Netflix
Space Force Review – Netflix, We Have a Problem.
Netflix’s highly anticipated series Space Force tries to be a lot of different things. Unfortunately, it spreads itself too thin. It’s easy to see what the program is trying to do, but when all set and done, Space Force doesn’t do much of anything. Heralded by The Office and Parks and Recreation co-creator Greg Daniels and leading comedian Steve Carrell, inspiration and intent are evident. Still, the star-studded cast and style appear plucked from past projects and thrown together haphazardly. The new series lacks cohesion, not too unlike the administration this series serves to mock.
Space Force follows recently promoted General Mark Naird. As Naird receives his promotion, his hopes are high to repace his workplace adversary, the General of the Air Force. Instead, to both of their dismay, Naird is put in charge of the United States Space Force. The organization moves to its own branch instead of remaining under the purview of the Air Force. It’s definitely not what Naird worked his entire career to achieve.
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Naird seems like the type to dislike the administration, implied heavily to be Trumpian in nature. The President remains an off-screen character, however, only referred to by his title. At the same time, Naird behaves dramatically; a behavior expected more of someone who believes in that version of America. The contrast doesn’t quite work for the character. Naird feels disdain for the President, all the while going to extreme lengths to satisfy him. However, this may not be too uncommon with the current state of American politics. The lengths he goes to complete the Space Force mission and hit their goals in a timely fashion is consistent. However, the characterization is still a tough one to swallow. Whether it’s because we’re not used to Carrell playing a character with this mindset, or whether it’s too fresh of an observed situation among politicians is arguable.
The timing of the release doesn’t serve the show well. Space Force attempts to provide commentary and a satirical look at the state of American politics, but muddles the message. As the current state of American politics is messy, and perhaps frightening, the current administration is still in power. As recent societal altering events such as the Covid-19 crisis and the nationwide protests against systematic racism rage on, one has to wonder if Space Force was perhaps released too early. This isn’t the show’s fault. It was created and promoted well before these events began to shape the current American climate. Still, I couldn’t help but feel slightly uncomfortable watching this show satirically comment on contemporary politics in a silly manner, all the while the complicit actions of the American government continue to escalate dangerous conditions for average Americans.
The creators of Space Force took a risk in its early release, which isn’t always a sound idea. Sometimes, there needs to be a more extended passage of time between current events and the fictionalization of these events. Delaying the production of this show could have served the concept better and even opened up more opportunities for satire without exposing a fresh wound for many.
Poking fun at American politics isn’t the only goal the show tries to achieve. Space Force also attempts to incorporate a family-drama aspect. Relocating the Naird family from Washington to Colorado has a multitude of effects on the family. These range from the expected struggle for Naird’s daughter of trying to fit in, to lesser expected consequences, such as Naird’s wife, Maggie, landing in prison for decades for a crime that hasn’t yet revealed itself.
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While a stark contrast from the political aspects of the show, Erin adds layers to Mark that is essential for him to be more than a one-dimensional character. Watching him attempt to balance being a single father (in a way) and his obligations to Space Force deepens Naird’s conflicts. While Carrell’s roles in other projects such as The Office endears viewers occasionally with his care for his employees, Naird is colder to his subordinates in Space Force. His relationship with his daughter brings out the better parts of him. And it’s his family relationships that form the basis for his emotional struggle with being open and allowing himself to acknowledge his stress and emotion in the fourth episode, LUNAR HABITAT.
Sidenote: When viewing the show on Netflix, the episode titles are stylized as short statements in all capital letters, an obvious play on the nature of Trump’s tweets, which was a detail I appreciated.
When it comes down to it, Space Force’s problems boil down to its lack of identity. It doesn’t know what type of show it wants to be. The comedy is inconsistent – sometimes it’s outlandish, sometimes it’s deadpan, occasionally intellectual, and occasionally crude, but most of the time, the jokes don’t land.
But sometimes, they do.
My favorite episode of the season is the second one, SAVE EPSILON 6!, which focuses on The Space Force team attempting to save their satellite launch with animals sent (and abandoned) in space after Chinese forces sabotaged their launch. The comedy in this is outlandish and ridiculous. However, the special effects and animal gags make it the most enjoyable episode of the first season.
Another noteworthy moment is when Captain Angela butchers her first words upon landing on the moon, which was a critical moment as she is the first Black woman to step on the celestial body. Attempting to say, “It’s good to be back on the moon,” she suffers a Freudian slip, replacing the word ‘back’ with ‘Black.’ Being one of the few moments that elicited a physical response from me, the build-up to this slip was well-executed.
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Angela also ends up being one of the more endearing characters in Space Force, even though the show wasn’t sure what to do with her. They pair Angela up with Erin for a good portion of the beginning of the season, then send her to space in the back-half of the season. Presumably, this will be to anchor the Moon-based arc if the show obtains renewal. However, this leaves Erin in a much more isolated state if the show is to return for subsequent seasons.
Most of the time, however, the jokes don’t hit. When watching, I was aware of what was supposed to be funny, but my brain didn’t register the jokes as humourous. Without the strong cast, Space Force would have fallen entirely flat. The strength of the cast isn’t just limited to the most prolific actors. Well-known, John Malkovich’s presence as the less-nonsense scientist serves as the sane-man insert. He provides an anchoring perspective that makes the insanity of Space Force’s circumstances easier to digest. Jimmy Yang as Dr. Kaifang unexpectedly provided my favorite comedic presence. Known for Silicon Valley, I wasn’t familiar with this actor going into Space Force. However, his deadpan delivery lands as the best humor of the cast.
Steve Carrell has a commanding presence that is hard to balance. Space Force did its best to balance him out, but many times did not succeed. With too many variances of comedic style, the lack of cohesion left me wondering: what is the point of the humor?
And, with this issue of erratic choices in the development of the show, I found it hard to see the heart of Space Force, save a few endearing moments between Naird and his daughter, and Naird and Dr. Mallory, which arguably is necessary for a comedy like this to resonate with viewers. Other similar shows have a certain charm or heartwarming quality, but as mentioned before, Space Force’s is few and far between.
Picking aspects and dynamics that have worked in other recent acclaimed comedies isn’t always a recipe for success. The inspiration is clear, but for a show like Space Force to succeed, there needs to be a more evident intention. Things happen, not for progression or commentary, but for the sake of happening. Having Ben Schwartz as the social media manager of the military branch is a great idea. However, somehow, they underutilized Schwartz, which is a crime considering how beloved his roles are on other shows.
Space Force’s humor isn’t the only aspect lacking identity. The overall genre seems inconsistent, as well. Sometimes a dramedy, sometimes a workplace comedy, sometimes a family drama, these different storytelling elements don’t always mesh together. The show even takes a stab at space tropes, launching humans to the moon. However, adding in this new aspect doesn’t elevate Space Force in any way. Instead, it just adds another cluttered element to the recipe for season one. Space Force feels empty even though so much goes on.
But don’t give up hope yet. Despite the issues outlined, with outstanding effects and a talented cast, maybe Space Force just hasn’t found its footing yet. Space Force is doing well with viewership, so expect another season to come. Many similar comedies take time to find their rhythm. The Office and Parks and Recreation both took time to grow into their own, so it’s not out of the realm of possibility that Space Force could vastly improve on its style, writing, and execution upon subsequent seasons. However, the binge format could hinder this, leaving the sour taste in viewers’ mouths for a year or more. And who knows what actual events could have transpired by then to effect opinion and viewership?
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All in all, Space Force has strong elements, a talented cast, and a solid foundation for future improvement. Still, it struggles to decide on a direction to lead the narrative. Left as a chaotic combination of things that should work, Space Force doesn’t quite work. Despite this, I wouldn’t recommend against watching Space Force. You will get some laughs. And it’s not a massive undertaking with only ten episodes averaging around half an hour long. After all, television seems to be on hold for a while, thanks to workplace restrictions due to the Covid-19 pandemic. So, there’s not much to lose, but not a whole lot to gain either. I do think Space Force has the potential to grow into something much better, but currently, it doesn’t live up to Greg Daniels’s legacy.
All episodes of Space Force are now streaming on Netflix.
We’re back in the Joanna and Noah’s orbit, and Nobody Wants This Season 3 is fully making up for its lackluster second season.
The first season had us falling head over heels. It was a breakout hit, captivating audiences before the series lost some of its momentum and faced criticism for becoming increasingly repetitive.
But Season 3 plunged into total, necessary and enjoyable chaos, breathing new life into the series and injecting much-needed momentum into its central relationships.
And while yes, the focus was still very much on Noah and Joanne, fan-favorite duo, Sasha and Morgan essentially stole the show and got way too messy for their own good, giving the people what they’ve been wanting.
Let’s get into it—SPOILERS from season 3 AHEAD!
The Engagement
Joanna and Noah’s relationship took on many different shapes in season 3, as their commitment to each other intensified and they found themselves on solid ground, embracing all the firsts of a relationship.
They moved in together, but the bliss faded almost instantly as they discovered just how many of each other’s quirks they’d yet to uncover—like Joanne’s messiness, though you’d think Noah would’ve picked up on that during the dating phase.
However, through it all, they proved that communication is key—and worked through every issue head-on and, most importantly, together and with a united front, which was especially important after their engagement.
Yes—Noah and Joanne are engaged, and while getting to the moment was a bit rocky (Erin Foster, the show creator, really did a number on them as Nicole, the airport fan) and almost got them on the no-fly list, the actual proposal was magical and caught Joanne by surprise, as she was expecting to attend a wedding instead.
Admittedly, there are so many moments during this show where I catch myself wondering how much money they all have to afford renting out an entire venue for a fake wedding. Or Sasha getting his own 3-bedroom apartment. This is LA we’re talking about—these properties aren’t cheap. And yes, I know Joanne has a successful podcast, but honestly, her job was an afterthought for much of this season, with Morgan taking the career spotlight with her “Make Them” philosophy going viral. And Sr. Rabbis do not make that much, my Google search revealed.
Okay, now that I got that out of the way, the engagement stage was short-lived because it went into full wedding planning, mostly against Noah and Joanne’s wishes.
Bina simply couldn’t help herself, as she had a vision for the wedding that she needed to execute. Overbearing mothers-in-law are definitely something many people can relate to, but the issue was that Joanna just got Bina to like her, or, at the very least, accept her, so she didn’t want to just shut down all of her ideas.
Admittedly, I was surprised by all the concessions Joanne was making, despite wanting her Julia Roberts wedding. She went from wanting to have it outdoors and intimate to accepting that it would happen in his backyard with the whole congregation invited.
The season gave us a new and improved Joanne, who often put Noah’s happiness above her own, and began to realize what truly matters in life. Of course, that doesn’t mean she lost all her qualities and made life easy for him, as that couldn’t be further from the truth. She challenged and tested him at every turn—and that man has the patience of a saint. She also let her insecurities get the best of her when her ex Travis turned out to be their next-door neighbor.
I wasn’t too fond of the whole Travis storyline, nor did I particularly think it was necessary. Yes, it gave us a better picture of who Joanna was in her past, the absolutely terrible experiences she had in the dating world, and even underscored how much she’s evolved as a person, even in light of those insecurities and “her lower self” taking over during their housewarming party, but we also knew all of that. Travis was a distraction that didn’t really add anything to the storyline, nor did he pose an actual threat to their relationship.
Nobody Wants This. (L to R) Michael Hitchcock as Henry, Stephanie Faracy as Lynn, Tovah Feldshuh as Bina, Paul Ben-Victor as Ilan in episode 310 of Nobody Wants This. Cr. Katrina Marcinowski/Netflix © 2026
Intro to Judaism Conversion Classes
Joanne’s conversion classes were also a big part of the season, as she was finally taking the plunge so that she could be with him. But being the rabbi’s wife meant that she also had to sell the image and course-correct the narrative, so he was able to get his job back at Temple Chai, where he belonged.
In previous seasons, we saw just how much Noah was willing to sacrifice to be with her, but this season, we saw Joanne living up to that sacrifice. Along the way, she also realized that she wasn’t just converting for or because of Noah; she was doing it for herself, the future she wanted, including the family that she was hoping to start with him. The internal motivation is key to showcasing Joanne’s growth through the course of the seasons, as she aims to be better and do better.
The Wedding
Everything about her relationship with Noah has been a surprise she didn’t see coming, so it only made sense that he decided to get married right there on the beach after her mitzvah. And it was exactly what she wanted (though not the way she may have envisioned it panning out)—outdoors and intimate.
It helped them recenter and refocus on what had been the goal since day one—being together. Without all the frills and noise, the guest list, the party, the DJ, the mother-son dances and everything else.
It wasn’t conventional, but then again, nothing about their relationship ever has been.
It was about the two of them, embracing their connection and taking the next step for the right reasons, when it finally felt right.
And I’m sure the party will follow eventually—Bina will make sure of it—but for now, it was the perfect way to end the season, especially after previous finales repeatedly leaned on breakups and the pressure of conversion. This time, the ending emphasized growth and change, driven by choices they made together and on their own terms. They’ve learned enough throughout the seasons not to get rocked by anything else happening, and simply focus on themselves.
Nobody Wants This. (L to R) Jackie Tohn as Esther, Timothy Simons as Sasha in episode 302 of Nobody Wants This. Cr. Katrina Marcinowski/Netflix © 2026
The Love Triangle
Now, for the extremely messy parts of the season—Sasha, Morgan and Esther!
Esther’s decision to separate from Sasha (whose bleach-blonde hair was a midlife crisis that made him look like a Hemsworth or Ellen DeGeneres, depending on who you asked) to find herself and prioritize her happiness takes center stage, as they initially try to hide it from Bina, before getting to a point where there’s no way to keep explaining Esther’s absences from family events.
As expected, Bina doesn’t take well to the “nesting” (the new conscious uncoupling), but the reality is that things just weren’t working between Esther and Sasha. She wasn’t happy; by the time he realized it, it was too late, and the hope was that time would help them see their relationship in a new light.
Esther, however, found her newfound freedom liberating. In addition to nerves, there’s a thrill to getting back out into the dating world after so long. She could see who she was outside of being a mother and a wife.
After getting her real estate license, she was wooed by Julian, an older, wealthy man who showed her what it felt like to be taken care of for once, rather than always being the one taking care of everyone else. We don’t dig into this relationship as much as we should, so the fact that she fell so head over heels is a little strange, but maybe that’s intentional for season 4.
For Sasha, however, the growth happened more so in the fact that he had to man up and face life alone–no longer coddled by Esther, who took care of everything. He got used to her doing everything, so he didn’t even try, essentially taking the backseat to his own life. But when he’s forced to do it on his own, he realizes he’s actually pretty self-sufficient.
The problem with finding yourself is that, in the process, you run the risk of losing what was once yours—a lesson Esther and Sasha learned almost immediately.
Esther was one of the only people who, for some reason, didn’t anticipate that the decision to let him go would bring him closer to Morgan. Of course, the chemistry between Morgan and Sasha’s characters is likely the only reason the show even split Esther and Sasha up to begin with (and fan demand). But the truth is, even if Sasha never cheated on Esther, he was emotionally crushing on Morgan for quite some time. Even his dad thought he’d slept with her “last year.”
It was only a matter of time before those feelings took over.
I’m torn on this storyline, because I wanted to see them together, but it was also a good time to emphasize that men and women can just be friends, which would’ve been a refreshing take for TV.
Instead, the series opted for dramatic destabilization, disrupting their established worlds and relationships to force new developments—see what happens when you throw it all into disarray.
And it gave us the best episode of the season—Sasha and Morgan’s trip to New York, allowing us to really dig into their connection. They were forced to finally admit to feelings they’ve been circling for quite some time, which snuck up on them. The focus was all on them without any other interruptions, which has never happened before. And they felt more comfortable exploring this away from their home turf, swept up in the magic of NYC because it felt more like an escape, where the stakes didn’t totally matter.
Esther later held all of this against them when, in reality, Morgan and Sasha never intended to fall for each other—they just did. It was pure and innocent, and they tried to fight it as best they could, even considering how it would affect the people around them before realizing that the pull was just too strong.
Sasha was a huge source of support for Morgan, but the more time they spent together, the more they realized their feelings ran deeper than friendship. What made their connection so special was that it was rooted in a genuine friendship. They knew each other better than anyone else, accepted each other despite their flaws and genuinely enjoyed spending time together. Their romantic feelings developed naturally from a foundation of trust, understanding and simply liking each other for who they were.
The episode was so well done as it captured the sexual tension between them, as the dynamic shifted from friendly to more intense. This is the perfect scenario when “ruin the friendship” does make sense. Cue the Taylor Swift song.
But then they both decided it wasn’t worth the risk, as they cared about each other too much and couldn’t afford to lose this.
The scene in their suite, where Morgan was pacing from her room to the couch and kept finding reasons to go check on him, was exceptional, as it captured exactly what they were feeling—the tug and pull of anticipation, lust, desire, and the frustration of wondering whether they should cross the line—until it finally bubbled over.
But instead of making the friendship worth ruining, Morgan sabotaged it the very next morning by running away from anything serious and catching an earlier flight. She then ignored all of his texts and calls before having a heart-to-heart with Joanne, which started off with her yelling at Morgan about how sleeping with Sasha, her fiancés brother, was the dumbest decision she could’ve made before eventually morphing into the realization that she really did love him.
Joanne told Morgan to go after him and profess her love, and for the first time ever, Morgan was so deeply honest and vulnerable, it was like watching a butterfly coming out of its cocoon. And then Sasha rejected her.
It was brutal and frustrating (on purpose), but it also made sense.
Nobody Wants This. (L to R) Justine Lupe as Morgan, Timothy Simons as Sasha in episode 306 of Nobody Wants This. Cr. Courtesy of Netflix © 2026
He was hurt by Morgan and still reeling from a divorce in which his best friend and life partner had decided she wanted more out of life. Naturally, his fear of abandonment kicked in, leaving him terrified of losing another person he cared about.
And so while I wanted nothing more than for Sasha to embrace Morgan, I understood his hesitation and concern.
Naturally, it didn’t bode well for Sasha and Morgan’s friendship, blurring the lines further and making it difficult to go back to how things were. How do you just erase those feelings? You want to spend the day with someone but don’t want to be with them? Morgan couldn’t reconcile it.
And then, in another twist, Sasha and Esther ended up sleeping together while he gave her a tour of the new apartment. One might’ve argued that it was one final hoorah post-breakup, but they also seemed to really enjoy the new situation they’ve found themselves in. Without the pressure of marriage, they were rediscovering each other and finding what made them fall for one another in the first place. There was plenty of love still there, so the door was open for a reunion, even if they were both enjoying their freedom right now without being forced to keep the spark alive.
I would’ve been rooting for them, had it not been for Sasha’s thing with Morgan, which he didn’t even mention to Esther—not that the opportunity ever came up.
Esther and Sasha didn’t seem to mind that they were seeing other people—embracing an open, go-with-the-flow relationship—but it stung when Esther found out he’d slept with Morgan.
She felt betrayed because their hook-up was more meaningful; Morgan was a woman Esther worried about since they’d met, but was also assured that there was nothing there.
In a moment of revenge, and in front of all the parents, she told Morgan that she slept with Sasha the day prior.
This prompted Joanne and Morgan’s dad to bluntly ask him, “Why are u sticking your dick in everyone’s hole?” Honestly, probably the best quote of the season, though there were some strong contenders!
The truth is, Sasha isn’t doing anything Esther isn’t doing, but there are more repercussions.
The season ended with quite a love triangle—giving us a cliffhanger worth waiting for to resolve. At the very least, it will force Esther and Sasha to actually make a decision about the future of their relationship.
In a surprising turn of events, Noah and Joanne weren’t the most problematic couple around for once. While everything was crumbling around them—and everyone was fighting, including the parents, as Bina questioned, “What did we do to deserve this family coming into our lives?” and Lynn responded that she has to stop infantilizing her boys—Noah and Joanne stayed grounded, prioritizing what was most important to them.
Who knew everyone would be fighting over Sasha and that it would make for the most compelling drama? Who are you rooting for?
Also, I really hope the fact that Joanne kept Sasha and Morgan from Esther doesn’t ruin her friendship with her former sister-in-law because that was one of the best parts of this season. They’ve gone from hating each other to being best friends, the very proof that people can change, and while Esther felt like she was being cut out and excluded because this was Sasha’s family, Joanne promised she was stuck with her for life. However, her loyalty is now torn between the two women she cares most about in the world, which is a tough spot to be in!
What did you think of Nobody Wants This Season 3?
Netflix
When Will ‘Mistletoe Murders’ Stream on Netflix? Everything We Know About the Hallmark Holiday Whodunit’s New Streaming Home
A rewatch of Mistletoe Murders before the third season premieres is a must.
But fans who don’t have the Hallmark Channel are about to get a new way to watch the first few seasons.
The Sarah Drew and Peter Mooney-led show just got a new streaming home on Netflix!
Here’s everything we know!
When Will Mistletoe Murders Stream on Netflix?
Mistletoe Murders is following in the footsteps of The Way Home and coming to Netflix.
The streaming deal proved to be extremely promising for the small-time time-traveling show, introducing it to a wider audience that fell in love with the characters and storyline. Hallmark hopes history repeats itself with the holiday whodunit.
Just days before the third season premieres on the Hallmark Channel, Mistletoe Murders’ first two seasons will be calling Netflix home starting Nov. 1, 2026.
Both seasons have a total of 6 episodes each, meaning you’ll be able to watch all 12!
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What Is Mistletoe Murders About?
Per the Hallmark Channel’s synopsis, “Emily Lane is a good-natured Christmas shop owner with a secret past. When local murders begin to pop up in Fletcher’s Grove, Emily can’t help but to use her unique talents from her past life to help solve murders that affect people in her new life. She crosses paths with Detective Sam Wilner who she starts to make a connection with, until he comes to learn there is more to Emily than meets the eye.”
When Does Mistletoe Murders Season 3 Premiere?
Season 3 of Mistletoe Murders premieres on Thursday, November 5, 2026, at 8/7c on the Hallmark Channel.
The new season will pick up following the explosive cliffhanger of season 2, which brings Emily’s hacker ex, Aaron (played by Aaron Ashmore), into the fold. Additionally, Good Witch fans will be happy to see Catherine Bell arriving in Fletcher’s Grove as a “mysterious and less-than-sweet character,” who appears in the first two episodes.
Keep Reading: Who Is Chimera on ‘Mistletoe Murders’?
The Way Home wrapped up its fourth and final season this summer, on June 21, 2026, on the Hallmark Channel.
Now, three months later, fans who first heard of the show when it was added to Netflix will be able to stream the final season.
When Is The Way Home Season 4 Coming to Netflix?
The Way Home Season 4 is officially available on Netflix starting today, Thursday, Oct. 1, 2026.
Fans can stream all 10 episodes in the final installment to find out how it all ends for the three generations of Landry women!
If you want to read our review, you can find it right here—but be warned, it contains plenty of spoilers!
Will There Be a The Way Home Season 5?
Sadly, there is no news about a fifth season of The Way Home.
Many hoped that after Hallmark prematurely cancelled the series, which was intended to run five seasons, Netflix would swoop in and save it, especially after it got such a huge boost following its addition to the streamer.
Unfortunately, there hasn’t been any confirmation that Netflix is interested in another season—though the cast has expressed interest if the opportunity presented itself.
Maybe following the success of season 4 on Netflix, the streamer will have a change of heart?
You can see what the creators had in mind for a fifth season right here.
Main Cast of The Way Home
- Andie MacDowell as Delilah “Del” Landry
- Chyler Leigh as Katherine “Kat” Landry
- Sadie Laflamme-Snow as Alice Dhawan
- Evan Williams as Elliot Augustine
- Alex Hook as teenage Kat Landry
- David Webster as teenage Elliot Augustine
- Jefferson Brown as Colton Landry
- Spencer MacPherson as Jacob Landry
- Al Mukadam as Brady Dhawan
What Is The Way Home About?
Per the official description, The Way Home follows “three generations of Landry women who discover a magical pond that lets them travel through time to heal past family tragedies.”
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