Tiny Jane is doing big things on The Bold Type!
It’s actually irritating how quickly she bounced back from being unemployed. That’s definitely not how the real world works. Though something tells me that Jaclyn knew Jane would be nominated for a Mandy Award which is why she rejected her when she tried to get her job back in the first place.
Jane wasn’t operating with confidence; she was operating from a place of fear. But by taking a few weeks and really diving into freelance pieces, she was able to believe in herself and her abilities again. We all need to hit resent from time to time, and it’s great she has a boss that is really looking out for her.
And in turn, Jane is looking out for Jaclyn. She was shocked when she was approached by Elena, a victim who wanted to share her #MeToo moment. While it’s good that Jaclyn’s confession allowed her to speak up, it’s unfortunate that she also blamed Jaclyn for the assault because it was the same man years later. It’s a double-edged sword because Jaclyn’s intent wasn’t malicious but years later, she realizes how important speaking up was.
Thankfully, they can use this as a teachable moment for other women who are going through the same thing. Speaking up is incredibly scary, but it could help someone else and it could prevent another woman from becoming a victim.
Let’s remember that strong women empower strong women.
Many shows have tackled the #MeToo movement but few have done it in such a straight-forward yet graceful way. Everyone benefitted from it, and there is no one better to tell these sensitive stories than Jane. So glad she’s back at Scarlet but in a way, it’s almost like she never left.
Kat’s situation with her sex dreams and thoughts about other women is problematic for her budding relationship with Adena. I’ve read some comments about how the series is portraying bisexual characters as cheaters and while I am no expert of LGBTQ relationships by any means, I didn’t see it this way.
From my perspective, Kat loves Adena and wants to be with her, there is no question about that, but since she’s new to the lesbian scene, she needs to have a few experiences before she can settle down.
While it’s understandable that Adena was upset to find out that Kat kissed another woman and mentally cheated, she knew she couldn’t blame Kat for being curious. I actually think it’s expected of people who are experiencing something for the first time.
Adena has been with so many other women and yes, Kat has been in other relationships before but when it comes to same-sex, Adena is all she knows. She has to curb that curiosity because it’s just going to get stronger the more she denies it. And that might just be a date with another woman for her to realize that she already has everything she needs at home.
In my previous reviews, I mentioned that they were moving too fast because this was an issue I saw coming early on. Adena should have pumped the breaks and let Kat live in this newfound realization for a little bit.
I don’t think Adena and Kat are over just yet, and I can definitely see them having an open relationship for a little while.
Drunk Sutton was really not rubbing me the right way. You know when you watch someone do something wrong over and over again? That’s how I felt every time Sutton hung out with Brooke. Even Oliver knew that she was trying to fit into this lifestyle that was clearly all wrong for her.
Being a millennial, I understand wanting to make connections because that’s the name of the game these days if you want to be anybody. However, not at the sake of your health and happiness.
Plus, Brooke couldn’t care less about Sutton, her feelings, her wants, what was hurting her — she just wanted someone to party with and it was getting old, fast.
I’m glad she pulled the plug on that friendship and realized she was just trying to run away from the pain of losing Richard.
The takeaway lesson from the episode that we all need to copy, save and store in the back of our brains is that it’s okay not to be okay. It really, truly is. Sometimes, we have to fall apart, to fall together. But we can never lose sight of who we are, what’s important and who has been there for us.
I hate that Sutton gave up such a great guy because she was afraid of what others might say about her.
However, maybe he isn’t that great of a guy if he sent his new girlfriend — or should I say old love — to get styled by his ex. He knows Sutton is basically the fashion department — where did he think she was going to get styled?
Dick move, Richard.
Did he do it to make her jealous? Did he do it to show off his new girl? She clearly has no idea about Sutton and was under the impression that Richard would be ready to settle down soon.
Unfortunately, with the way he looked at Sutton at the gala, he’s not over her just yet and they have some unfinished business.
I don’t think that the age difference is such a big issue. It might cause a stir initially but it’ll subside as long as they are dedicated to each other. And I definitely don’t think the new girl is “right” for him just because she’s his age and a lawyer.
Though I have to admit, Sutton really is the bigger person for staying professional and putting all her feelings aside to make sure the “new girlfriend” looked gorgeous for their date night. Not all of us are capable of that so it just goes to show you how genuinely good she is.
And I’m glad neither Kat nor Sutton skipped the award show because of their own personal troubles. Yes, Ben would have been there for Jane, but he hasn’t been around nearly as long as her best friends have.
They are there for each other through the highs and lows; Jane stood by them during the lows, and it was only fitting that they were there to celebrate her accomplishments as well, even if it was through gritted teeth.
Thoughts on this week’s The Bold Type? Are you ready to see Sutton as a gun owner next week? Do you love that Jane and Ben’s relationship is heating up? Will Richard and Sutton find their way back? Are Kat and Adena doomed?
9 TV Shows We’re Sad to Leave Behind in 2021
2021 was a strange year in TV. The production of so many shows was sidetracked by the pandemic, but we still somehow made it to the finale. So with the end of the year coming up in a couple of weeks, it seems only fitting to give a proper send-off to 9 TV shows that we’re sad to leave behind in 2021. Some ended too early, while others ended at the perfect time, but all will be greatly missed.
1. Younger (Paramount+)
This past summer we said a tearful goodbye to the cast of Younger. Originally, its producer, Darren Star had unofficially ideated Season 7 as its final season, and then it came true. Thankfully, it’s available to stream, so you can repeatedly enjoy this show in its full glory. Younger is about Liza Miller, a 40-year-old woman who resorts to lying about her age in order to return to the workforce after raising her daughter. It’s an entertaining rom-com that highlights ageism and sexism in the workplace, while also beautifully capturing the importance of friendship.
2. Insecure (HBO Max)
Insecure is a dramedy that focuses on the Black narrative, particularly Black women and the unrealistic expectation of confidence. Issa Dee’s just trying to survive and thrive in her personal and professional life. However, in order to get there, she must learn to overcome her insecurities and flaws. With the help of her best friend Molly, the two take on life in Los Angeles together all while overcoming a period of liminality.
3. Dickinson (Apple TV+)
A fantastic comedy that puts a modern twist on the mid-1800s, Dickinson, is not what you’d expect. Hailee Steinfeld leads the series as the outspoken feminist Emily Dickinson, as she strives to become the infamous poet we know and praise today. You don’t have to be an English major to enjoy this one. As long as you love a good romance, fight against the patriarchy, and maybe a little Wiz Kalifa, you’re sure to find this 3 season show, delightful.
4. Feel Good (Netflix)
Mae Martin’s original comedy, Feel Good on Netflix is a much-needed LGBTQ+ representative show. The show is a short two seasons but they sure pack quite the punch. It centers on Mae, a standup comedian who swaps her drug addiction for love. During her time in England, Mae meets and falls in love with George, a baby queer. The show dissects the qualms of their relationship, all of course, with a healthy dose of humor.
5. Shrill (Hulu)
A young journalist struggles to jumpstart her career until she begins to write about her greatest insecurity–weight. Shrill shares the life of Annie Eaton as she learns to find confidence in being unapologetically herself. Navigating the world of romance and privilege, she runs into problems and makes countless mistakes. Its three-season run feels short, but once you make it to the end, you’ll feel appreciative of the journey.
6. Kim’s Convenience (Netflix)
Kim’s Convenience is a Canadian show about a Korean-Canadian family and their acclimation to both the Canadian culture and the evolving generation. An endearing comedy about the pressures and tension between the children of immigrants and their parents. Its five-season run was the perfect length, but we will surely miss this cast.
7. The Bold Type (Freeform)
The Bold Type is a show about three fearless friends who bond over their careers at Scarlet Magazine. It has hints of Sex and the City, but with a more diverse and feminist perspective. It’s a bit more drama than comedy and includes the typical search for love, self-identity, and everything in between. The show’s fluidity was affected by the pandemic but still managed to end on a sweet note in its fifth season.
8. Zoey’s Extraordinary Playlist (NBC)
This NBC show was cut way too short, but thankfully Roku picked it up for a movie to tie up some loose ends. Zoey’s Extraordinary Playlist centers on a unique premise. Following a CT scan, Zoey starts hearing people’s inner song-alogues. The power initially seems useless and annoying, but she later learns to use it for the better.
9. Atypical (Netflix)
Atypical is a sweet family comedy about Sam, a teenager who falls on the autism spectrum. The show follows his quest to find independence, love, and the meaning of life. And while his family plays a large role in his life, his newfound autonomy especially puts his mother on a new life journey–one without the constant supervision of her son. It’s a family affair, and you’ll be sure to invest in every character and the family dynamic by the end.
The Bold Type Series Finale – A Bold Goodbye (5×06)
The moment we’ve all not been waiting for has finally come. We were forced to say a tearful farewell to our favorite Scarlet women in The Bold Type series finale. The good thing is we can say a bold goodbye knowing they’re all in good hands and in good places.
There were so many parallels and full circle moments in this episode, I could tell the writers were trying to make it feel finished despite the extremely limited final season.
After an evening of fun, Kat, Sutton, and Jane reunited at the apartment. This special moment was an ode to their first Scarlet gala–even the colors they wore if you remember the red, blue, and gold–when they left to scream in the subway. Except for this time they didn’t need the noise of the subway to cover up their screams. They walked up to the curb for all of New York to hear.
They’ve all come into their own, and it’s crystal clear in this final episode.
When we first met Sutton she was a hardworking assistant to a difficult boss. Her career seemed to plateau and she felt stuck in her assistantship while her real dream was to be a stylist.
And then she met Richard. Their relationship, although fast, was wholesome and real. However, having them end up together was unrealistic, and should not have happened. The difference in desire to have children is a common issue among couples, but it’s always a breaking point.
Richard might say in a heartfelt speech that Sutton is enough, but in the end, it’s never enough. It’s a fundamental difference and the writers should have kept it that way.
But alas, the two lovebirds are un-divorced.
Oh Kat, her real character development revolved around her sexual identity journey and her ability to finally commit to “her person.”
With a few hiccups here and there in her career trajectory, there was absolutely no doubt she was going to do great things. And considering she’s now the editor-in-chief of Scarlett, I’d say she’s peaked.
After Jane turned down the opportunity, Kat was the second choice. With her management skills, she should’ve been the first choice. Also with her unwavering determination to fight the good fight, Scarlet’s in good hands.
While her career path was back on track, her relationship with Adena went through a few ups and downs. Initially, it seemed like Adena was going to stick to her, no, but it didn’t take long for Kat to use her persuasiveness to win her back.
Kat learned that in the past she’d used her non-committal tendencies as a barrier to real connection. But, as she came to realize, no matter how hard she tried to brush it off, Adena was always going to be the one she could never let go of. And when you find that person you don’t run away.
Jane’s surprise run-in to Pinstripe guy, aka Ryan, her first big relationship was nostalgic and slightly out of place. That was until his words made her rethink the future as editor-in-chief. She had to be reminded of her real passion, and taking the position would leave no opportunity for her to do what she loves–write.
While going through old mementos, she found an old photo of her mother traveling in Paris, igniting a new passion to expand her failing feminist column.
It’s the first time we’ve seen her mother and the first time Jane, the rule follower, broke her own rules. No longer does she need to stay in the confines of her safety net and the first real job she’s had, but she’s ready to spread her wings and let her talents take her wherever they may.
And maybe that means she’ll travel around with Zach! Either way, I’m happy they chose to make her love life ambiguous. Or at least kept her open-minded to the idea of finally dating again without the pressure to find the perfect guy.
Jane’s electric all on her own and she’s ready to continue learning more about herself.
Although unrealistic at times, The Bold Type shared the truth about female empowerment, friendship, and family. It provided realistic and relatable challenges that women of all ages could relate to.
Without being too cheesy, we watched the friendship between the three women grow deep. The real relationship winner of the show was easily this threesome.
And we’ll certainly miss them without fail. But, who knows, maybe in a few years there will be a reunion or reboot order. Until then, we’ll cheers with our nonalcoholic champaign (in solidarity with Sutton) wiping away our puddles of tears.
- Jane’s handcuff necklace was a statement! It felt more like a necklace Kat would wear, but nonetheless a cool find.
- Yikes, you don’t realize the glow-up of each character until there’s a cringey slideshow to prove it. Sorry Jacqueline, but what did they do to your hair in Season 1?
- Whose fighting speech was the winner? Richard’s or Kat’s? We’re going to go with Kat!
- Jacqueline was #StyledBySutton, and should’ve been this whole time. Talk about not aging!
The Bold Type Review- Big Wins For All (5×05)
The penultimate episode of The Bold Type Season 5 Episode 5 left big wins for all, some personal and some professional. Yet successful all the same.
Jane’s left to run Scarlett by herself as Jacqueline enjoys the vacation time she most certainly deserves. She’s put her entire life into building up an incredibly successful company and now she gets to watch her star employee take control.
Although a difficult decision, Jacqueline’s ready to begin writing the next chapter in her life: retirement. No matter how unrealistic Jane’s promotion to editor-in-chief after only four years at the company is, it’s also empowering.
The show’s focus on female leadership is a breath of fresh air and important in mainstream media to portray women at the top. Especially in media, where it’s totally overrun by men, young women need to see themselves represented on screen.
Of course, with its flaws. Jane’s rudely awoken to the reality of the number of meetings the editor-in-chief is required to sit through. But, she’s aspired to uphold Jacqueline’s legacy for so long, so she welcomes the challenge with open arms.
Meanwhile, Sutton started therapy and admits that the reason she drinks is to numb the pain.
Just as she’s making a breakthrough, the one and only Richard calls asking to meet to sign the divorce papers.
First of all, a fancy meal to sign divorce papers? Ouch.
Initially, seeing Richard made me angry for Sutton. All the pain he’s put her through, and then he has the audacity to casually sit across her smiling like nothing’s hurting him.
But, once he opens up about his choice to adopt as a single man, the anger went away. Just like that, Sutton’s reminded of the biggest reason they didn’t work out and it looks like she’ll be able to walk away from him knowing that she means just as much to him as he means to her.
I’m happy they finalized the divorce on paper before they enjoyed one last rendezvous together. It was good to see Richard because it would’ve been a cheap blow for them not to bring him back one last time.
While Richard and Sutton are hopefully not getting back together, Kat and Adena very much looked like they’re going to get back together!!
Yes, I squealed. But how could I not! Even Jacqueline said she was happy to see them back together. They had the proper break required for exes to forge their own path separately and to mature apart.
The way Adena looked so longingly at Kat every time they were together was true love. And I agree Kat’s a better version of herself when she’s with Adena. She just needed some time apart to realize that.
Also, a round of applause for Kat’s new venture. She’s rehired! It wouldn’t feel right for Kat to not work her way back to Scarlet. It’s true, the trio will one day run the company. However, for now, Kat will run her very own mini-company.
With the women set up for success, this episode set the groundwork for next week’s final episode. I’m not ready. Please don’t make me! I’ll just be crying in the corner. So, why don’t you leave your thoughts in the comments below.
- Can I just say, the classic slow pull away that Kat and Adena exhibited really showed the chemistry between Nikohl and Aisha. That’s one thing I’d like to give props to this show for, its chemistry. The three leads have a beautiful friendship on-screen, it’d be hard to believe it wasn’t the same off-screen.
- Jacqueline’s hair this episode–flawless, not a single strand was out of place. Whoever does her hair and costuming, please come to my house?
- Poor Andrew, left in the dust. His jealousy of Jane is so apparent. Maybe he’ll get promoted, Jane already relies on him as much as Jacqueline does!
- Richard’s aged beautifully, there I said it. He’s a silver fox, giving me soft Grey’s Anatomy McSteamy vibes.
- Chicago P.D1 week ago
Chicago PD Season 11 Episode 5 Review – Split-Second
- Chicago P.D3 weeks ago
Is ‘Chicago PD’ New Tonight? Everything We Know About Season 11 Episode 5
- Chicago Med3 weeks ago
Is ‘Chicago Med’ New Tonight? What We Know About Season 9 Episode 5
- The Irrational3 weeks ago
The Irrational Review Season 1 Episode 10 – Bombshell
- La Brea3 weeks ago
La Brea Series Finale Review – How Did It All End?
- Not Dead Yet2 weeks ago
Not Dead Yet Recap Season 2 Episode 2 – Not a Valentine Yet
- Chicago Med1 week ago
Chicago Med Season 9 Episode 5 Review – I Make a Promise, I Will Never Leave You
- Coffee Table News2 weeks ago
CW Spring Schedule—’Walker’ Premiere Date Announced, But Where Is ‘Superman & Lois’?