Mel and Jack are both struggling to let go of the past and heal from their experiences on Virgin River Season 2 Episode 5.
It’s one of the things that they can connect on — grief.
As we know, grief is circular and comes in waves. But it’s even worse when it’s left there unfettered.
For Mel, dealing with the loss of her husband is something she’ll have to deal with for the rest of her life. Thankfully, time heals all wounds and it’ll get easier day-by-day.
Having Stacie come into town and basically demand Mel’s engagement ring because it’s a family heirloom unfortunately brought all those feelings to the surface once again.
Stacie was just as bad as the rest of Mark’s family members who didn’t even invite Mel to the memorial.
She was only in it for herself and didn’t actually care about how Mel was holding up as evidence by the insensitive comment about Mel not having anyone to pass the ring onto because she can’t have kids. It’s as if Stacie blew into town hoping to challenge Charmaine for her “small town villain” title.
When Stacie realized she wasn’t going to get what she wanted, she basically threw a fit and accused Mel of moving on and sleeping with another man barely a year after Mark’s death. Honestly, the audacity.
This is clearly a woman who never had to deal with loss nor did she understand how grief works. She didn’t ask Mel how he was holding up, she didn’t call to check in with Mel at any point prior to this visit, but she had the nerve to judge her because she saw Mel with another man!
She even had the nerve to bring up that Mel and Mark were fighting prior to his death and that they might not have been together had he been alive.
Mel didn’t deserve any of that, but Stacie sure as hell deserved getting shown the door.
Regardless of the “what would have/what could have been,” the truth is that Mel was a part of Mark’s family, likely the most important part. And she deserved to keep the ring is she wanted to — heir or not — because it was given to her. It was one of the only tangible memories left of her husband and symbolized the love that they had for each other; it was selfish of Stacie to want to take it away from her.
Being forced to make such a big decision allowed Mel to face the past in a way she’s been avoiding, which will lead to some much-needed healing down the line.
As for Jack, he’s been suffering from PTSD as a result of the war as he blames himself for Lonergan’s death.
It’s not a healthy thing to bottle up inside; it’s slowly but surely eating at him. He numbs the pain with alcohol, but again, that’s just a device to help him function, it’s doesn’t actually face the trauma or allow any healing. It’s no way to live, but Jack’s also too proud to seek out the help of a therapist.
While he definitely has plenty of things under control, this is one issue that shouldn’t be allowed to fester.
As we see, everyone, even Jack, has a breaking point. After “boys night” where Lonergan was brought up, he called his parents to deliver a proper apology and to ease his own guilt by getting forgiveness.
It was heartbreaking to see him break down the way he did when he learned Lon’s parents were both dead, but the call was still cathartic and a good first step towards acceptance.
On top of everything, Jack also has to worry about Charmaine, who was having heart palpitations as a result of low blood sugar. He tried his best to be there for Charmaine, but he can’t be there for her romantically the way she wants him to.
Jack’s made that pretty clear, but for some reason she’s still convinced that she’ll be able to make Jack fall in love with her by being needy and begging. And when you look at the kind of woman Jack does like (ahem, Mel) it’s the complete opposite of that.
Jack’s solution to the Charmaine problem was to bring her a dog to help curb the loneliness, but clearly, he failed to realize how much responsibility it would be or that Charmaine would interpret the act as an addition to their budding family. When she asked “what should we name him,” it dawned on Jack that no matter what, his baby momma is going to have an unrealistic expectation of what she wants from him.
Hopefully, Charmaine gets the picture soon.
Hope is learning firsthand that pushing Doc towards Muriel may not have been her best decision. Go-figure.
Once Doc stood his ground, she quickly wanted to get back into his good graces, but it was too late as he already had a salsa date planned with Muriel.
Doc’s the type of guy that likes to keep the peace, so he invited Hope to the class hoping to finesse some time with her, but it was obvious from the get-go that this would be an awkward experience for everyone.
The class, however, was eye-opening for Hope as the analogy the dance teacher provided perfectly summed up her behavior. While Muriel and Doc were described as having a “connectivity and rhythm,” which you can’t argue — those two have a lot in common and seem to be enjoying each other’s company — Hope was called out for her “solo endeavor.”
She’s never been one to work in unity with Doc, and even now, she’s been trying to call the shots and manipulate the relationship. If she want to be with him, she needs to learn how to work together as a team.
Connie’s reaction to finding Lizzie’s birth control script was so illogical and old-school. It’s always fascinating to me when people approach birth control with the idea that it’s corrupting a young woman versus considering that it’s actually helping to prevent an unplanned pregnancy.
Lizzie may be reckless, but in this case, she was being responsible. Meanwhile, Connie’s outburst at Mel, who was only doing her job, was far from responsible.
Lizzie, an adult, will have sex regardless, but the question is, will she be safe doing it? I’d sure hope so.
For now, Lizzie’s motives are unclear since she went from pursuing Brady to connecting with and kissing Ricky. Was it a pity kiss? That would be a shame since he’s such a good guy who just wants to be liked by her. Hopefully, for her sake, she’ll stick with the “good guy” and let Brady go because he’s about to be in some hot water.
He confronted Calvin about the logging business and learned the truth — they’re dealing fentanyl. Brady immediately knew it was a bad idea, but he was pursued by the idea of money. And yeah, he’ll probably make that dough really easily, but once he gets busted and goes to prison (cause my guess is that Calvin is using him as a scapegoat), none of the money will matter anymore.
If Brady has even half a brain, he’ll get out now before it’s too late.
While Connie may have been all types of wrong about the birth control, it was hard not to feel for her when she confided in Preacher about her past with an abusive father.
After hearing that there was a missing person alert out for Wesley, she put the pieces together. She realized Christopher flinched when he saw his dad and that Paige ran away because she was in an abusive relationship like Connie’s mother.
The good news is that the only two people who know what happened are both on the same page now.
Connie felt guilty for not standing up to her father or going to the police and believes her silence contributed to her mother’s death. But by helping Preacher cover for Paige, she’s getting a second chance at sparing another family from the same pain and giving Christopher a childhood with a mother, which was stolen from her.
- I’m once again asking what the deal is with Jamie, the chef from San Francisco? Is she going to be Preacher’s new love interest or is she an undercover cop hoping to sniff out the truth about Wes?
- Jack spotted Ricky with the stolen tequila. I hate that he’s already getting in trouble for Lizzie. Hopefully, it was an isolated incident and Jack will let it go, but seeing as Lizzie is a terrible influence, I’m scared to see what other trouble Ricky will get into.
What did you think of the episode? Sound off in the comments!
What to Watch April 2021 Guide: Manifest, Younger, The Handmaids Tale, and MORE!
Spring showers bring plenty of new content your way this April.
So, who is ready to do some serious binge-watching? We didn’t practice for this all of 2020 to give up now! Especially because there are some really great TV shows premiering and a handful of highly-anticipated shows returning!
Here’s what’s on tap!
Law & Order: Organized Crime – NBC (April 1)
Has there been a more anticipated TV return? Detective Elliot Stabler (Christopher Meloni) returns to the NYPD and joins a new task force while reuniting with ex-partner Olivia Benson (Mariska Hargitay).
Manifest – NBC (April 1)
What happened to Flight 828? TV’s biggest mystery continues into season 3. Ben pursues a tail fin that may have belonged to the plane he was on while the rest of the passengers continue to follow Callings.
Home Economics – ABC (April 7)
The new comedy series looks at the uncomfortable and frustrating relationship between three adult siblings from the Hayworth family.
Kung Fu – The CW (April 7)
The reboot of the 1970s drama of the same name stars Legacies actress Olivia Liang as Nicky Shen, a young Chinese-American woman who drops out of college and travels to a monastery in China only to return home to San Francisco and find it overrun by crime. As she doles out justice, she finds herself the target of an assassin.
Rebel – ABC (April 8)
Katey Sagal stars as Annie “Rebel” Bello, a blue-collar legal attorney who ruthlessly fights for the cases she believes in. The series is inspired by the life of Erin Brockovich.
Them – Amazon Prime (April 9)
The limited horror anthology hails from Lena Waithe and finds a black family in the 1950s moving into a white neighborhood in L.A. where they not only have to deal with terrible neighbors but also supernatural forces that mean to do them harm.
Fear the Walking Dead – AMC (April 11)
Season 6B picks up with John Dorie reuniting with an old friend who helps him through a dark moment.
The Circle – Netflix (April 14)
The highly-addictive reality series, described as Big Brother meets Catfish, returns for a second season. Contestants move into the same apartment building but never meet face-to-face as they’re only allowed to communicate through a special social media app.
Dad Stop Embarrassing Me – Netflix (April 14)
The sitcom, inspired by Jamie Foxx’s relationship with his daughter, Corinne, finds him playing the role of a single dad and cosmetics brand owner who must navigate raising a teen daughter.
Younger – Paramount+ (April 15)
The seventh and final season of Younger wraps up Liza’s journey at Empirical/Millennial and hopefully reveals if she ends up with #TeamJosh or #TeamCharles once and for all.
Big Shot – Disney+ (April 16)
John Stamos moves on from Uncle Jesse in a new role former men’s basketball coach who gets fired and is forced to become a coach at an elite all-girls school. If you’re looking for a new sports drama with heart, look no further.
Cruel Summer – Freefrom (April 21)
Hailing from executive producer Jessica Biel, Freeform’s newest thriller takes the spot left behind by Pretty Little Liars. Set in the 90s, it follows the disappearance of a popular and charming girl and the nerdy wannabe who is blamed for the crime.
Shadow & Bone – Netflix (April 23)
In the fantasy series, based on a book of the same name, sinister forces plot against a young woman who has the powers to unite her world.
93rd Oscars – ABC (April 25)
As they say in show biz, the award show must go on. The 93rd Oscars, which originally mandated an in-person attendance amid the coronavirus pandemic, have reversed course and are allowing remote participation.
The Handmaid’s Tale – Hulu (April 28)
June and her fellow Handmaids go beyond the walls of Gilead following an uprising as they seek freedom in the dystopian series.
Concrete Cowboy – Netflix (April 2)
Stranger Things‘ Caleb McLaughlin stars as a teen who befriends a community of Black cowboys in Philadelphia when he stays with his estranged dad (played by Idris Elba) for the summer.
Thunder Force – Netflix (April 9)
Dynamic duo Melissa McCarthy and Octavia Spencer are former childhood best friends who invent a formula that gives them superhero powers.
Stowaway – Netflix (April 22)
A stowaway crashes a mission to Mars and risks the lives of the whole crew on-board. The sci-fi thriller stars Anna Kendrick and Daniel Dae Kim.
Without Remorse – Amazon Prime (April 30)
Michael B. Jordan stars as John Clark, an elite NAVY Seal who uncovers a covert plot while investigating the death of his pregnant wife.
Netflix Renews Spanish Drama ‘Elite’ for Fifth Season Ahead of Season 4 Premiere, Adds News Cast Members
We’ve got some elite news!
Spanish drama Elite has been renewed for a fifth season at Netflix!
The news isn’t all that shocking considering the drama, set in the ritzy private school of Las Encinas in Spain, is one of the streamer’s best performing Spanish originals.
Not only is the cast incredible, the first few seasons were hinged around an intoxicating murder mystery and plenty of steamy love scenes.
The renewal comes ahead of the fourth season, which currently doesn’t have a premiere date. In 2020, filming was delayed due to the coronavirus pandemic and an outbreak on set.
It’s possible the series will return in the spring/summer of 2021.
The upcoming season will see a handful of familiar faces including Samu (Itzan Escamilla), Guzman (Miguel Bernardeau), Omar (Omar Ayuso), Rebeca (Claudia Salas), and Ander (Aron Piper) as they were held back due to their shenanigans. The drama will also welcome new students Manu Ríos , Carla Díaz , Martina Cariddi and Pol Granch to shake things up.
Deadline also reports that the fifth season has added Argentinan actress Valentina Zenere (Soy Luna) and Brazilan actor André Lamoglia (Juacas) to its cast.
What to Watch in March 2021 Guide: Good Girls, Coming 2 America, The Irregulars, and MORE!
Can you believe it’s almost March?
2021 is flying by, and I have to credit the fact that there has been so much good television available!
Despite COVID-19 still holding a grasp on the world, plenty of our favorite TV shows were able to return to production and deliver outstanding seasons that are keeping us entertained every single day of the week.
March sees a return of some favorites on primetime along with some new additions to streaming.
Here’s everything to watch on March 2021:
Debris – NBC (March 1)
Calling all sci-fi fans! Two international agents are tasked with investigating mysterious wreckage that falls from the sky. As British agent Finola Jones and American agent Bryan Beneventi lead the charge to track down all the debris scattered across the Western Hemisphere, they realize it’s a race against time!
The Voice – NBC (March 1)
The singing competition returns for season 20 with Blake Shelton, Nick Jonas, John Legend, and Kelly Clarkson at the helm!
Biggie: I Got a Story to Tell – Netflix (March 1)
The documentary on famed rapper The Notorious B.I.G. celebrates his life and tracks his journey to rap king alongside rare footage and in-depth interviews.
New Amsterdam – NBC (March 2)
With the pandemic still in full-swing, season 3 kicks off with a plane crash in the East River.
Good Girls – NBC (March 7)
Your favorite suburban criminals are back for season 4! Beth, Ruby, and Annie continue their life of crime by pouring themselves into Boland Bubbles to wash money for “homeboy.” With the FBI hot on their trail, will they find a way to stay above water?
Station 19 and Grey’s Anatomy – ABC (March 11)
After going on hiatus in December, the Shondaland shows return with a crossover that tackles the issue of human trafficking.
A Million Little Things – ABC (March 11)
After a nearly three-month wait, A Million Little Things is finally getting new episodes and it’s going to tackle the COVID-19 pandemic. Per the synopsis: “As [the virus] becomes more widespread across the U.S., Boston goes into lockdown putting Rome’s movie in jeopardy and forcing Maggie to return home from Oxford. Because the hospitals are overwhelmed with patients, Eddie’s back surgery is cancelled, leading him to take desperate measures to cope with the severe pain.
Love Alarm – Netflix (March 12)
The popular K-drama about an app that alerts people if someone in the area likes them returns for its second season on Netflix!
Operation Varsity Blues: The College Admissions Scandal – Netflix (March 17)
You’re familiar with the college bribery scandal that brought down Aunt Becky and other wealthy parents who stopped at nothing to get their children into top-tier universities. The documentary synopsis reads: “Using an innovative combination of interviews and narrative recreations of the FBI’s wiretapped conversations between Singer and his clients, Operation Varsity Blues offers a rare glimpse into the enigmatic figure behind a scheme that exposed the lengths wealthy families would go to for admission into elite colleges, and angered a nation already grappling with the effects of widespread inequality.”
Everything you’ve heard is true. But you haven’t heard everything. Using real conversations recreated from FBI wiretaps the filmmaker behind Fyre brings you Operation Varsity Blues: The College Admissions Scandal pic.twitter.com/kwsqTCSkqq
— NetflixFilm (@NetflixFilm) February 22, 2021
The highly-anticipated Marvel action series brings together Falcon and the Winter Soldier, who “team up for a global adventure that will test their survival skills — as well as their patience.” Starring Anthony Mackie and Sebastian Stan, the action picks up after the events of “Avengers: Endgame” with the first two episodes airing on the streamer on March 19 and March 26, respectively.
The Irregulars – Netflix (March 26)
The Sherlock Holmes spin-off series follows a group of “troubled street teens” who are wrapped into solving crimes and saving London from supernatural elements by the “sinister Doctor Watson.”
Pooch Perfect – ABC (March 30)
Pitch Perfect star Rebel Wilson is set to host this dog grooming reality competition that’s based on a UK competition of the same name (also hosted by Wilson). The episodes will spotlight 10 dog groomers around the country competing in challenges.
— Jorge Bendersky (@JorgeBendersky) February 19, 2021
Coming 2 America – Amazon Prime (March 5)
Comedic geniuses Eddie Murphy and Arsenio Hall reunite as Akeem and Semmi to take audiences back to Zamunda, the royal country made popular in the 80s. It’s worth the watch if only for nostalgia’s sake.
Raya and the Last Dragon – Disney Plus (March 5)
After being delayed the coronavirus pandemic, the film will finally debut months later. It’ll premiere simultaneously on Disney+ Premier Access and in theaters on the same day! Per the synopsis: ” Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. However, when sinister monsters known as the Druun threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, those same monsters have returned, and it’s up to a lone warrior to track down the last dragon and stop the Druun for good.”
Moxie – Netflix (March 3)
Amy Poehler lends her talents to a second Netflix original about a shy 16-year-old who is inspired by her mom’s rebellious past and publishes an anonymous zine to tackle sexism inside the high school hallways.
Yes Day – Netflix (March 12)
Saying “no” to your kids can be difficult, so parents Allison (played by Jennifer Garner) and Carlos give their kids one day where they say “yes” to all their requests.
Paper Lives (Kağıttan Hayatlar) – Netflix (March 15)
The Turkish drama finds warehouse worker Mehmet (starring Çağatay Ulusoy) working in an impoverished neighborhood where he becomes responsible for a small boy.
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