Hallmark
The Way Home Recap Season 4 Episode 6 – Welcome to the Circus
Well, well, well—the truth isn’t always pretty, something Elliott and Kat learned the hard way during their trip to the 1920s.
After plenty of searching, they finally found Tessa, or Contessa Futura, a fortune-teller who has “seen the future.” You have to admit, it’s pretty brilliant.
However, Tessa wasn’t the damsel in distress that they thought she was. In fact, she wasn’t waiting to be saved by anyone at all. Instead, she was the brains behind the whole bootlegging operation, as I suspected in my previous review, as the final moments of The Way Home Season 4 Episode 6, titled ‘Yes Sir, That’s My Baby,’ revealed she’s the big boss that the Augustine brothers are working for, on her way to meet Al Capone.
The whole scene at the Cove spirals into chaos as Kat tries to save Tessa, who finally tells her that she’s not interested. Elliott then drums up the courage to tell his mother who he is, but that doesn’t land in the way he anticipated, as she has her men clonk him over the head, knocking him unconscious.
What a cruel way to greet your one and only son. And poor Elliot.
He’s gone through so much heartache, and all he’s ever wanted was to be loved by his mom. The tables turned, as he became the one who began obsessing over finding out the truth, eventually landing in a moment in time that was both a relief and a disappointment.
Though I have to give it up to Kat for the best quote from the series—”What is it with you guys and the 20s? You all turn into wannabe gangsters.”
He did, however, get to meet all the people he’s heard so much about, so at least he’ll have some interesting tales from the ’20s.
While I’m not entirely surprised by the direction that Tessa’s storyline took, I am a little curious as to why Fern didn’t just flat-out tell Kat about Auntie Coop. It seems she’s known the truth this whole time, as she’s constantly warned Kat that she doesn’t know the full story, so she could’ve saved them all the heartbreak and energy.
It also explains why she drugged Kat and landed her in jail, as she was protecting her from Tessa, in addition to her tense reaction upon seeing Tessa snoop around the Landry barn in the ’70s. There’s definitely bad blood between these two.
And while we still don’t know Tessa’s full story, it’s hard to imagine any kind of emotional family reunion coming out of it. It seems more like Elliott’s father, Vic, got played by someone who never had any intention of settling down or staying. Stealing from Coyle’s, taking Evelyn’s cards, it all lines up with Tessa being a con-artist. I’m eager to find out more about her backstory, eventually getting us to this pivotal moment where she has a second chance to right her wrongs but doubles down instead.
It’s possible she was simply put in a position where she had to survive in the ’20s, but if that was the case, she’d likely have taken Kat and Elliott up on their offer to escape. Why did she choose to stay?
Hopefully, the truth can set Elliott free so that he doesn’t have to harbor all the pain and guilt that have shaped him all these years.
Fern continues to be an enigma, as she’s clearly still engaged to Grayson, but has Cliff Kane on the brain. What’s the deal there? How much does everyone know about everything? Who is being kept in the dark?
Back in the present, Jacob’s storyline is finally taking shape, and we have some direction as to his future, including a near-confirmation of KC’s identity.
It turns out, they may not be Kat or Alice’s child from the future, as initially believed; they may be Jacobs. And with a Goodwin, no less!
Remember the woman that Jacob met at the bar in Toronto who was on a terrible date? Well, turns out she’s also from Port Haven, and she’s the daughter of Evelyn’s son, Lewis Goodwin. Yep, the same one whose barn Jacob tried to set on fire.
When they make the connection, the spark that they both felt dwinds briefly, but neither of them can fight the feeling that this was meant to be.
The meet-cute even has Jacob starting to believe in fate and signs. Though the biggest one seems to be KC’s arrival from the future, with the pond refusing to let her leave until she accomplishes whatever it is that needs to be done. KC wasn’t clear on what it was, initially thinking maybe it had something to do with helping Alice follow her gut for the future; however, eventually it was evident that they were the necessary push to get Jacob and Abigail to put aside their differences—and hatred of each other’s families—to pursue a romance.
“What’s in a name?” they tell Jacob, which ultimately is the nudge he needs.
Jacob wasn’t sure about staying in Port Haven, but Abigail was enough to convince him, as he realized running from his problems was never the answer.
Honestly, fate is funny that way, bringing Jacob into the family of the person who wanted to have him hanged in the 1800s. I’m sure Thomas would have a hoot learning how it all turned out for his old friend.
As for Alice, her future remains a big, murky question mark. She’s just days away from leaving for college in New York, but a goodbye scavenger hunt with Max makes her question whether she really wants to leave the small town life behind.
It seemed as though the series was setting the scene for a romantic revelation between Max and Alice, but when she confided in him about her feelings and her ultimate decision not to go away to college, Max flipped out, seemingly showing her his true Goodwin colors. Instead of trying to understand Alice’s hesitation, he told her he was disappointed in her, accusing her of always standing in her own way, which seemed to be largely fueled by his resentment towards her relationship with Noah. The funny thing is, Alice’s gut feeling had nothing to do with Noah and everything to do with what she was likely feeling for Max—a potential he may have now ruined with his outburst.
Heading into the unknown is definitely scary, especially when you’re face-to-face with someone who could just tell you how it all turns out. But where’s the fun in that?
The audience also felt the anxiety and anticipation that Alice felt, as for the first-time ever, we don’t know how anything turns out either. When we travel back in time, we have the leverage of knowing the future, but right now, we just have to trust the process and that everyone is making the best decisions.
After all, what’s meant to be will always happen, so they have to just take it one step at a time.
While KC’s identity was seemingly revealed, we still don’t have enough insight into Sam or his connection to the pond, but hopefully, we’ll get the answers we seek soon enough.
As for Del, she spent the episode trying to build back Stormy’s trust, which was a unique way to help her deal with her trust and abandonment issues, without taking it out on Jacob; however, there’s definitely more to the story when it comes to that horse.
We’ve only got five episodes left, which is such a bummer, but let’s make the count!
What did you think of the episode? Are you surprised by the reveal that Tessa is a mobster who willingly left to stay in the 1920s? Do you like Abigail? Is Alice making the right choice to stay in Port Haven? Share your thoughts!
I didn’t have high expectations going into A Knight to Remember, and honestly, a big part of that came down to the promotional poster. It didn’t capture the charm you expect from a Hallmark movie, and it certainly didn’t do Julie Gonzalo and James Trevena any favors with those blank stares.
A statue of an English knight arrives in Chicago for an art exhibit. While cleaning the statue, museum conservator Emily impulsively kisses the statue, bringing him to life. Photo: James Trevena, Julie Gonzalo Credit: ©2026 Hallmark Media/Photographer: Allister Foster
Still, I gave it a shot. It’s set in my hometown, Chicago, so I felt like I had to support it; plus, I’m a sucker for a predictable, cheesy love story. Much to my surprise, I ended up genuinely enjoying it and liking it way more than I thought I would. It’s easy to be critical of these movies because, yes, they’re into all the Hallmark staples—with plenty of pumpkin spice latte references to emphasize that this is a fall film—but there’s also real heart and some solid comedic moments.
I wasn’t fully convinced by the premise of a medieval knight who’s turned to stone and accidentally comes back to life to find true love. But as I started my watch, my mind raced to remember where I saw a knight-turned-real-boy storyline before, eventually landing on one of the more enjoyable Christmas films of years prior— Vanessa Hudgens The Knight Before Christmas. Turns out, there is something captivating and heartwarming about time-traveling knights (with great manners and a big flirting game) finding their place in the modern world.
As for the plot, there was plenty to work with, starting in 1428, when marrying for love wasn’t the norm; Sir Griffin already knew he didn’t want the life laid out for him. Maybe he was more of a modern man than he ever even knew.
In fact, he’d rather be turned to stone than marry Princess Beatrice, which, frankly, says a lot. I do wish we got more of his past, or even a glimpse of Beatrice, but alas, the story fully focused on Griffin’s present-day adventures, navigating a world that was so deeply unfamiliar to his time.
As Griffin’s wish was granted centuries later, he woke up after Emily planted a kiss on his stone lips. And yes, I did spend a few minutes wondering why she committed to fully kissing a stone figure with such passion, but I guess we’re just rolling with it. Love (or loneliness) makes you do crazy things!
As the stone pieces keeping him trapped break away, Griffin is freed. And he’s been preserved in all his glory, apparently, without any bad breath! (I know, these are the things you just accept when diving into these rom-coms, but I couldn’t shake it.)
He navigates this big, new world with wide-eyed wonder.
The biggest thing to throw him off? Cars… or rather, rideshares.
From here on out, I will be referring to my shower as “indoor rain” because that’s much more logical. Thanks, Griffin.
Memory foam beds (“sleeping on clouds”) and bagels—all become part of his journey, as does a pumpkin spice latte, and it’s charming to see him enjoy one for the first time ever.
Meanwhile, Emily is dealing—very casually, I might add—with the whole “a statue went missing” fiasco at the museum.
“What, did it just get legs and walk away?” my mother would ask… And, well…
Personally, I would not be that calm, but she clearly doesn’t have the same debilitating anxiety that I do anytime my boss pings me asking if I have a minute to chat.
And she’s far more focused on helping Griffin complete his quest before he turns back to stone again, a fate he’d, understandably, like to avoid if at all possible.
Part of that mission involves Emily convincing herself and everyone around her that she’s not into him, despite being totally into him.
And there’s the aptly-timed Medieval Fayre hosted by her good friend Marcus, who was totally crushing on her work BFF, Ivy. Griffin picked up on it in mere seconds, but sadly, we never got to see anything pan out between them, which is a missed opportunity. There was no payoff to all those moments teasing the connection between Ivy and Marcus. Couldn’t we get a little kiss on the cheek during one of the fair moments?
There’s also Emily’s ex, Tom, who complicates everything.
He’s leading the investigation into the missing statue, clearly motivated by career ambition (which tells us all we need to know about what kind of husband he was), along with a smidge of little jealousy that Emily has a hunky new dude around.
A statue of an English knight arrives in Chicago for an art exhibit. While cleaning the statue, museum conservator Emily impulsively kisses the statue, bringing him to life. Photo: James Trevena, Julie Gonzalo Credit: ©2026 Hallmark Media/Photographer: Luka Cyprian
To be fair, his suspicion that Griffin could be a con artist isn’t entirely unreasonable given the armour with the residue matching the one found at the museum. But it’s the way he undermines Emily in the process, suggesting she’s so gullible, that makes it so extremely easy to root against him. When he tries to rekindle their relationship, playing the “I miss you” and “you were the best thing to happen to me” card, she shuts it down quickly—and rightfully so.
In the end, Tom gets what’s coming to him when his conflict of interest is exposed, as well as the fact that he broke into an apartment to obtain evidence.
He really thought he did something…
It’s a satisfying moment, just as it was to see Emily tell Tom the entire truth about Griffin, only for him to dismiss it as a joke. I wouldn’t have minded seeing Tom fully realize just how wrong he was about Griffin, and that he just lost the love of his life to a piece of stone!
The core of the story revolves around Griffin’s fate, as Emily has just three days to fall in love with him or he’ll turn to stone forever.
The catch is that her feelings have to be real, as Griffin refuses to tell Emily what’s at stake so that she doesn’t feel manipulated or forced into loving him.
No pressure or anything!
The deadline looms, but Emily continues to struggle to admit how she feels, her past with Tom clearly leaving its mark.
Even as Griffin’s fingers begin to turn gray, Emily can’t get the words out, which is frustrating.
Of course, this is Hallmark, so things work out. Emily realizes her life has been split into “before Griffin” and “after Griffin,” and she can’t imagine a life without him. The clarity helps her finally embrace her feelings, and it’s sealed with a kiss.
Griffin stays in the modern world to permanently enjoy the perks of indoor plumbing, and the two move forward together, bringing their story to life as part of the museum’s exhibit, which is such a hit that they’re embarking on a world tour.
It’s a happy ending, as expected—even if Emily had us in the first half.
As for the standout quote from the film, the award goes to Griffin, as he reflects on the world that no longer exists: “I do not ache for lost love, I ache for lost life.”
Slightly cheesy? Sure! But also surprisingly meaningful.
Did you enjoy A Knight to Remember as much as I did? What stood out most to you? Share your thoughts!
Hallmark
Julie Gonzalo Stars in Hallmark’s ‘A Knight to Remember’ — Everything We Know About the New Fall Fantasy Romance Movie
Hallmark is leaning into fantasy romance this fall with A Knight to Remember, a new original movie part of the “Fall Into Love” programming, starring fan-favorite Julie Gonzalo, and it’s already shaping up to be one viewers won’t want to miss.
Here’s everything to know about the upcoming film, from its cast to its story and when it premieres.
When Does A Knight to Remember Premiere?
A Knight to Remember is set to debut Oct. 3 as part of Hallmark’s seasonal lineup at 8/7c.
The movie arrives at the perfect time, slotted in during the network’s popular fall programming block, blending romance, cozy settings and light escapism ahead of the holiday season.
It will be available to stream on-demand on Hallmark+ the day after its television premiere.
Who Stars in A Knight to Remember?
The film stars Julie Gonzalo, a Hallmark regular known for her warm, relatable performances, along with James Trevena as the knight. Chris McNally, who also happens to be her real-life partner, also appears. The duo met in 2017 while filming the Hallmark movie The Sweetest Heart, beginning a romantic relationship shortly after.
Where Have We Seen Julie Gonzalo Before?
Gonzalo has been a familiar face to audiences for years, with roles in major films like A Cinderella Story (opposite Chad Michael Murray and Hilary Duff) and TV series including Dallas, Veronica Mars and Supergirl, in addition to her Hallmark work!
Does Julia Gonzalo Have Children?
Off-screen, she shares two children (daughters born in 2022 and 2026) with McNally, adding an extra layer of real-life chemistry to their on-screen pairing.
What Is A Knight to Remember About?
Per the description, A Knight to Remember centers on “a museum conservator named Emily,” who “cleans an imported English knight statue and impulsively kisses it, which magically brings the knight to life in modern-day Chicago.” The synopsis continues: “As Emily helps the chivalrous time-traveler navigate modern Chicago, pumpkin spice lattes, a Halloween Medieval Fayre, and an FBI investigation led by her ex-husband, she begins to rediscover the wonder and romance she thought she had left behind.”
Is A Knight to Remember Based on a Book?
Yes, the film is adapted from Bryn Donovan’s novel, Her Knight at the Museum, so if you enjoy the movie, you can dive into the book shortly after to keep the good times rolling.
A Knight to Remember Preview
Hallmark
Hallmark Unveils 2026 Countdown to Christmas Schedule—Including the Premiere Date for ‘Mistletoe Murders’ Season 3
So what that we haven’t even properly welcomed the fall season, and Christmas is 99 days away?
Hallmark is ready to kick off the holidays, revealing the highly anticipated 17th annual Countdown to Christmas schedule for 2026.
And it’s jam-packed with cozy and cuddly titles — 34 original premieres to be exact, which is 10 more than last year. What a holiday gift!
Yes, it includes Holiday Touchdown, bringing a touch of Hallmark magic to Chicago Bears fans, and a new season of Mistletoe Murders, arriving on Nov. 5, just in time to help us get our holiday sleuthing on.
Emily and Sam work to prove the wreathmaker’s innocence. Emily tries to remain unattached in the present while reflecting on the mistakes of her past and the obligations of her future. Photo: Peter Mooney, Sarah Drew Credit: ©2026 Hallmark Media/Photographer: Peter Stranks
The programming kicks off in exactly a month, on Oct. 16, and runs through Dec 20!
There will also be in-person experiences that bring the on-screen magic to a city near you as part of the three-city Jingle Stop Tour in Chicago, the location for Holiday Touchdown: A Bears Love Story; Orlando, where Holiday Ever After: A Disney World Wish Come True was filmed; and Asheville, NC, home of the famed Biltmore Estate and the set of A Grand Biltmore Christmas.
As for the new films, they star all of the familiar faces you’ve come to love at Hallmark, including Lori Loughlin’s comeback, Nikki DeLoach, Tamera Mowry-Housley, Andrew Walker, Italia Ricci, Jessy Schram and, of course, Lacey Chabert!
Be there for every mistletoe moment—for grand romance and fairytale endings!
Here’s the entire 2026 Hallmark Countdown to Christmas Schedule
- Friday, October 16 — ‘Tis the Season for Setups (Amanda Schull, Victor Webster, Barbara Niven)
- Saturday, October 17 — Holiday Touchdown: A Bears Love Story (Lyndsy Fonseca, Robert Buckley, Marsha Mason, Barbara Alyn Woods, Khary Payton)
- Sunday, October 18 — Mr. & Mrs. Christmas (Brendan Penny, Pascale Hutton)
- Friday, October 23 — Winter Wonderlanes (Ashley Newbrough, Franco Lo Presti)
- Saturday, October 24 — Forgotten Holiday (Janel Parrish, Daniel Lissing)
- Sunday, October 25 — What If Christmas (Lori Loughlin, Tom Cavanagh)
- Friday, October 30 — Who’s Coming for Christmas? (Rhiannon Fish, Jake Foy, Mila Morgan)
- Saturday, October 31 — Adopting St. Nick (Amy Groening, Michael Rady)
- Sunday, November 1 — A Danish Christmas (Emilie Ullerup, Corey Sevier)
- Thursday, November 5 — Mistletoe Murders Season 3 (Sarah Drew, Peter Mooney, Sierra Marilyn Riley)
- Friday, November 6 — Merry Memories (Lindura, Brendan Morgan)
- Saturday, November 7 — Holiday Unplugged (Nikki DeLoach, Juan Pablo Di Pace)
- Sunday, November 8 — A Season of Promises (Brooke D’Orsay, Ali Liebert, James Denton)
- Friday, November 13 — My Christmas Cowboy (Amy Acker, Luke Macfarlane, Sara Canning)
- Saturday, November 14 — The Nights Before Christmas (Tyler Hynes, Laci J Mailey)
- Sunday, November 15 — Mistletoe and Mimosas (Tamera Mowry-Housley, Kristoffer Polaha, Jennifer Robertson)
- Friday, November 20 — Our Holiday Playbook (Taylor Cole, Charles Michael Davis)
- Saturday, November 21 — Christmas in Blue Dog Valley (Erin Cahill, Andrew Walker)
- Sunday, November 22 — Double Booked for the Holidays (Rachael Leigh Cook, Owain Yeoman, Stephen Hagan)
- Thursday, November 26 — Christmas Delivered (Autumn Reeser, Wes Brown, Linda Darlow)
- Friday, November 27, 6 p.m. — The Christmas Eve Feast (Daniella Monet, Kevin McGarry, executive produced by Giada De Laurentiis)
- Friday, November 27, 8 p.m. — Return to Santa (Paul Campbell, Rachel Boston)
- Saturday, November 28, 6 p.m. — The Most Wonderful Secret (Tammin Sursok, Peter Porte)
- Saturday, November 28, 8 p.m. — Holiday Ever After: A Disney World Wish Come True (Lacey Chabert, Travis Van Winkle, Richard Kind, Christy Carlson Romano, Bryce Durfee, Asher Alexander, Taegen Burns)
- Sunday, November 29, 6 p.m. — Eight Nights for Love (Hunter King, Dan Jeannotte)
- Sunday, November 29, 8 p.m. — Miles to Christmas (Ashley Williams, Steve Lund, Alison Sweeney)
- Friday, December 4 — The Snowflake Effect (Heather Hemmens, Mark Ghanimé)
- Saturday, December 5 — A Grand Biltmore Christmas (Holland Roden, Niall Matter, Andie MacDowell, James Trevena, Jonathan Frakes, Rachel Boston, Wes Brown)
- Saturday, December 5, 10 p.m. — The Hallmark Christmas Experience: A Hometown Holiday, a special hosted by Jonathan Bennett and Melissa Peterman
- Sunday, December 6 — An Angel in My Stocking (Fiona Gubelmann, Marco Grazzini, Nancy Robertson)
- Friday, December 11 — Christmas in Canterbury (Jessy Schram, Will Kemp)
- Saturday, December 12 — Snow Globe Town (Kimberley Sustad, Scott Michael Foster)
- Sunday, December 13 — Noelle Nomads (Benjamin Ayres, Torrey DeVitto)
- Friday, December 18 — Hearts All Aglow (Mishael Morgan, B.J. Britt, Holly Robinson Peete)
- Saturday, December 19 — Barking All the Way (Ian Harding, Tori Anderson)
- Sunday, December 20 — Save the Date for Christmas (Jonathan Bennett, Italia Ricci)
What movie are you most excited for?
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