Staying busy is one way to get your mind off things, and that’s exactly what Mel did on the anniversary of her husband’s death.
However, it likely wasn’t the best idea to spend all her time mediating a birth plan between Jack and Charmaine.
The further along in Charmaine’s pregnancy, the more we realize just how much she and Jack don’t see eye-to-eye.
Since she already voiced her fears about the hospital once before, it wasn’t a surprise that she wanted a home birth. But while that may have been what she was comfortable with, it wasn’t exactly the safest option to welcome twins who have a higher complication rate, especially with a hospital two hours away.
It’s great that Mel didn’t push her ideas onto Charmaine or blatantly take Jack’s side because she’s his friend. Despite her personal feelings towards Charmaine, she was able to put those aside and think of her only as a patient. This way, they were able to find a middle ground that worked for everyone.
My hope is that by learning a little about Mel’s backstory of losing a daughter and a husband, Charmaine will become a bit more sympathetic.
Over the course of the season, her character has had so many mood swings that it’s hard to pin down who Charmaine actually is.
One minute she’s thanking Mel for all that she’s done as her doctor, the next she’s spreading rumors about Mel being a home-wrecker. It’s so inconsistent — pregnancy hormones aside.
And her outlook towards Jack is so toxic. Charmaine has this vision of how she expects things to be with Jack, but it’s all in her head; he’s never once given into these fantasies and led her to believe they’d be together in the end.
They may be having twins together, which will lead to co-parenting, but they aren’t together. He doesn’t have to tell her about everything he does, and she has absolutely no right to dictate what he can and cannot do, especially because, in this instance, Mel and Jack’s time spent at the river was anything but romantic. Again, Charmaine has this idea of the two of them that’s simply not rooted in reality.
We know it’s hard for Jack to open up and be vulnerable with his feelings, and the few times he does, it’s with Mel, so it’s not surprising that he couldn’t just be honest with Charmaine about how overwhelming it was to see a house filled with baby items or how overwhelming the idea of becoming a father is as a whole. And Charmaine hasn’t done much to earn that trust. Unfortunately, carrying his twins doesn’t mean much when it comes to sharing feelings.
Mel thought that she could get through the day without breaking down, but all of that changed when she got her husband’s life insurance policy sent to her. Talk about timing, right?
Having something so tangible made it all feel real for Mel and, of course, she realized what Jack told her previously — grief comes in waves.
It was a heartbreaking scene, but Mel is strong and she’ll find the strength to power through this setback.
After all, just look how far she’s come.
Preacher and Connie are out here devising alibi’s and it’s the partnership I never knew I needed. Connie may seem like a goody-goody, but she’s a ride or die when the script calls for it.
For now, the body in the forest ending up being Leo Cavannah, the junkie who attacked Mel and previously worked for Calvin before he “took care of him.”
The hope is that those dogs don’t find Wes’ body, but the chances of that are slim. And once they do, it’ll raise a handful of questions that Preacher needs to be prepared for. He seems like a tough man, but this has really shaken him to his core, so hopefully, his guilt doesn’t eat him up.
No one deserves to go down for what happened as it was an accident, and Preacher covered it up with the best intentions of protecting Paige and Christopher.
I’ll admit Ricky and Lizzie had a cute moment in the bakery truck, but it doesn’t negate all the things she’s done and how bad of an influence she is on him.
Yeah, it’s great to stand up for yourself, but Ricky, don’t bite the hand that feeds you. There’s a time and place, and going after Jack simply wasn’t it.
Jack is the kind of man who gives great advice but can’t seem to take his own. He’s out here just trying to impart his wisdom on everyone including Ricky and Brady, but neither of them are willing to hear it.
Brady is seeing $$$ signs by working with Calvin, and while he seems to be aware of the risks that come with it, he’s blinded by the money and willing to put it all on the line. Let’s hope the next body that ends up in the forest isn’t his.
It seemed as thought Hope and Doc were finally getting it right. They planned a romantic date night in public and were ready to make it official when the date was crashed by Muriel.
They always say three’s a crowd and that couldn’t be more true in this situation. Hope was claiming her man, Muriel was flirting her way in, and it was all types of awkward.
And then for some reason, Doc seemed to arrange a trip that, correct me if I’m wrong, coincides with Muriels’ trip to Seattle.
Is he going alone? Is he surprising Hope? Why would he think that’s a good idea? I can’t be the only one who wants just one couple on the show, particularly Hope and Doc, to get it together while the rest of the “young-ins” figure it out.
Virgin River Season 2 has been entertaining and had plenty of surprising twists, but the some of the storylines oftentimes feel so vague or disjointed. Not much manifested from Ricky and Lizzie’s car accident. It was merely a “jaw-dropping cliffhanger,” but he never got into any trouble from his aunt for it. Jamie continues popping in and out, but we don’t really find out much about her. Everything with Muriel is just odd. Sometimes, it feels like one episode ends, and I’m expecting a continuation in the following episode but it never comes. Is anyone else feeling that same way?
Sound-off in the comments below.
Will ‘Manifest’ Get a Season 4 After All?
Merely weeks after the devastating cancellation of NBC’s Manifest, TVLine confirms that the network has been in talks with Warner Bros. and Netflix about a possible Season 4. However, reps for NBC, Netflix, and Warner Bros. have refused to comment for now.
Following the news of the supernatural drama’s abrupt ending in mid-June, fans took to social media with the hashtag #SaveManifest in hopes of reversing the decision and getting it picked up by another network.
After the release of the first two seasons on streaming services, the series quickly dominated the charts. It remained on Netflix’s “Top 10” watched shows for 27 consecutive days and Nielsen’s weekly streaming chart during the week of June 14.
Jeff Rake, Manifest’s showrunner, tweeted in late June, “Your support is awe-inspiring…we’re not giving up. You deserve an end to the story.”
While Rake has not confirmed that another season is officially happening, he did note: “Lots of speculation out there. No comment. Other than, if the impossible happens and the dead rise again, it’s because of YOU.”
Lots of speculation out there. No comment. Other than, if the impossible happens and the dead rise again, it’s because of YOU.#SaveManifest
— Jeff Rake (@jeff_rake) July 20, 2021
Whatever it takes, Rake will even choose to produce a two-hour movie to bring closure to Manifest.
So Manifesters, you’ve been heard, and you can only get louder from here! Will the answers you’ve been waiting for resurface in a possible Season 4 pick-up? Will 828 fly again?
‘Feel Good’ Season 2 Packs Quite the Punch
In Season 2, the final adaptation of comedian Mae Martin’s (they/them) semi-autobiographical comedy, Feel Good takes on much more content in its short six episodes, packing quite the punch.
We’re guided deeper through the traumas of the primary character Mae and left wondering how they’re able to stand on their own two feet after years of childhood grooming, drug addiction, and parental toxicity.
The light answer to this is humor. As it’s joked often throughout the episodes, “comics are supposed to be sacks of shit.” Through light-hearted comedy and the power of laughter, Mae’s story is dissected. However, at times, big topics are rushed and viewers are left grasping at strings, wishing there were more episodes in the season.
Following an unfortunate relapse in Season 1, we’re immediately thrown into Mae’s life in Canada, as they’re about to reenter rehab. They’ve only been away from England for a couple of months, but with the fresh wounds of the breakup, both George (Charlotte Ritchie) and Mae aren’t healed and are still stuck in their desire for each other. I mean, Mae still has George’s photo on their nightstand!
While in rehab, Mae reconnects with an old “friend,” Scott. When he’s first introduced we’re left wondering who he is and what his role is in Mae’s life. As an addict and queer comedian, there’s much more behind Mae’s curtain of trauma than initially presented in Season 1. Much more trauma that’s led to rash behavior, and Mae’s conversation with Audrey, easily foreshadows this.
Intertwined with the main storyline, Mae’s also navigating their non-binary identity. Mirroring Martin’s own coming-out as non-binary, Mae’s figuring it out, explaining that they see themselves as more of a Ryan Goslin or Adam Driver.
Again, with only six episodes to squeeze so much storyline into, Mae’s rehab stint only lasts 15 minutes into the first episode before they’re running out the door back into the arms of Scott.
As Mae’s stumbling through life in Canada, George is also trying to keep her mind focused on things like saving the bees. At an event at her school, she meets Elliot, a bisexual, polyamorous man with whom she bonds. He’s the nice guy, maybe too nice for George. He’s one of those men who are self-proclaimed progressive and ultra-feminist, trying to mansplain the harm in porn’s presentation of women and how sex needs to be a safe space for connection.
And as Mae knows, that’s definitely not how George likes to be treated during sex. Thankfully, George and Mae reconnect, and Elliot is quickly out of the picture with Mae and George recreating their first meet-cute, hoping to restart from a fully healed wound.
As Feel Good is written by a queer person, the portrayal of queer sex is finally construed in a realistic and non-hypersexualized manner. Mae and George run through various role-playing scenarios as they are falling into what seems to be a healthy relationship.
Realistically, their timeline is rushed, but Mae needed some stability before they faced the bigger demons hiding under the bed.
The show cleverly depicts Mae’s moments of withdrawal and trauma responses through a high-pitched ringing sound. As if we’re inside Mae’s head. Originally, Mae experienced the ringing sound when they were with George, as George was a replacement drug. But, in this season, the ringing sound appeared whenever the past tried to resurface.
Mae told Audrey that they had a hard time remembering the past, that it was all like a jumbly tumbly mess of Tupperware containers. But, as the episodes progress, each Tupperware slowly found its way to its matching lid.
It becomes clear that Scott isn’t just an old friend, but a man who used to abuse and take advantage of Mae. After Mae’s kicked out of the house at a young age for drug addiction, they move in with Scott who presents himself as a safe haven and gateway to Mae’s comedic success. When, in reality, he’s a pedophile who’s grooming them.
When a woman calls Mae to talk about Scott, presumably about the things he did to both of them in the past, Mae’s reminded of the trauma they had compartmentalized. A doctor suggests Mae might have PTSD, and with George’s help, they begin the journey of confronting the harmful past.
Meanwhile, through all of the personal traumas, Mae’s working through their professional success after being signed with an agent and fulfilling their dream of TV comedy. However, Mae finds it challenging to reinvent their success from the original standup virality that got them the agent in the first place. As mentioned earlier, with comics, the butt of their jokes is their own trauma.
Unfortunately, as Mae hasn’t healed from their trauma, there’s no way they can make light of it yet. As their career goes for a bit of a downhill turn, and they have a hard time performing for an audience, they begin to seclude themselves and withdraw from the world.
In a much-needed getaway, Mae, George, and Phil take a trip to Canada in order for Mae to confront Scott.
The scene in which Mae directly tells Scott they never want to speak to them again, although a bit anticlimactic, was retrospectively a strong scene that finalized Mae’s character arc in the perfect ending to a witty, raw, and endearing show.
The final episode leaves Mae leaps and bounds beyond where they had been before on their road to recovery. And just as Mae’s love for George grew healthily from a need to a want, our need for a Season 3 resolved itself, and we feel good saying our final goodbyes to Mae and George, knowing fully well they are on their way to a fresh start.
‘Elite’ Season 4 Review: New Students, New Mystery, Same Scandalous Drama
The wait is almost over.
On June 18, Elite returns for its fourth season, but aside from a few new faces and a new principal hellbent on making a difference, things at Las Encinas haven’t changed much at all.
In fact, things are more dramatic than ever.
The premiere of Elite evokes the same feelings as the start of the school year — there’s a rush of excitement for what’s to come.
The series indulges in more of what has made it such a success: scandal, parties, threesomes, love triangles, intrigue, crime, and sex. So. Much. Sex.
I always forget just how many vivid sex scenes there are until I get pulled into a new season, but I’m very quickly reminded.
The first day of school for Guzman (Miguel Bernardeau), Samu (Itzan Escamilla), Ander (Arón Piper), Rebeka (Claudia Salas), Cayetana (Georgina Amorós), and Omar (Omar Ayuso) is bittersweet. While they may be getting another shot at repeating their final year, their classmates Carla, Lu, Nadia, and Valerio have moved on to bigger and better things. It’s a bummer to lose such a great group of characters, but you almost don’t feel their absence when the new crop of students takes their place, flips the world upside down for current students, and simultaneously ushers in a brand new mystery.
The new mystery anchors the story, and like in seasons past, it plays out with flashbacks that lead up to the fated moment.
However, unlike in previous seasons, we find out pretty early on who is at the center of the mystery with the how remaining the big question mark.
But there’s no question about whether the Blanco family is involved.
As Ander tells the investigator, the toxic family’s arrival “tainted everything.”
Benjamin (Diego Martin) is the extremely rich new school director. He comes in like a bulldozer with big plans to rehabilitate Las Encinas and its reputation after a tumultuous few years that led to two student deaths. He begins his reign by setting his sights on Samu and Omar, who he doesn’t believe belong at the elite school.
It’s honestly surprising anyone wants to send their children to get an education there at this point.
Benjamin doesn’t waste any time making changes, but with his focus solely on “discipline, excellence, and achievement,” he fails to realize that his family’s arrival brings the bulk of the drama.
Immediately, you begin to wonder how Benjamin plans to fix a whole school if he can’t even control his own children — Ari (Carla Diaz), Patrick (Manu Rios), and Mencia (Martina Cariddi).
Benjamin has a fraught relationship with his youngest, Mencia, who has brought the family pain in the past and continues to rebel and defy her father at every turn.
She has a genuine connection with new girlfriend, Rebeka, but the relationship stirs up even more problems for Mencia as Benjamin disapproves and thinks Rebe is a bad influence considering her mother’s reputation as a drug kingpin.
Little does he know, Mencia has gotten into a world of trouble all on her own.
While Rebe’s relationship with Mencia grows into one of the purest this season, following Samu’s betrayal last season, she’s understandably closed off and cautious with her heart.
Ander and Omar are still going strong but find their relationship is tested in unexpected ways when they invite Patrick, Benjamin’s son, into the fold.
Patrick knows the power he wields over them and intentionally meddles in their lives, but there’s also much more to him than meets the eye.
Ari is Benjamin’s star child who respects and listens to her father, but to her peers, she’s the resident mean girl who is oftentimes uptight and has a chip on her shoulder.
She catches the eye of both Samu and Guzman, which fractures their budding friendship. These two have always fought over women, but last time, Samu was being protective over his best friend, Nadia, who Guzman is still dating when the season commences.
Nadia appears only via video chat from her New York apartment, and their relationship allows the series to explore the trials and tribulations of a long-distance relationship that’s tested as temptation lurks right around the corner for Guzman.
While Guzman stands a chance with Ari based solely on social class and standing, Ari and Samu connect unexpectedly in an academic setting.
Who will the love triangle favor in the end?
Additionally, the school has attracted the youngest royal heir in Europe, Prince Philippe (Pol Granch). The series flips the classic “princess and the pauper” narrative to “prince and the pauper” as he connects with the school’s janitor Cayetana, making all of her fantasies come true.
But as the saying goes, “be careful what you wish for” as this fairytale quickly turns into a nightmare when it’s revealed the prince has a dark secret, and Cayetana’s past secrets with the late Polo and Valerio come back to haunt her.
Overall, you know exactly what you’re getting into when you press play on the fourth season. The writers have managed to deliver yet another incredibly intoxicating season about a group of lost souls looking for a purpose and tapping into the extreme lengths they’ll go to numb their pain.
Elite hits Netflix on Friday, June 18 with eight brand-new episodes.
*This review is based on the first four episodes of season 4 that were available to the press*
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