Can you believe it’s almost March?
2021 is flying by, and I have to credit the fact that there has been so much good television available!
Despite COVID-19 still holding a grasp on the world, plenty of our favorite TV shows were able to return to production and deliver outstanding seasons that are keeping us entertained every single day of the week.
March sees a return of some favorites on primetime along with some new additions to streaming.
Here’s everything to watch on March 2021:
Debris – NBC (March 1)
Calling all sci-fi fans! Two international agents are tasked with investigating mysterious wreckage that falls from the sky. As British agent Finola Jones and American agent Bryan Beneventi lead the charge to track down all the debris scattered across the Western Hemisphere, they realize it’s a race against time!
The Voice – NBC (March 1)
The singing competition returns for season 20 with Blake Shelton, Nick Jonas, John Legend, and Kelly Clarkson at the helm!
Biggie: I Got a Story to Tell – Netflix (March 1)
The documentary on famed rapper The Notorious B.I.G. celebrates his life and tracks his journey to rap king alongside rare footage and in-depth interviews.
New Amsterdam – NBC (March 2)
With the pandemic still in full-swing, season 3 kicks off with a plane crash in the East River.
Good Girls – NBC (March 7)
Your favorite suburban criminals are back for season 4! Beth, Ruby, and Annie continue their life of crime by pouring themselves into Boland Bubbles to wash money for “homeboy.” With the FBI hot on their trail, will they find a way to stay above water?
Station 19 and Grey’s Anatomy – ABC (March 11)
After going on hiatus in December, the Shondaland shows return with a crossover that tackles the issue of human trafficking.
A Million Little Things – ABC (March 11)
After a nearly three-month wait, A Million Little Things is finally getting new episodes and it’s going to tackle the COVID-19 pandemic. Per the synopsis: “As [the virus] becomes more widespread across the U.S., Boston goes into lockdown putting Rome’s movie in jeopardy and forcing Maggie to return home from Oxford. Because the hospitals are overwhelmed with patients, Eddie’s back surgery is cancelled, leading him to take desperate measures to cope with the severe pain.
Love Alarm – Netflix (March 12)
The popular K-drama about an app that alerts people if someone in the area likes them returns for its second season on Netflix!
Operation Varsity Blues: The College Admissions Scandal – Netflix (March 17)
You’re familiar with the college bribery scandal that brought down Aunt Becky and other wealthy parents who stopped at nothing to get their children into top-tier universities. The documentary synopsis reads: “Using an innovative combination of interviews and narrative recreations of the FBI’s wiretapped conversations between Singer and his clients, Operation Varsity Blues offers a rare glimpse into the enigmatic figure behind a scheme that exposed the lengths wealthy families would go to for admission into elite colleges, and angered a nation already grappling with the effects of widespread inequality.”
Everything you’ve heard is true. But you haven’t heard everything. Using real conversations recreated from FBI wiretaps the filmmaker behind Fyre brings you Operation Varsity Blues: The College Admissions Scandal pic.twitter.com/kwsqTCSkqq
— NetflixFilm (@NetflixFilm) February 22, 2021
The highly-anticipated Marvel action series brings together Falcon and the Winter Soldier, who “team up for a global adventure that will test their survival skills — as well as their patience.” Starring Anthony Mackie and Sebastian Stan, the action picks up after the events of “Avengers: Endgame” with the first two episodes airing on the streamer on March 19 and March 26, respectively.
The Irregulars – Netflix (March 26)
The Sherlock Holmes spin-off series follows a group of “troubled street teens” who are wrapped into solving crimes and saving London from supernatural elements by the “sinister Doctor Watson.”
Pooch Perfect – ABC (March 30)
Pitch Perfect star Rebel Wilson is set to host this dog grooming reality competition that’s based on a UK competition of the same name (also hosted by Wilson). The episodes will spotlight 10 dog groomers around the country competing in challenges.
— Jorge Bendersky (@JorgeBendersky) February 19, 2021
Coming 2 America – Amazon Prime (March 5)
Comedic geniuses Eddie Murphy and Arsenio Hall reunite as Akeem and Semmi to take audiences back to Zamunda, the royal country made popular in the 80s. It’s worth the watch if only for nostalgia’s sake.
Raya and the Last Dragon – Disney Plus (March 5)
After being delayed the coronavirus pandemic, the film will finally debut months later. It’ll premiere simultaneously on Disney+ Premier Access and in theaters on the same day! Per the synopsis: ” Long ago, in the fantasy world of Kumandra, humans and dragons lived together in harmony. However, when sinister monsters known as the Druun threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, those same monsters have returned, and it’s up to a lone warrior to track down the last dragon and stop the Druun for good.”
Moxie – Netflix (March 3)
Amy Poehler lends her talents to a second Netflix original about a shy 16-year-old who is inspired by her mom’s rebellious past and publishes an anonymous zine to tackle sexism inside the high school hallways.
Yes Day – Netflix (March 12)
Saying “no” to your kids can be difficult, so parents Allison (played by Jennifer Garner) and Carlos give their kids one day where they say “yes” to all their requests.
Paper Lives (Kağıttan Hayatlar) – Netflix (March 15)
The Turkish drama finds warehouse worker Mehmet (starring Çağatay Ulusoy) working in an impoverished neighborhood where he becomes responsible for a small boy.
‘Feel Good’ Season 2 Packs Quite the Punch
In Season 2, the final adaptation of comedian Mae Martin’s (they/them) semi-autobiographical comedy, Feel Good takes on much more content in its short six episodes, packing quite the punch.
We’re guided deeper through the traumas of the primary character Mae and left wondering how they’re able to stand on their own two feet after years of childhood grooming, drug addiction, and parental toxicity.
The light answer to this is humor. As it’s joked often throughout the episodes, “comics are supposed to be sacks of shit.” Through light-hearted comedy and the power of laughter, Mae’s story is dissected. However, at times, big topics are rushed and viewers are left grasping at strings, wishing there were more episodes in the season.
Following an unfortunate relapse in Season 1, we’re immediately thrown into Mae’s life in Canada, as they’re about to reenter rehab. They’ve only been away from England for a couple of months, but with the fresh wounds of the breakup, both George (Charlotte Ritchie) and Mae aren’t healed and are still stuck in their desire for each other. I mean, Mae still has George’s photo on their nightstand!
While in rehab, Mae reconnects with an old “friend,” Scott. When he’s first introduced we’re left wondering who he is and what his role is in Mae’s life. As an addict and queer comedian, there’s much more behind Mae’s curtain of trauma than initially presented in Season 1. Much more trauma that’s led to rash behavior, and Mae’s conversation with Audrey, easily foreshadows this.
Intertwined with the main storyline, Mae’s also navigating their non-binary identity. Mirroring Martin’s own coming-out as non-binary, Mae’s figuring it out, explaining that they see themselves as more of a Ryan Goslin or Adam Driver.
Again, with only six episodes to squeeze so much storyline into, Mae’s rehab stint only lasts 15 minutes into the first episode before they’re running out the door back into the arms of Scott.
As Mae’s stumbling through life in Canada, George is also trying to keep her mind focused on things like saving the bees. At an event at her school, she meets Elliot, a bisexual, polyamorous man with who she bonds. He’s the nice guy, maybe too nice for George. He’s one of those men who are self-proclaimed progressive and ultra-feminist, trying to mansplain the harm in porn’s presentation of women and how sex needs to be a safe space for connection.
And as Mae knows, that’s definitely not how George likes to be treated during sex. Thankfully, George and Mae reconnect, and Elliot is quickly out of the picture with Mae and George recreating their first meet-cute, hoping to restart from a fully healed wound.
As Feel Good is written by a queer person, the portrayal of queer sex is finally construed in a realistic and non-hypersexualized manner. Mae and George run through various role-playing scenarios as they are falling into what seems to be a healthy relationship.
Realistically, their timeline is rushed, but Mae needed some stability before they faced the bigger demons hiding under the bed.
The show cleverly depicts Mae’s moments of withdrawal and trauma responses through a high-pitched ringing sound. As if we’re inside Mae’s head. Originally, Mae experienced the ringing sound when they were with George, as George was a replacement drug. But, in this season, the ringing sound appeared whenever the past tried to resurface.
Mae told Audrey that they had a hard time remembering the past, that it was all like a jumbly tumbly mess of Tupperware containers. But, as the episodes progress, each Tupperware slowly found its way to its matching lid.
It becomes clear that Scott isn’t just an old friend, but a man who used to abuse and take advantage of Mae. After Mae’s kicked out of the house at a young age for drug addiction, they move in with Scott who presents himself as a safe haven and gateway to Mae’s comedic success. When, in reality, he’s a pedophile who’s grooming them.
When a woman calls Mae to talk about Scott, presumably about the things he did to both of them in the past, Mae’s reminded of the trauma they had compartmentalized. A doctor suggests Mae might have PTSD, and with George’s help, they begin the journey of confronting the harmful past.
Meanwhile, through all of the personal traumas, Mae’s working through their professional success after being signed with an agent and fulfilling their dream of TV comedy. However, Mae finds it challenging to reinvent their success from the original standup virality that got them the agent in the first place. As mentioned earlier, with comics, the butt of their jokes is their own trauma.
Unfortunately, as Mae hasn’t healed from their trauma, there’s no way they can make light of it yet. As their career goes for a bit of a downhill turn, and they have a hard time performing for an audience, they begin to seclude themselves and withdraw from the world.
In a much-needed getaway, Mae, George, and Phil take a trip to Canada in order for Mae to confront Scott.
The scene in which Mae directly tells Scott they never want to speak to them again, although a bit anticlimactic, was retrospectively a strong scene that finalized Mae’s character arc in the perfect ending to a witty, raw, and endearing show.
The final episode leaves Mae leaps and bounds beyond where they had been before on their road to recovery. And just as Mae’s love for George grew healthily from a need to a want, our need for a Season 3 resolved itself, and we feel good saying our final goodbyes to Mae and George, knowing fully well they are on their way to a fresh start.
‘Elite’ Season 4 Review: New Students, New Mystery, Same Scandalous Drama
The wait is almost over.
On June 18, Elite returns for its fourth season, but aside from a few new faces and a new principal hellbent on making a difference, things at Las Encinas haven’t changed much at all.
In fact, things are more dramatic than ever.
The premiere of Elite evokes the same feelings as the start of the school year — there’s a rush of excitement for what’s to come.
The series indulges in more of what has made it such a success: scandal, parties, threesomes, love triangles, intrigue, crime, and sex. So. Much. Sex.
I always forget just how many vivid sex scenes there are until I get pulled into a new season, but I’m very quickly reminded.
The first day of school for Guzman (Miguel Bernardeau), Samu (Itzan Escamilla), Ander (Arón Piper), Rebeka (Claudia Salas), Cayetana (Georgina Amorós), and Omar (Omar Ayuso) is bittersweet. While they may be getting another shot at repeating their final year, their classmates Carla, Lu, Nadia, and Valerio have moved on to bigger and better things. It’s a bummer to lose such a great group of characters, but you almost don’t feel their absence when the new crop of students takes their place, flips the world upside down for current students, and simultaneously ushers in a brand new mystery.
The new mystery anchors the story, and like in seasons past, it plays out with flashbacks that lead up to the fated moment.
However, unlike in previous seasons, we find out pretty early on who is at the center of the mystery with the how remaining the big question mark.
But there’s no question about whether the Blanco family is involved.
As Ander tells the investigator, the toxic family’s arrival “tainted everything.”
Benjamin (Diego Martin) is the extremely rich new school director. He comes in like a bulldozer with big plans to rehabilitate Las Encinas and its reputation after a tumultuous few years that led to two student deaths. He begins his reign by setting his sights on Samu and Omar, who he doesn’t believe belong at the elite school.
It’s honestly surprising anyone wants to send their children to get an education there at this point.
Benjamin doesn’t waste any time making changes, but with his focus solely on “discipline, excellence, and achievement,” he fails to realize that his family’s arrival brings the bulk of the drama.
Immediately, you begin to wonder how Benjamin plans to fix a whole school if he can’t even control his own children — Ari (Carla Diaz), Patrick (Manu Rios), and Mencia (Martina Cariddi).
Benjamin has a fraught relationship with his youngest, Mencia, who has brought the family pain in the past and continues to rebel and defy her father at every turn.
She has a genuine connection with new girlfriend, Rebeka, but the relationship stirs up even more problems for Mencia as Benjamin disapproves and thinks Rebe is a bad influence considering her mother’s reputation as a drug kingpin.
Little does he know, Mencia has gotten into a world of trouble all on her own.
While Rebe’s relationship with Mencia grows into one of the purest this season, following Samu’s betrayal last season, she’s understandably closed off and cautious with her heart.
Ander and Omar are still going strong but find their relationship is tested in unexpected ways when they invite Patrick, Benjamin’s son, into the fold.
Patrick knows the power he wields over them and intentionally meddles in their lives, but there’s also much more to him than meets the eye.
Ari is Benjamin’s star child who respects and listens to her father, but to her peers, she’s the resident mean girl who is oftentimes uptight and has a chip on her shoulder.
She catches the eye of both Samu and Guzman, which fractures their budding friendship. These two have always fought over women, but last time, Samu was being protective over his best friend, Nadia, who Guzman is still dating when the season commences.
Nadia appears only via video chat from her New York apartment, and their relationship allows the series to explore the trials and tribulations of a long-distance relationship that’s tested as temptation lurks right around the corner for Guzman.
While Guzman stands a chance with Ari based solely on social class and standing, Ari and Samu connect unexpectedly in an academic setting.
Who will the love triangle favor in the end?
Additionally, the school has attracted the youngest royal heir in Europe, Prince Philippe (Pol Granch). The series flips the classic “princess and the pauper” narrative to “prince and the pauper” as he connects with the school’s janitor Cayetana, making all of her fantasies come true.
But as the saying goes, “be careful what you wish for” as this fairytale quickly turns into a nightmare when it’s revealed the prince has a dark secret, and Cayetana’s past secrets with the late Polo and Valerio come back to haunt her.
Overall, you know exactly what you’re getting into when you press play on the fourth season. The writers have managed to deliver yet another incredibly intoxicating season about a group of lost souls looking for a purpose and tapping into the extreme lengths they’ll go to numb their pain.
Elite hits Netflix on Friday, June 18 with eight brand-new episodes.
*This review is based on the first four episodes of season 4 that were available to the press*
WATCH: Mel and Jack Talk Starting a Family in ‘Virgin River’ Season 3 Trailer
There’s plenty of baby talk going around in the Virgin River Season 3 trailer!
Netflix dropped the trailer for the upcoming drama on Friday, June 11 and it doesn’t waste any time answering the question on everyone’s mind: does Jack survive?
It’s quite an obvious answer considering there is no show without Jack, but if it’s been keeping you up at night, the good news is that he does.
Of course, that doesn’t put the question of who shot him to rest. (And we have some theories you can check out right here!)
As he recovers, he’s blessed to have Nurse Mel by his side.
With their romance finally heating up, the nosy locals in town begin asking questions about their future — is marriage in the cards? And what about babies?
Mel’s history will definitely come into play, especially as it was always her dream to have a child. But Jack is a new father to twins (at least we think they’re his) with his ex Charmaine.
Luckily, Charmaine is no longer hung up on him as she’s found a new man who is there for her and the kids!
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