The Good Place has completed its journey and is ready to go.
No crazy twist. No insane change of status quo. No dressing.
“Whenever You’re Ready” is the final chapter of The Good Place, and evokes the power and emotion that it does precisely because it doesn’t go wild.
The episode focuses in on each character, providing us a glimpse at what was important to them in their lives and what is important to them in their afterlife. From a narrative perspective, this approach allows the show to dive into the characters one last time to give us a perspective on what’s important to them and allows us to feel – just as they feel – when and why they are ready to leave the Good Place.
Jason has his time with Janet, completes the perfect game of Madden with his dad cheering him on, and throws a final party with his dance crew and EDM before heading off.
Tahani creates a positive relationship with her parents and her sister, then throws one final gathering of which she personally created every aspect of, including the furniture and food. A wonderful moment, as instead of tasking others with her every party need, she finally assumes the role of all those smaller jobs she at one point considered below her. Afterwards, Tahani finds a new calling in her afterlife and decides to become an architect.
Chidi witnesses his mother share her love with Eleanor and Eleanor’s mother treat her like a daughter. Yet he decides to stay a little while longer to allow Eleanor all the time with him that she needed.
Each of these stories is told from the focused character’s perspective, instead of as a unit. What gives the episode its sense of cohesion is that all these characters cross paths with each other through choice – Jason brings his friends to his party, Tahani meets up for a final gathering, and Chidi intertwines himself with Eleanor. The episode never feels disjointed despite having a distinct vignette structure.
However, alongside providing us perspective on these characters, this approach also provides perspective on what our lives are like (according to The Good Place). Asides from the dressing of these events being incredible (such as playing Madden on the jumbotron in a football stadium or walking through magic doors to go to Athens), each of these moments are small.
Tahani plays croquet with her family. Chidi walks around his old neighborhood. Jason tries to make Janet dinner.
These are the moments that make our own lives worth living. The connections and reflections we create are what we hold on to, and the ability to experience these moments is a gift. These simple moments are what allow each of these characters to move on from their lives because these are the moments that give them a sense of completeness.
These are the moments that Michael has been aching to experience his entire demon life.
Michael and Eleanor are the last two members of the squad remaining in The Good Place (Janet, of course, is still with them, but she will not be crossing through the doorway at any point, or so it seems). I am thrilled that these two are left together.
Michael and Eleanor are the reasons that everything on The Good Place happened. Eleanor and Chidi may have been the couple, but Eleanor and Michael were the team. Michael obviously started the series with his experiment, and Eleanor pushed it forward by constantly figuring it out.
The two are cut from the same cloth and Michael started his journey to the light side because of his ability to relate to Eleanor. Narratively, these two needed to be our ushers out of the story.
In a beautiful role reversal, Eleanor requests to Judge Gen that Michael be allowed to go to Earth to live out the rest of his life as a human, just as he had pleaded to Gen way back in Season 2’s “Somewhere Else.” Eleanor knows that Michael needs to experience human life to feel that he is complete, as he’s lost his way in the afterlife after running out of problems to solve.
Michael’s desire to be human has been present throughout the series, and the way he laughs at dropping a microwave dinner that is too hot reminds us how lucky we are to just be alive. Life is so full of stupid moments that not only do we take for granted, but ignore or actively get annoyed by.
This can’t be helped, and there are plenty of legitimately annoying occurrences in the world (why do people leave DVD’s in the DVD player?????), but it’s nice to be reminded to take a moment to appreciate those moments because by experiencing these moments, we are alive.
And being alive is special.
Outside of taking a stark stance on how to conduct ourselves as human, The Good Place’s biggest statement is that being alive is special, and being human is special. The series solidifies this point of view in its final episodes by making the claim that death is precisely what makes it special.
“Whenever You’re Ready” does a phenomenal job of showing us exactly why this is. We visibly see the joy drain from Chidi as he opens a menu in Paris and sees that the meal can be literally whatever he wants.
He’s bored. The perfect nature of his extended life has ceased to mean anything more to him. I can feel him wishing that the menu was set and that what he wants isn’t on it.
The restaurant not having what you want to eat is another very human moment, but it can lead to something exciting – a new dish and a new discovery.
When you have eternity, though, that doesn’t matter. There is nothing more to discover because you will eventually discover it all.
This is why death makes living special.
Unfortunately, in real life, we don’t exactly get to choose when we move on. Instead, we’re forced into making the best we can out of a seemingly random amount of time. We also don’t get to create our perfect experiences to fill that time with. We don’t know what happens when we die.
Michael’s time on Earth wouldn’t be human if he knew how the afterlife worked, so Eleanor’s clarification that the system may be different by the time he returns doubles down on death creating value in life. Michael is glad he doesn’t know what will happen because that makes him more human than anything.
A beautiful message, despite its sadness, and a message befitting of The Good Place at its end.
I cannot say I feel the finale was perfect, however (though obviously I think it is amazing).
Eleanor walked through the final door too quickly. I just needed that camera to follow her a little more slowly. It might be a nitpick but I wish I had more time to fully take in the moment that this is it, this is the final time we will see Eleanor Shellstrop.
I also wish there could have been more of a goodbye between Eleanor and Michael, as they did have such a solid connection.
Outside of those gripes – excellent. So many callbacks for the series, incredible expressions of the show’s themes through both show and character, and many wonderful character moments with our six heroes.
Janet was everyone’s ambassador to the original “Good Place,” so her also leading them to their final moments is excellent. Throughout the series, Janet’s growth into almost human made her relatable and someone to care about, but she always remained tethered to the afterlife with her amazing knowledge and powers.
As far as I can tell, she will remain in the Good Place for many Bearimy’s to come, but her time with the humans and Michael will always remain with her. She gets genuinely choked up when her friends leave, so seeing her in their final moments only emphasizes how human she has become. However, Janet is seemingly left in a narrative limbo – we aren’t given clear evidence of exactly what Janet will be doing in the Good Place moving forward, nor what that means to her, which is a missed character beat I wish they hit.
But Jason waiting for her to return, essentially becoming a monk – great writing. An amazing callback with relevance, as Jason only truly became ready to walk through that door when he finally took time to check his impulses and appreciate the world around him.
The Good Place is an amazing series. I stand by my feelings that we should have had an extra episode in the Good Place to build up towards a stronger revelation regarding the exit door, and I definitely feel Season 3’s Earth saga halted the tempo of the series a bit; but overall, The Good Place may just be an all-timer.
I’ve become a better person by watching this series, and I have a better appreciation of life because of it. The finale pointed out moments from the show and moments from my life and said, “Hey! Remember this? Appreciate it.”
I’m guessing I’m not the only person who feels this way after watching this show, and I know I won’t be the last.
The twist at the end of season one is what truly hooked me into this show and will forever be its most famous moment, and that twist blasted open the doors to the complexity of humanity and existence.
The show never repeated a move like that, and it didn’t need to. The strength of the story, messages, and characters, as well as the hilarious writing, is what makes it an all-time great series.
“Whenever You’re Ready” is a fantastic end to a fantastic series. The Good Place leaves our screens now, but the ideals it pushed forward will continue to have meaning in our everyday lives, and I’m grateful for the laughs and lessons.
Goodbye, Good Place. Take it sleazy.
- Another aspect of the Good Place that encourages residents to feel complete is that everyone there is kind to one another. This is another subtle narrative parallel to the messages that being good and trying to be good brings value to other’s lives.
- Loved John’s cameo. Wish we could have seen Brent make it to the Good Place to prove that even someone like him could improve. It felt as though he had regressed a bit since his final revelation with Chidi in “Help is Other People,” though I suppose that’s likely from his memory wipe?
- Michael replaced Doug Forcett’s photo with Eleanor, Chidi, Tahani, and Jason.
- The narrative memory of this show is great. Eleanor telling Mindy that she knows she cares for people because Mindy once said, “I’m rooting for you guys” is great continuity and a fantastic character detail that deepens Mindy.
- When The Good Place announced it was ending after four seasons a lot of people were bummed out, but no good story lasts forever! Four seasons is perfect for this show. It allowed the series to essentially follow a typical three-act structure that makes it feel complete, with season two, three, and four acting as the three main parts with season one as a prologue. Thank you for ending with season four!
And that’s the end of The Good Place.
Big Brother Recap: The Final Four (23×32)
The dust has barely settled on last night’s disappointing Double Eviction, and we already had another episode to take care of that showed the fallout of the Double, as well as the latest Head of Household competition.
We started the episode showing everything that was happening during commercial breaks in the Double Eviction. Hannah was fighting to stay, saying that she’s a strong competitor, and Kyland wanted to play with strong competitors. Kyland and Xavier, who have a final two deal, wanted to stay true to their final three deal that they made with Derek.
Derek was freaking out the whole time, saying in the Diary Room that he deserves to be in the final two, because of all the moves he made to get there. Well…he didn’t make any moves, and barely deserves to be in the final four. He thinks that the other guys have pulled a fast one on him, by nearly evicting him from the house, rather than keeping nominations the same and evicting Hannah anyway. Derek’s delusion continues to astound me, and I can’t even believe that he thinks he deserves to win.
Azah was not entirely sure that sending Hannah out the door was best for her game, which is clearly obvious, since she’s playing for fourth place at this point in the game.
With four people left in the game, this HOH was the most crucial one of all, since it’s a guaranteed spot in the final three, and the ability to compete in the final HOH competition to end the season.
This competition was themed around the new CBS show, CSI: Vegas, with the winner of the competition getting a special sneak peek of the show.
The players went one at a time in a crime scene. They had to use a blue light to find pieces of evidence like a fingerprint, chemical markings, tire tracks, DNA, and footprints. Once they found it, they had to memorize the details of the evidence, and match it on a wall that had a bunch of the same evidence pieces with small differences. Whoever found all the pieces the quickest won.
It was just the men competing, since Azah was ineligible. Kyland only took one try to find everything, but he took too long to find the specific parts of the fingerprints. Derek had a strategy to focus on one at at time, which everyone followed. Xavier found the specific details in the fingerprints, which everyone couldn’t quite figure out.
That was all that mattered, because Xavier won the HOH competition, finishing it in just over 10 minutes. Xavier won his second HOH competition of the season, and a guaranteed spot in the final three.
Kyland was incredibly angry at himself for not winning, since he gets paranoid about…everything. Xavier has a final two deal with Derek and Kyland, but feels more loyal to Derek, since the deal was made on day 13, and he knows that he would sweep through the jury sitting next to Derek, and instantly be $750,000 richer.
While thinking over his options, Xavier realized that it’s possible that Kyland should be the target, because he knows how strong Kyland is, and then Derek gets all the blood on his hands by voting him out. Derek isn’t entirely sure if this is the best idea, since Kyland is part of that final three deal he has with Xavier, but if it gets him closer to the end, it may be time to cut Kyland out of the game before its too late.
At the Nomination Ceremony, Xavier nominated Kyland and Azah for eviction. It’s Day 72, and Azah has found herself on the block for the first time, which is actually pretty insane, because it’s rare someone gets so far in the game without getting nominated at least once.
The nominations do not hold a whole lot of power this week, as the Power of Veto practically decides who the sole vote will be for next eviction night. That competition’s results will be on the feeds, but the competition will be played in full after the long-awaited premiere of Survivor next Wednesday.
Best Player of the Episode:
This goes to the latest HOH (and most likely the winner of the season) Xavier. He knows the threat level that Kyland has, and he will let Derek take the shot at Kyland without ruining his relationship with him, pulling the strings along the way.
Worst Players of the Episode:
Derek, Kyland, and Azah. All three of them are filled with delusion that they are the strongest players in the house, while they are all going to lose to Xavier. Derek believes he founded The Cookout (when he didn’t), Kyland thinks he’s a social mastermind (which he isn’t), and Azah hasn’t fully started playing this game until last night. I know she’s my winner pick, and I’m proud of her for making it this far, but Azah the Big Brother player hasn’t lived up to my expectations sadly.
With the evictions of Tiffany and Hannah, it’s hard to really find people to root for in the game, even though there’s still two full weeks left, but we’re almost there!
‘The Chair’ Review: A Humorous Commentary on the World of Academia
An entire show focused on a dilapidating university English department had the very real potential of being extremely boring and niche with its heavy ode to literature. However, Netflix’s original series The Chair, starring the fabulous Sandra Oh, is a humorous commentary on the world of academia, cancel culture, ageism, sexism, and transracial adoption.
The bulk of the humor rests on the shoulders of Ji-Yoon (Oh) and Joan (Holland Taylor) the only women in the department alongside Yaz (Nana Mensah). Ji-Yoon is the first woman department head to take the position just as enrollment is crumbling by 30%.
What’s meant to be a momentous moment in her career turns into a shit show when she’s tasked with putting out daily dumpster fires.
In the short six episodes, we’re quickly introduced to the complicated lives of Ji-Yoon and her colleague/lover Bill Dobson, one of the younger professors who’s under intense scrutiny for making an insensitive and ignorant reference to nazis.
There’s a strong balance between personal and professional lives as the underlying tension displayed immediately between Bill and Ji-Yoon ignites a budding romance, amid the dean’s increasing pressure for Ji-Yoon to let Bill go.
Ji-Yoon’s a powerful woman who isn’t afraid to stand up against university systems that oppress women and women of color. And despite her ability to properly handle her work life, her home life seems to be teetering.
Her daughter Juju is a spitfire who is ready to speak her mind at any moment. Whether to diss her halbi, cross personal boundaries scaring off babysitters, and telling Ji-Yoon how she feels about her transracial adoption.
The real dynamic duo is Juju and Bill. As Bill’s healing from the loss of his wife and empty-nesting after sending his daughter off to college, he finds comfort in taking care of Juju while he’s on suspension.
Juju’s lack of connection with Ji-Yoon is saddening, as it stems from Ji-Yoon’s absence due to her tireless job. However, by the end of the season, the growth between mom and daughter is emotionally beautiful.
Yes, I shed a few tears.
The decision to use an English department as a commentary vessel is ingenious. Historically, academia is full of jaded tenured professors who are generationally out of touch. But, an English department is stereotypically overrun with crotchety old pretentious men.
Some of whom are definitely ready for retirement.
Yaz is a Black professor whose class has quickly become the most popular in the English department. With her classes yielding the most students, this causes jealousy among the other educators, putting her tenure track in harm’s way.
When she’s denied the distinguished lectureship and begins to feel helpless as a woman of color at Pembroke, she considers taking an offer from Yale. However, Ji-Yoon’s desperation to rebuild the department full of diverse women convinces Yaz to stay.
Yaz’s character doesn’t receive as much screentime as she deserves. Most of the attention is placed on Dobs and the rest of the professors fighting desperately to hold onto their power.
Furthering the theme of sexism, Joan’s office is displaced in the basement underneath the gym. As a professor who’s been with the university just as long as her male counterparts, she finds her situation outrageous and greatly sexist.
Yet, by the season finale, after Ji-Yoon’s been ousted as the head of the department, she strategically chooses Joan to replace her. This feels like a win for the women and especially Ji-Yoon, as her vision of change continues.
While there hasn’t been any official word about a second season, Season 1 paved the path for deeper topics to be pursued. Especially the romance between Ji-Yoon and Bill. So I can’t imagine the show won’t receive another green light.
If you’re someone who shutters at the idea of being immersed in the academic sphere even fictionally, don’t worry. The Chair is a show you can enjoy on the pure basis of humor and emotional family drama. And of course Sandra Oh!
Brooklyn Nine-Nine Series Finale Review: The Last Day (8×09/8×10)
Season 8 of Brooklyn Nine-Nine has a lot of issues. The finale of the show is not one of them.
Using a heist for the finale episode is a brilliant move, and I personally feel it is a pretty gutsy one, as well. The heist episodes are highlights of the series, and each year the pressure mounted to keep the quality of these outings high. Not every heist episode is a classic, but enough of them are that with each additional entry there is a risk of diminishing the reputation of the yearly series.
So to hinge the series finale on a heist episode is a gutsy move. Not only must it live up to the expectations set by the previous heists, but it also must serve as a satisfying conclusion to the show. In retrospect, it seems like an obvious answer and it serves the function of “series finale” very well. Maybe for viewers this seemed like a no-brainer from the start, but from a writing standpoint this was a risk.
It was also a risk due to the nature of these episodes. The heist episodes tend to toss the rules of the show out the window, resulting in mass chaos where damage to the precinct is encouraged and betraying loved ones and risking serious bodily harm are expected. They also exist almost completely outside whatever storyline the show is focused on in a particular season.
I’ve criticized the show pretty thoroughly this year for not providing deep enough character ties to its serialized plot, citing how I feel the messages the show tries to send about the police get a bit watered down due to a lack of exploration. “The Last Day” continues this trend. Jake was suspended by the police in “The Set Up,” and yet doesn’t reflect on his suspended time at all when deciding to quit the Nine-Nine in the finale. That’s a major disconnect from Season 8 and is a large reason I feel this season is among the weaker years of the show. O’Sullivan, Holt’s marriage troubles, Rosa quitting the Nine-Nine – none of it is really relevant to the final episode. There isn’t any true through-line from the season to this finale. Is that risk of narrative disconnect worth the reward?
I believe it is, because while the final episode of Season 8 has almost nothing to do with Season 8, it has everything to do with Brooklyn Nine-Nine. It’s a phenomenal interpretation of what the show is and I loved pretty much every second of it. It’s an amazing excuse to run through the show’s history and never quite feels overly-cheesy because of the exaggerated logic the heist episodes operate on.
But my favorite aspect of the finale is that for the first time in a long, long time, the entire crew is together. No A, B, and C plots – just one huge A plot with different moving parts. Terry sums this up perfectly when they get trapped near the end of the episode, citing that the Nine-Nine is at its best when it is working together.
And yeah, sure, they were actually all working against each other, but that’s a technicality in this case. From a story purpose, they all work together to create one final heist, and it results in an excellent finale to the series. Asides from paying homage to dozens of moments from the show’s history, “The Last Day” also delivers the punches to the heart you need from a good finale. Some are goofy, like Hitchcock and Scully’s hug and Gina’s exit, and some are heartwarming, like Amy and Rosa and Holt and Jake.
Holt and Jake’s relationship is the highlight of this show, and their final scene together brings them to a well-earned conclusion. Jake finally gets true acceptance from a father-figure, but wonderfully has grown past the need to get it. This doesn’t mean that Holt’s words don’t mean the world to him – it just means from a story standpoint, Jake did actually grow up, and he doesn’t need Holt’s approval anymore.
Which makes Holt’s approval that much more affecting. It tugs at your heart in a way none of the season’s other plot lines do because it’s so directly tied to Jake and Holt’s journey on the show. Holt’s words are affecting because we’ve actually witnessed the growth they’ve both gone through and we’ve seen the ways their actions and personalities have influenced each other over the course of the series.
“The Last Day” fully succeeds at bringing these characters to earned conclusions, and I am genuinely impressed by its success.
But Season 8 was a mess.
I wish I didn’t have to taint this review with some dourness, but what was the point, from a story standpoint, of having Jake be suspended? His conduct didn’t factor into any plot lines past that episode. The season opened with a heavy look into what it means to be a “good cop” and Jake’s decision to leave detective work behind has nothing to do with it.
Maybe I’m biased because I know the season was partially re-written to include examinations of the current sociopolitical era, but it really feels like this finale was written in a vacuum away from all of that. It’s really odd to have so many plot lines that have Jake evaluating exactly what it means to be a cop and then only have him leave because he wants to be a dad.
To be clear, that’s a great reason for Jake to leave! It’s super relevant to his character arc and it’s the perfect send off for him. It’s just odd that none of those other factors factored into his decision at all when they were the focus of nearly half of the season’s episodes.
I agree Brooklyn Nine-Nine needed to address police conduct. I agree Jake leaving to be a dad is an excellent end to his story. I don’t agree that those two storylines don’t cross paths at all. There’s a huge disjoint there that I can’t overlook when considering the quality of this season.
So, with that said, I didn’t love Season 8 of Brooklyn Nine-Nine. It had story inconsistencies, a tendency to dilute its noble messages by not grounding those messages in character, and at times fell a bit too far into standard sitcom fare.
But I love this finale. A finale’s number one priority is to be as great a representation of the show it’s capping as possible. “The Last Day” is near perfect by this metric. It maintains the consistent quality of the heist episodes, grounds its heartfelt moments through its characters, and is anything but standard. It embodies everything that makes this series special – the ensemble cast, sharp, witty writing that moves one-hundred miles a minute, and a surprisingly strong heart that beats all the way through to the last scene.
- I think this was the best episode of the show since the move to NBC.
- The joke referencing the opening credits is one of my favorites jokes in the entire series. This is the sort of joke that only really works in a finale. I didn’t really “laugh” at it, but I appreciated the heck out of it and felt it was a great 4th wall break that didn’t technically break the 4th wall.
- You knew Gina would be back, and I love how it isn’t really made into a big deal. She slips in and out of her old role without a trace. Love it.
- Hitchcock winning is so stupid. It’s the cherry on top of the chaos.
- I wish we would have gotten more investigation driven episodes this season, as a large part of what made the show so unique was its ability to take investigations and genuine danger and balance them with humor, however that’s more of a season criticism and I don’t think this was necessary for the finale.
- The epilogue showing us that the heists will continue and will keep these characters in each other’s lives for years to come is a wonderful final scene and very true to the show and its sense of camaraderie.
When I say “standard sitcom fare” I only use that as a negative regarding Brooklyn Nine-Nine. I don’t have anything against standard sitcom fare, as it wouldn’t be standard if it didn’t have some merit! But part of what separated Brooklyn Nine-Nine from other sitcoms throughout its run was how different it was and how sometimes it was closer to a spoof of police procedurals than it was to a sitcom. The closer to The Office or Parks and Recreation that Brooklyn Nine-Nine gets, the less Brooklyn Nine-Nine it becomes. There easily could have been an episode of The Office or Parks and Rec where everyone goes to the cabin for a weekend (I know that actually happens in Parks and Rec and there are similar scenarios in The Office), but no other show on television can do a heist episode like this.
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