The suburban dream turns into a nightmare when Joe and Love move into the quiet, safe, and crime-free town of Madre Linda on You Season 3.
The family of 3 — yes, they’re parents now — are looking for a change, but can a zebra change its stripes?
Joe and Love surely want to… for Henry, their new bundle of joy. If there’s anything that can change a person, it’s parenthood. And the series digs into their desires to change deeply, while continuously asking the question: can people as broken as Joe and Love actually change?
While the addition of a third Quinn-Goldberg family member ups the stakes and paints everything in a new light, it’s also heartbreaking to see a child paying for the crimes of his parents.
Murder is bad, but murder with a baby that’s sleeping in the same room is even worse. The writers know that all too well. They know how disturbing it is to involve a child, so they juxtapose the innocence and love needed to raise a child with the disturbed inner monologue of two sociopaths.
Joe and Love are proof that you cannot judge a book by its cover. On the outside, they’re the picture-perfect family; the “best team” if you will, but right beneath the surface, they are a timebomb ready to explode.
The trust faded long before Henry was born, and despite their time spent in marriage therapy (at least they are able to recognize that there’s a problem and seek help), Joe, a murderer, cannot get over the fact that Love has killed before, a fact revealed in the final few moments of season 2.
At times, you want to just shake them both and remind them that they’ve both done terrible things not only to each other but also to others.
Joe justifies his kills but judges Love for them, which just tells you everything you need to know about the state of their marriage.
The hypocrisy exists within both of them this season, and, at times, it makes them almost insufferable as they cannot take what they dish out.
Joe thinks that moving to a “soulless suburb” will be the death of him, but naturally, it proves to be most dangerous to all those in their new social circle.
But before it all goes downhill, their new beginning starts off promising — Love opens a bakery, while Joe rediscovers his love of books. As they aim to fit in and make new friends, relationships become more complicated, and despite Joe’s insistence that “things will be different this time,” they are very much the same as they fall back into old patterns.
Marriage and kids do not stop Joe from his delusional obsessions, but they do give him a conscience. He wants to be better, he tries to do the right thing, and he attempts to retrain his thoughts.
And to be fair, he’s not responsible for most of the murders this season so much as he is for cleaning up all of Love’s messes.
Maybe change is possible to some extent after all? And that’s exactly what the writers want — viewers to straddle the line of being horrified by Joe while also empathizing with him.
Love, however, gives in to her impulsiveness all too easily and undoes any progress they may have made.
Joe, as the villain, takes a backburner to Love, who the series unravels as a much more realized character. Love is no longer Joe’s obsession anymore; she’s achieved main character status, and I’ll be honest, a female Joe is oftentimes much more terrifying and ruthless.
We get to know her on a deeper level as her journey through motherhood evolves and she aims to befriend the tacky athleisure-wearing socialites while aiming to hide the darkest parts of herself and mourning Forty’s death all at the same time.
It’s not just Joe anymore, it’s Love and Joe. They put a mirror up to each other, and boy, they do not like what they see. If you look up a “love and hate” relationship in the dictionary, you’ll get Love and Joe.
We already knew they were disturbed individuals, but season 3 truly hammers it home.
One might think that after two seasons, things become predictable and lose their allure. We know what these two are capable of, and we know that they won’t hesitate to spill blood over the slightest inconvenience, yet that doesn’t stop the series from surprising with every twist and turn.
You think you know Joe and Love, but you really haven’t begun to scratch the surface, which is what keeps you on the edge of your seat.
As the mystery deepens — and the body count rises — you find yourself not only wondering whose next but also, how are they going to get out of this?
What will be their undoing? At some point, something’s got to give because their lifestyle isn’t sustainable. And no amount of charm from Joe can erase the damage they’ve inflicted.
In addition to providing timely social commentary — unintentionally — the season also digs into the backstory of what made Joe and Love the monsters they are today.
As Love’s dysfunctional relationship with her mother, Dottie, is explored further in the present day, flashbacks into Joe’s childhood trauma allow us to get more insight into his abandonment and the bullying he endured at the foster home.
The season manages to tap into the sweet spot that made the first two seasons so enjoyable; it’s a thrill from beginning to end.
And when it’s all over, you too will find yourself looking for your new obsession. Hopefully, that obsession is YOU season 4 pending a renewal from Netflix!
Inventing Anna Series Premiere Review – Who the Hell Is Anna Delvey? (1×01)
From the creative mind of Shonda Rhimes comes Inventing Anna.
It’s the story of Anna Delvey that you’ve likely heard before, but with Shondaland’s exclusive twist on it.
Delvey, real name Anna Sorokin, was a faux socialite who scammed New York’s high society, including hotels, banks, Wall Street, and elite friends.
The Russian immigrant posed as a German heiress in an attempt to steal millions of dollars from the wealthy.
But despite having Sorokin’s name in the title, the first episode of the Netflix limited series hinges heavily on Vivian Kent, the ambitious journalist who landed the tell-all interview with Delvey.
Anna Chlumsky (who you might remember from the ’90s My Girl fame) is a powerhouse in the role as she sets her sights on Delvey/Sorokin (played by Ozark’s Julia Garner) in order to revive her career.
Kent has been banished to “Scriberia,” a corner of the office where she’s convinced journalists go to die. After coming upon Delvey’s upcoming trial, she sniffs out a case and tries to convince her bosses — Paul and Landon — to cover the story.
Unfortunately, neither of them seemed particularly moved by her spiel as they insist she covers the women of Wall Street’s #MeToo plight.
Kent, however, doesn’t feel compelled to bully these women into telling their stories for clickbait and pursues the Delvey story instead.
The more she digs, the less she knows.
Delvey is an enigma who seemingly crafted many personas while schmoozing with New York’s upper echelon.
Eventually, Kent is able to convince the editor of The Manhattan (the show’s New York magazine) to let her roll with the story.
It’s unclear why her editor, Paul, has it out for her, but the series seems to purposefully leave Kent’s background vague throughout the episode.
All we know is that something went wrong, a little boy was involved, Google will remember it forever (the internet never forgets), and that’s she’s desperate to revive her career, a feat she hopes to accomplish before she has her baby girl. When she realizes that it might not be possible, she has an entire breakdown at the gynecologist’s office during the ultrasound, which, as a woman trying to juggle a career and motherhood, is all too relatable.
And then — she gets the absolute motivation to convince Delvey to reject the plea deal being offered and fight for her reputation as well.
In an intense meeting where Kent levels with Delvey, she convinces her that she deserves to have her story told.
But that’s not what ultimately persuades Delvey. As a journalist, you want something from your subject, but in order to get it, you also have to know what your subject wants. So, in exchange for her story, Kent promises Delvey the one thing she wants more than anything: fame.
After all, Delvey herself claims that the persona she made up is a “masterpiece, bitches,” while the friends she conned note that she was a “legend” and “icon.”
In that pivotal scene, it seems as though Kent has fully tapped into why Delvey concocted her scheme in the first place. While she claims to be a businesswoman who wanted to secure a loan for an exclusive club she wanted to open up, Delvey was obsessed with the high life; the exclusivity of being an “it” girl.
Kent tapped into the vein fueling Delvey’s motivations this whole time — even from the depths of Rikers.
While the series is based on a true story, it’s definitely not an accurate depiction of what really happened, but that’s neither here nor there because the episode is wildly entertaining and keeps you hanging on to every single delusion Delvey divulges.
Much of Kent’s background — even if vague at times — is presented, while there’s just enough of Garner’s Delvey, with her intense accent, to hook you into coming back for more.
Though neither would admit it, Delvey and Kent have one thing in common — the need to prove themselves, which makes this profile something that’s in both of their best interests.
And it’s even in the interest of Delvey’s lawyer, Todd, who also wants to prove himself as an ADA.
Todd, played by Arian Moayed, is definitely battling some insecurity issues. He even tells his wife, a powerful attorney working at her father’s firm, that he feels inferior to many of their friends. He may be defending the world’s biggest con artist, but somehow, he’s the one feeling like a fraud while Delvey remains adamant she’s not the criminal they are painting her out to be.
At times, you almost feel for Delvey and start to believe her story, only to realize that her act is one big manipulation tactic. It also becomes harder to empathize with her when she calls Kent out for looking “very poor” and “very, very fat.” However, those moments paint a vivid photo of the kind of things Delvey prioritized, even while spending time in one of the most dangerous prisons.
All of this likely proves that Garner has nailed the role of the woman who was able to manipulate some of the smartest people in the city.
Of course, while much of the back-and-forth dance happens between Kent and Delvey, there’s an incredible supporting cast.
Todd faces off assistant DA Catherine McCaw played by Westworld’s Rebecca Henderson.
Rhimes takes care of her own as Scandal’s Katie Lowes and Jeff Perry; Lowes plays ex-Vanity Fair picture researcher and Delvey’s bestie Rachel DeLoache Williams, while Perry is Kent’s fellow journalist.
The Bold Type’s Alexis Floyd as Neff, an employee at the hotel Delvey stayed at who assists Kent with her story, while Orange Is the New Black’s Laverne Cox will appear as celebrity fitness trainer Kacy Duke.
Inventing Anna has all the makings of a Rhimes hit series, so strap in for the ride because from the looks of it, Delvey is just getting started as we take a peak behind the curtain to figure out what exactly led up to this very prison meeting.
And we can’t wait to see where Garner takes this role as the trial ramps up, which leaves all of NYC’s finest quaking in their boots.
After all, did you ever imagine that Ruth would become the moral heartbeat of Ozark?!
‘The Woman In the House’ – Everything You Need to Know About Kristen Bell’s New Thriller
Kristen Bell is known for her comedic chops, but she’s dabbling a new genre come 2022.
“The Good Place” actress will star as Anna in a dark comedy thriller on Netflix.
Here’s everything we know about the upcoming series “The Woman in the House Across the Street from the Girl in the Window.”
What’s It About?
The series focuses on the heartbroken lead who lives everyday the same way — staring out her window and watching life pass her by while she sips her wine.
All of that is flipped upside down when her handsome neighbor moves in across the street and she witnesses a murder… or does she? Does someone want her to forget? Did she imagine it? Are they the hallucinations?
We’re already totally invested.
Is there a Trailer?
YES! Glad you asked. The teaser is intoxicating and shows exactly why Bell was the right choice for the role!
Check it out below:
Who Else Is in the Series?
Well, there’s Bell. Other cast members include: Michael Ealy, Tom Riley, Mary Holland, Cameron Britton, Samsara Yett, Christina Anthony, and Benjamin Levy Aguilar.
When Does It Premiere?
The show hits Netflix on Friday, Jan. 28, 2022!
Is There Going to be a Second Season?
While it’s crafted as a limited-series that doesn’t necessarily mean that a second season is out of the question. After all, Big Little Lies was also a limited-series. Never say never!
WATCH: Christmas is Here Early With a Trailer for ‘The Princess Switch 3’
Oops… she’s doing it again!
The holiday season isn’t complete without Vanessa Hudgens, who is back once again for The Princess Switch 3.
Netflix has released the official trailer and from the looks of it, it’s going to be filled with comedy, romance, and yes, three different accents and voices all performed by the talented actress.
Check out the trailer below.
Hudgens is once again reprising her roles as Queen Margaret and Princess Stacy, with a new addition Fiona, the cousin.
After the special guest, the Vatican’s Star of Peace is stolen, the two royal lookalikes need to team up together to steal it back. In order to do so, they enlist the help of their cousin Fiona who is also identical to them. The three completely different personalities work together to safely bring back the missing treasure.
Alongside Hudgens, the cast includes Sam Palladio, Remy Hii, Nick Sagar, and Will Kemp.
Netflix will release The Princess Switch 3 on November 18th, so set your calendars!
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