cliff in season one.

Murphy’s a better villain than he is a hero, but we seem to be getting a pretty watered-down version of him these days.

Nakara

Nakara is a freezing cold planet full of dead bodies being fed to a cave-like living organism. Maybe next time, don’t just pick the planet that looked like fun, Raven.

Clarke, Miller, Niylah, Raven, and Jordan set off to find the next Anomaly stone after realizing their friends aren’t on this planet.

So, they head into a cave that Raven’s helmet leads them to and unwittingly enter into the digestive system of the planet. To make matters worse, spiderlike creatures are crawling around, waiting to attack. Raven’s suit gets damaged, almost trapping them there, which brings up the question of why she’s the only one wearing one. Before they left Sanctum, Raven killed eight more of the disciples. They all should’ve stolen a suit for safety.

Luckily, Raven’s suit isn’t totally destroyed, so she can still lead them to the stone. And then, The 100 invoked one of my favorite television tropes, locking two characters with unresolved issues in a room where they finally have the important conversation they need to.

It was more of a digestive tract than a room, but it still worked the same.

The scene between Clarke and Raven in this episode is already one of my favorite scenes of the entire show.

The 100 hasn’t always been the best with female friendships. Both of Clarke’s relationships with the other two main female characters on the show have been completely sidelined in favor of introducing new character dynamics and relationships.

It’s frustrating as a viewer because the heart of the show has always been the bond between the delinquents, but we’ve lost that over the years. Clarke and Raven’s relationship, in particular, was a big loss.

Clarke and Raven, or “Princess Mechanic” as fans call them, had the potential to form a really strong relationship in the early seasons. It was awesome to watch them subvert the trope that two girls interested in the same guy can’t be friends. After Finn screwed them both over, they eventually formed a genuine friendship or at least a sense of respect for one another towards the end of season one. But shortly afterward, that was lost.

Clarke kept being put in positions of power where she was forced to make difficult choices that Raven didn’t always agree with. So, they grew apart. Raven started harboring resentment towards Clarke, which was only magnified in seasons five and six.

But, now, after her actions in 7×03, she’s dealing with the same trauma and guilt that Clarke has been dealing with for years. I already spoke about how it’s weird that the show acts like Raven has never done anything wrong before in that episode’s review, but at least she’s realizing that things haven’t always been as black and white as she had thought.

It’s interesting how Raven perceives Clarke as an unbreakable, finely-tuned engine. It goes to show how little she actually knows her. All of Clarke’s choices and actions weigh heavily on her. She may be one of the stronger leaders on the show, but she’s never been the heartless “wanheda” everyone thinks she is. Bellamy knows that. Raven’s known Clarke for just as long, so why would she see her that way?

She tells Clarke about how bad she feels about what she’s done, and even though Raven’s spent the past two seasons criticizing Clarke and refusing to make amends, Clarke tells her she might be the best person she knows. She comforts her and forgives her instinctively.

The 100 Nakara Season 7 Episode 6 Review

The 100 Nakara Season 7 Episode 6 Review

Because Clarke’s always cared for Raven, even when she didn’t care for her. She’d pick her first then, and she’d probably pick her first now.

Raven is finally addressing how wrong she was about Clarke. They understand each other now more than ever before, so hopefully, in the episodes we have left, we get more of this friendship before we have to say goodbye.

Stray Thoughts:

  • “Tell Raven I said bang bang.” Seriously?
  • I loved the transition from the shot of the queen chess piece to the shot of Clarke.
  • It seems like everyone’s theory about the Anomaly being connected to the Second Dawn is coming true. We might have to rewatch season four for a refresher!

What did you think of Nakara?

How do you feel about Princess Mechanic?

Do you think Clarke & co. are headed to Bardo next?

Let us know in the comments below!


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The 100

The 100 Series Finale Review- May We Never Meet Again (7×16)

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The 100 Series Finale season 7 episode 16 the last war review

Based on the first fifteen episodes of the season, we knew The 100‘s series finale wasn’t going to be great. But, wow. It was somehow still worse than expected.

If the closing message of the show was meant to be that humanity can be better if they put their minds to it, it should’ve ended with season five. But instead, we watched two more seasons of humanity proving that it will never change and committing more and more atrocious acts of violence. Why should they be allowed to transcend? Because they called a ceasefire one time?

The speech Octavia gave that changed everyone’s minds wasn’t nearly as powerful as the writers intended it to be. Neither was Raven’s plea to the judge. Nothing felt earned in this episode.

The Lexa and Abby cameos felt horribly out of place. If they were going to bring either of these actresses back, it should’ve at least been for something worthwhile. The concept of the judge appearing as your greatest love/teacher/failure/etc. was an interesting idea, but it wasn’t done well. It wasn’t used for any emotional impact. If Clarke or Raven were actually affected by the person they saw standing in front of them and changed what they said because of who they felt they were talking to, it would’ve been worthwhile. But, The 100 always likes to introduce cool ideas and never follow through on them in a meaningful way. This will just be another plot point added to the list of missed opportunities (like the radio calls, M-CAP, etc.)

I have mixed opinions on Clarke failing the test. It makes sense that Clarke would be defensive of her actions, especially this season seven version of Clarke, but it also feels wrong. She didn’t seem remorseful at all. We’ve seen Clarke wracked with guilt over her choices in the past, so it doesn’t fully add up that she would be so defiant at this moment. She’s grappling with what happened to Madi, so that provides some context for the way she acts, but still. It just felt really off. Especially considering it came right after the sequence of Clarke killing several guards and Cadogan without any emotion in her eyes. Who even was that?

And now she never gets to transcend? It’s a bizarre choice to doom your protagonist in that way. The beach scene at the end is presumably intended to be hopeful, but it didn’t feel that way. Especially because of the gaping hole left by Bellamy.

None of that meant anything without him. A peaceful life with everyone together, living happily and falling in love? You can keep it if your male lead isn’t there.

It’s insulting that Levitt gets to be there but Bellamy doesn’t. That Hope and Jordan get to have the happy life together that he didn’t get to have with anyone. Why do the new characters get special treatment when the co-lead is erased from the narrative and denied any semblance of a happy ending? Bellamy was right. He was right about transcendence, and now everyone gets it instead of him. I guess it’s poetic justice that Clarke won’t get it either then.

Why did Emori get to transcend? She was technically dead. It’ll probably be blamed on the mind drive, but it kind of takes away from Murphy’s sacrifice to be with her.

We were given another needlessly gory death of someone who provided great representation when Emori died at the beginning of the finale, only for her mind drive to be put into John’s head so they could have their final moments together. The scene of them dancing in the headspace while Miller and Jackson danced in Sanctum was the only scene that was somewhat enjoyable in this episode.

I wanted to highlight Murphy’s speech to Emori where he talks about how without her he would just be surviving, not living. He then goes on to say that he would choose a few hours with her over forever without. That was a good callback to “life should be about more than just surviving”, and also just a really sweet sentiment. Murphy and Emori were stuck in the pointless Sanctum storyline for most of the season, but I’m glad we got a few good moments in with them at the end.

I don’t buy everyone choosing to live on Earth with Clarke instead of transcendence. Most of them haven’t been friends with her in years. Hope, Jordan, and Levitt barely know her. Why would they give something like that up for her? It genuinely doesn’t make narrative sense, so it doesn’t feel like a good ending.

Sure, maybe it can be argued that they just want to live a normal life, and it’s not necessarily for Clarke. But that’s not a great ending either.

Stray Thoughts:

  • The Hope and Jordan scene in the bunker was so pointless. This is the finale, come on! Use that time to make your ending more believable.
  • The “worse than killed her” line was super off-putting.
  • So much of the first half of the season was spent on Echo, Hope, and Gabriel for no reason. Hope got shoehorned into an undeveloped relationship, Gabriel was killed, and Echo got…? Nothing?
  • The series couldn’t decide between a nihilistic ending or a hopeful one until it was too late for either option to be well-done.
  • Still not a fan of Levitt and Octavia.
  • Indra killed Sheidheda way too late.

It’s finally over. What’d you think of the ending? Are you hoping the prequel gets picked up? (I’m not.) Let us know in the comments below!


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‘The 100’ Showrunner Jason Rothenberg on Fan ‘Expectations’ and ‘Surprise Guests’ Ahead of Series Finale

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The 100 Hesperides Review

It all comes to an end this Wednesday, September 30.

This may be a relief for some The 100 fans who have been less-than impressed with the show’s direction in the final season. 

Showrunner Jason Rothenberg spoke to TVLine about what he hopes that final hour-long episode accomplishes especially after the penultimate episode left many questions that needed to be addressed and much to be desired. 

“We’re going to try and wrap up as many things as we can,” he said. “It’s a finale — and it’s a series finale on top of that — so there will be some surprise guests. Fans can have expectations of a certain scope and scale that I feel we’ve always been able to achieve in these finales.”

The final episode also marks his directional debut. 

“This was a difficult season, because we also made a pilot within the season in the middle of everything,” he explained. “And because we shot the pilot so late in the season, I went right from being on the set of the prequel to prepping the finale. … It was definitely a challenge, but I’m glad I did it. I kind of wish I’d done it earlier, so I could have four or five [episodes] under my belt now, but it would have been a regret had I not.”

He even explained that the final scene from the penultimate episode, which saw Clarke deciding to relieve Madi of her pain and suffering, was intended to kickoff the series finale. 

 “I actually wrote and directed that scene,” he said, adding, “But the finale was too long, so I had to put it at the end of the previous episode. That episode originally ended prior to Clarke making the decision to euthanize her child, so there was going to be a little more time — at least in the audience’s mind — before she got to that decision.”

Rothenberg seems to believe that he’s achieved what he intended for the finale and even promises some “surprise guests.”

“If the finale gets a little trippy, as seems pretty likely if Clarke and Co. are in for a test on top of the war, then all bets could be off and we could see the returns of some dearly (or not-so-dearly) departed characters,” he said. 

Here’s the official synopsis for the series finale: “After all the fighting and loss, Clarke (Eliza Taylor) and her friends have reached the final battle. But is humanity worthy of something greater?”

You can catch up on all The 100 reviews right here! 
 


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The 100

The 100 Review- Only One More To Go (7×15)

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The 100 season 7 episode 15 the dying of the light review

The penultimate episode of a series will tell you everything you need to know about the finale. Will there be enough time to wrap everything up? Are characters headed towards endings that make sense for them? Is the message the show is trying to leave us clear? Based on this week’s episode of The 100, next week’s series finale will likely not meet any of those criteria.

An hour that should’ve been spent on wrapping up relationships arcs and setting up the last big obstacle our characters have to face included a lot of filler moments. Over the years The 100 has introduced way too many new characters that they don’t know what to do with. Any effective character development ended after season four, and we’re now left with a plot that’s too ambitious that we have no emotional connection to.

This Could’ve Been Avoided

And unfortunately, these final episodes are tainted by the loss of male lead Bellamy Blake. It’s not lost on the audience that every other character is getting a death scene surrounded by the people they love and a traveler’s blessing. It leaves a bad taste in your mouth. It’s hard not to imagine how Bellamy would’ve been able to save Madi from her fate. The only reason he wasn’t in that room with Cadogan and Levitt is because Clarke wasn’t able to trust him. It would’ve been nice if she could’ve at least tried to understand where he was coming from. She wouldn’t be completely alone if she did.

It’s incredibly frustrating to see Clarke continuously push the blame for Bellamy’s death on anyone but herself. His faith didn’t kill him, she did. His death is not comparable to anyone else she’s lost. This wasn’t a Finn or an Abby situation. He was still himself and she had many other choices. It doesn’t make narrative sense to show us Bellamy crying and begging Clarke to trust him and telling her that all he wants to do is protect everyone only for all of his friends to agree that he was too far gone to be saved. If they wanted to write a brainwashed Bellamy, they should’ve done it. But instead, Clarke seems heartless and out of character. It’s a shame that Bellamy was only worth anything to the people he loved when he agreed with them.

Octavia only wants to honor the memory of the brother that would give up anything for her. She won’t acknowledge the man who developed a sense of agency and found something that brought him comfort and peace. Even in death, he’s still mistreated.

Under The Rubble

The only good parts of the episode were involving Emori. I’m really hoping she pulls through. She’s the hidden gem of The 100, and it would be a shame for her to not get a happy ending.

Murphy and Emori are easy to root for. They’re a great match. It’s been nice seeing Murphy care for someone other than himself. His desperation to find her underneath the rubble was the most in-character thing we’ve seen this season. The conversation they shared while Jackson was cauterizing her wound was adorable.

I especially liked the part where Emori was describing how happy she was in Sanctum and how she finally felt like she mattered, only for Murphy to intercept saying that she always mattered to him. Who would’ve thought John Murphy would end up being apart of the only good couple left?

Raven and Emori’s friendship was a bit more developed than the rest of the relationships built on Skyring, so their moments together also felt meaningful. Everyone’s become so self-sacrificial lately but hopefully Raven continues to be stubborn and Emori & co. travel to Sanctum instead of Bardo.

What’s The Point?

The entire final sequence was sickening to watch. It’s disturbingly written, and the way it’s shot makes your skin crawl. The 100 brands itself as a series that pushes boundaries and isn’t afraid to face the dark sides of humanity. But there comes a point where enough is enough. The show’s become another egregious example of what happens when you become addicted to making your characters suffer and just end up creating torture porn. What’s the message you’re trying to give your audience? That no matter what you do, you can never be happy? That there will always be worse things ahead?

Isolating your protagonist from everyone she’s ever loved isn’t bold storytelling, it’s just bad. It’s exhausting to watch. And to show a child left behind in that kind of state? There’s no shock value or benefit to going to such a dark place. It just upsets your audience without adding anything to the narrative.

There’s not much else to say about it.

Stray Thoughts:

  • Clarke and Gaia’s scenes felt hollow. Their relationship isn’t developed enough for any of their moments to have meaning. Same can be said for Octavia and Levitt.
  • On the other hand, Gaia’s moments with Indra felt well-earned. They’ve fought over faith for a long time, and they’ve come a long way.
  • Should we be expecting Clarke to go full Daenerys in the finale? Without Madi, she apparently has nothing left to fight for.
  • Jordan always feels out of place. They never really figured out what to do with him.
  • I pray I never hear the words “go float yourself” again.
  • Clarke humming the same song she hummed to Atom in 1×03 when she mercy killed him would’ve been really powerful in any other instance.

What did you think of the episode? Let us know in the comments below!


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