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The Good Place A Fractured Inheritance The Good Place A Fractured Inheritance

The Good Place

The Good Place – A Fractured Inheritance (3×06)

The Good Place/NBC



The Good Place reminds us again that we all need a little help in an emotional outing.

From the start of this series, The Good Place has centered around the idea that people can better themselves – if we help each other. That’s the goal of the Soul Squad this season – to help others become better people.

Including Eleanor’s mother.

Eleanor and Michael go to Nevada to see Eleanor’s mother Donna Shellstrop, who is now Diana Tremaine, Eleanor’s old alias. Donna faked her death years before and has been hiding out ever since, living a quiet suburban life. Michael reminds Eleanor that despite her feelings towards her mother, this is “not about her,” but Eleanor isn’t quite there yet. We have watched Eleanor grow out of her selflessness several times over various reboots, but never have we seen her have to confront something from her past.

And, wow, does it run deep. Eleanor is thoroughly in denial about Donna’s new life. She believes Donna is planning a scam against her new “love rat” Dave and keeps trying to prove this throughout the episode. Almost all of this desperation to prove her mother’s true motives stems from Eleanor’s view of her mother and their relationship, and not necessarily to protect Dave and his daughter Patricia.

Eleanor has used her parents as an excuse for her behavior for so long, part of me feels like her denial here could be to protect herself from having to also commit to a full, selfless change. We know how selfless of a person Eleanor can be from previous seasons, and Eleanor has attempted to become a better person on Earth this season as well, but a lot of that progress comes from the feeling of belonging she got with the Soul Squad. In the end, that motivation was still slightly selfish.

By the end of this storyline, I felt like that last hurdle has been crossed. Eleanor’s jealousy of Patricia is heartbreaking at the PTA voting, and her confusion and inability to understand why her mother felt Patricia was worth changing for but she wasn’t was affecting. Eleanor is once again placed in a position where she doesn’t feel good enough for those around her, but this time, instead of ripping her face out of a cake, she supports the change.

Michael has become Eleanor’s conscious and continues to nudge her to do the right thing. Unlike earlier in the season, this doesn’t feel like an attempt to control everything – just a genuine attempt to help Eleanor find the best parts of herself. Eleanor needs that voice verbalized here because the voice in her head is being drowned out by her rage and anger. He starts the episode reminding Eleanor that it’s “not about her,” and she ends the episode believing that as well. That doesn’t reverse the damage that was done to her by her mother, but it is a step towards genuinely letting those wounds stop defining her.

So they leave Donna in nearly the same place that they found her in. Eleanor nudges her in the right direction to accept her new life and use her saved cash for Patricia, but I’m not convinced the “new” Donna wouldn’t have come to that conclusion herself eventually. Michael may have stated that Donna got better on her own, but she didn’t. She was helped by Dave and Patricia, just as Chidi helped Eleanor, and Eleanor helped Michael.

On the other side of the pond, Tahani visits Kamilah at her latest art exhibit to make amends and apologize for their strained (that’s putting it lightly) relationship. I mentioned last week that I felt the two separate storylines were too disconnected, but this week has a nice parallel where we see our two focus characters attempting to rebuild a relationship with someone that they hold responsible for a lot of their flaws. So while not connected on a plot level, at least this episode holds a thematic connection.

At first, I felt it was odd to see Tahani apologizing to Kamilah, since we have been conditioned to view Kamilah as the crueler sister, but I think this shows growth on Tahani’s part. She is being the bigger person.

And Tahani verbalizes this while holding an ax, which is wonderful. She may have grown in some respects, and she deserves to be recognized for that growth, but her actions towards her sister are still aggressive. Her attempt to make amends only works after Tahani changes these actions. Instead of wielding an ax, Tahani hugs her sister and they finally bond, and it all comes back to the parents.

The Al-Jamils were awful parents. We know they favored Kamilah throughout Tahani’s life, but now we see where the source of that favoritism stems from. Kamilah won the bid for favorite through forced competition with her sister. When Tahani realizes that Kamilah had used this competition to fuel her artwork, she starts to understand that Kamilah’s perspective is similar to her own. She embraces her sister, and they truly start to connect through their shared, tormented upbringing.

I liked seeing the Al-Jamil sisters act like sisters for once. This also helps explains Kamilah’s continued cruelness towards Tahani. It doesn’t excuse the behavior, but I think Tahani has grown past that. She’s willing to look forward to what a person and relationship CAN be, and not what it is, but she’s also learned that sometimes you can’t force a relationship to happen just because you want it to like she did with her parents. Tahani’s growth here feels very complete, and it was satisfying to watch.

But we also saw Chidi remind her to keep being that person even after the moment passed. It was a small gesture, but I loved Chidi encouraging Tahani not to rub “Bury the Hatchet” in Kamilah’s face. We all need a little help sometimes, but it’s still our responsibility to do the heavy lifting, which both Eleanor and Tahani did tonight.

If the stinger at the end of the episode is any indication, we get back to the Eleanor & Chidi romance next week. I’ll personally just be glad to have the gang together again. This season may not quite be up to the standard of previous seasons, but I’m looking forward to what it CAN be, despite the flaws so far.

Other thoughts:

  • Less Jason and Chidi this week, but that’s ok since they were both so heavily featured the previous two weeks.
  • Janet has had a disappointing amount to do this season. I hope she comes back strong in the back half.
  • Michael bonding with Dave over being architects and mentioning an architect code was great. Is there a real architect code in the afterlife?
  • Eleanor takes too many items to the fast lane checkout at the store, too! Like mother like daughter (Like last week’s Bortles!)
  • One advantage of the Earth plotline is that our characters get to be affected by people other than themselves, such as Donna, Simone, and Kamilah.
  • Jason and Janet bonding over the art prices was a fun addition.
  • Donna gave props to whoever helped Eleanor become a better person. That was Michael in this timeline but only because Chidi taught him ethics, but Michael only took those classes because Eleanor forced him to. So props to Eleanor for helping herself become a better person!

I had hoped to focus more on the comedy this week, but it was a less comedic episode. Still some good laughs, though! Particularly Tahani with the ax, and Michael and Dave bonding was fun.

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The Secret of The Good Place’s Biggest Twist



The Good Place/NBC "Everything is Fine" 2016 NBCUniversal Media, LLC

Spoilers for the first season of The Good Place below

The Good Place/NBC, NBCUniversal Media, LLC

Season one of NBC’s The Good Place won over many fans with its likable characters, unique premise, and impressive use of cliffhangers on a weekly basis. The ability to end each chapter with a stinger that left the audience excitedly anticipating the next installment set The Good Place apart from other sitcoms.

In the last episode of the season, Eleanor drops the biggest reveal so far.

“THIS is the Bad Place.”

The show only gets to bask in its own glory for about ten seconds though, because it immediately upstages itself with an even bigger reveal: Michael is evil.

The Good Place/NBC "Dance Dance Resolution" 2017 NBCUniversal Media, LLC

The Good Place/NBC Photo by: Colleen Hayes

The cliffhanger endings throughout season one worked, but eventually the novelty of the unexpected wears off. Once it does, all you are left with is the characters. This is why Michael being evil is the most important part of the series’ heel turn.

Michael’s true nature and the “Good Place” being the “Bad Place” would seem to go hand in hand, but that isn’t necessarily true. There could have easily been a version of The Good Place where Eleanor, Chidi, Tahani, and Jason go about their Good Place lives as they are without any Good Place architect guiding them. There even could have been a version where Michael is ACTUALLY a Good Place architect and is being duped as well. Revealing they are in the Bad Place in these versions would still have been effective; that’s a good reveal! But not a great one.

It’s shocking on a plot level, but it only recontextualizes the plot. Our view of the world changes but our relationship with the show only shifts. Humans are incredibly adaptive. Something is only new for a short while before it becomes accepted as the norm.

This is why the Michael reveal is so important to the sustainability of the twist. Revealing that Michael is evil not only recontextualizes the plot, but the character and all of his relationships. Not only haven’t we been watching what we thought we were watching, we weren’t even watching who we thought we were watching. The audience isn’t just hit with a shock but a betrayal. We rooted for you not to get retired, Michael!!!

The Good Place/NBC "Dance Dance Resolution" 2017 NBCUniversal Media, LLC

The Good Place/NBC Photo by: Colleen Hayes

That emotional attachment and the resulting personal investment is why The Good Place twist is so transcendent. We never break with our investment of the show. It isn’t so much a question of how did the writers pull this off, but how did Michael pull this off? It forces a compulsion on you to rewatch the first season, just as we all compulsively look back over a lost relationship after a breakup, trying to spot all the red flags that we definitely should have seen the first time.

This also sets up a second season that guarantees something we haven’t seen before – the real Michael. Characters are the gift that keep on giving, because unlike a new setting (or more accurately for The Good Place, our new understanding of the setting), character novelty doesn’t wear off as quickly. There are so many new facets of the show to explore through the real Michael. How will he interact with this world? With our heroes? How much of season one was an act and how much was truthful?

Considering we all know the humans won’t be eternally damned by the end of the series (that would be the subversion of all subversions, and probably not result in too great a story), if the big twist was only that the humans are in the Bad Place then our speculation going forward is limited to “how will they escape?” Revealing Michael’s true nature and goals allows us to not just speculate about the humans’ escape, but to wonder how Michael will fail. And I want to see it! He betrayed me. I want to watch him fail and get what he deserves. We know Michael, even if we didn’t know the real Michael, we are invested in him. That investment in his character carries us much further than any plot point ever could.

The Good Place/NBC -"Dance Dance Resolution" 2017 NBCUniversal Media, LLC

The Good Place/NBC Photo by: Colleen Hayes

The Good Place has a great plot twist, but it has a phenomenal character twist. Michael being evil is the secret weapon of the season ending cliffhanger and the key to its sustainability. Watching season one for the first time, my mind was shifting gears when Eleanor announced they were in the Bad Place, but my spine chilled and my brain exploded when Michael let out that iconic evil laugh. The series continued with a phenomenal second season, but before its airing many wondered how The Good Place could carry on after blowing up its world so completely. What could carry it forward?

The secret: Through all the twists and turns the show never lost the sight of the fact that it isn’t about what carries it, but who.

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The Good Place

The Good Place – Pandemonium (3×12)



The Good Place - Pandemonium

Eleanor returns to the spotlight in the season finale after a few weeks of giving the most active role to Michael. It’s a clever way to bring Eleanor back to the forefront, having Michael rendered incapable of doing his job by fear. The plot point also pulls double duty by finishing off another arc for Michael.

Michael started the season hustling down to Earth to tinker with the humans. Later he tried to play the “snowplow” in their lives and incessantly tried to maintain the type of control he had in his neighborhood. Now here we are at the end of season three and he has willingly stepped into the background, ceasing control to someone more fit for the current situation.

Season three (the back half especially) pushed Michael to the forefront. He was the only character capable of truly moving the plot forward, but now with the new neighborhood built and his arc seemingly complete, we return to Eleanor.

I think this is a good move for the show. This year meandered a bit in places and lacked the singular focus of the past seasons. There were three distinct phases to the season, first the brain experiment, then the quest to improve other people, and finally the last ditch attempt to change the system. I definitely felt the back half of the season was stronger than the first, but I do feel the show needs to refocus itself in the upcoming fourth season, and placing Eleanor back at the forefront is a good start.

As an episode, though, tonight was quieter and more reserved than previous season finales. It didn’t actually feel too much like a finale to me personally, as this is the first time we will be continuing a story from a previous season instead of starting with a fresh timeline. This isn’t a knock, not every season finale has to be explosive of course, but it does highlight a point I made last week about emotional stakes.

I predicted Eleanor becoming the architect and Simone being one of the new residents, as many fans probably did. What I didn’t predict was Chidi requesting his memory be wiped. This greatly upped what I discussed last week – the emotional stakes.

This makes sense on a plot level and devastates the characters on an emotional one. Michael providing Chidi and Eleanor a look at their memories – ones they don’t even still have – was touching and ironic. It felt a little bit like the show was trying to sell me on their romance, but it still provided a nice showing of Michael’s affection for them. It’s not as if I don’t buy the chemistry between the two; I do. I just don’t feel we got to see their love develop over this season. Fortunately, because of the history of the show, there is more weight to their romance than is provided just by season three, which consequentially provides the proper weight for the tragedy of Chidi losing his memories of Eleanor.

It’s a heartbreaking idea. One lover forgets and the other doesn’t? Brutal. How is Eleanor going to handle this? As interested as I am to see where the experiment goes, I am much more invested in Eleanor and the rest of the gang interacting with the memory wiped Chidi. The emotional stakes provide a strong storyline moving forward.

And yet I have to admit that emotional stakes are not everything, and a series does need to follow through on its plot. The plot went almost nowhere tonight, only telling us the kinds of people the Bad Place has picked for the experiment, which lead us into Chidi’s memory wipe. As I said, not every season finale has to be Earth-shattering, but I do feel like a little momentum was lost with such an introspective episode. The final scene of Eleanor and Janet played like a teaching moment, and while Janet’s response to Eleanor’s question about love is touching, I hope the show has more on its mind for the endgame.

Season three felt like a bridge season. Shawn mentions chess in this episode and it’s an apt callout considering how much of this season was moving pieces into place. This will be fine with me if these moves lead to a spectacular fourth.  It’ll be a long wait to find out!

Other musings:

  • Disclaimer: My television flashed a flash flood warning to me during the entire sequence Eleanor introduces herself to John, so I missed all of that. I’ll rewatch tomorrow and see if the missed info affects my views on the episode!
  • I thought John was a good start to the residents! He made me laugh and will play very well off everyone, and I hope I can see him in a conversation with Jason immediately in season four.
  • Tahani has improved so much as a person. Her improvement highlights the tragedy of Chidi’s reset even more.
  • We all knew Simone was coming back, right? I’m glad that wasn’t the big twist of the episode.
  • Janet doesn’t have all the answers. But she is a friend.
  • I love the score to The Good Place, but I really wish this season had mixed up the music with some new cues or stingers. A lot of shows get repetitive with their music going into a third season and it’s a small gripe I have with season three.

I love this show. It was tough for me to review this episode, though, because it was mostly a large set up for what will follow, and a lot of my opinion on this one will depend on how effectively season four capitalizes on what was presented here. The emotional stakes are higher than ever, as are the physical ones with humanity hanging in the balance. Hopefully those two things combined can bring out the best in the series.

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The Good Place

The Good Place – Chidi Sees the Time-Knife(3×11)



The Good Place - Chidi Sees the Time-Knife

The Good Place is a show that centered around characters after they had already died. The premise immediately removed what is normally the highest of stakes in any story – death. This could have been a problem as there could have possibly been little tension to the story, but the series created dire stakes in the threat of Eleanor being found out and sent to the Bad Place.

The first season finale took those stakes away by showing us the worst has already happened to our characters, and from that point forward it has been a series about characters who are immediately in a state of crisis at (almost) all times. While the threat of the Bad Place loomed over our characters, the actual stakes of the show became much more emotionally tied to our protagonists. By the end of season two, Eleanor, Chidi, Tahani, and Jason didn’t just fear being sent to the Bad Place, they feared being separated from each other. Recall at the end of season one how Jason continually celebrated that he got to avoid the Bad Place while two of his friends had to go, and how at the end of season two he willingly agreed to be sent to be eternally tortured if even one of his friends couldn’t go to the Good Place with him.

Now we are nearing the end of season three, and while the largest threat ever is looming – the eternal judgment and fate of all people – the closest stakes affecting our characters remain tied to emotion and relationships.

Michael is paralyzed by the fear that if he fails with his experiment his friends will believe that he betrayed them. Threats of retirement, marblization, and eternal torture weren’t as powerful as Shawn’s legitimately horrifying notion that he will torture the Soul Squad with someone that they believe is Michael.

The concept of emotional stakes versus physical ones lines up perfectly with this series considering Michael’s initial torture plan was to emotionally torture his victims instead of physically torturing them. Now he is truly learning how valid and effective this form of torture can be.

The ability to learn has also been a major aspect of this series, with our characters learning just by living life. They learn from mistakes, other people, teachers, friends, and inane Jason stories. Even Shawn, the torture master, has learned from Michael. He is now utilizing emotional torture (and also took his idea for bees with penises). Judge Gen also allows herself to learn. She encourages research and keeps her mind open to new ideas by going to Earth. Janet’s entire arc has been about learning more about humans. Derek has learned more every time he was rebooted by Mindy. And they have all put their new knowledge into practice, such as Gen creating a new neighborhood experiment and Janet creating more realistic people.

And of course, the humans have learned how to be better, and with their time on Earth, how to make other people better. Now they will be in the new neighborhood putting what they’ve learned to good use to try to save humanity.

Honestly, saving humanity is a pretty generic, bland stake. So many stories involve saving humanity. That’s why it is so important to keep those emotional stakes at the forefront, like Michael at the end of this episode. I am interested in seeing where the neighborhood experiment goes, but I’m invested in Michael and his crippling fear of letting his friends down.

Outside of those lengthy evaluations, a lot of pieces fell into place this episode. An endgame for the season finally presents itself. We got to see the Interdimensional Hole of Pancakes, which was super trippy as Jason so obliviously pointed out. There was the return of Derek and the Medium Place, giving us the perfect site for the new neighborhood. And of course we see the return of what seems to be a similar version of the original “Good Place.” This was a heavy exposition episode, but I felt it threaded its themes of learning and emotional stakes well throughout. I’m excited about the finale and curious where the set up for next season will go.

Amongst all of its characterization, heavy plotting, and ethical bends, The Good Place never forgets to be a comedy. The humor has its charm back since returning to the afterlife, and each side character (Judge Gen, Mindy, Derek) continues to stand out. The creative ways the writers torture people, such as Shakespeare being tortured by hearing the plot of the Entourage movie, are always a hoot. And William Jackson Harper is so good at being traumatized. He is so expressive and can make such simple phrases, like “time-knife” seem like biblical omens.

How will the new experiment fare? What will the results be? Will Eleanor have to take Michael’s place as “the architect” if he can’t get himself together? I’m looking forward to learning what happens next.

Other musings:

  • Was that Trevor screaming through the blackness in the opening scene?
  • iHop was probably the trippiest place we have seen thus far.
  • I believe Jason’s inane stories have a 100% success rate in inspiring someone into positive action.
  • I really wanted to see what happened to Tahani if she touched her “scarf.”
  • The bureaucracy continues. Judge Gen could make iHop anything, and she chose a conference room.
  • Chidi saw the time-knife and didn’t like it.
  • I really like that they learned from Simone about repeating the experiment. Maybe she’ll be one of the people brought to the new neighborhood?

This episode was a bit dark in places. I know the show is about people who died but it was always fun, with torture devices having funny names or implications. Not only did Judge Gen depressingly find out that the world is both “hot and crowded and cold and lonely,” but Shawn’s idea to torture the humans with a Michael suit is legitimately threatening.

Season 3 has won me back at this point, and I can’t wait to see the last episode of the season!

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