More often than not, the main character of a television show isn’t the fan-favorite.
If you look at some of the most popular teen shows of the past decade, the character that got the most media attention and had the biggest fan base is never the protagonist. Elena Gilbert and Scott Mccall from The Vampire Diaries and Teen Wolf, respectively, were overshadowed by characters like Damon Salvatore and Stiles Stilinski. Viewers tend to place certain standards on the main character of a show that snarky, secondary characters can avoid. Their actions aren’t constantly critiqued the same way. Ensemble cast members often become more popular with the audience than the lead due to the amount of time we spend with them and their overall importance to the narrative. It’s much easier to get sick of the character with the most screentime, especially if you don’t find their storylines as compelling as others. One notable case study of what is dubbed as “designated protagonist syndrome” is the leading lady of The 100, Clarke Griffin.
Clarke Griffin is the first character we’re introduced to in the pilot of The 100, yet in my years as a fan of this show, I’ve seen more critiques of her than I have of nearly any other character on the show (male lead, Bellamy Blake gets his own fair share of undeserved hate, but that’s another story).
If you’re unfamiliar with the premise of The 100, it’s a post-apocalyptic sci-fi series on The CW. The CW is known for young adult shows usually characterized by cheesy romances and ridiculously attractive 20-year-olds trying to pass for teenagers. The 100 is definitely a sucker for both of those things, but it also created a revolutionary character in Clarke.
Clarke is one of the most multi-faceted female characters I’ve seen not only on The CW but on television in general. Most of the time teenage girl characters only have storylines centered around male characters and aren’t given the space to develop into their own person. On the other side of the spectrum, you have female characters whose only given attribute is that they’re “tough” and never allowed to show any emotion or empathy. When I started watching The 100 as a young fourteen-year-old girl, Clarke was a breath of fresh air.
I had never gotten to see a character like her before. She became the leader of her people, not through force, but through earned respect. People trusted her because she was honest and kind. However, she wasn’t just some sweet girl that they could walk all over. Clarke’s ultimate goal was always to protect the people she cares about and do things for the greater good, yet she wasn’t afraid to be ruthless to do so.
The 100 is heavily laced with themes of morality and difficult choices, yet seeing a young woman having all this power to make life or death decisions was incredibly empowering. Throughout the series we see Clarke commit unspeakable acts and we watch her deal with the consequences. Because most of the big decisions lay on her shoulders, she receives the brunt of the blame in the show and in the fandom.
She gets labeled as “Wanheda”, which means “the commander of death” in the show’s fictional language. In the show, the term is thrown at her constantly to remind her of all the deaths she has caused. In the fandom, she’s consistently labeled selfish or presumptuous.
I’d like to argue that while everyone is entitled to their own opinion, that a lot of the hate Clarke receives has to do with the fact that she is the main character of the show, and is mostly unfounded.
Clarke’s actions throughout the show typically have the most repercussions because she’s the lead. She’s had the most opportunities to cause destruction and usually faces more obstacles than most of the ensemble cast does. She never actively chose to be a leader, but she was forced into it by her circumstances in the show. And yet somehow when things go wrong, all the blame automatically falls on her. Of course, that’s the normal struggle of a leader, but when you’re just a young girl forced into the role it seems to be a bit of harsh judgment.
As seasons progress, more and more people abandon Clarke. A lot of this has to do with several plotlines separating Clarke from the rest of the main cast for extended periods of time, but the ultimate theme the show seems to be reinforcing over and over again is that “leadership is a lonely pursuit”. Her love interests die while most of her friends have decided that she’s no longer apart of their so-called “family”.
As a dedicated fan for years, the constant critiquing and isolation of the main character gets old. In the most recent season of The 100, John Murphy, a fan-favorite character, actively put Clarke’s life in danger and was ready to let her die for his own selfish reasons. Murphy has been on the show since the beginning and has gained a cult following because of his quick remarks and sharp one-liners. I never had much of a problem with him until this past season.
He spends the first two episodes complaining to the rest of the ensemble cast about how Clarke is selfish, makes bad choices and is dangerous. However, when you fast forward to the middle of the season, he is completely capable of saving Clarke from a life or death scenario and chooses not to for a chance at immortality. This is far from the first time Clarke has ever been in danger on this show, yet I found this betrayal especially cutting. Clarke and Murphy had never really been friends, but always kept each other alive when they could. Now, it’s been shown that nearly everyone Clarke has had any kind of relationship with on the show considers her to be disposable.
Frankly, Clarke Griffin deserves better. She’s called selfish when time after time she has sacrificed herself and her happiness for the safety of others, even leaving herself to what she believed would be certain death in the finale of season 4. Her former friends and allies treat her with no respect and no gratitude for saving their asses multiple times. The fandom still complains that she’s annoying or hypocritical when all she’s done is try her best to keep the most people alive that she can.
Clarke is such a complex, enjoyable character that I find it so hard to believe so many people don’t like her. She cares deeply about the people she loves and isn’t afraid to go to bat for them. She’s incredibly intelligent and diplomatic, helping create essential alliances that no other character in the show could have achieved. Whenever there are brief moments of happiness on The 100 we get a glimpse at her fun side, who’s able to relax and enjoy herself with the people she loves. Yet almost immediately, that glimpse of happiness and hope always slips through her fingers.
Unfortunately, Clarke doesn’t always get back what she puts out into the world. She does have a few strong relationships still, but she has by far experienced the most loss on this show and been given the least amount of time to grieve. She’s lost her best friend from childhood, her parents, two romantic partners, and several other friends. Yet somehow she’s still supposed to be an all-knowing leader who never makes any mistakes.
One important aspect that cannot go unmentioned when talking about Clarke Griffin is the groundbreaking representation she provides. In season 2 of the show, it was revealed that Clarke is bisexual. This shocked viewers, specifically fans of the book series the show was based on since she wasn’t bisexual in the novels. However, the choice to include this aspect of her in the show lead to one of the best examples of a bisexual woman on television. She became the first LGBTQ+ lead on The CW network and the first bisexual lead on major network television. How can people not love someone breaking down boundaries for bisexuals everywhere?
Fans have expressed how Clarke’s bisexuality on-screen has helped them figure out their own sexualities. Although The 100 is guilty of falling into problematic LGBTQ+ tropes on television with the infamous death of the character Lexa, Clarke and the representation she provides has always been a bright spot in the show.
Clarke Griffin is a dynamic character who makes hard choices and will always do what needs to be done to protect her people. She’s committed unspeakable acts and she owns that. But she’s also the person who sacrifices herself to save her friends on more than one occasion. She’s also the girl who stepped up to take care of a group of 100 teenagers when they were dropped on a new planet. She’s the girl who took in a six-year-old girl to raise when she was still a kid herself. Impossible choices are forced onto her and no matter how she handles it, she’s always the one blamed in the end, on the show and off.
I don’t know why Clarke isn’t a fan-favorite character. Usually, the Designated Protagonist Syndrome occurs when the ensemble cast is made up of such captivating characters that you get sick of the main one you’re forced to spend the most time with. But from my perspective, there would be no The 100 without Clarke. She has the most interesting storylines (besides that long stretch in season three when the whole show hit a rut), has the most compelling relationships, and has had a real-world impact on LGBTQ+ viewers. Clarke Griffin has been carrying this show since it premiered in 2014.
Top 10 Things We Want to See In The 100’s Final Season
Since 2014, The CW’s sci-fi hit The 100 has been one of the most popular shows on the network.
However, after a seven-season run, the show will be coming to a close. As an avid fan of the show for years, I’m anxiously anticipating the final season and what it will bring for our favorite characters.
Here’s a list of what I’m hoping to see in season seven:
#1- A storyline that doesn’t revolve around isolating Clarke.
Ever since the end of season two, Clarke hasn’t gone a full season without being separated from her friends in one way or another. She was left on Earth for six years, on the run as Wanheda and even got her body taken over by Josephine.
I would like to see a season where Clarke gets to be with the people she cares about the entire time. She still hasn’t gotten the chance to properly reconnect with “Spacekru” and we haven’t gotten to see enough of Clarke’s bond with Madi. For the final stretch of episodes, let’s hope we can see Clarke finally getting the time she needs with the people who are still around.
#2- A chance for the characters to finally grieve
The 100 is known for killing off an insane amount of characters. Whether it be ones we loved (I’m still not over Lincoln) or ones we hated (Kane and Abby for me), The 100 has an incredibly high body count. But our characters have never really been given time to grieve the ones we’ve lost.
A standout scene from season five was the moment in which we got to see Clarke find Jasper’s goggles and mourn him while she was alone on Earth. That might’ve been one of the best scenes of the show. We need more of them in the final season. We’ve had grief arcs with characters lashing out after the death of a loved one, but we haven’t gotten to see any special remembrance moments. I think it’s time that our favorite characters get a chance to process how they feel about losing people they care about in a healthy way.
#3- Resolution of Blake sibling arc
Bellamy and Octavia’s relationship has gone through a lot of ups and downs throughout the show. Personally, I’m not much of a fan of Octavia so I’ve definitely enjoyed Bellamy finally setting some boundaries for himself in their relationship. However, on Twitter and at conventions it’s been hinted that in this upcoming season Bellamy’s storyline will once again revolve around trying to save his sister. While this feels familiar I would love for there to be a way to turn this repetitive story arc upside down.
Bellamy’s proven time and time again that he loves Octavia so I would like to see her end up saving him in the end. Their relationship has always been unhealthy and imbalanced but I think if the writers are willing to make the Blake siblings arc come full circle there’s potential for really powerful moments in the final season.
#4- Characters making amends with those they’ve hurt
Throughout the series, characters have fought, betrayed each other, and grew apart. But one of the big lessons The 100 tries to drive home is the importance of forgiveness. Whether it be among familial relationships or friendships, I would like to see characters taking responsibility for their actions and actively working towards doing better in the future. I want apologies. I want hugs. We’ve had enough trauma, a peaceful ending bringing people together again would be a great way to say goodbye to The 100.
#5- Storylines centered around the main characters
One of my big issues with The 100 is that it never seems to know how many characters are too many. Every season new characters are added and they’ve all started fading into overdone archetypes that we’ve seen hundreds of times before. The 100 needs to bring the focus back to the characters we have a history with, the ones we’ve grown to care about. One of the main players of the upcoming season is going to be a character named Hope who we only met in last season’s finale.
Any screentime her storyline gets will unfortunately just be taking time away from giving our favorites a proper sendoff. I want there to be enough time to resolve the arcs of the characters I know and love. I don’t want to learn about side characters who have nothing to add to the plot when there’s no time to develop them fully.
#6- Bellamy and Clarke as co-leaders again
The 100 has always been a story about what it takes to be a leader and the struggles you have to go through to become one. We’ve seen different leadership styles in Mount Weather, Arkadia, Polis, and even Sanctum. But no one has ever been as successful as Clarke and Bellamy are when they’re leading together.
The 100’s first season centered around these two characters working together to keep a group of delinquent teenagers safe, and they did. However, once the rest of the characters from the Ark came down and we were introduced to more and more potential leaders, Clarke and Bellamy got pushed to the backburner. Yet they are still the ones who always save the day in the end, just without the credit. It’s not a coincidence that Bellamy and Clarke are separated so often because if they were together they would be able to solve their problems in much less time than a thirteen-episode season.
Their dynamic has always been one of the strongest on the show and I think it would only make sense for the final season to circle back around to Bellamy and Clarke being the ones in charge. They’re a great team and know how to share the burden of leadership. They’re best when they’re together.
#7- The end of Us vs. Them
The 100 has always been a story about different groups of people fighting to survive, and more often than not, fighting each other.
In season seven, I would like to see the end of these group tensions and start focusing on humanity as a whole. It feels repetitive to still be acting like our favorite characters are united under one group and that the rest of the characters outside of the group are the enemy. We’ve been through two apocalypses and six seasons. I think we can stop acting like there’s one superior group who deserves to be in charge of the rest. Let’s take the focus away from political alliances and just focus on the characters.
#8- Callbacks to past seasons
I always love when finales pay tribute to what the characters have been through and who we’ve lost along the way. I say for season seven of The 100 we should get all the nostalgia we want. I want mentions of the dropship days, mentions of Jasper and Monty, parallels between relationships at the beginning of the show and relationships now.
The main reason I’ve stuck with this show has been for the characters I grew to care about. There’s been a lot of mistakes and plenty of bad writing, but ultimately this show is still one of my favorites. I’ve grown up with the delinquents. I want moments that honor how far they’ve come, and I want scenes embedded with cheesy references to the past. Sue me.
#9- One final lever to pull
In the theme of callbacks, I would love if this season ended with another big choice depending on pulling a lever. We’ve seen it several times now, at the end of season one when Clarke closes the drop ship door to when she pulls the lever in the City of Light to destroy ALIE. I know a lot of people have gotten sick of the lever pulling, but I say it would be a good way to come full circle if they have one final lever to pull.
I think it’s time the show admits that they’ve been writing a love story between their two leads all along. They’ve consistently had the most compelling relationship on the show, and have shown time and time again how much they care for each other. All their scenes are shot in ways that scream romance through dramatic lighting, musical choices and camera angles capturing how strongly they feel for one another.
The show has always tiptoed around the idea of having their relationship become more than a friendship, but it already is whether or not they officially go there. Clarke and Bellamy have always had a deep bond and their chemistry has been off the charts. The actors even got married in real life. Last season Bellamy was called out for caring more about Clarke than anyone else, even his supposed girlfriend. Clarke’s dealt with that same accusation before. She spent six years alone and called him every day to keep her sane.
It’s time to stop beating around the bush and give them the space to address what’s been brewing between them for six seasons. It’s been a frustrating journey to get here, but I still have hope.
What are you hoping to see in The 100’s final season? Let us know in the comments below or over on our twitter!
The final season is expected to premiere this spring. No official premiere date has been announced. Follow CraveYouTV for updates and subscribe to our newsletter.
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