Game of Thrones ‘ theme song rules.
I didn’t even watch the show, but when I hear this song, even I’m thinking, “Oh yeah time for some epic s***!” Ramin Djawadi is an awesome composer (obligatory Person of Interest shout out), and the Game of Thrones theme song is another excellent piece by him.
It follows a standard “epic music” formula to a T.
This isn’t a criticism. Something normally becomes standard because it works, after all, so there is nothing wrong with using patterns that have historically worked to assist you in crafting the mood you’re trying to set.
If you wanted to write a Christmas song, for example, you could throw in some jingle bells. We identify jingle bells with the season, so that’s an easy way to get the spirit of your music across (We purposely saved this article for after Christmas so you wouldn’t go insane suddenly hearing jingle bells in every single song). When it comes to scoring, a clear depiction of the tone you’re trying to set is key.
So how do you write an epic theme song like Game of Thrones? Let’s write one together!
Step 1: Pick three or four standard chords to use, normally starting on a minor chord and moving to major chords before returning to base.
I picked D minor, Bb Major, F Major, and C Major (or i, VI, III, and VII)
Step 2: Create an energetic riff outlining the first chord of whatever key your piece will be in, or just play the root of your chord in an energetic syncopated manner ala “He’s a Pirate” from Pirates of the Caribbean
Step 3: Write a melody that also outlines your chords, often with quick steps leading into your next chord to give the melody energy, and simply have your bass line play the root of each of your chords. Have a lowkey drum keeping the beat.
Step 4: Repeat your melody either an octave higher or by moving upwards to a new key and emphasize the drums.
BOOM you have an epic theme song.
Of course, you can add other supporting melodies and instruments to make it sound even more epic!
On top of this basic formula, however, Game of Thrones’ theme does some excellent work to achieve its primary goal in setting the tone.
The decision to leave out brass instruments contributes to the solemness of the series, as brass instruments in pieces like these are often naturally heroic sounding. The chamber choir lends an air of old school medieval church times, giving the song a Godly presence. The mix up of the major chord in the beginning riff also prepares the viewer for unexpected twists in the upcoming narrative. This is excellent storytelling through music all around.
The way it builds on its initial riff (as the melody is basically just the riff at a slower pace) is also smart writing and a brilliant way to make the tune as memorable as possible.
These are the decisions that turn a piece from “generic epic” into “actually epic.” Care and thought matter in a score, and it’s what separates Djawadi from other composers while also allowing Game of Thrones’ theme song to stand out even amongst similar pieces.
The beating drums, the shifts up an octave or into a different key, the orchestration; all these facets contribute to the feel that you’re moving forward and into an epic battle, which is why we feel like something big is about to go down when Game of Thrones starts up.
Game of Thrones’ theme does a particularly great job of conveying that epic feeling. Now if only I had enjoyed the show as much as I do the music.
For other examples of epic songs that follow this kind of formula, check out the pieces below!
- “He’s A Pirate” Pirates of the Caribbean – Klaus Badelt and Hans Zimmer
- “Arrival to Earth” Transformers – Steve Jablonsky
- “Iron Man 3” Iron Man 3 – Brian Tyler
- “The Avengers” Avengers – Alan Silvestri
- “Titans Spirit” Remember the Titans – Trevor Rabin
- “Ben” National Treasure – Trevor Rabin
- “The Orange Man” Unbreakable – James Newton Howard
Madelaine Petsch’s ‘Hotel for the Holidays’ Is a Gem Among Cliché Films
There are a lot of Christmas movies out there, which is why it’s important to make the right choice this holiday season. After all, no one has the time to waste over two+ hours on a bad movie.
At the top of your list should be Hotel for the Holidays, a rom-com that offers a refreshing take on a festive genre that oftentimes lacks creativity simply because the forces behind the scenes know it will make money regardless as everyone longs for a slice of familiarity and comfort around the holidays.
There’s plenty of Christmas magic (it must’ve slipped through the cracks) in Hotel for the Holidays, and it sneaks up on you—and Madelaine Petsch’s character, Georgia—in the best possible way. It’s Amazon Freevee’s first original holiday flick, and hopefully, not the last.
The plot is rather simple on the surface, but it isn’t predictable as with other holiday rom-coms.
Here’s the gist: Georgia is a young and ambitious hotel manager at the historic Hotel Fontaine (it gives The Plaza Hotel vibes from Home Alone 2), which attracts an eclectic bunch of guests, including some heartbroken singles, an infamous popstar, a European ex-prince looking for a taste of the real world, and more. They all arrive in New York City for the holidays looking for an escape from the norm, and Georgia is determined to give it to them. However, she also has her own plans and goals that get her into a bit of a love triangle with the hotel’s chef, Luke (Mesa Massoud from the live-action Aladdin), and the ex-prince, Raymond (Max Lloyd Jones from Book of Boba Fett). It also stars Kayleigh Shikanai (American Gods) as Pandora, Jami Belushi (According to Jim) as Kiki, Neil Crone (It) as Milton, and Jayne Eastwood (My Big Fat Greek Wedding) as Florence.
Pretty early into the film, it’s obvious how Georgia’s romantic life will resolve itself, which allows the film to dig into other captivating subplots that are positively unexpected. Unlike other holiday films, Georgia values herself beyond a romantic partner, which, right off the bat, is a breath of fresh air.
The supporting cast plays an integral part in the film, right down to the chef’s best friend/fellow chef and the janitorial staff. They may not be the sole focus of the series, but the team behind the rom-com found a way to involve them in a way that’s natural and easy to keep up with. Pretty soon, you find yourself rooting for the happiness of everyone at Hotel Fontaine—the staff and the guests.
The acting is also great. It’s just the right amount of feel-good so it never feels forced, nor do the character’s choices seem questionable. It’s all believable within the world they’ve created, aside from the scene where they are dining on a rooftop in the dead of a New York City winter without jackets or even sweaters. How are they not cold? As for the few over-the-top performances and characters, well, they also work—the prince’s bodyguard (AJ Zoldy) is a delight.
If I’m being perfectly honest, the magical thing about the film is that it’s a love letter to the community of people you surround yourself with: your found family.
The film doesn’t just settle for telling a story about two people who finally admit that they love each other because that’s tired and expected. Instead, it recognizes that romance comes in all shapes and sizes—in romantic partners, in co-workers, in friends, and even in new acquaintances that pass through your life for a brief moment (or stay awhile).
The storylines come together seamlessly, and the themes of belonging and acceptance—in addition to staying true to yourself, finding the inspiration to pursue your goals and ambitions, and acknowledging that it’s ok to move and find happiness on your own terms, even if it doesn’t always please everyone—help the film stand out among the other cliche seasonal offerings.
Most importantly, Petsch shines… and it’s so deserved. The film allows her to show off her range of acting chops that, sadly, get stifled on Riverdale. The CW series may have been her mainstream big break, but it stopped working in her favor a long time ago, so it’s exciting to see her take on new projects and characters.
Of all the Christmas films that I’ve seen in 2022 thus far, Hotel for the Holidays is one of the best.
Check it out for yourself when it premieres on Dec. 2 on Amazon’s Freevee.
9 TV Shows to Watch After Thanksgiving Dinner
Thanksgiving is a time for reconnecting with friends and family and indulging in some delicious meals.
But after all the turkey, sides, and pie is cleared off the plate, the only acceptable activity is binge-watching some feel-good TV shows.
Here are some post-Thanksgiving dinner show suggestions:
You’ll be just as surprised as Mel to fall in love with the picturesque town of Virgin River. Come for the views, stay for Jack.
Hart of Dixie
Dr. Zoe Hart arrives in Alabama looking for a fresh start and learns that the Southern way of living might actually be what’s best for her.
An unbreakable mother and daughter bond, a charming town that would make any Lifetime movie jealous… plus, an unspoken love for coffee? Say no more.
Selena + Chef
You might know her as a Disney Channel actress and pop star, but now, she’s adding chef to her resume. And since Thanksgiving is all about food, this is one show you don’t want to pass up.
You might think it’s odd that a mafia crime drama made the list, but at its core, the series is about family and how far two dedicated and loving moms would go for their family. It’s a thrill from beginning to end!
The modern-day update to the Chuck Norris classic hones in on family above everything, with a side of roundhouse kicks.
A Million Little Things
A group from Boston bond under the unlikeliest of circumstances and get a much-needed wake-up call following the death of a close friend.
Though it falls into the “sci-fi mystery” category, La Brea hinges on a family determined to find their way back to each other despite all the obstacles standing in their way and all the sacrifices needed to be made.
Dream Home Makeover
If there’s ever a time to get inspired for a home makeover, it’s after the holidays (and during Black Friday when everything is on sale!) And the McGee family is the cherry on top!
This is… a no-brainer. No show captures the essence of what it means to be a complicated, loving, flawed, and fulfilled family more than this NBC drama.
When Is ‘Dead to Me’ Season 3 Coming Out?
There’s been a lot of buzz about the upcoming third season of Dead to Me, which will, unfortunately, also be the final season of the Christina Applegate and Linda Cardellini-led comedy drama.
When Will Dead to Me Season 3 Premiere?
Well, the wait is thankfully almost over because the series is set to hit Netflix on Thursday, Nov. 17, 2022.
And that means, you’ll have the whole entire weekend to binge watch all 10 episodes to see how Jen Harding and Judy Hale’s adventures come to an end.
It’s been a bit since new episodes aired, however, with Dead to Me Season 2 dropping on the streaming giant in May 2020. The COVID-19 pandemic along with Applegate’s MS (multiple sclerosis diagnosis) delayed the upcoming season significantly, so it’s understandable if you don’t actually remember where things left off.
How Did Dead to Me Season 2 End? Let’s Recap!
For starters, a dog digs up Steve Wood’s body with his brother, Ben, getting the dreaded call. Judy and Jen find the money that Steve was laundering for the Greek mafia behind the frames of Judy’s art paintings, which allows them to buy out the house and get a new car for Charlie with a shiny new bow on top. Unfortunately, on their way home, they get into an accident with another vehicle… and it’s revealed that the driver that hit them is Ben, who has an empty bottle of liquor by his side. He’s a little banged up, but he drives away. This is honestly messy, so I’m glad we’re on the cusp of the new season. And on top of all of that, Charlie finds the letter that Jen wrote (and Judy didn’t destroy), which probably includes way too much information about what’s going on.
Dead to Me Season 3 Trailer
Applegate on Filming the Final Season
Applegate, who recently received her much-deserved star on the Hollywood Walk of Fame, told Variety that while filming the new season of the Emmy-award winning drama amid her MS diagnosis was challenging (she had to use a wheelchair to get to set because walking was difficult and painful), she remained dedicated to finishing out the story for fans, which we truly admire and are grateful for.
When the creative forces behind the show asked if she wanted to pull the plug since they felt like they were “torturing her,” she replied, “But I was like, ‘No, no, no, no, no, no: We have to finish this story. It’s too important to our hearts; too important to our souls. And we have to give this gift, not only to ourselves — there are people that love these characters, and we’ve got to let them have their closure too.’ So, if that meant me having to take a break in the middle of the day so I could go sleep — or me just leaving because I couldn’t do anymore — then that’s what we had to do.”
And knowing how much dedication went into it will make watching this season so more rewarding and gratifying.
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