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Once Upon a Time Girl in the Tower Once Upon a Time Girl in the Tower

New Girl

Once Upon a Time – The Girl in the Tower (7×14)

Once Upon a Time/ ABC

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In an effort to stop the witch killer, Rogers agrees to a sit-down interview with Eloise Gardner, who we know is actually mother Gothel and probably responsible for all of this in the first place.

Weaver warns Rogers not to let her get into his head but then stands by idly as he tries to make him remember who he really is.

We know Weaver aka Rumpel is awake so why not just wake up Rogers as well? I can’t figure out what Rumpel is doing or what he gets out of keeping Rogers “asleep.”

And why does Gothel want Rogers awake?

First, she tells him to bring her his very first painting, which turns out to be a ship.

Then, she tells him to follow his heart and he’ll find the killer.

His “heart” leads him to the hospital where they find Tilly behind the baker’s murder. She’s in a manic state because she repeatedly tried to warn them that “something bad was going to happen,” yet they wrote her off and ignored her.

Well, Rogers did. It seems that Weaver knew or suspected that she was responsible.

Tilly seems to be mentally disturbed but I’m going to guess that Gothel is in her heard just like she was when “Alice” was a little girl trapped in the tower.

Rogers’ story arc in Hyperion Heights mimics Hook’s back in the Enchanted Forest. We know that he was tricked into sleeping with Gothel under the guise that she was actually Rapunzel.

Together, they had a baby named Alice, which allowed her to finally leave the tower and trapped her daughter instead.

Hook stayed behind with his daughter but when she began having reoccurring dreams about Goethel coming and throwing Hook off the tower, he decided to finally break her free once and for all.

He left the tower in search of Rumpel. Interestingly enough, both times, Hook and Rumpel’s paths have crossed. They’ve always leaned on each other for help.

Hook promised to let go of his need for revenge if Rumpel could help him break the spell and rescue Alice.

Since he was locked up as well, Rumpel had nothing to lose and told him to get find a Maui’s Fishhook.

The fishhook belonged to a man named Captain Ahab, who repeatedly took jabs at Hook for no longer being a pirate and losing sight of what was important.

Hook played a game of roll dice and won the fishhook fair and square, but that didn’t stop Ahab from following him back where he realized Hook was really making dealings with his enemy.

In order to defend his honor, Hook agreed to a pistol match at dawn and obviously won.

However, the moment he got back to the tower and hugged Alice, they were thrust to two separate sides of the castle.

Just like in her nightmares, Gothel appeared and told Alice that her papa failed the test. He promised he would come right back to the tower but allowed himself to get sidetracked to defend his name.

Apparently, in the witches eyes that meant Hook was an incompetent father. Realistically, she was a terrible mother who never stood by her daughter’s side and then purposefully prevented her father from breaking her free. But I digress.

We don’t know how Hook eventually freed Alice but we know he did.

Sadly though, they’ve been kept apart ever since, even in this cursed world. They are closer than ever but have no idea how much they really mean to each other.

Now the question is — why does Gothel want Tilly to kill witches? Where is Anastasia? Why won’t Weaver wake Hook?

Henry caught Regina doing the walk of shame, which may have been my favorite moment in this episode. If a Queen cannot avoid the shame of a 6 am walk home, no one can.

When he told her that Lucy tried everything to keep him away from her mother, Regina became suspicious.

Lucy eventually told her mother that she was shaken by her hospital experience and the death of her grandmother and didn’t want her mom to see “some guy” again.

Of course, it broke her heart to say that because she knows her parents are meant to be yet if they kiss, Henry will die.

She decides to tell “Roni” her concerns but is certain that she won’t believe her. But Roni does. She reveals that she’s actually Regina, Henry is, in fact, her father and she her grandmother and that she knows all about the curse, which together, they will stop.

The best part of this is that Regina and Lucy’s new relationship mirrors Emma and Henry’s back in season one, especially because they’ve kickstarted Operation Hyacinth together. I never knew I’d miss Operation Cobra this much!

Will Regina and Lucy find a way to break the curse? How will Regina’s relationship with Facilier work for or against them?

Will Jacinda stop seeing Henry because of her daughter?

Henry may be on the outs with Jacinda but he’s the only person Ivy can really count on. She’s conflicted about how to feel after her mother’s death as she always believed her mother hated her.

And she’s lost her identity — her whole purpose was to get revenge on her mother. She never really thought of a life after the curse. What does she do now?

Eventually, it dawns on her that she has to finish what her mother started and that means, getting Anastasia back. In order to do that, she needs the help of the truest believer. But given that Gothel is holding Ana, this mission is going to be dangerous.

Henry is floored when he hears there’s another sister. Of course, Jacinda believes Anastasia is dead so I’m not sure how they’re going to explain that.

Thoughts on Once Upon a Time?

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New Girl

Grey’s Anatomy – The Winner Takes It All (15×11)

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Parent-child relationships have always been the second most dramatic type of relationship on Grey’s, and this episode beautifully intertwined two of those storylines into a powerful and heartwrenching episode.

What a change of pace! These types of personal episodes are sprinkled lightly throughout the history of Grey’s, and oh boy do we eat them up! Sometimes we need to take a step back and revel in how complex and incredible the characters are beyond their amazing surgical abilities.

Meredith and Jackson stem from similar backgrounds. What with having to brand themselves beyond the family crest and all, oh and the fact that Richard has slept and fallen in love with both of their mothers. It was perfectly fitting that each relationship was developed further simultaneously.

Catherine’s strong mothering personality contrasted against Thatcher’s neglecting one was hard-hitting. Although, in the end, we still saw the same effect. No matter how damaged a relationship can be between a parent and child, there’s still an overwhelming sense of loyalty and love a child will feel toward their parent. Meredith definitely received the short end of the stick with her parental figures, but the intense and abundant love she has for her three children is amazing. Witnessing the special moments she has with her kids only makes our hearts ache more for Derek.

Meredith needed closure with Thatcher, and she finally got it, something she never truly received with Ellis. His yearning to be a father to Meredith, specifically after Derek’s death, was such a turnaround for his character and their relationship. It was during those few hours when he was completely vulnerable and honest that he and Meredith finally built the bond they had lost so many years ago.

There were many times I thought for sure Catherine was going to die. Shonda has created this impeccable presence — she can kill off whoever, whenever. Although I guess it wasn’t quite time for Catherine’s storyline to be over. Having a death so close to so many important characters midseason doesn’t seem very reasonable, so at the very least we’ll have many more seasons of Catherine’s fun and feistiness.

Jackson’s breakdown after attempting to imagine life without his mother was one of the most real moments of the episode. Maggie’s support for Jackson during this trying time will bring them closer together and I can’t wait to see the rest of their storyline, because we all know they are end game.

I love the small bits of Teddy and Tom we’re exposed to. I’m enjoying Tom’s regularity on the show and I really look forward to the developing relationship between the two. His character is slowly being revealed and I think the church scene was an important piece to his character. Despite the cocky facade he displays, he’s truly a genuine guy at heart, which seems like a trend with the men of Grey Sloan, or perhaps a general trend among all men.

Catherine’s bout with cancer isn’t over, but as she continually states, she’s alive and that’s the important part. Who’s to say what “winning” and “losing” is when it comes to cancer?

It’s been ingrained into our minds season after season that each surgery is a fight against death. Our culture has become so obsessed with finding ways to reverse the inevitability of death, that we’ve lost ourselves and the meaning of the journey of life. Thatcher did everything right in his treatment with cancer, but he still died. He didn’t lose, there’s nothing he could’ve done differently. It was his time, and he had the opportunity to leave peacefully in the presence of his daughter. I would say that is a win for sure.

Additional Sidenotes:

  • Every time Lexi was mentioned, I just imagined Chyler Leigh kicking ass over on Supergirl
  • That pinky promise made between Catherine and Jackson was downright pure bait for the waterworks
  • The perspective about using the words “fight” and “lose” in regards to living with cancer was mindblowing. I don’t think I’ll ever be able to think of cancer the same way

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New Girl

Grey’s Anatomy – Shelter From the Storm (15×09)

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So many tears, so many almost kisses, so many emotions all packed into one episode. What a wonderful start to the second half of the season, especially after being left off on an epic cliffhanger!

The love triangle between DeLuca, Link, and Meredith seemed to be skewing to one side as Meredith and Andrew were stuck in an elevator most of the episode. And as stated by Addison seasons ago, elevators seem to be a sort of aphrodisiac at Grey Sloan Memorial.

Meredith has a strong will if she’s able to hold off DeLuca’s sexy Italian whispers and dazzling eyes. Unless she’s right and she won’t find love ever again. Derek was her great love, and there is no arguing that fact.

Teddy, Amelia, and Owen’s elevator scene could’ve been so much more cringe-worthy, but thanks to the added humor it was primarily comedic. Teddy has been and will always be Owen’s soulmate, and I hope he chooses her, sorry Amelia!

Watching Jackson be truly vulnerable when he found out about his mom’s cancer was so heart-wrenching. I hope he and Maggie work through their rough patch, but as teased by Maggie’s final moments with Cece, it seems they’ll be in the clear. Going through the most tragic moments in life with someone by your side, bonds you in such an unbelievable way.

The budding relationship between Nico and Schmidt is cute to watch, and the way Schmidt gets so giddy and childishly happy even at the slightest finger graze from Nico is the perfect depiction. They better get some more screen time and advancement in their storyline.

Shonda sure knows how to create incredible familial relationships between the characters. Seeing Alex be so gentle and caring for Bailey was truly the sweetest interaction this entire episode. Dare I say tears were certainly shed!

It was powerful watching Bailey experience some residual OCD PTSD but watching Alex care and comfort her seemed like the first step to stopping it in its tracks. Alex’s character development is one that needs to go down in all of TV history.

It was sad to see Cece’s fight end, but that’s what makes Grey’s Anatomy so incredible. Each character doesn’t always have a seemingly happy ending. It keeps you on your toes, and that’s exactly how life is.

Having Richard be the one to find Betty scouring the hospital looking for drugs was such a calculating choice. One that could not have been more perfect, and I was all for it. Betty has gone through so many tearful moments of regret, but it doesn’t seem like she’s really making an effort to turn her life around.

I hope Amelia’s choice to send her to a rehab facility pays off. Maybe we’ll see her again in sobered up at the end of the season. If not, I’m not too concerned. The Betty storyline is kind of just wasted time.

Watching Amelia bow out so gracefully portrays just how much she loves him. I guess it’s true that if you love someone the best thing to do is let them go. But, perhaps Amelia, Teddy, and Owen can create some sort of modern family.

There’s so much to be unpacked in this half of the season.  Catherine will not be happy that Jackson and Richard found out about her diagnosis from Maggie. It seems like a precarious situation that’s about to go south quite soon.

If this episode is setting the precedence for the final episodes of the season, this is going to be a nail biter for sure! Although, it wouldn’t be the Grey’s we all know and love if that weren’t the case. Thank goodness it’s renewed for a 16th season.

What do you think of the love triangles? Where do you think Owen’s loyalty stands?

Additional Sidenotes:

  • It’s truly impressive how the actor’s age with the show. Jackson is finally getting some baby whites!
  • Bailey’s sassy comments are always golden, “Don’t hyperventilate the patient!”
  • The dramatized trash blowing in the wind is such a sad reality
  • Cece has taught us all so much about love … R.I.P.
  • Meredith speaking  Italian?! How has this never come up before?
  • Helm’s growing crush on Meredith is so bitter-sweet, yet so relatable. If you’re gay and have never crushed on a straight girl or women are you really gay?
  • Who else had to look away as Jet’s legs proceeded to get crushed by the elevator? I definitely thought he lost them right then and there

 

 

 

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Crazy Ex-Girlfriend

Crazy Ex-Girlfriend – I’m Making up for Lost Time (4×04)

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Crazy Ex-Girlfriend - I'm Making up for Lost Time

In this episode, we were provided a deep dive into Rebecca’s childhood through the eyes of her half-brother Tucker. Honestly, only the Crazy Ex-Girlfriend superfans might vaguely recall she has a brother. Anyway, Tucker chooses to put on the shoes Rebecca previously gifted him for his 13th birthday and makes a trip to visit her. Rebecca’s surprised by his appearance, but ultimately happy to try and make things right with the last person in her life she holds unfinished business with.

Soon after she’s surprised with another grand gesture, this time by Nathaniel. He tells her that he’s still in love with her and wants her back, but she refuses to accept his proposal. This is a huge step-up from what she would’ve done in the past, and it truly speaks to her changing for the better.

There’s definitely something slightly off about Tucker and we are given a sneak peek of him deceptively responding to Rebecca’s text meant for his mom and snooping through her childhood diary. No wonder he continues to steal the words right out of her mouth! Of course, there’s no way an early aged teen boy is going to be as perfect as he led on to be.

As Nathaniel is feeling the burn of his latest “rebection” he takes it out on Sunil and Mrs. Hernandez who are fighting over the most recent case. It’s obvious that Mrs. Hernandez is much more qualified for the case, but Sunil sets out to win the case by promising Nathaniel that he’ll win him back Rebecca.

Rebecca invites Paula and her boys over to hang out with her and Tucker, but it’s obvious that Tucker isn’t a typical teenage boy, nothing like Paula’s seemingly lumps-on-a-log sons, so Paula takes them to the escape room alone. I guess being stuck in a room together offers unique insight into a relationship, and Paula realizes she’s been so caught up in Rebecca’s troubles for the past few years that she knows nothing of what’s going on in her son’s lives.

Meanwhile, Rebecca takes Tucker on a trip to see the Hollywood Walk of Fame, where they happen to “stumble” upon the location of an audition for Peter Pan,  of course, Tucker’s plan all along. Rebecca’s overtaken by the connection Tucker makes with her and her love for the musical Slumbered, so she takes him in for an audition.

Sunil stalks Rebecca and Tucker who have stalked the director of Peter Pan –dang is there a lot of stalking and sneaking around in this show. Sunil sees Tucker with Rebecca’s diary and reports back to Nathaniel, offering him the option of getting the diary so that he can finally understand the inner depths of Rebecca’s mind.

Nathaniel approaches Tucker and offers to get him the role of Peter Pan in return for Rebecca’s diary. This is some top-notch elementary-level drama!

Rebecca receives a call from the director of Peter Pan congratulating her that Tucker has received the part, and Tucker calculatingly suggests that they celebrate with some Rebetzels. As Nathaniel is on his way out he stops by and pulls out another “I love you” speech word for word from Slumbered. He’s a lawyer, he should know all about plagiarism! Tsk tsk, I would’ve expected better from you Nathaniel. Rebecca realizes that the only way he would’ve known that highly classified personal information was if he somehow had gotten ahold of her diary. She rightfully yells at him, and it doesn’t look like he’s any closer to winning her back.

Tucker and Rebecca have a real and heartfelt sibling bonding moment when Rebecca learns that although he may have been initially faking some of the similarities, they both came from the same deadbeat dad and Tucker too needs therapy. Additionally, she promises that she’ll pay for him to go to theater camp so that he doesn’t have to go through the long process of flying out and manipulating her just to start an acting career.

This episode really gave Rebecca a taste of what she’s been dishing out to others for the past few years. The manipulation, stalking, and overcompensation for insecurities. I can really see that this season is highly focused on her coming to terms with her past doings and making major adjustments to fix them and change. High praise for Rebecca and all that she’s been working through!

What’s next for Rebecca? I can’t imagine this being the last of Tucker we’ll see. And I wonder what Nathaniel will attempt to convince Rebecca that their mutual love for each other is the only thing that matters despite their difficulty and confusing history.

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